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Ich Weiss, Was Ich Will
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Vous avez sélectionné:
Ich Weiss, Was Ich Will
Partitions à imprimer
20 partitions trouvées
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Ich Weiss, Was Ich Will
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Piano, Voix et Guitare
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Pop musique
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Udo Jurgens
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Ich Weiss, Was Ich Will
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Hal Leonard Europe
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SheetMusicPlus
Interactive Download SKU: HX.401440 By Udo Jurgens. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 7 pages. Published...
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Interactive Download SKU: HX.401440 By Udo Jurgens. This edition: Interactive Download. Pop. Piano/Vocal/Guitar (Piano Accompaniment). 7 pages. Published by Hal Leonard Europe (HX.401440).
$4.99
Die Loreley - Ich weiß nicht was soll es bedeuten - German Folk Song - Brass Quintet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Thomas Graf
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Instrumentation:
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Die Loreley - Ich weiß n
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.569780 Arranged by Thomas Graf. World. Score and parts. 18 pages. Thomas Graf - ...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.569780 Arranged by Thomas Graf. World. Score and parts. 18 pages. Thomas Graf - the-hit-factory.com #3549741. Published by Thomas Graf - the-hit-factory.com (A0.569780). Beautiful German Folk Song with words by Heine about a mystic rock in the Rhine River. Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb/Bb, Trombone C/Bb, Tuba/Bass in Bb/Eb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N.... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$6.99
Die Loreley/Die Lorelei - Ich weiß nicht was soll es bedeuten - German Folk Song - Brass Quintet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Traditional
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Thomas Graf
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Die Loreley/Die Lorelei - Ich
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.498695 Composed by Traditional. Arranged by Thomas Graf. Classical,Folk. Score a...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.498695 Composed by Traditional. Arranged by Thomas Graf. Classical,Folk. Score and parts. 19 pages. Thomas Graf - the-hit-factory.com #112219. Published by Thomas Graf - the-hit-factory.com (A0.498695). Beautiful German Folk Song with words by Heine about a mystic rock in the Rhine River. Instrumentation: Tpt 1/2 in Bb/C, Horn in F/Eb, Trombone C/Bb, Tuba/Bass in Bb/Eb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$9.00
Die Loreley/Die Lorelei - Ich weiß nicht was soll es bedeuten - German Folk Song - Wind Ensemble
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Traditional
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Thomas Graf
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Die Loreley/Die Lorelei - Ich
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Clarinet,Flute,Oboe - SKU: A0.498692 Composed by Traditional. Arranged by Thomas Graf. Classical,Folk. 16 pages. Published by Thomas G...
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Woodwind Ensemble Clarinet,Flute,Oboe - SKU: A0.498692 Composed by Traditional. Arranged by Thomas Graf. Classical,Folk. 16 pages. Published by Thomas Graf - the-hit-factory.com (A0.498692). Beautiful German Folk Song with words by Heine about a mystic rock in the Rhine River. Instrumentation: Part I Flute Part I Clarinet in Bb Part II Flute/Oboe Part II Clarinet in Bb Part III Clarinet in Bb Part III Alto Clarinet in Eb Part IV Clarinet in Bb Part IV Alto Clarinet in Eb Part V Bass Clarinet in Bb Part V Bassoon Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$10.00
Die Loreley/Die Lorelei - Ich weiß nicht was soll es bedeuten - German Folk Song - Wind Quintet
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Traditional
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Thomas Graf
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Die Loreley/Die Lorelei - Ich
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet,Flute - SKU: A0.498694 Composed by Traditional. Arranged by Thomas Graf. Classical,Folk. 10 pages. Published...
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Woodwind Ensemble,Woodwind Quintet Clarinet,Flute - SKU: A0.498694 Composed by Traditional. Arranged by Thomas Graf. Classical,Folk. 10 pages. Published by Thomas Graf - the-hit-factory.com (A0.498694). Beautiful German Folk Song with words by Heine about a mystic rock in the Rhine River. Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$9.00
Edelweiss
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Comédie Musicale
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Various Artists
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Will Corbin
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Edelweiss
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Will Corbin
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trumpet,Tuba - SKU: A0.1460706 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Will Corbin. Bro...
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Brass Quintet Baritone Horn TC,Trumpet,Tuba - SKU: A0.1460706 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Will Corbin. Broadway,Musical/Show. 18 pages. Will Corbin #1039612. Published by Will Corbin (A0.1460706). No, it's not the Austrian national anthem, although anyone who has seen The Sound Of Music thinks so. (For that reason, most Austrians are merely mildly aggravated by what is otherwise a lovely tune.) The tiny edelweiss (it means noble white) flower is indeed a prominent symbol of Austria, present on many things Austrian you would find in any souvenir store across the country. Edelweiss was a late addition to the Sound Of Music score; Richard Rodgers thought Capt. Von Trapp needed a song to sing to his country as he fled the Nazis. It was also the last song of the Rodgers and Hammerstein collaboration before Hammerstein died. This arrangement features an echoic yodeling at beginning and end. It's scored for two trumpets, horn, baritone TC (trombone is more forceful than necessary, although I've included the part with this package) and tuba.If you need alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
Bach: Sheep may safely graze (Schafe können sicher weiden) by Khatia Buniatishvili (ENCORE)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Khat
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Flavio Regis Cunha
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Bach: Sheep may safely graze
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FRC Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1211316 By Johann Sebastian Bach and Khatia Buniatishvili. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baro...
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Piano Solo - Level 4 - SKU: A0.1211316 By Johann Sebastian Bach and Khatia Buniatishvili. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Festival,Instructional,Sacred,Wedding. Score. 6 pages. FRC Music #808981. Published by FRC Music (A0.1211316). Bach: Sheep may safely graze (Schafe können sicher weiden) as interpreted by Khatia Buniatishvili.Arrangement written according to the smooth and peaceful interpretation of the renowned pianist Khatia Buniatishvili (ENCORE).This piece fits perfectly in a concert encore, a recital, or just to delight your guests at a dinner party. The piece can also be used at weddings (entrance of pages or greetings) or even, in preludes and postludes of liturgical services. You and your guests will be delighted to hear this enchanting music by J. S. Bach.Watch pianist Khatia's performance in the Encore of her concert:https://youtu.be/rjm9aGioXaw Sheep may safely graze (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach to words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208 (Only the lively hunt pleases me), also known as the Hunting Cantata.Like the Bach's Jesu, Joy of Man's Desiring, Sheep may safely graze is frequently played at weddings. However, the cantata BWV 208 was originally written for a birthday celebration of Christian, Duke of Saxe-Weissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death.
$7.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Bach: Sheep May Safely Graze for Baritone Sax & Piano
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Saxophone Baryton, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,We...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Saxophone Alto et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Weddin...
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Alto Saxophone,Piano - Level 2 - SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Sheep May Safely Graze " The Birthday Cantata " by Bach for flute choir / ensemble
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastion Bach , J S Ba
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Sheep May Safely Graze "
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach...
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Piccolo,Soprano Flute - Level 3 - SKU: A0.874253 Composed by Johann Sebastion Bach , J S Bach. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Baroque,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 36 pages. As do Ray meflute studio production #4573517. Published by as do Ray meflute studio production (A0.874253). Https://www.youtube.com/watch?v=05dsgxhs9qM&feature=youtu.beSheep May Safely Graze Sheep may safely graze (German: Schafe können sicher weiden) is a soprano aria by Johann Sebastian Bach setting words by Salomon Franck. The piece was written in 1713 and is part of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208. The cantata's title translates The lively hunt is all my heart's desire, and it is also known as the Hunting Cantata. Like the same composer´s Jesu, Joy of Man's Desiring, it is frequently played at weddings.[1] However, it was originally written for a birthday celebration, that of Christian, Duke of SaxeWeissenfels. Bach was based at the nearby court of Weimar, and musicians from both courts appear to have joined together in the first performance in Weißenfels. Bach is known to have used the music again for other celebrations, but it remained unpublished until after his death. Perfect for church, religious holidays, weddings, Easter, Birthdays , concerts, program performances, themed performances, recital, you name it.. this arrangement is a must.Score for a larger nsemble , Piccolo, G soprano flute or 1st c flute , 2nd flute, 3rd flute, 4th flute, 5th flute, 6 th flute , Alto flute in g , Bass flute and contrabass flute . Definiately a piece that will get used many times for many occasionals.also, check out my other arrangements! Real flute choir / ensemble arrangements for real flutes, and real parts ( no piano funny business ) for real performances. **ALSO check out my other arrangemnts - https://www.sheetmusicplus.com/publishers/a-do-ray-me-flute-studio-production/7545
$15.99
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
What A Wonderful World
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Louis Armstrong With Kenny G
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Thomas Graf
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What A Wonderful World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Bassethorn - Level 3 - SKU: A0.568873 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by...
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Woodwind Ensemble Bass Clarinet,Bassethorn - Level 3 - SKU: A0.568873 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Jazz,Pop. 24 pages. Thomas Graf - the-hit-factory.com #3388501. Published by Thomas Graf - the-hit-factory.com (A0.568873). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. Instrumentation: Clarinet 1/2 in Bb, Basset Horn/Clarinet 3 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/f_IJw23XTFc
$14.99
What A Wonderful World
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Jazz
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Louis Armstrong With Kenny G
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Thomas Graf
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What A Wonderful World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 3 - SKU: A0.569242 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arra...
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Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 3 - SKU: A0.569242 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Jazz. 14 pages. Thomas Graf - the-hit-factory.com #4265005. Published by Thomas Graf - the-hit-factory.com (A0.569242). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. Instrumentation: Flute 1/2, Clarinet in Bb 1/2 Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/iFHUJZRWcgY
$12.99
What A Wonderful World
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Louis Armstrong With Kenny G
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Thomas Graf
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What A Wonderful World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.568874 By Louis Armstrong Wi...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.568874 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Broadway,Christmas,Film/TV,Jazz,Musical/Show,Pop. 27 pages. Thomas Graf - the-hit-factory.com #3388515. Published by Thomas Graf - the-hit-factory.com (A0.568874). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. Instrumentation: Part I (Soprano/Alto), Part II (Alto), Part III (Tenor), Part IV (Baritone/Bass Sax) Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/AwE_zV6TRfU
$15.99
What A Wonderful World
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jazz
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Louis Armstrong With Kenny G
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Thomas Graf
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What A Wonderful World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.568872 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arran...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.568872 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Jazz. Score and parts. 22 pages. Thomas Graf - the-hit-factory.com #3388497. Published by Thomas Graf - the-hit-factory.com (A0.568872). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts.  Instrumentation: Violin 1/2, Viola, Cello  Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic  Video: https://www.youtu.be/8yYG635zUG8
$14.99
What A Wonderful World
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Louis Armstrong With Kenny G
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Thomas Graf
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What A Wonderful World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone - Level 3 - SKU: A0.569148 By Louis Armstrong With...
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Soprano Saxophone - Level 3 - SKU: A0.569148 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Jazz,Pop. 16 pages. Thomas Graf - the-hit-factory.com #3685181. Published by Thomas Graf - the-hit-factory.com (A0.569148). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. Instrumentation: Flute, Soprano Saxophone, Clarinet in Bb, Alto Saxophone, Baritone Saxophone Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/-74QP-ZQmzU 2018 Holiday Contest Entry.
$16.99
What A Wonderful World
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jazz
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Louis Armstrong With Kenny G
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Thomas Graf
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What A Wonderful World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.569623 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Jazz. Score and ...
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Concert Band - Level 3 - SKU: A0.569623 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Jazz. Score and parts. 68 pages. Thomas Graf - the-hit-factory.com #6566853. Published by Thomas Graf - the-hit-factory.com (A0.569623). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. Instrumentation: Flute 1 Flute 2 Oboe (Solo) Clarinet/ Soprano Sax in Bb (Solo) Alto Saxophone (Solo) Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F Baritone Horn Trombone 1 Trombone 2 Trombone 3 Trombone 4 Drum Set Flute 1 Flute 2 Oboe Clarinet 1 in Bb Clarinet 2 in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet Solo in Bb Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3/4 in Bb Horn in F Baritone in Bb Trombone 1 Trombone 2 Trombone 3 Bass Trombone Bass Guitar Guitar Piano Drum Set Vocals (Opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$59.99
What A Wonderful World
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Louis Armstrong With Kenny G
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Thomas Graf
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What A Wonderful World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.567838 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. J...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.567838 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Jazz. Score and parts. 54 pages. Thomas Graf - the-hit-factory.com #1932847. Published by Thomas Graf - the-hit-factory.com (A0.567838). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. Reed doublings are optional - any substitute part are available so that the arrangement can be performed with different orchestrations. www.the-hit-factory.com. Visit us on Facebook: http://www.facebook.com/hitfactorymusic.
$40.00
What A Wonderful World - Score Only
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Ensemble Jazz
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INTERMÉDIAIRE
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Louis Armstrong
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Thomas Graf
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What A Wonderful World - Score
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1111083 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Blues,Film/TV...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1111083 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Blues,Film/TV,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #713359. Published by Thomas Graf - the-hit-factory.com (A0.1111083). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. About this arrangement: Instrumentation: Full Score 5 Saxes (opt. Flute Clar. 1/2) 3+1 Trumpets (Trumpet. solo) 4 Trombones (incl. Bass Trombone) Guitar Piano Bass Drums Vocals (opt.) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$5.00
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Ich Weiss, Was Ich Will
