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Piano Trio: piano, violon, violoncelle
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27
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11
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9
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7
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7
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7
Cor
6
Euphonium, Piano (duo)
5
Tuba
4
2 Cors (duo)
4
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3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 cors
3
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2
2 Trompettes, Clavier (piano ou orgue)
2
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2
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2
Cor anglais, Piano
2
Tuba et Orgue
2
Tuba et Piano
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2 Euphoniums et 2 Tubas
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Quatuor de cuivres: 2 trompettes, 2 trombones
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Cor, Tuba (duo)
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1
2 Euphoniums (duo)
1
Trompette, Cor (duo)
1
Euphonium
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2 Trombones, Piano
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Euphonium, Tuba (duo)
1
Trompette, Violoncelle et Piano
1
Trompette, violon (duo)
1
Euphonium Ou Saxhorn Et Piano
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CORDES
Violon et Piano
71
Violoncelle, Piano
57
Quatuor à cordes: 2 violons, alto, violoncelle
55
Alto, Piano
45
Violon
16
2 Violons (duo)
14
2 Violoncelles (duo)
12
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
10
Harpe
10
Violon, Violoncelle (duo)
9
2 Altos (duo)
8
Alto seul
7
Contrebasse, Piano (duo)
7
Violon, Alto (duo)
5
Piano Trio: Violon, Alto, Piano
4
Alto (partie séparée)
3
2 Violons, Piano
3
Contre Basse
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Basson (duo)
2
Violon, Tuba (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, violoncelle
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 2 violons, alto
2
4 Contrebasses
1
4 Violoncelles
1
Alto, Violoncelle (duo)
1
Harpe et Piano
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Violon, Trompette et Piano
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
61
Orchestre à Cordes
17
Ensemble de cuivres
14
Batterie
8
Cloches
7
Orchestre
6
Ensemble Jazz
2
Fanfare
2
Jazz combo
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Ensemble de Percussions
2
Quatuor à Vent : 4 instruments à vents
1
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Christmas Adventures for Cello and Piano
Violoncelle, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Traditional.…
(+)
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Traditional. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, Christmas, Recital. Set of Parts. 21 pages. Published by Colin Kirkpatrick Publications
Christmas Adventures for Cello andPiano<br> <br> A New Look at Three Favorite Carols<br> <br> Arranged by Colin Kirkpatrick<br> <br> <br> <br> Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate cello player and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home, school,church or recital hall. They could be used during a Christmas service or asstand-alone pieces at an end-of-term presentation. The audio sample includes recordingsof all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the cellists tone quality. The Merry Gentleman go Latinis a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teachingservice.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.Christmas Adventures for Cello andPiano<br> <br> A New Look at Three Favorite Carols<br> <br> Arranged by Colin Kirkpatrick<br> <br> <br> <br> Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate cello player and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home, school,church or recital hall. They could be used during a Christmas service or asstand-alone pieces at an end-of-term presentation. The audio sample includes recordingsof all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the cellists tone quality. The Merry Gentleman go Latinis a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teachingservice.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.
$7.95
7.27 €
#
Violoncelle, Piano
#
Traditional
#
Colin Kirkpatrick
#
Worship, Christmas, Recital
#
Christmas Adventures for Cello and Piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Christmas Adventures for Flute and Piano
Flûte traversière et Piano
Flute - Intermediate - Digital Download Composed by Traditional. Arranged by Colin …
(+)
Flute - Intermediate - Digital Download Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas, Recital. Piano Reduction, Set of Parts. 21 pages. Published by Colin Kirkpatrick Publications
Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate flute player (or players) and areasonably competent pianist, they are sure to brighten up your Christmasevents whether at home, school, church or recital hall. You can of course use the music with any number of flute players. The pieces could be usedduring a Christmas service or as stand-alone pieces at an end-of-termpresentation. The audio sample includes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the flute player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate flute player (or players) and areasonably competent pianist, they are sure to brighten up your Christmasevents whether at home, school, church or recital hall. You can of course use the music with any number of flute players. The pieces could be usedduring a Christmas service or as stand-alone pieces at an end-of-termpresentation. The audio sample includes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the flute player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.
$7.95
7.27 €
#
Flûte traversière et Piano
#
Traditional
#
Colin Kirkpatrick
#
Christmas Adventures for Flute and Piano
#
SheetMusicPlus
Christmas Adventures for Alto Sax and Piano
Saxophone Alto et Piano
Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas. Set of Parts. 21 …
(+)
Composed by Traditional. Arranged by Colin Kirkpatrick. Christmas. Set of Parts. 21 pages. Published by Colin Kirkpatrick Publications
Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate alto sax player(s) and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home,school, church or recital hall. They could be used during a Christmas serviceor as stand-alone pieces at an end-of-term presentation. The audio sampleincludes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the saxophone player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.<br> <br> Here are three refreshing new modernarrangements of three popular traditional carols “like you ain’t never heardthem before”. Intended for the intermediate alto sax player(s) and a reasonably competentpianist, they are sure to brighten up your Christmas events whether at home,school, church or recital hall. They could be used during a Christmas serviceor as stand-alone pieces at an end-of-term presentation. The audio sampleincludes recordings of all three pieces.<br> <br> The King Rides Out(based on “Good King Wenceslas”) starts conventionally enough but turns into acountry-style song and then there’s a three-part Bach-like contrapuntal section,concluding with a wistful coda before the music returns to the joyful countrystyle. Waltz with Holly – or Possibly Ivy (based of course on “The Hollyand the Ivy”) turns into a dreamy waltz with long extended phrases and a goodvehicle to show the saxophone player’s tone quality. The Merry Gentleman goLatin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> ColinKirkpatrick studied composition, cello and piano at London’s prestigious RoyalCollege of Music and after graduation followed a career in music education. Hewas a High School Music Director in London for about fifteen years and laterbecame a Music Education Adviser for local government, with the addedresponsibility for training teachers and directing the instrumental teaching service.<br> <br> Hehas been published by Boosey & Hawkes, Novello, Paxton, Schott, OxfordUniversity Press, Chester, Belwin Mills and Intrada (Netherlands). He holds MAand PhD degrees in education and his other interests include reading,photography, travel, cooking and wine tasting - though not necessarily all atthe same time.<br> <br>
$7.95
7.27 €
#
Saxophone Alto et Piano
#
Traditional
#
Colin Kirkpatrick
#
Christmas Adventures for Alto Sax and Piano
#
SheetMusicPlus
Nativity Sketches - 12 piano pieces for Christmas
Piano seul
Composed by Colin Kirkpatrick. Contemporary Classical, Christian, Repertoire, Christmas…
(+)
Composed by Colin Kirkpatrick. Contemporary Classical, Christian, Repertoire, Christmas. 15 pages. Published by Colin Kirkpatrick Publications
This short collection of 12 delightful and inventive miniatures for piano is intended for any Christmas event in schools and churches. They could be used as musical interludes in the narration of the Biblical nativity story or would be suitable for any end-of-semester events. All the pieces are short and with the exception of the final one, each fits on to a single page. They are written with the intermediate pianist in mind although there is quite wide range of difficulty level between the pieces. They can be performed in any order you wish, or even with different pianists taking part. The titles include: Desert Horizon, Camel Train, To the Evening Star, Pilgrims? Song, Song of the Two Shepherds, The Call to the Stable, Song of the Eastern Kings, Mary?s Lullaby to the Child, Ballad of Mary and Joseph, Dance of the Nativity, Hymn to the Holy Child, The Bells Ring Out. The audio sample contains the following numbers (1) Desert Horizon; (2) Camel Train; (3) Song of the Two Shepherds; (4) The Call to the Stable; (5) Dance of the Nativity; (6) Hymn to the Holy Child and (7) The Bells Ring Out.This short collection of 12 delightful and inventive miniatures for piano is intended for any Christmas event in schools and churches. They could be used as musical interludes in the narration of the Biblical nativity story or would be suitable for any end-of-semester events. All the pieces are short and with the exception of the final one, each fits on to a single page. They are written with the intermediate pianist in mind although there is quite wide range of difficulty level between the pieces. They can be performed in any order you wish, or even with different pianists taking part. The titles include: Desert Horizon, Camel Train, To the Evening Star, Pilgrims? Song, Song of the Two Shepherds, The Call to the Stable, Song of the Eastern Kings, Mary?s Lullaby to the Child, Ballad of Mary and Joseph, Dance of the Nativity, Hymn to the Holy Child, The Bells Ring Out. The audio sample contains the following numbers (1) Desert Horizon; (2) Camel Train; (3) Song of the Two Shepherds; (4) The Call to the Stable; (5) Dance of the Nativity; (6) Hymn to the Holy Child and (7) The Bells Ring Out.
$8.95
8.19 €
#
Piano seul
#
Colin Kirkpatrick
#
Nativity Sketches - 12 piano pieces for Christmas
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Really Easy Christmas Collection (20 carols and hymns for solo piano)
Piano Facile
Easy Piano - Easy/Beginner - Digital Download Composed by Various. Arranged by Colin …
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Easy Piano - Easy/Beginner - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Christmas. Individual Part. 23 pages. Published by Colin Kirkpatrick Publications
Here’sa bright and attractive collection of twenty traditional Christmas songs andcarols intended for the elementary pianist or keyboard player. The notation is kept as simple as possible and musical elements such as dynamics,articulations, phrasing and slurs are omitted completely. The piano part,which also includes chords, is printed in large type.It's an ideal item for schools, and especially piano teachers for some seasonal sight-reading for students. The chords are printed below the stave rather than above, to allow space for fingering suggestions. Fingerings are omitted during repeated passages or when the fingering is considered obvious.<br> <br> Elementarypianists rarely have the opportunity of playing in an ensemble. The mainfeature of Colin Kirkpatrick’s Really Easy Christmas Collectionis that it’s fully compatible with the Optional Instrumental Pack, a setof instrumental parts transposed for a selection of popular instruments. It is available here: https://www.sheetmusicplus.com/title/21394520 Whilethe Optional Instrumental Pack is primarily intended to play along withthe piano, the arrangements use flexible instrumentation and can be used entirely on their own without the keyboard part, thus giving you extra flexibility.<br> <br> Thebook contains the following well-known Christmas carols and hymns: Angels fromthe Realms of Glory (Melody: Gloria); As with Gladness, Men of Old (Melody:Dix); Away in a Manger (Melody: Mueller); Deck the Halls (Melody: Nos Galan); Ding!Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry,Gentlemen (Melody: God Rest You Merry); Good Christians All Rejoice (Melody: InDulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); Hark! TheHerald Angels Sing (Melody: Mendelssohn); I Saw Three Ships (Melody: I SawThree Ships); It Came Upon the Midnight Clear (Melody: Carol); Joy to the World(Melody: Antioch); Oh Christmas Tree (Melody: Tannenbaum); Oh Come all yeFaithful (Melody: Adeste Fidelis); Once in Royal David's City (Melody: Irby); SilentNight (Melody: Stille Nacht); The First Nowell; The Holly and the Ivy (Melody:Holly and the Ivy); We Three Kings and WeWish You a Merry Christmas.Here’sa bright and attractive collection of twenty traditional Christmas songs andcarols intended for the elementary pianist or keyboard player. The notation is kept as simple as possible and musical elements such as dynamics,articulations, phrasing and slurs are omitted completely. The piano part,which also includes chords, is printed in large type.It's an ideal item for schools, and especially piano teachers for some seasonal sight-reading for students. The chords are printed below the stave rather than above, to allow space for fingering suggestions. Fingerings are omitted during repeated passages or when the fingering is considered obvious.<br> <br> Elementarypianists rarely have the opportunity of playing in an ensemble. The mainfeature of Colin Kirkpatrick’s Really Easy Christmas Collectionis that it’s fully compatible with the Optional Instrumental Pack, a setof instrumental parts transposed for a selection of popular instruments. It is available here: https://www.sheetmusicplus.com/title/21394520 Whilethe Optional Instrumental Pack is primarily intended to play along withthe piano, the arrangements use flexible instrumentation and can be used entirely on their own without the keyboard part, thus giving you extra flexibility.<br> <br> Thebook contains the following well-known Christmas carols and hymns: Angels fromthe Realms of Glory (Melody: Gloria); As with Gladness, Men of Old (Melody:Dix); Away in a Manger (Melody: Mueller); Deck the Halls (Melody: Nos Galan); Ding!Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry,Gentlemen (Melody: God Rest You Merry); Good Christians All Rejoice (Melody: InDulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); Hark! TheHerald Angels Sing (Melody: Mendelssohn); I Saw Three Ships (Melody: I SawThree Ships); It Came Upon the Midnight Clear (Melody: Carol); Joy to the World(Melody: Antioch); Oh Christmas Tree (Melody: Tannenbaum); Oh Come all yeFaithful (Melody: Adeste Fidelis); Once in Royal David's City (Melody: Irby); SilentNight (Melody: Stille Nacht); The First Nowell; The Holly and the Ivy (Melody:Holly and the Ivy); We Three Kings and WeWish You a Merry Christmas.
$7.95
7.27 €
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Piano Facile
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Various
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Really Easy Christmas Collection
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Colin Kirkpatrick Publications
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SheetMusicPlus
Really Easy Christmas Collection (20 carols and hymns for piano duet)
1 Piano, 4 mains
Piano Duet - Easy/Beginner - Digital Download Composed by Various. Arranged by Colin …
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Piano Duet - Easy/Beginner - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship, Christmas. Set of Parts. 43 pages. Published by Colin Kirkpatrick Publications
Theselively arrangements are intended for the elementary pianists or keyboardplayers. While some duets are more challenging than others, the notation hasusually been kept as simple as possible and musical elements such as dynamics,articulations, phrasing and slurs have been omitted completely. To make thingseasier for the players, the piano parts are printed in large type with Primoand Secondo parts on separate pages. In the Secondo part, chordsare printed underneath the staff (rather than above) to create space for thefingering suggestions.<br> <br> Elementarypianists rarely have the valuable opportunity of playing in an ensemble. Themain feature of the Really Easy Christmas Collection for piano duet isthat it’s fully compatible with the Optional Instrumental Pack, a set ofinstrumental parts for all 20 songs in this collection. The Instrumental Packcontains (a) full scores of each piece plus a set of parts in varioustranspositions. It is available here: https://www.sheetmusicplus.com/title/21394520 <br> <br> Theduets include the following well-known Christmas carols and hymns: Angels fromthe Realms of Glory (Melody: Gloria); As with Gladness, Men of Old (Melody:Dix); Away in a Manger (Melody: Mueller); Deck the Halls (Melody: Nos Galan); Ding!Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry,Gentlemen (Melody: God Rest You Merry); Good Christians All Rejoice (Melody: InDulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); Hark! TheHerald Angels Sing (Melody: Mendelssohn); I Saw Three Ships (Melody: I SawThree Ships); It Came Upon the Midnight Clear (Melody: Carol); Joy to the World(Melody: Antioch); Oh Christmas Tree (Melody: Tannenbaum); Oh Come all yeFaithful (Melody: Adeste Fidelis); Once in Royal David's City (Melody: Irby); SilentNight (Melody: Stille Nacht); The First Nowell; The Holly and the Ivy (Melody:Holly and the Ivy); We Three Kings and WeWish You a Merry Christmas.<br> <br> Theaudio examples include several other instruments using parts from the OptionalInstrumental Pack.<br> <br> Theselively arrangements are intended for the elementary pianists or keyboardplayers. While some duets are more challenging than others, the notation hasusually been kept as simple as possible and musical elements such as dynamics,articulations, phrasing and slurs have been omitted completely. To make thingseasier for the players, the piano parts are printed in large type with Primoand Secondo parts on separate pages. In the Secondo part, chordsare printed underneath the staff (rather than above) to create space for thefingering suggestions.<br> <br> Elementarypianists rarely have the valuable opportunity of playing in an ensemble. Themain feature of the Really Easy Christmas Collection for piano duet isthat it’s fully compatible with the Optional Instrumental Pack, a set ofinstrumental parts for all 20 songs in this collection. The Instrumental Packcontains (a) full scores of each piece plus a set of parts in varioustranspositions. It is available here: https://www.sheetmusicplus.com/title/21394520 <br> <br> Theduets include the following well-known Christmas carols and hymns: Angels fromthe Realms of Glory (Melody: Gloria); As with Gladness, Men of Old (Melody:Dix); Away in a Manger (Melody: Mueller); Deck the Halls (Melody: Nos Galan); Ding!Dong! Merrily on High (Melody: Bransle de l'Officiel); God Rest You Merry,Gentlemen (Melody: God Rest You Merry); Good Christians All Rejoice (Melody: InDulci Jubilo); Good King Wenceslas (Melody: Tempus Adest Floridum); Hark! TheHerald Angels Sing (Melody: Mendelssohn); I Saw Three Ships (Melody: I SawThree Ships); It Came Upon the Midnight Clear (Melody: Carol); Joy to the World(Melody: Antioch); Oh Christmas Tree (Melody: Tannenbaum); Oh Come all yeFaithful (Melody: Adeste Fidelis); Once in Royal David's City (Melody: Irby); SilentNight (Melody: Stille Nacht); The First Nowell; The Holly and the Ivy (Melody:Holly and the Ivy); We Three Kings and WeWish You a Merry Christmas.<br> <br> Theaudio examples include several other instruments using parts from the OptionalInstrumental Pack.<br> <br>
$11.95
10.93 €
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1 Piano, 4 mains
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Various
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Really Easy Christmas Collection
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Colin Kirkpatrick Publications
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SheetMusicPlus
Christmas Adventures for Oboe and Piano
Hautbois, Piano (duo)
Composed by Colin Kirkpatrick. Christian, Contemporary Christian, Christmas. 22 page…
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Composed by Colin Kirkpatrick. Christian, Contemporary Christian, Christmas. 22 pages. Published by Colin Kirkpatrick Publications
Here are three refreshing new modern arrangements of three popular traditional carols “like you ain’t never heard them before”. Intended for the intermediate oboe player and a reasonably competent pianist, they are sure to brighten up your Christmas events whether at home, school, church or recital hall. The pieces could be used during a Christmas service or as stand-alone pieces at an end-of-term presentation. The audio sample includes recordings of all three pieces.<br> <br> The King Rides Out (based on “Good King Wenceslas”) starts conventionally enough but turns into a country-style song and then there’s a three-part Bach-like contrapuntal section, concluding with a wistful coda. Waltz with Holly – or Possibly Ivy (based of course on “The Holly and the Ivy”) turns into a dreamy waltz with long extended phrases and a good vehicle to show the oboe player’s tone quality. The Merry Gentleman go Latin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> Colin Kirkpatrick studied composition, cello and piano at London’s prestigious Royal College of Music and after graduation followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with the added responsibility for training teachers and directing the instrumental teaching service.<br> <br> He has been published by Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. He holds MA and PhD degrees and his other interests include reading, photography, travel, cooking and wine tasting.Here are three refreshing new modern arrangements of three popular traditional carols “like you ain’t never heard them before”. Intended for the intermediate oboe player and a reasonably competent pianist, they are sure to brighten up your Christmas events whether at home, school, church or recital hall. The pieces could be used during a Christmas service or as stand-alone pieces at an end-of-term presentation. The audio sample includes recordings of all three pieces.<br> <br> The King Rides Out (based on “Good King Wenceslas”) starts conventionally enough but turns into a country-style song and then there’s a three-part Bach-like contrapuntal section, concluding with a wistful coda. Waltz with Holly – or Possibly Ivy (based of course on “The Holly and the Ivy”) turns into a dreamy waltz with long extended phrases and a good vehicle to show the oboe player’s tone quality. The Merry Gentleman go Latin is a lively rumba version of “God Rest You Merry, Gentlemen”.<br> <br> Colin Kirkpatrick studied composition, cello and piano at London’s prestigious Royal College of Music and after graduation followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with the added responsibility for training teachers and directing the instrumental teaching service.<br> <br> He has been published by Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. He holds MA and PhD degrees and his other interests include reading, photography, travel, cooking and wine tasting.
$7.99
7.31 €
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Hautbois, Piano (duo)
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Colin Kirkpatrick
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Christmas Adventures for Oboe and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.27 €
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Saxophone Alto et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Clarinet and Piano
Clarinette et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.27 €
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Clarinette et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Clarinet and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.27 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe and Piano
Hautbois, Piano (duo)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother'…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.27 €
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Hautbois, Piano (duo)
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Oboe and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute and Piano
Flûte traversière et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.27 €
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Flûte traversière et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Flute and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Five Dances from Terpsichore for Easy Piano
Piano Facile
Composed by Michael Praetorius et al. Arranged by Colin Kirkpatrick. Instructional, …
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Composed by Michael Praetorius et al. Arranged by Colin Kirkpatrick. Instructional, Renaissance. Score. 11 pages. Colin Kirkpatrick Publications #690673. Published by Colin Kirkpatrick Publications
Here’s a great way to explore some of the most popular European dance music of the early seventeenth century. This book contains easy piano arrangements of several dances from dance collection entitled Terpsichore published by Michael Praetorius in 1612. At the time he was one of the most famous musicians in Germany and the publication consisted of over three hundred dances in four, five and six parts. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available. The five dances in this set actually include eight different numbers. These arrangements are based on the original 1612 publication, which did not include dynamics, phrasing or articulations. Any shown in these arrangements are the suggestion of the arranger. The keyboard parts have been fully fingered though fingering is omitted from repeated sections to encourage the player to memorize them. If the music is being played on a digital piano, the harpsichord sound (if available) might sound more authentic. The music is printed in fairly large easy-to-read notation and this collection would be ideal for the elementary keyboard player. The audio sample contains (1) Volta (2) Two Courantes and (3) La Bourée.Here’s a great way to explore some of the most popular European dance music of the early seventeenth century. This book contains easy piano arrangements of several dances from dance collection entitled Terpsichore published by Michael Praetorius in 1612. At the time he was one of the most famous musicians in Germany and the publication consisted of over three hundred dances in four, five and six parts. The name is pronounced “terp-SI-cory” and rhymes with the word “hickory”. Although the dances were probably conceived for string ensemble Praetorius was well aware that in practice, they would be played by any instruments that happened to be available. The five dances in this set actually include eight different numbers. These arrangements are based on the original 1612 publication, which did not include dynamics, phrasing or articulations. Any shown in these arrangements are the suggestion of the arranger. The keyboard parts have been fully fingered though fingering is omitted from repeated sections to encourage the player to memorize them. If the music is being played on a digital piano, the harpsichord sound (if available) might sound more authentic. The music is printed in fairly large easy-to-read notation and this collection would be ideal for the elementary keyboard player. The audio sample contains (1) Volta (2) Two Courantes and (3) La Bourée.
$4.99
4.56 €
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Piano Facile
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Michael Praetorius et al
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Colin Kirkpatrick
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Five Dances from Terpsichore for Easy Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Hymns of Comfort: Music for Funerals and Memorial Services (A Collection of 10 Piano Solos)
Piano seul
By Sharon Wilson. By Alice Hawthorne, Charles C. Converse, Clement C. Scholefield, H…
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By Sharon Wilson. By Alice Hawthorne, Charles C. Converse, Clement C. Scholefield, Henry Barraclough, Ira D. Sankey, Various, Septimus Winner (1827-1902), William J. Kirkpatrick, Fanny J. Crosby (1820-1915), Lowell Mason (1792-1872), and William H. Doane. Arranged by Sharon Wilson Music. 163, Christian, Holiday, Sacred, Wedding. Score. 37 pages. Sharon Wilson #712175. Published by Sharon Wilson
This collection of 10 piano solos features calming and comforting arrangements of favorite hymns appropriate for funerals or memorial services. Flowing and peaceful, these beautiful arrangements can be used for other occasions as well and are a welcome addition to the church pianist\'s sacred repertoire. The songs are arranged (both thematically and musically) so that they flow nicely from one to the next for continuous, extended play.<br> <br> Each of the 10 arrangements is also available separately with accompanying preview pages and audio samples.<br> <br> Titles included in this collection:<br> Beautiful Isle of Somewhere<br> Does Jesus Care?<br> Ivory Palaces<br> Nearer, My God, to Thee<br> Safe in the Arms of Jesus<br> The Day Thou Gavest, Lord, Is Ended<br> \'Tis So Sweet to Trust in Jesus<br> Trusting Jesus<br> What a Friend We Have in Jesus<br> Whispering HopeThis collection of 10 piano solos features calming and comforting arrangements of favorite hymns appropriate for funerals or memorial services. Flowing and peaceful, these beautiful arrangements can be used for other occasions as well and are a welcome addition to the church pianist\'s sacred repertoire. The songs are arranged (both thematically and musically) so that they flow nicely from one to the next for continuous, extended play.<br> <br> Each of the 10 arrangements is also available separately with accompanying preview pages and audio samples.<br> <br> Titles included in this collection:<br> Beautiful Isle of Somewhere<br> Does Jesus Care?<br> Ivory Palaces<br> Nearer, My God, to Thee<br> Safe in the Arms of Jesus<br> The Day Thou Gavest, Lord, Is Ended<br> \'Tis So Sweet to Trust in Jesus<br> Trusting Jesus<br> What a Friend We Have in Jesus<br> Whispering Hope
$15.00
13.72 €
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Piano seul
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Sharon Wilson
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Sharon Wilson Music
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Hymns of Comfort: Music for Funerals and Memorial Services
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Sharon Wilson
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SheetMusicPlus
Songs and Dances of Atlantis for Piano Duet (Book 2)
1 Piano, 4 mains
Piano Duet - Early Intermediate - Digital Download Composed by Colin Kirkpatrick. A…
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Piano Duet - Early Intermediate - Digital Download Composed by Colin Kirkpatrick. Anniversary, Graduation, Recital. 26 pages. Published by Colin Kirkpatrick Publications
Songs and Dances of Atlantis for Piano Duet (Book 2)<br> <br> Twenty elementary to intermediate piano duets - four hands on one piano.<br> The legend of Atlantis is one of the oldest and most enduring mysteries which remain in popular culture to this day. It has captivated the imaginations of people for centuries.<br> Songs and Dances of Atlantis (Book 2) follows on the first book and is a collection of ten fairly easy to intermediate level piano duets which celebrate this famous legend.<br> These duets would be ideal for any piano recital event especially in schools or colleges. They could be useful in the piano lesson for both sight-reading exercises and ensemble practice. Of course, ensemble playing is an essential element of musical development, though most piano students rarely get the opportunity to make music with others. Ensemble playing encourages the performers to listen to each other as well as themselves and it encourages them to “keep together” rhythmically. Perhaps most importantly, it enables students to share musical decisions and work towards a common musical goal. Apart from that, playing duets can be great fun and can add an extra dimension to the piano lessons.<br> Most of the pieces contain short passages that offer opportunities for improvisation in the Primo part though rhythmic and harmonic guidelines are provided for those who require them. The Primo and Secondo parts are traditionally printed on separate sheets and the melodic material is shared between both parts. Book 2 contains the following titles: (1) Song from the Western Hills, (2) Twilight Dance, (3) Shepherd Song from Zanakh, (4) Circle Dance of the Elders, (5) Dance to the New Moon, (6) Midnight Dance from Khortakh, (7) Dance to the Air Spirits, (8) Zaronian Whirling Dance, (9) Slow Dance from the High Hills and (10)Village Dance from Kratah. The audio sample contains numbers 1, 2, 4, 5, 6,7 and 10.Songs and Dances of Atlantis for Piano Duet (Book 2)<br> <br> Twenty elementary to intermediate piano duets - four hands on one piano.<br> The legend of Atlantis is one of the oldest and most enduring mysteries which remain in popular culture to this day. It has captivated the imaginations of people for centuries.<br> Songs and Dances of Atlantis (Book 2) follows on the first book and is a collection of ten fairly easy to intermediate level piano duets which celebrate this famous legend.<br> These duets would be ideal for any piano recital event especially in schools or colleges. They could be useful in the piano lesson for both sight-reading exercises and ensemble practice. Of course, ensemble playing is an essential element of musical development, though most piano students rarely get the opportunity to make music with others. Ensemble playing encourages the performers to listen to each other as well as themselves and it encourages them to “keep together” rhythmically. Perhaps most importantly, it enables students to share musical decisions and work towards a common musical goal. Apart from that, playing duets can be great fun and can add an extra dimension to the piano lessons.<br> Most of the pieces contain short passages that offer opportunities for improvisation in the Primo part though rhythmic and harmonic guidelines are provided for those who require them. The Primo and Secondo parts are traditionally printed on separate sheets and the melodic material is shared between both parts. Book 2 contains the following titles: (1) Song from the Western Hills, (2) Twilight Dance, (3) Shepherd Song from Zanakh, (4) Circle Dance of the Elders, (5) Dance to the New Moon, (6) Midnight Dance from Khortakh, (7) Dance to the Air Spirits, (8) Zaronian Whirling Dance, (9) Slow Dance from the High Hills and (10)Village Dance from Kratah. The audio sample contains numbers 1, 2, 4, 5, 6,7 and 10.
$11.95
10.93 €
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1 Piano, 4 mains
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Colin Kirkpatrick
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Songs and Dances of Atlantis for Piano Duet
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Colin Kirkpatrick Publications
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SheetMusicPlus
Oh Shenandoah (for alto saxophone and piano)
Saxophone Alto et Piano
Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Annive…
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Composed by Traditional. Arranged by Colin Kirkpatrick. Folk, Fourth of July, Anniversary, Wedding, Americana. Set of Parts. 9 pages. Published by Colin Kirkpatrick Publications
This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your saxophone recital, or it would make an excellent encore piece. The top note is D (written) above the treble staff and the duration is 03:55.<br> <br> As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. <br> <br> Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your repertoire today!This beautiful song is one of the most popular American folk songs, evoking images of the river life of yesteryear. It is sure to be a popular addition to your saxophone recital, or it would make an excellent encore piece. The top note is D (written) above the treble staff and the duration is 03:55.<br> <br> As with most folk songs, there are many different versions of Shenandoah, and it’s impossible to determine the song’s exact provenance with any degree of certainty. It probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: an individual of commanding presence who lived for over a hundred years. <br> <br> Sailors heading down the Mississippi picked up the song and made it a capstan shanty, which they sang while hauling in the anchor. By the mid-1800s versions of the song were heard almost everywhere the clipper ships ventured. Shenandoah was one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Add this lovely American song to your repertoire today!
$6.99
6.39 €
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Saxophone Alto et Piano
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Traditional
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Colin Kirkpatrick
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Oh Shenandoah
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Colin Kirkpatrick Publications
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SheetMusicPlus
Six Welsh Folk Songs for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.522222 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Holiday. Score. 21 pages. Colin Kirkpatrick Publications #3913261. Published by Colin Kirkpatrick Publications (A0.522222). These folk song arrangements are written in the Welsh language. The vocal range is from Middle C to F on the top line of the staff. They are suitable for mezzo soprano and could also be sung by tenor voice an octave lower. They are among some of the most popular folk songs of Wales and sure to be well received at a vocal recital. They would also make excellent encore pieces. For copyright reasons, English translations are not provided, although some are to be found on various web pages. 1. Y Ddau Farch (The Two Mares) The song tells the story of two horses. The older one tells the younger, “In my day I was as good a horse as youâ€. But when I became too old to work, I was sent away to the mountains. She vows never to return to her cruel owners. This is an example of a macaronic song in which the lyrics use more than one language. 2. Si Hei Lwli, ’Mabi (Sleep, my Lovely Baby) In this pentatonic lullaby, a mother tells her child that their ship is moving away, the captain is on board, the eastern wind is blowing and the seagull is on its nest. 3. Canu Cwnsela (Wassail Song) The singers ask permission to come in and sing for their dinner. But they seem to have chosen the wrong house because the reply is: “I have no dinner or money to spend, to give you a welcome tonight.†The melody is in the Dorian Mode. 4. Robin Ddiog (Lazy Robin) The song, also in the Aeolian mode is about a robin whose little house is always tidy. “Open the door a little bit, so that I can see the sea and the waves†he asks. When the door is opened, the breeze sweeps away all the leaves from the floor. 5. Migildi Magildi “When the smithy’s door is open, we can see the blacksmith working.†The song describes the sights and sounds of the blacksmith’s workshop.You can hear all the songs in the audio demo, though they are played by an oboe rather than sung.
$9.95
9.1 €
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Piano, Voix
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Traditional
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Colin Kirkpatrick
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Six Welsh Folk Songs for Voice and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Sanctus (for cello and piano)
Violoncelle, Piano
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Colin Kirk…
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Colin Kirkpatrick. Spiritual, Sacred, Easter, Recital. Score, Solo Part. 7 pages. Published by Colin Kirkpatrick Publications
Colin Kirkpatrick’s Sanctusfor cello and piano is a lyrical, elegiac melody that reflects the spirit of abygone age. The musical language istonal but chromatic and has proved a popular item at cello recitals where it’sbeen played. The piano shares some of the melodic material with the cello andthe music evokes peace and tranquility; there’s a brief yet passionate passagenear the middle of the piece before the music returns to the quite place whereit began. Some sections of the cello part are written in the tenor clef and therange goes into the fourth position, though the note A5 appears once. This workwould make an excellent addition to a cello recital. The score (piano andcello) and the solo cello part are presented in a single 7-page PDF file. (Duration:03:07)<br> <br> Colin Kirkpatrick’s Sanctusfor cello and piano is a lyrical, elegiac melody that reflects the spirit of abygone age. The musical language istonal but chromatic and has proved a popular item at cello recitals where it’sbeen played. The piano shares some of the melodic material with the cello andthe music evokes peace and tranquility; there’s a brief yet passionate passagenear the middle of the piece before the music returns to the quite place whereit began. Some sections of the cello part are written in the tenor clef and therange goes into the fourth position, though the note A5 appears once. This workwould make an excellent addition to a cello recital. The score (piano andcello) and the solo cello part are presented in a single 7-page PDF file. (Duration:03:07)<br> <br>
$5.95
5.44 €
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Violoncelle, Piano
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Colin Kirkpatrick
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Sanctus
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Colin Kirkpatrick Publications
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SheetMusicPlus
Songs and Dances of Atlantis for Piano Duet (Book 1)
1 Piano, 4 mains
Piano Duet - Early Intermediate - Digital Download Composed by Colin Kirkpatrick. A…
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Piano Duet - Early Intermediate - Digital Download Composed by Colin Kirkpatrick. Anniversary, Graduation, Recital. 24 pages. Published by Colin Kirkpatrick Publications
Songs and Dances of Atlantis for Piano Duet (Book 1)<br> Twenty elementary to intermediate piano duets - four hands on one piano.<br> <br> The legend of Atlantis is one of the oldest and most enduring mysteries which remain in popular culture to this day. It has captivated the imaginations of people for centuries. Songs and Dances of Atlantis (Book 1) is a collection of ten easy to moderate piano duets which celebrate this famous legend.<br> These duets would be ideal for any piano recital event especially in schools or colleges. They could be useful in the piano lesson for both sight-reading exercises and ensemble practice. Of course, ensemble playing is an essential element of musical development, though most piano students rarely get the opportunity to make music with others. Ensemble playing encourages the performers to listen to each other as well as themselves and it encourages them to “keep together” rhythmically. Perhaps most importantly, it enables students to share musical decisions and work towards a common musical goal. Apart from that, playing duets can be great fun and can add an extra dimension to the piano lessons.<br> Most of the pieces contain short passages that offer opportunities for improvisation in the Primo part though rhythmic and harmonic guidelines are provided for those who require them. The Primo and Secondo parts are traditionally printed on separate sheets and the melodic material is shared between both parts. Book 2 contains a few easy pieces but pushes the boundaries a bit further and requires rather more advanced technical skills.<br> Book 1 contains the following pieces: (1) Song from the Northern Forest, (2) Ancient Song from Crane River, (3) Hymn to the Golden Sky, (4) Lullaby of the Sea Gypsies, (5) Song from Dragon Island, (6) Dance to the Temple Spirits, (7) Evening Song from the Cloud Lakes, (8) Round Dance from Ikrania (9) Slow Dance from the Eastern Hills and (10) Children’s Dance to the Sun. The audio demo features numbers 1, 2, 3, 5, 6, 8 and 10.Songs and Dances of Atlantis for Piano Duet (Book 1)<br> Twenty elementary to intermediate piano duets - four hands on one piano.<br> <br> The legend of Atlantis is one of the oldest and most enduring mysteries which remain in popular culture to this day. It has captivated the imaginations of people for centuries. Songs and Dances of Atlantis (Book 1) is a collection of ten easy to moderate piano duets which celebrate this famous legend.<br> These duets would be ideal for any piano recital event especially in schools or colleges. They could be useful in the piano lesson for both sight-reading exercises and ensemble practice. Of course, ensemble playing is an essential element of musical development, though most piano students rarely get the opportunity to make music with others. Ensemble playing encourages the performers to listen to each other as well as themselves and it encourages them to “keep together” rhythmically. Perhaps most importantly, it enables students to share musical decisions and work towards a common musical goal. Apart from that, playing duets can be great fun and can add an extra dimension to the piano lessons.<br> Most of the pieces contain short passages that offer opportunities for improvisation in the Primo part though rhythmic and harmonic guidelines are provided for those who require them. The Primo and Secondo parts are traditionally printed on separate sheets and the melodic material is shared between both parts. Book 2 contains a few easy pieces but pushes the boundaries a bit further and requires rather more advanced technical skills.<br> Book 1 contains the following pieces: (1) Song from the Northern Forest, (2) Ancient Song from Crane River, (3) Hymn to the Golden Sky, (4) Lullaby of the Sea Gypsies, (5) Song from Dragon Island, (6) Dance to the Temple Spirits, (7) Evening Song from the Cloud Lakes, (8) Round Dance from Ikrania (9) Slow Dance from the Eastern Hills and (10) Children’s Dance to the Sun. The audio demo features numbers 1, 2, 3, 5, 6, 8 and 10.
$11.95
10.93 €
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1 Piano, 4 mains
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Colin Kirkpatrick
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Songs and Dances of Atlantis for Piano Duet
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Colin Kirkpatrick Publications
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SheetMusicPlus
Away In A Manger (Bb-Clarinet solo and Piano)
Clarinette et Piano
Composed by James R. Murray, William J. Kirkpatrick. Arranged by Stephen DeCesare. C…
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Composed by James R. Murray, William J. Kirkpatrick. Arranged by Stephen DeCesare. Christian, Contemporary Christian, Sacred, Praise & Worship, Christmas. Score, Set of Parts. 10 pages. Published by Exultet Music
This setting brings together the two popular melodies associated with the "Away In A Manger" lyrics. Both parts start independently of each other but then intertwine as countermelodies to each other. Scored for a Bb-Clarinet solo and Piano. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.This setting brings together the two popular melodies associated with the "Away In A Manger" lyrics. Both parts start independently of each other but then intertwine as countermelodies to each other. Scored for a Bb-Clarinet solo and Piano. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
4.56 €
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Clarinette et Piano
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James R
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Stephen DeCesare
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Worship, Christmas
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Away In A Manger
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Exultet Music
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SheetMusicPlus
Hymns of Praise for Two Pianos (A Collection of 5 Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon …
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1455795 By Sharon Wilson. By Charles Wesley, Fanny J. Crosby, John Bacchus Dykes, Luther B. Bridgers, Reginald Heber, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. 19th Century,Christian,Easter,Praise & Worship,Sacred. Score. 61 pages. Sharon Wilson #1034892. Published by Sharon Wilson (A0.1455795). This collection contains 5 favorite praise hymns arranged as PIANO DUETS (for 2 Pianos, 4 Hands). These arrangements are straight-forward and suitable for intermediate pianists. An optional repeat is provided for some songs in case a longer selection is desired. These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for intermediate students and suitable for performances in a church setting (prelude, offertory, postlude).PIANO 1 and PIANO 2 alternate leading with the melody throughout each song, making these arrangements fun and equally challenging for both players while adding variety for the listeners. For each song there is a combined score (Grand Staff) with both piano parts on each page plus an alternate format with each piano part on separate pages (PIANO 1 and PIANO 2). Each song is also available separately with accompanying preview pages and audio samples. The audio sample plays one verse of And Can It Be? and the YouTube video features To God Be the Glory.Song titles included in this collection: And Can It Be?He Keeps Me SingingHoly, Holy, HolyRedeemed, How I Love to Proclaim ItTo God Be the GloryVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$15.00
13.72 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson
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Hymns of Praise for Two Pianos
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Sharon Wilson
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SheetMusicPlus
'Tis So Sweet to Trust in Jesus for Piano Duet
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.737678 Composed by …
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.737678 Composed by William J. Kirkpatrick. Arranged by Ian Wei. Sacred. Score. 10 pages. Ian Wei #4804013. Published by Ian Wei (A0.737678). A traditional hymn arranged for piano duet (1 piano, 4 hands) performance.
$7.99
7.31 €
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1 Piano, 4 mains
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William J
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Ian Wei
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'Tis So Sweet to Trust in Jesus for Piano Duet
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Ian Wei
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SheetMusicPlus
He Hideth My Soul for Flute, Clarinet and Piano
Flûte, Clarinette, Piano (trio)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.737748 Composed by William J. Kirkpatrick. Arranged by Ian Wei. Sacred. Score and parts. 12 pages. Ian Wei #6444665. Published by Ian Wei (A0.737748). A traditional hymn arranged for flute, Bb clarinet and piano performance.
$9.99
9.14 €
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Flûte, Clarinette, Piano (trio)
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William J
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Ian Wei
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He Hideth My Soul for Flute, Clarinet and Piano
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Ian Wei
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SheetMusicPlus
Go, Carry Thy Burden to Jesus for Piano Solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.846900 Composed by W. J. Kirkpatric…
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Piano Solo - Level 5 - Digital Download SKU: A0.846900 Composed by W. J. Kirkpatrick. Arranged by Sharon Kim. 20th Century,Christian,Concert,Sacred. Score. 6 pages. Song of Songs Music #6038309. Published by Song of Songs Music (A0.846900). This wonderful hymn has been dressed up in a post romantic style for pianists to perform in church or Christian events. It starts peacefully with sweet reharmonization but soon develops into diverse ambiences to reach the enormously dramatic climax. The colorful mid section with sweet and delicate harmonies will bring smiles on your face.Performance duration; approximately 4 minutes.Level: for concert pianists and professional or passionate advanced pianistsPlease visit ‘Sharon’s Pure Music Creation’ to request a free tutorial video from the arranger, pianist Sharon Kim who has over 30 years of teaching experiences if you need one.
$10.99
10.05 €
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Piano seul
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W
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Sharon Kim
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approximately 4 minutes
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Go, Carry Thy Burden to Jesus for Piano Solo
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Song of Songs Music
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SheetMusicPlus
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