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If I Should Lose You
Partitions à imprimer
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If I Should Lose You
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1171176 By P…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1171176 By Phineas Newborn, Jr. By Leo Robin and Ralph Rainger. Arranged by Tobi Crawford. 20th Century,Jazz. 10 pages. Tobi Crawford #771515. Published by Tobi Crawford (A0.1171176). An exciting opener or closer for a medium - to - advance vocal jazz ensemble. An open solo section gives ample opportunity for young improvisers to solo over these fun changes followed by an a capella soli section.
$10.00
9.33 €
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Chorale SATB
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Phineas Newborn, Jr
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Tobi Crawford
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If I Should Lose You
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Tobi Crawford
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SheetMusicPlus
If I Should Lose You
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.845534 By Phineas …
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.845534 By Phineas Newborn, Jr. By Leo Robin and Ralph Rainger. Arranged by Mike McGowan. Contemporary. Score and parts. 56 pages. Mike McGowan #4355247. Published by Mike McGowan (A0.845534). If you have a good trombone section, this chart is for you! A medium tempo swinger, this chart is not only a great trombone feature, but also works well for dance gigs!
$15.00
13.99 €
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Ensemble Jazz
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Phineas Newborn, Jr
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Mike McGowan
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If I Should Lose You
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Mike McGowan
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SheetMusicPlus
If I Should Lose You
Small Ensemble - Level 5 - Digital Download SKU: A0.748078 By Various Artists. By B…
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Small Ensemble - Level 5 - Digital Download SKU: A0.748078 By Various Artists. By Burt F Bacharach and Steve Krikorian. Arranged by Patrick Sheehan. Contemporary. Score and parts. 80 pages. Patrick Sheehan #5725661. Published by Patrick Sheehan (A0.748078). INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Background Vocal V, Background Vocal VI, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Electric Guitar I, Electric Guitar II, Bass, Wind Chimes, Triangle, Finger Snaps, Conga Drums, Drumset. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
23.32 €
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Various Artists
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Patrick Sheehan
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If I Should Lose You
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Patrick Sheehan
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SheetMusicPlus
If I Should Lose You by Oscar Peterson - Transcription
Piano seul
Sheet Music for If I Should Lose You from Rose of the Rancho arranged for Transcription;Pi…
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Sheet Music for If I Should Lose You from Rose of the Rancho arranged for Transcription;Piano/Chords in G Minor. Digital sheet music from Musicnotes. --
$5.99
5.59 €
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Piano seul
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Transcription
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Musicnotes
If I Should Lose You by PianoGroove - Piano Solo
Piano seul
Performed by: PianoGroove: If I Should Lose You - (from the Paramount Picture Rose of the …
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Performed by: PianoGroove: If I Should Lose You - (from the Paramount Picture Rose of the Rancho) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 2 pages -- Movie/TV~~Solo Instrumental~~Standards~~Traditional Pop~~Soundtrack
$7.99
7.45 €
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Piano seul
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PianoGroove
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Piano Solo
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Musicnotes
If I Should Lose You by Nina Simone - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Performed by: Nina Simone: If I Should Lose You - fromt the Paramount Picture Rose of the …
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Performed by: Nina Simone: If I Should Lose You - fromt the Paramount Picture Rose of the Rancho Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 5 pages -- Jazz~~Standards~~Torch~~Vocal Jazz
$5.50
5.13 €
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Piano, Voix
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Nina Simone
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
If I Should Lose You by Nina Simone - Easy Piano
Piano Facile
Performed by: Nina Simone: If I Should Lose You - from the Paramount Picture Rose of the R…
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Performed by: Nina Simone: If I Should Lose You - from the Paramount Picture Rose of the Rancho Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 3 pages -- Movie/TV~~Soundtrack
$3.95
3.68 €
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Piano Facile
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Nina Simone
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Easy Piano
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Musicnotes
If I Should Lose You by Leo Robin - Piano Solo
Piano seul
If I Should Lose You - from the Paramount Picture Rose of the Rancho Digital Sheetmusic - …
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If I Should Lose You - from the Paramount Picture Rose of the Rancho Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 5 pages -- Jazz~~Swing~~Standards~~Traditional Pop
$5.50
5.13 €
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Piano seul
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Piano Solo
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Musicnotes
If I Should Lose You (Low Voice)
Ligne De Mélodie, (Paroles) et Accords
Voice - Digital Download SKU: HX.1376441 This edition: scorch. Jazz,Pop,Standards. …
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Voice - Digital Download SKU: HX.1376441 This edition: scorch. Jazz,Pop,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #160. Published by Hal Leonard - Digital (HX.1376441).
$1.99
1.86 €
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Ligne De Mélodie, (Paroles) et Accords
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
If I Should Lose You
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.928464 By Phineas Newborn, Jr. By L…
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Piano Solo - Level 4 - Digital Download SKU: A0.928464 By Phineas Newborn, Jr. By Leo Robin and Ralph Rainger. Arranged by Peter Viani. Contemporary. Score. 2 pages. Peter Viani #6065801. Published by Peter Viani (A0.928464). Jazz piano arrangement, chord substitutions, chord symbols.
$4.99
4.65 €
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Piano seul
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Phineas Newborn, Jr
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Peter Viani
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If I Should Lose You
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Peter Viani
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SheetMusicPlus
If I Should Lose You
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1017775 By Phineas…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1017775 By Phineas Newborn, Jr. By Leo Robin and Ralph Rainger. Arranged by Len Pierro. Contemporary. Score and parts. 68 pages. WalkingPath Music Publishing #6256207. Published by WalkingPath Music Publishing (A0.1017775). Medium tempo straight ahead swing for big band. Based on the small group arrangement by Sphere, this features both tenor sax players on the melody and then solos. As performed by the Len Pierro Jazz Orchestra on the recording The Third Quarter. .
$50.00
46.64 €
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Ensemble Jazz
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Phineas Newborn, Jr
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Len Pierro
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If I Should Lose You
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WalkingPath Music Publishing
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SheetMusicPlus
If I Should Lose You
Interactive Download SKU: HX.360202 By Phineas Newborn, Jr. This edition: Interacti…
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Interactive Download SKU: HX.360202 By Phineas Newborn, Jr. This edition: Interactive Download. Blues,Broadway,Jazz,Love,Pop,Rock,Standards. Easy Guitar. 1 pages. Published by Hal Leonard - Digital (HX.360202).
$2.99
2.79 €
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Phineas Newborn, Jr
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
If I Should Lose You
Digital Download SKU: HX.364445 By David Hazeltine and Phineas Newborn, Jr. Standar…
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Digital Download SKU: HX.364445 By David Hazeltine and Phineas Newborn, Jr. Standards. Real Book - Enhanced Chords. 1 pages. Published by Hal Leonard - Digital (HX.364445).
$3.99
3.72 €
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David Hazeltine and Phineas Newborn, Jr
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
If I Should Lose You
Ligne De Mélodie, (Paroles) et Accords
C Instrument,Chords,Lyrics,Melody - Digital Download SKU: HX.397450 By Phineas Newb…
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C Instrument,Chords,Lyrics,Melody - Digital Download SKU: HX.397450 By Phineas Newborn, Jr. This edition: scorch. Jazz,Standards. Easy Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #160. Published by Hal Leonard - Digital (HX.397450).
$3.99
3.72 €
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Ligne De Mélodie, (Paroles) et Accords
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Phineas Newborn, Jr
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
If I Should Lose You
Ligne De Mélodie, (Paroles) et Accords
Chords,Lyrics,Melody - Digital Download SKU: HX.397447 By Phineas Newborn, Jr. This…
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Chords,Lyrics,Melody - Digital Download SKU: HX.397447 By Phineas Newborn, Jr. This edition: scorch. Jazz,Standards. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #160. Published by Hal Leonard - Digital (HX.397447).
$3.99
3.72 €
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Ligne De Mélodie, (Paroles) et Accords
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Phineas Newborn, Jr
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
If I Should Lose You
Saxophone Alto
Digital Download SKU: HX.404354 By Bud Shank. Jazz,Standards. Alto Sax Transcriptio…
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Digital Download SKU: HX.404354 By Bud Shank. Jazz,Standards. Alto Sax Transcription. 5 pages. Published by Hal Leonard - Digital (HX.404354).
$3.99
3.72 €
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Saxophone Alto
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Bud Shank
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
If I Should Lose You
Piano Facile
Interactive Download SKU: HX.368271 By Phineas Newborn, Jr. This edition: Interacti…
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Interactive Download SKU: HX.368271 By Phineas Newborn, Jr. This edition: Interactive Download. Jazz,Standards. Very Easy Piano. 2 pages. Published by Hal Leonard - Digital (HX.368271).
$3.99
3.72 €
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Piano Facile
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Phineas Newborn, Jr
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
If I Should Lose You
Guitare notes et tablatures
By Phineas Newborn, Jr. By Leo Robin and Ralph Rainger. Arranged by edited by Dr. Le…
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By Phineas Newborn, Jr. By Leo Robin and Ralph Rainger. Arranged by edited by Dr. LeRoy Henry. Blues, Jazz, Pop, Standards. Guitar Tab. 10 pages. Dr. LeRoy Henry #722721. Published by Dr. LeRoy Henry
$4.99
4.65 €
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Guitare notes et tablatures
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Phineas Newborn, Jr
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edited by Dr
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If I Should Lose You
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Dr. LeRoy Henry
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SheetMusicPlus
If I Should Lose You
Piano seul
By Oscar Peterson. This edition: scorch. Jazz, Standards. Score. 10 pages. Hal Leona…
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By Oscar Peterson. This edition: scorch. Jazz, Standards. Score. 10 pages. Hal Leonard #160. Published by Hal Leonard
$5.99
5.59 €
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Piano seul
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Oscar Peterson
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If I Should Lose You
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Hal Leonard
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SheetMusicPlus
If I Ever Lose My Faith In You
Piano grosses notes
Digital Download SKU: HX.448670 By Sting. Pop,Rock,Standards. E-Z Play Today. 4 pag…
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Digital Download SKU: HX.448670 By Sting. Pop,Rock,Standards. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.448670). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.79 €
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Piano grosses notes
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Sting
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If I Ever Lose My Faith In You
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Hal Leonard - Digital
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor…
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Guitar - Level 3 - Digital Download SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the songâs chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.âClawhammerâ technique or âTravis pickingâ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this âclawhammerâ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of âYou can close your eyesâMost songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. âLeaving On A Jet Planeâ by John Denver is a good example. In the key of âDâ the song starts with the notes âC#â and âEâ and then the first bar is indicated as âDâ major chord. If you start the song playing a âDâ chord you will most likely sing the wrong notes because âC#â and âEâ belong to the A7 chord of the song. So a simple 2 bar intro of âDâ , A7 (start singing on the last beat) and back to âDâ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of âLeaving On A Jet Planeâ ends on an âA7â chord of the chorus and as such does not indicate that the end chord should be âDâ. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of âYou can close your eyesâ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of âYou can close your eyesâ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99
5.59 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
#
 
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged…
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Guitar - Digital Download SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the songâs chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.âClawhammerâ technique or âTravis pickingâ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this âclawhammerâ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of âYou can close your eyesâMost songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. âLeaving On A Jet Planeâ by John Denver is a good example. In the key of âDâ the song starts with the notes âC#â and âEâ and then the first bar is indicated as âDâ major chord. If you start the song playing a âDâ chord you will most likely sing the wrong notes because âC#â and âEâ belong to the A7 chord of the song. So a simple 2 bar intro of âDâ , A7 (start singing on the last beat) and back to âDâ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of âLeaving On A Jet Planeâ ends on an âA7â chord of the chorus and as such does not indicate that the end chord should be âDâ. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of âYou can close your eyesâ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of âYou can close your eyesâ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99
6.52 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
#
 
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
You Can Close Your Eyes
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor…
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Guitar - Level 2 - Digital Download SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the songâs chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.âClawhammerâ technique or âTravis pickingâ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this âclawhammerâ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of âYou can close your eyesâMost songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. âLeaving On A Jet Planeâ by John Denver is a good example. In the key of âDâ the song starts with the notes âC#â and âEâ and then the first bar is indicated as âDâ major chord. If you start the song playing a âDâ chord you will most likely sing the wrong notes because âC#â and âEâ belong to the A7 chord of the song. So a simple 2 bar intro of âDâ , A7 (start singing on the last beat) and back to âDâ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of âLeaving On A Jet Planeâ ends on an âA7â chord of the chorus and as such does not indicate that the end chord should be âDâ. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of âYou can close your eyesâ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of âYou can close your eyesâ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99
5.59 €
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Guitare notes et tablatures
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitmanâs poem speaks of seeing a stranger and feeling love for this person. In contrast to Poeâs To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poetâs mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.94 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
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