English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
6 034
Partitions
Numériques
23 986
Librairie
Musicale
15 717
Matériel
de Musique
272
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
2897
PIANO & CLAVIERS
Piano seul
4479
Piano, Voix
1609
Piano Facile
1214
Piano, Voix et Guitare
1126
Orgue
372
Accompagnement Piano
266
1 Piano, 4 mains
163
Piano Trio: piano, violon, violoncelle
59
2 Pianos, 4 mains
52
Instruments en Do
42
Piano grosses notes
32
Accordéon
27
Piano (partie séparée)
22
Piano Quintette: piano, 2 violons, alto, violoncelle
17
Orgue, Piano (duo)
16
Piano Quatuor: piano, violon, alto, violoncelle
15
Piano Quatuor: piano, 2 violons, violoncelle
14
Orgue, Trompette (duo)
9
1 Piano, 6 mains
6
Clavecin
5
Clavier
2
2 Orgues (duo)
1
2 Pianos, 8 mains
1
Orgue, Voix
1
2 Accordéons
1
Ligne De Mélodie, Piano
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
225
Guitare notes et tablatures
208
2 Guitares (duo)
75
Paroles et Accords
47
Ukulele
39
Ligne De Mélodie, (Paroles) et Accords
38
Piano, Guitare (duo)
26
Basse electrique
24
Mandoline
6
Dulcimer
3
Banjo
2
2 Mandolines (duo)
1
Orchestre à Plectres
1
4 Guitares (Quatuor)
1
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
877
Chorale 3 parties
478
Chorale 2 parties
191
Chorale TTBB
168
Voix duo, Piano
52
Chorale Unison
50
Chorale SSAA
38
Voix seule
33
Voix duo
30
Chorale
19
Voix Soprano, Piano
16
Voix Tenor, Piano
6
Voix, Guitare
5
Chorale SSAB, Piano
5
Voix basse, Piano
4
Chorale SSATB
3
Voix basse
3
Voix haute
3
Voix moyenne, Piano
3
Voix Baryton, Piano
2
Chorale SSAB a cappella
2
Voix Soprano
1
Chorale SSAATTBB
1
Voix d'Enfants
1
Chorale, Orgue
1
Voix Alto, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
349
Clarinette et Piano
245
Saxophone Alto et Piano
216
Hautbois, Piano (duo)
200
Quatuor de Saxophones: 4 saxophones
181
Flûte et Guitare
166
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
147
Saxophone Tenor et Piano
145
Clarinette
127
2 Flûtes traversières (duo)
124
2 Clarinettes (duo)
118
Flûte traversière
115
Flûte, Hautbois, Clarinette, Basson
112
2 Saxophones (duo)
109
Quatuor de Clarinettes: 4 clarinettes
102
Saxophone Soprano et Piano
100
Saxophone
87
Quintette de Saxophone: 5 saxophones
68
Saxophone Alto
63
Quatuor de Flûtes : 4 flûtes
57
Saxophone (partie séparée)
53
Saxophone Tenor
52
Quintette de Clarinettes: 5 clarinettes
52
3 Saxophones (trio)
49
Saxophone Baryton, Piano
46
Ensemble de saxophones
44
Cor anglais, Piano
41
Flûte, Clarinette (duo)
41
Quintette de Flûte : 5 flûtes
37
3 Clarinettes (trio)
37
Hautbois (partie séparée)
30
Flûte, Violon, Piano
30
Trio de Flûtes: 3 flûtes
29
Ensemble de Clarinettes
29
Clarinette (partie séparée)
20
Clarinette Basse, Piano
18
Ensemble de Flûtes
18
Clarinette, Basson (duo)
17
Flûte, Clarinette et Basson
17
2 Flûte à bec (duo)
15
2 Hautbois (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Clarinette, Piano (trio)
12
Hautbois, Basson (duo)
11
Flûte à bec Soprano, Piano
11
Flute (partie séparée)
10
Flûte, Hautbois, Basson
10
Saxophone et Piano
10
Hautbois, Clarinette (duo)
10
Hautbois
10
Flûte, Alto (duo)
8
Flûte à bec Soprano
8
Flûte, Violoncelle, Piano (trio)
8
Saxophone Soprano
7
Flûte, Violon
7
2 Flûtes traversières, Piano
7
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Flûte, Hautbois, Clarinette (trio)
6
Clarinette, Violoncelle (duo)
6
Flûte, Violoncelle
6
Piccolo, Piano
6
Flûte à bec Alto
6
2 Saxophones, Piano
6
Flute, harpe et violon
5
Flûte, Trombone (duo)
5
Flûte à Bec, Piano
5
Ensemble De Flûte à bec
4
3 Hautbois
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Basson et Piano
4
Clarinette et Alto
4
4 Hautbois
4
Clarinette, Guitare (duo)
4
Clarinette, Harpe (duo)
4
Hautbois, trombone (duo)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Tenor
3
Hautbois, Harpe
3
Hautbois, violon (duo)
3
Hautbois et alto (duo)
3
Quatuor de Flûtes à bec
3
Clarinette, Violon (duo)
3
Flûte, Saxophone (duo)
2
Piccolo
2
Flûte, Clarinette, Violon (trio)
2
Flûte à bec Alto, Piano
2
Instruments en Mib
2
Hautbois, Basson et Piano
2
Hautbois, Flûte
2
Flûte, Hautbois (duo)
2
Flûte à bec, Guitare (duo)
2
Flûte à bec Alto, Basse continue
1
Saxophone et violoncelle
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Tuba (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à Bec
1
Flûte traversière, Orgue (duo)
1
Saxophone, Basson (duo)
1
Clarinette Basse
1
Clarinette, Trombone (duo)
1
Saxophone et Guitare
1
Flûte irlandaise
1
Cor Anglais
1
Harmonica, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Saxophone et Harpe
1
Clarinette, Tuba
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
213
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
210
Trombone et Piano
170
Trompette
136
Quatuor de Cuivres
132
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Cor et Piano
114
Trombone
73
2 Trompettes (duo)
49
Euphonium, Piano (duo)
47
Ensemble de Trombones
46
Cor anglais, Piano
41
Tuba et Piano
41
Quatuor de Cuivres: 2 trompettes, Cor, trombone
39
Quatuor de cuivres: 4 trombones
39
2 Trombones (duo)
29
Cor
28
Trompette (partie séparée)
26
Ensemble de Trompettes
25
Trombone (partie séparée)
22
Trompette, Trombone (duo)
20
Quatuor de cuivres: 4 cors
18
2 Cors (duo)
16
Cor (partie séparée)
10
Tuba
10
3 Trombones (trio)
9
Trompette, Cor (duo)
7
2 Trompettes, Clavier (piano ou orgue)
6
Trompette, Basson (duo)
5
Tuba (partie séparée)
5
Trio de Cuivres
5
Euphonium
4
Trombone, Violon (duo)
3
Cor, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
Quatuor de cuivres: 4 trompettes
3
Tuba et Orgue
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor, Violoncelle (duo)
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Tuba (duo)
2
Cor et Harpe
2
3 Cors (trio)
2
2 Euphoniums et 2 Tubas
2
Trombone, Cor (duo)
2
2 Tubas (duo)
2
Cor et Basson (duo)
2
Instruments en Sib
2
4 Tubas
2
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
3 Trompettes (trio)
1
Trombone, Alto (duo)
1
Trombone, Tuba (duo)
1
Trompette, Harpe
1
2 Trombones, Piano
1
3 Tubas (trio)
1
Cor et Orgue
1
Bass Clef Instruments
1
Ensemble de Tubas
1
Cor Anglais
1
Trompette, Saxophone (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
443
Quatuor à cordes: 2 violons, alto, violoncelle
341
Violoncelle, Piano
284
Alto, Piano
226
Violon
137
Violoncelle
95
2 Violons (duo)
84
Violon, Violoncelle (duo)
80
Alto seul
64
Trio à Cordes: violon, alto, violoncelle
64
Harpe
53
Violon (partie séparée)
48
2 Violoncelles (duo)
48
Violon, Alto (duo)
47
Quintette à cordes: 2 violons, alto, violoncelle, basse
32
2 Altos (duo)
30
Trio à Cordes: 2 violons, violoncelle
23
Contrebasse, Piano (duo)
21
Violoncelle (partie séparée)
17
Alto (partie séparée)
15
Contrebasse (partie séparée)
15
Piano Trio: Violon, Alto, Piano
15
4 Violoncelles
14
Alto, Violoncelle (duo)
13
Contre Basse
13
Trio à cordes
12
Trio à Cordes: 3 violoncelles
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Harpe, Flûte (duo)
7
Quatuor à cordes: 4 violons
6
2 Violons, Piano
6
2 Harpes (duo)
5
Violon, Basson (duo)
5
Harpe et Piano
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, alto
4
Violon, Guitare (duo)
4
Violon, Clarinette, Piano (trio)
3
2 Contrebasses (duo)
3
Violoncelle, Contrebasse (duo)
3
Alto et Basson
3
Violoncelle , Guitare (duo)
2
Violon, Tuba (duo)
2
2 Violoncelles, Piano
2
Trio à cordes: 3 altos
2
Harpe (partie séparée)
2
Harpe, Violon (duo)
2
4 Harpes
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
1
Violon, Basse continue
1
Alto, Guitare (duo)
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
Violon, Trompette et Piano
1
2 Altos, Piano
1
Ensemble d'Altos
1
Violon, Orgue
1
4 Contrebasses
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
187
Orchestre d'harmonie
152
Ensemble de cuivres
88
Orchestre
78
Cloches
61
Batterie
51
Orchestre de chambre
42
Ensemble Jazz
34
Fanfare
12
Ensemble de Percussions
10
Jazz combo
10
Percussion (partie séparée)
9
Quintette à Vent
4
Percussion
3
Batterie (partie séparée)
3
Ensemble d'École
2
Timbales (partie séparée)
2
Marimba
2
Vibraphone (partie séparée)
1
Timbales
1
Xylophone, Piano
1
Xylophone
1
4 Percussions
1
Quatuor à Vent : 4 instruments à vents
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Ian J
Partitions à imprimer
23 986 partitions trouvées
<
1
26
51
....
9976
Prelude 1 in C Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 1 in C Major Ionian
#
Brian Golden
#
SheetMusicPlus
Prelude 7 in Eb Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 7 in Eb Ionian
#
Brian Golden
#
SheetMusicPlus
Prelude 13 in F# Major Ionian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 13 in F# Major Ionian
#
Brian Golden
#
SheetMusicPlus
Prelude 19 in A Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292493 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883006. Published by Brian Golden (A0.1292493). Prelude 19 in A Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 19 in A Major Ionian
#
Brian Golden
#
SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 22 in B Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 4 in D Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Prelude 10 in F Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1216194 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812805. Published by Brian Golden (A0.1216194). Prelude 10 in F Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 10 in F Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Prelude 16 in G# Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 16 in G# Minor Phrygian
#
Brian Golden
#
SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 11 in Db Major Lydian
#
Brian Golden
#
SheetMusicPlus
Prelude 23 in G Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 23 in G Major Lydian
#
Brian Golden
#
SheetMusicPlus
Prelude 17 in E Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 17 in E Major Lydian
#
Brian Golden
#
SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 5 in Bb Major Lydian
#
Brian Golden
#
SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 12 in Bb Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 6 in G Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 18 in C# Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 24 in E Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 24 in E Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Prelude 14 in D# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1248570 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843063. Published by Brian Golden (A0.1248570). Prelude 14 in D# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 14 in D# Minor Dorian
#
Brian Golden
#
SheetMusicPlus
Happy Birthday Through The Modes - for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1294014 By Len Rhodes. By Patty and…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1294014 By Len Rhodes. By Patty and Mildred J. Hill (1859). Arranged by Len Rhodes. Holiday,Standards,Traditional. Score. 7 pages. Len Rhodes Music #884496. Published by Len Rhodes Music (A0.1294014). An exciting “journey for the musician who wants more for their birthday than the tried and tested major key! These seven piano arrangements (including guitar chords) begin with the familiar major (Ionian) mode; and then journey through Dorian, Phrygian, Lydian, Mixolydian, Aeolian and Locrian modes. I think this arranger’s favourite is the Phrygian.Your download contains all seven modal versions - enjoy!
$6.95
6.32 €
#
Piano seul
#
Len Rhodes
#
Len Rhodes
#
Happy Birthday Through The Modes - for piano
#
Len Rhodes Music
#
SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 2 in A Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 20 in F# MInor Aolian
#
Brian Golden
#
SheetMusicPlus
Prelude 8 in C Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian G…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.45 €
#
Piano seul
#
Brian Golden
#
Brian Golden
#
Prelude 8 in C Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Ionian Mode Church and Chords in C
Piano Facile
Easy Piano - Level 3 - Digital Download SKU: A0.1047284 Composed by Sebastian C. Da…
(+)
Easy Piano - Level 3 - Digital Download SKU: A0.1047284 Composed by Sebastian C. Davis. Classical,Contemporary,Jazz,Multicultural,Traditional,World. Score. 1 pages. Sebastian #651837. Published by Sebastian (A0.1047284). Este exercÃcio foi criado para desenvolvimento auditivo do indivÃduo como músico, ao conhecer algo, fica mais fácil reconhecê-lo, então eu apresento a escala no modo grego que se chama Ionian (Jônico) a primeira escala de uma série de 7, também apresento os acordes que podem ser usados na aplicação do modo. Toquem e ouçam a sonoridade tanto dos acordes, quantos da escala, que está em Dó Jônico (C Ionian) Para a leitura de ambas as claves, a escala está disposta na clave de G e de F, os acordes estão transcritos para as duas mãos, o instrumento a ser usado para tocar esses acordes será o piano, mas nada impede que ele seja tocado pelo, violão por exemplo. - Gratidão! This exercise was created for auditory development of the individual as a musician, knowing something, it is easier to recognize it, so I present the scale in the Greek mode that is called Ionian (Ionian) the first scale of a series of 7, I also present the chords that can be used in the application of the mode. Play and hear the sound of both the chords, how many of the scale, which is in C Ionian (C Ionian) For the reading of both claves, the scale is arranged in the clave of G and F, the chords are transcribed to both hands, the instrument to be used to play these chords will be the piano, but I didn't ask him to be played by the guitar for example. Gratitude!
$2.00
1.82 €
#
Piano Facile
#
Sebastian C
#
Ionian Mode Church and Chords in C
#
Sebastian
#
SheetMusicPlus
Pianosonata number 3, 1st movement
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1082708 Composed by Ian J Miller. 2…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1082708 Composed by Ian J Miller. 20th Century,Classical. Score. 19 pages. Ian Miller #686925. Published by Ian Miller (A0.1082708). A sonata with scope for interpretation. It is based on the classical form (repeats are ignored in the mp3 file) but it has some features that are more modern. The differences in dynamics should be more marked than the mp3 file, and it should be fun to play. So far, this has been restricted to personal use, so a world premier public performance is available.
$3.99
3.63 €
#
Piano seul
#
Ian J Miller
#
Pianosonata number 3, 1st movement
#
Ian Miller
#
SheetMusicPlus
ALLEGRO FROM "CONCERTO IN G MAJOR BWV 973 "(EASY PIANO) - J. S. BACH
Piano seul
Easy Piano - Level 3 - Digital Download SKU: A0.804411 Composed by Johann Sebastian…
(+)
Easy Piano - Level 3 - Digital Download SKU: A0.804411 Composed by Johann Sebastian Bach. Arranged by Juliano Music. Baroque,Instructional,Sacred. Score. 6 pages. Juliano Alessandro Molteni #5743041. Published by Juliano Alessandro Molteni (A0.804411). MY EASY ARRANGEMENT OF ALLEGRO FROM CONCERTO IN G MAJOR BWV 973 BY J. S. BACH.
$2.49
2.26 €
#
Piano seul
#
Johann Sebastian Bach
#
Juliano Music
#
ALLEGRO FROM "CONCERTO IN G MAJOR BWV 973 "(EASY PIANO) - J. S. BACH
#
Juliano Alessandro Molteni
#
SheetMusicPlus
Piano sonata number 3, movement 3
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1084460 Composed by Ian J Miller. 2…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1084460 Composed by Ian J Miller. 20th Century,Classical. Score. 19 pages. Ian Miller #686928. Published by Ian Miller (A0.1084460). A sonata rondo to complete the work, with an emphasis on melody. A piano with a rich bass will bring out the best of the middle part, where the accompaniment is effectively a further theme, and good balance is required. Towards the end there is scope to express skilled playing. The somata has had no public performance so a world premier public performance is available.
$3.99
3.63 €
#
Piano seul
#
Ian J Miller
#
Piano sonata number 3, movement 3
#
Ian Miller
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale