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If It's All the Same Blues
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If It's All the Same Blues
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1263864 By Mitch Perrins. By Mitch …
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Jazz Combo - Level 4 - Digital Download SKU: A0.1263864 By Mitch Perrins. By Mitch Perrins. 21st Century,Jazz. 20 pages. Mitch Perrins #856778. Published by Mitch Perrins (A0.1263864). Contemporary Jazz Piece for Tenor Sax, Keys, Acoustic Bass, and Drums.Includes transposed score and individual parts.(Dedicated to Ron Carter)Be sure to check out the audio example.
$12.99
11.93 €
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Jazz combo
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Mitch Perrins
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If It's All the Same Blues
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Mitch Perrins
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SheetMusicPlus
The CelloWay 1
Violoncelle (partie séparée)
Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm …
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Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly – and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: • When you use the 4th finger – especially in the beginning – you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! • 4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
$12.00
11.02 €
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Violoncelle (partie séparée)
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Julie Munkholm Bruun
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The CelloWay 1
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Julie Munkholm Bruun
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SheetMusicPlus
Trombone Blues Cheer (Marching/Pep Band)
Small Ensemble - Level 3 - Digital Download SKU: A0.978378 Composed by Blake LaBarg…
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Small Ensemble - Level 3 - Digital Download SKU: A0.978378 Composed by Blake LaBarge. Blues. Score and parts. 16 pages. Blake LaBarge #6440907. Published by Blake LaBarge (A0.978378). A fun, upbeat, and driving cheer for a solid trombone section. This cheer is guaranteed to hype up the crowd at any football or basketball game.Trombone 3 introduces the main motif of the cheer, with the low marching bass drum accompanying in the background. Trombone 4 adds a driving bassline, and then we enter the main chorus. The drumline is accompanying the trombones with a nice groovy beat.We enter the solo section, where a soloist can wail out a Bb minor blues improv solo, following with a mention of the main chorus. Each time the music calls for a solo, you can use the same soloist, switch off soloists, or even have a new soloist each time.Following the solos, we go into a final blow of the main chorus.-For repeats, you can skip over them, follow them, or even add more repeats. -If you want to play this cheer but there aren't enough trombones in your band, then it's entirely possible to change parts to fit your band accordingly (for example, tuba can play the trombone 4 part, euphoniums can play the trombone 3 part, etc.).
$9.99
9.17 €
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Blake LaBarge
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Trombone Blues Cheer
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Blake LaBarge
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SheetMusicPlus
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfu…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
1.83 €
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Guitare
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Brian Streckfus
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Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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SheetMusicPlus
Jungle Blues
Small Ensemble Clarinet,Euphonium,Tenor Saxophone,Trombone,Trumpet,Voice - Level 1 - Digit…
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Small Ensemble Clarinet,Euphonium,Tenor Saxophone,Trombone,Trumpet,Voice - Level 1 - Digital Download SKU: A0.855766 Composed by Darren Lloyd. Blues,Children,Instructional. Score and parts. 7 pages. Darren Lloyd #3444437. Published by Darren Lloyd (A0.855766). This piece is for beginner Bb instrumentalists Cornet, Trumpet, Baritone, Trombone, Clarinet etc... The piece is a song (that pupils learn first) then they can either play a simple obstinate passage (as per part 2) or play the theme (part 1). Both parts come with or with out the note names underneath. This song has been used many times in concerts and kids love it, Especially if you get them to do a growly bluesy voice on the long Ab's!! This is a great song if you are teaching a whole class to play at the same time.The song has a backing track which can be purchased here https://www.sheetmusicplus.com/title/jungle-blues-backing-track-digital-sheet-music/20698225?utm_med... -.
$1.99
1.83 €
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Darren Lloyd
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Jungle Blues
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Darren Lloyd
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SheetMusicPlus
Duplicitous Heart
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1015500 Composed by Dakota Anthony.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (A0.1015500). This is a 5-6 minute long piano solo piece that uses styles from blues, jazz, and contemporary genres. If you have questions please contact me at one of the following:Facebook page- https://www.facebook.com/dakanthony1Email- dakanthony1@gmail.comI write a poem for all of my songs. Hopefully it helps give a little meaning to its purpose!One songIt just takes one song to move myself to another world,And my heart beats faster.One songMakes me feel I can conquer every problem-All the world's disasters.One songIt makes my heart break and mend itself overAnd overAnd overUntil it's a whole new heartWith a whole new stature.One songI hear joy. I hear peace.But it's all for myself.It doesn't even matter.One songI don't know how to share what I hear.One songSo what I hear disappears.One songTurns to none, so I fear,And try to find another one songThat I can hold dear.One song,But it all happens again.One songBreaks a heart that's already bee mendedBy the first one song,And the heart's offended.Now there's two songs;The one song has ended.Two songs Clash and pretend thatTwo songsAre unique but they can't be - insteadTwo songsAffected the same heart.With two songsThe first's uniqueness is upended.Two songsSplit the heartHalf as powerfulAs the start,So I need another two one songsTo double the power.But the result is the same, And the dilution gets stronger.And what was difficult to share initiallyBecomes impossible because my heart isn't free.It's torn into a million piecesEach tied to a one song, each song with the thesisThat I want to share my songs to everyoneBecause of how it broke and mended my heart.But too many songs made my heart hardenedUntil the songs hardly affect a heart - just scar it.By the time I learn how to share any songThey'll all be goneJust the heart's shadow of what it longed to share.So I watch others to see if my one song was a myth.They all have one songs creating the semblance of mended heart.So my one song could only make another heart splitDiluting their one song to half as powerful as its start.
$7.99
7.34 €
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Piano seul
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Dakota Anthony
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Duplicitous Heart
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Dakota Anthony
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SheetMusicPlus
Oh Shenandoah
Piano Facile
C Instrument - Level 1 - Digital Download SKU: A0.1194379 By Traditional Folk. By T…
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C Instrument - Level 1 - Digital Download SKU: A0.1194379 By Traditional Folk. By Traditional Folk Anon. Arranged by Brian Streckfus. Folk,Instructional,Singer/Songwriter,Standards. Lead Sheet / Fake Book. 2 pages. Brian Streckfus #793751. Published by Brian Streckfus (A0.1194379). Pages: 2Key: G Major1. Guitar Tab added with rhythms2. Guitar  Chord diagrams added. 3. Chord nomenclature added. 4. Chords re-harmonized to be idiomatic for guitar, more unique, take part writing into consideration. 5. Left hand guitar fingerings added. 6. Letter names added to note heads.7. Blues grace note added in measure 17. This measure is a good example of how to squeeze in a quick blues note.I like these versions because you can choose between playing the main melody, playing the chords, or trying both simultaneously. If you can eventually playing both simultanously, it can quickly become sophisticated sounding!This version is also nice in that if you strum the more detail-oriented guitar chords, you end up usually playing the melody anyways, which makes this more ideal for strumming with a pick and for practicing vocals.Tips:1. The F# diminshed chord in measure 18 was originally a D7 chord. This seems like a good substitute to make because they contain roughly the same notes but the diminished chord is more original sounding and has better part writing. There is something about D7 chord that I am always swapping out of them when the melody is low. Same concept for the D/F# chord in measure 11. Instead of a famous D chord, the D/F# accents the main melody better, and is more unique sounding.2. It's easy to make mistakes with ties, especially because they also look like slurs. Ties add the to rhythm values together and you don't play the second note, so I normally cross them out with a pencil as they are really only showing sustain.
$2.99
2.75 €
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Piano Facile
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Traditional Folk
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Brian Streckfus
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Oh Shenandoah
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Brian Streckfus
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SheetMusicPlus
Ukrainian Folk Carol - Bb Saxophone and Piano (swing style!) by Chris Lawry and Keri Degg. Includes
Saxophone Tenor et Piano
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.7615…
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761506 Composed by Chris Lawry, Keri Degg. Blues,Christmas,Jazz. Score and part. 7 pages. Masquerade Music #6052719. Published by Masquerade Music (A0.761506). Ukrainian Folk Carol (often known by another name however) for Bb saxophone and piano (or use the enhanced free demo/backing tracks via request after ordering - details are given on your printed sheet music) by UK composers Chris Lawry and Keri Degg. New for September 2020 this is a very fresh take on this traditional classic and has been launched into a crazy swing/groove style! It's a great showstopper and a real joy to play. The piece includes playful interplay and new original material/solo/s. Ukrainian Folk Carol is just one of five pieces from 'Christmas Jazz - Volume 2' Bb Saxophone (also available in Eb sax, Bb clarinet, and flute editions) which also includes; Deck the halls (Piazzolla-inspired style), The Holly and the Ivy - a smooshy smooth jazz ballad with original solo/s, Away in a manger - again, a gentle smooth jazz style, and O Holy Night (which has cheeky interplay, yet sweeping original lines too).There is also a 'Christmas Jazz - Volume 1' collection by the same composers (which includes; God rest ye merry gentlemen, Silent night, The first nowell, Hark the herald, and I saw three ships - all of which are available on SMP, or search for Christmas Jazz volume 1 if you'd like to buy the collection at a bargain price).
$3.99
3.66 €
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Saxophone Tenor et Piano
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Chris Lawry, Keri Degg
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Ukrainian Folk Carol - Bb Saxophone and Piano
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Masquerade Music
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SheetMusicPlus
Funhouse
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1472017 By Pin…
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1472017 By Pink. By Alecia Moore, Jimmy Harry, and Tony Kanal. Arranged by Eric Weber. A Cappella,Pop. 6 pages. Eric Weber #1049714. Published by Eric Weber (A0.1472017). Funhouse is a song recorded by American singer Pink for her fifth studio album of the same name (2008). Lyrically, the song is about Pink's break-up with Carey Hart. Billboard gave Funhouse a positive review, stating: Pink once again shows her versatility on this complex number, which calls for blues, funk and rock vocal styles that few other pop stars have been able to pull off. Experience this up-tempo song in a rousing arrangement for four voices and fun body percussion. The arrangement starts with the VAMP, originally after the triplet halftime bridge, which isn't included. You can add a piano if you like and get creative with the spoken lyrics or the arrangement of the parts. Dive into P!nk - you'll love it!Funhouse ist ein Song, aus dem gleichnamigen fünften Studioalbum der amerikanischen Sängerin P!nk. Inhaltlich handelt der Song von Pinks Trennung von Carey Hart. Der Song wurde unter anderem mit den Worten Pink beweist einmal mehr ihre Vielseitigkeit in dieser komplexen Nummer, die Blues-, Funk- und Rock-Gesangsstile erfordert, die nur wenige andere Popstars zustande gebracht haben. gelobt. Erleben Sie diese Up-Tempo-Nummer in einem mitreißenden Arrangement für vier Stimmen und spaßige Bodypercussion. Das Arrangement beginnt mit dem VAMP, welcher ursprünglich nach der Triolen-Halftimefeel-Bridge kommt, welche hier nicht mit enthalten ist. Sie können ein Klavier hinzufügen, wenn Sie möchten, und mit dem gesprochenen Text oder der Anordnung der Teile kreativ werden. Tauchen Sie ein in die Welt von P!nk - Sie werden es lieben!
$1.99
1.83 €
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Chorale SATB
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Pink
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Eric Weber
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Funhouse
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Eric Weber
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SheetMusicPlus
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