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Vous avez sélectionné:
If Only She Knew
SheetMusicPlus
Partitions à imprimer
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If Only She Knew
Piano, Voix
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0005138 By Michelle Branch. By …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0005138 By Michelle Branch. By Michelle Branch. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PS-0005138. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0005138).
$3.99
3.56 €
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Piano, Voix
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Michelle Branch
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If Only She Knew
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
If Only She Knew
Guitare notes et tablatures
Guitar TAB - Digital Download SKU: AX.00-PS-0005137 By Michelle Branch. By Michelle…
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Guitar TAB - Digital Download SKU: AX.00-PS-0005137 By Michelle Branch. By Michelle Branch. Pop/Rock. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0005137. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0005137).
$2.99
2.67 €
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Guitare notes et tablatures
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Michelle Branch
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If Only She Knew
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Tchaikovsky-O, If Only You Knew,in E flat Major,Op.60 No.3
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1394635 Composed by Pyotr Tc…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1394635 Composed by Pyotr Tchaikovsky. Arranged by OSM Press. Classical. Score. 6 pages. Open Cloud #978123. Published by Open Cloud (A0.1394635).
$4.99
4.46 €
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Piano, Voix
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Pyotr Tchaikovsky
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OSM Press
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Tchaikovsky-O, If Only You Knew,in E flat Major,Op.60 No.3
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Open Cloud
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SheetMusicPlus
If only they knew
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1086655 By Objcomedy. By Obj. Chris…
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Easy Piano - Level 1 - Digital Download SKU: A0.1086655 By Objcomedy. By Obj. Christmas,Classical,Country,Easter,Jazz. Score. 4 pages. Objcomedy #690861. Published by Objcomedy (A0.1086655).
$2.00
1.79 €
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Piano Facile
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Objcomedy
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If only they knew
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Objcomedy
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SheetMusicPlus
If Only Knowing – for piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.916267 Composed by Rain Worthington…
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Piano Solo - Level 3 - Digital Download SKU: A0.916267 Composed by Rain Worthington. 20th Century,Contemporary. Score. 7 pages. SR Worthington #3056017. Published by SR Worthington (A0.916267). A romantic contemplative piece from a collection of evocative pieces that are sensuous, mesmerizing and haunting. (Among my first compositions… before I knew how to notate music, and so was performed from memory and recorded in an early concert.)Publisher: SR Worthington/ASCAP. Duration: ca. 6' https://soundcloud.com/rain-worthington/if-only-knowing
$3.00
2.68 €
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Piano seul
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Rain Worthington
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If Only Knowing – for piano
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SR Worthington
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SheetMusicPlus
If I Only Knew Where She's Gone (TTBB - barbershop) - arr. Robert Rund
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.967147 Composed by Robert …
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.967147 Composed by Robert Rund. Arranged by Robert Rund. Contemporary. Octavo. 6 pages. Robert Rund #6012717. Published by Robert Rund (A0.967147). Ballad for barbershop quartet.
$4.60
4.11 €
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Chorale TTBB
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Robert Rund
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Robert Rund
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If I Only Knew Where She's Gone
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Robert Rund
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SheetMusicPlus
If She Only Knew
Piano seul
Piano Solo - Digital Download SKU: A0.909104 Composed by Stephen Richard Thomas Bro…
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Piano Solo - Digital Download SKU: A0.909104 Composed by Stephen Richard Thomas Brown. 20th Century. Score. 1 pages. Stephen Richard Thomas Brown #3520301. Published by Stephen Richard Thomas Brown (A0.909104). Somewhat sweetly melancholy....
$1.99
1.78 €
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Piano seul
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Stephen Richard Thomas Brown
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If She Only Knew
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Stephen Richard Thomas Brown
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SheetMusicPlus
Vanished Trilogy
Orchestre d'harmonie
Concert band - Grade 1 - Digital Download SKU: IZ.CBS174-S Composed by Rich Johnson…
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS174-S Composed by Rich Johnson. Score. 31 pages. Imagine Music - Digital #CBS174-S. Published by Imagine Music - Digital (IZ.CBS174-S). 9 x 12 in inches.The Vanished Trilogy is based on the idea [with inspiration from the television show Lost] of what would happen if you were suddenly on an island away from everything you knew and thought you knew. How would you react? Would you be able to survive not only physically,but mentally as well?I. Stranded!You wake up in the middle a jungle only to find that you are stranded on an island with no way home.II. Survival. (Happy to be Alive)After coming to terms of being stranded, you are happy to be alive and begin to learn how to survive on the island and with yourself.III. Rescued?Rescue is coming, but in being lost you have found your true self.
$10.00
8.93 €
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Orchestre d'harmonie
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Rich Johnson
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Vanished Trilogy
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Imagine Music - Digital
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SheetMusicPlus
Vanished Trilogy
Orchestre d'harmonie
Concert band - Grade 1 - Digital Download SKU: IZ.CBS174 Composed by Rich Johnson. …
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS174 Composed by Rich Johnson. Score and Parts. 86 pages. Duration 6. Imagine Music - Digital #CBS174. Published by Imagine Music - Digital (IZ.CBS174). 9 x 12 in inches.The Vanished Trilogy is based on the idea [with inspiration from the television show Lost] of what would happen if you were suddenly on an island away from everything you knew and thought you knew. How would you react? Would you be able to survive not only physically,but mentally as well?I. Stranded!You wake up in the middle a jungle only to find that you are stranded on an island with no way home.II. Survival. (Happy to be Alive)After coming to terms of being stranded, you are happy to be alive and begin to learn how to survive on the island and with yourself.III. Rescued?Rescue is coming, but in being lost you have found your true self.
$50.00
44.67 €
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Orchestre d'harmonie
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Rich Johnson
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Vanished Trilogy
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Imagine Music - Digital
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SheetMusicPlus
If You Knew Suzie
Instruments en Do
C Instrument - Digital Download SKU: A0.1474088 Composed by B De Sylva and Joseph M…
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C Instrument - Digital Download SKU: A0.1474088 Composed by B De Sylva and Joseph Meyer. Arranged by Mark W. Huxhold. Broadway,Jazz,Musical/Show. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #1051723. Published by Mark Wayne Music, LLC (A0.1474088). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.
$3.99
3.56 €
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Instruments en Do
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B De Sylva and Joseph Meyer
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Mark W
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If You Knew Suzie
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Mark Wayne Music, LLC
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SheetMusicPlus
If You Only Knew
Ligne De Mélodie, (Paroles) et Accords
Digital Download SKU: HX.319012 By Shinedown. Pop,Rock. Guitar Lead Sheet. 2 pages.…
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Digital Download SKU: HX.319012 By Shinedown. Pop,Rock. Guitar Lead Sheet. 2 pages. Published by Hal Leonard - Digital (HX.319012).
$2.99
2.67 €
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Ligne De Mélodie, (Paroles) et Accords
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Shinedown
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If You Only Knew
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Hal Leonard - Digital
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SheetMusicPlus
If I Only Knew
Baritone Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1406875 Arranged by …
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Baritone Saxophone,Trombone,Trumpet - Digital Download SKU: A0.1406875 Arranged by Tunescribers. Pop. Tunescribers LLC #79495. Published by Tunescribers LLC (A0.1406875).
$15.95
14.25 €
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Tunescribers
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If I Only Knew
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Tunescribers LLC
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SheetMusicPlus
If You Only Knew
Piano Facile
Easy Piano - Level 4 - Digital Download SKU: A0.1364699 By Alexander Stewart. By Al…
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Easy Piano - Level 4 - Digital Download SKU: A0.1364699 By Alexander Stewart. By Alexander Stewart, Maggie Chapman, and Whakaio Taahi. Arranged by Janina Schülin. Pop. Score. 4 pages. Janina Schülin #948991. Published by Janina Schülin (A0.1364699). Intermediate Pop Piano.
$5.99
5.35 €
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Piano Facile
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Alexander Stewart
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Janina Schülin
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If You Only Knew
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Janina Schülin
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SheetMusicPlus
If I Only Knew
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Keyboard,Percussi…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Keyboard,Percussion,Tenor Saxophone,Trombone,Trumpet - Level 5 - Digital Download SKU: A0.718364 By Rise Robots Rise. By Benjamin Nitze, Joseph Mendelson, and Mendelson. Arranged by Daryl McKenzie. Contemporary. Score and parts. 30 pages. Daryl McKenzie #5969839. Published by Daryl McKenzie (A0.718364). Arranged in the style of Tom Jones for Vocal (no voice part included) with Small Band (Alto/Bari Sax, Tenor Sax, Trumpet, Trombone, 2 Keyboards, Guitar, Bass, Drums, Percussion, Backing Vocals) Key of Bbm
$49.99
44.66 €
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Rise Robots Rise
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Daryl McKenzie
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If I Only Knew
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Daryl McKenzie
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SheetMusicPlus
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
1.78 €
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Chorale SATB
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
If I Knew
Paroles et Accords
Guitar (chords only) - Digital Download SKU: HX.286474 By Bruno Mars. Pop,Rock. 2 p…
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Guitar (chords only) - Digital Download SKU: HX.286474 By Bruno Mars. Pop,Rock. 2 pages. Published by Hal Leonard - Digital (HX.286474).
$1.99
1.78 €
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Paroles et Accords
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Bruno Mars
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If I Knew
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Hal Leonard - Digital
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SheetMusicPlus
Easy Cello Solos - Large Print Student Edition
Violoncelle
Cello - Easy/Beginner - Digital Download Composed by Traditional, John Newton, Follio…
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Cello - Easy/Beginner - Digital Download Composed by Traditional, John Newton, Folliott S. Pierpoint, Franz Lehar, Franz Xaver Gruber, Adrianus Valerius, Johannes Brahms, Franz Schubert,. Arranged by Sheryl Smith, Yellow Cello Music. Romantic Period, Christian, Folk, Celtic, Children's Music. Solo Part. 40 pages. Published by Yellow Cello Music
A book of solos for cello. Includes 15 songs (Celtic tunes, classical themes, folk melodies) for the beginner cellist. Created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special?<br> It includes:<br> 1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style.<br> 3. A teacher accompaniment part. The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachers to add markings.
$8.99
8.03 €
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Violoncelle
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Traditional, John Newton, Folliott S
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Easy Cello Solos - Large Print Student Edition
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Yellow Cello Music
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SheetMusicPlus
Easy Cello Solos - Teacher Edition (with cello accompaniment)
Violoncelle
Cello - Digital Download Composed by Traditional, Folklore, John Newton, Folliott S. …
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Cello - Digital Download Composed by Traditional, Folklore, John Newton, Folliott S. Pierpoint, Franz Lehar, Franz Xaver Gruber, Adrianus Valerius, Johannes Brahms, Franz Schubert. Arranged by Yellow Cello Music. Romantic Period, Christian, Repertoire, Folk, Celtic. 31 pages. Published by Yellow Cello Music
Includes 15 pieces for the beginner cellist.Specially created for students using Suzuki and similar methods. For studentswho play in first position only, and for those beginning to learn shifting.<br> What makes this book special? It includes:<br> 1. Pieces in the low register of the cello. Beginner booksoften focus on the A and D strings.<br> 2. More lyrical pieces, meaning more song-like, more Romanticthan Baroque style.<br> 3. A teacher accompaniment part (teacher edition only). Thestudents find it enjoyable, and it teaches them how important it is to listenand to play in time, in tune, and with dynamics. Can also be used for recitals.<br> 4. Familiar tunes. What is familiar to one person is unknownto others, but I tried to put in pieces that many people would be familiar with.<br> 5. Shifting with familiar tunes. When I was a student, Ifound it easier to learn a shift if the piece was familiar. My ear knew whereto go. I have included a few pieces with two versions: first position andshifting . The student can learn the first position version and then be able tolearn shifting with a familiar tune.<br> 6. There is plenty of empty space on the pages for teachersto add markings.<br> 7. Created by a cello teacher for cellists. Not adaptedfrom another instrument. Tested by real students.
$9.99
8.92 €
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Violoncelle
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Traditional, Folklore, John Newton, Folliott S
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Yellow Cello Music
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Easy Cello Solos - Teacher Edition
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.56 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone et Orgue
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
13.4 €
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Saxophone et Orgue
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Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
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Judith Cloud
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SheetMusicPlus
Viaje al Atardeser
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.1024253 Composed by Sir Lunch. Latin. Score…
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Concert Band - Digital Download SKU: A0.1024253 Composed by Sir Lunch. Latin. Score and parts. 76 pages. Sir Lunch #2917889. Published by Sir Lunch (A0.1024253). Some years ago, I saw a video of an orangutang sort of running about with some latin music and it was labled Salsa Time and I knew that someday I would write a piece with that title. Well, once it was finished, and I listened and meditated over what it said to me, what I heard was the westward migration of the early settlers of America, only in and through Mexico. Journey To The Setting Sun became my title, but to give it a bit more authenticity, the title is in Spanish, and has become Viaje al Atardeser.The piece opens with a train whistle. If you have none, the Flute 1 & 2 parts have it simulated. Rehearsal markers 1A through 1D serve as layers that lead to the main melody starting at A. At letter B, the Solo 1st trumpet takes on the melody with a slight variation of rhythm. There is a trombone trio from C to D. If you have 3 stong trombonists, I recommend the Eupf and Baritone TC opt out of playing through this section, in order to highlight your great trombone section. *Optional* You may, at your discretion put a fermata after the first beat of the bar before D and allow your solo trumpeter to play a free form cadenza. The mp3 has a sample of how this would sound. The cadenza would end with the pick-up to letter D and you may feel free to let that high note of the solo trumpet ring for a second or two before cuing the rest of the band in. Although from D to the a tempo 4 bars before E is a trumpet solo, the most crucial part of that section is the tambourine part going into double time, creating that extra pop and sense of urgency.This piece represents a watershed moment in my life, as it is my first composition for Concert Band.I encourage all feedback at sirlunch@gmail.comI hope you enjoy it!
$60.00
53.6 €
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Orchestre d'harmonie
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Sir Lunch
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2 parts have it simulated
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Viaje al Atardeser
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Sir Lunch
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SheetMusicPlus
Rock - a Roger Jones musical
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger J…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99
8.92 €
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Chorale SATB
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Easy Sailing for Piano
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1110128 Composed by Alex Lewis. Cla…
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Easy Piano - Level 2 - Digital Download SKU: A0.1110128 Composed by Alex Lewis. Classical,Contemporary. Score. 2 pages. Houston-Piano Studio #712462. Published by Houston-Piano Studio (A0.1110128). Easy Sailing for Piano was a composition I wrote a few months into the corona-virus pandemic. My dad talked to me about writing piano music like this and almost immediately the idea for this composition popped into my head. I've created maybe over twenty compositions so far in my life, and this was the first one where I knew exactly how it was going to sound from the moment I got the idea. With all the other pieces, I started out with a small idea and grew from there. But as I said, with Easy Sailing for Piano, I knew exactly how the piece would go. Well... There is one thing that's different. Originally, I wanted Easy Sailing for Piano to be a lot longer. The idea was to increase in difficulty the further into the music you went. The problem with that idea was that I also wanted this to be an easy song to learn. It was clear that if I continued the composition, I was going to make it unsuitable for beginners to play. The parts that survived sound really good though. Easy Sailing for Piano should be pleasant to listen to and play. Easy Sailing for Piano is technically a theme and variations. If you don't know, a theme and variations is a musical form. It starts with a melody that establishes the mood of the composition, and the variations basically play around with that theme. Now this piece only has the theme and the first variation. I'm pretty sure you need more than one variation for it to officially be a theme and variations. But, I don't think that matters too much since it's for beginners and not advanced students. In the future, I might write a sequal to this composition. I think I might call it Easy Sailing for Piano 2, or something along those lines. It will have a theme that's similar to this video's, but it will be much, much longer. If you purchase the sheet music for Easy Sailing for Piano, I hope you enjoy it! This is supposed to be a pleasant song to listen to and perform.
$1.99
1.78 €
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Piano Facile
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Alex Lewis
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Easy Sailing for Piano
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Houston-Piano Studio
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SheetMusicPlus
Easy Cello Solos - Student Edition
Violoncelle
Cello Solo - Level 1 - Digital Download SKU: A0.812889 Composed by Adrianus Valeriu…
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Cello Solo - Level 1 - Digital Download SKU: A0.812889 Composed by Adrianus Valerius, Folklore, Folliott S. Pierpoint, Franz Lehar, Franz Schubert, Franz Xaver Gruber, Johannes Brahms, John Newton, and Traditional. Arranged by Yellow Cello Music. Celtic,Christian,Folk,Romantic Period,Standards. Individual part. 27 pages. Sheryl Smith #4981963. Published by Sheryl Smith (A0.812889). Includes 15 songs for the beginner cellist. Specially created for students using Suzuki and similar methods. For students who play in first position only, and for those beginning to learn shifting.What makes this book special? It includes:1. Pieces in the low register of the cello. Beginner books often focus on the A and D strings. 2. More lyrical pieces, meaning more song-like, more Romantic than Baroque style. 3. A teacher accompaniment part (teacher edition only). The students find it enjoyable, and it teaches them how important it is to listen and to play in time, in tune, and with dynamics. Can also be used for recitals.4. Familiar tunes. What is familiar to one person is unknown to others, but I tried to put in pieces that many people would be familiar with.5. Shifting with familiar tunes. When I was a student, I found it easier to learn a shift if the piece was familiar. My ear knew where to go. I have included a few pieces with two versions: first position and shifting . The student can learn the first position version and then be able to learn shifting with a familiar tune.6. There is plenty of empty space on the pages for teachers to add markings.7. Created by a cello teacher for cellists. Not adapted from another instrument. Tested by real students.
$9.99
8.92 €
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Violoncelle
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Adrianus Valerius, Folklore, Folliott S
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Yellow Cello Music
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Easy Cello Solos - Student Edition
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Sheryl Smith
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SheetMusicPlus
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