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If She Would Have Been Faithful
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Vous avez sélectionné:
If She Would Have Been Faithful
Partitions à imprimer
6 partitions trouvées
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If She Would Have Been Faithful
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Rock
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Chicago
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Patrick Sheehan
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If She Would Have Been Faithfu
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble,Strings Rhythm Instrument - Level 5 - SKU: A0.748333 By Chicago. By Randy Goodrum and Steve Kipner. Arranged by Patrick Sheehan. Pop,Rock...
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Small Ensemble,Strings Rhythm Instrument - Level 5 - SKU: A0.748333 By Chicago. By Randy Goodrum and Steve Kipner. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 69 pages. Patrick Sheehan #6456717. Published by Patrick Sheehan (A0.748333). Transcribed by recorded by CHICAGO on their album CHICAGO 18, released in 1986. INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Flugelhorn (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Violin I, Violin II, Viola, Cello, Electric Guitar I, Electric Guitar II, Bass, Electric Tambourine, Drumset. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
If She Would Have Been Faithful
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Piano seul
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FACILE
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Rock
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Chicago
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Gaetano Scalfidi
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If She Would Have Been Faithfu
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Gaetano Scalfidi
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.555430 By Chicago. By Randy Goodrum and Steve Kipner. Arranged by Gaetano Scalfidi. Pop,Rock. Score. 4 pages. Gaetano Sca...
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Piano Solo - Level 2 - SKU: A0.555430 By Chicago. By Randy Goodrum and Steve Kipner. Arranged by Gaetano Scalfidi. Pop,Rock. Score. 4 pages. Gaetano Scalfidi #165046. Published by Gaetano Scalfidi (A0.555430). A very emotional ballad by Chicago arranged for piano solo.
$6.99
If She Would Have Been Faithful by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Rock
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Chicago
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If She Would Have Been Faithfu
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Musicnotes
Performed by: Chicago: If She Would Have Been Faithful Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet m...
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Performed by: Chicago: If She Would Have Been Faithful Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 3 pages -- Adult Contemporary~~Pop Rock~~Soft Rock
$3.99
If She Would Have Been Faithful by Chicago - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Rock
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Chicago
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If She Would Have Been Faithfu
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Musicnotes
Performed by: Chicago: If She Would Have Been Faithful Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet m...
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Performed by: Chicago: If She Would Have Been Faithful Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 6 pages -- Adult Contemporary~~Pop Rock~~Soft Rock
$5.79
String Quintet based on Beethoven's sketches, op. 79
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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String Quintet based on Beetho
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet,Viola - Level 4 - SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Conte...
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String Quartet String Quartet,Viola - Level 4 - SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Contemporary. Score and parts. 205 pages. Adrian Gagiu #6365523. Published by Adrian Gagiu (A0.1004728). This composition is a premiere, speculative, yet as faithful as possible embodiment of all of Beethoven’s sketches for his String Quintet in C major, Hess 41 (WoO 62), as they have been left by the composer. The usefulness and integrity of more or less hypothetical completions of sketches by great composers remains from case to case controversial. Due to the paucity of the sketches for the aim of attempting a true reconstruction, the present composition in no way falls within such category. It is obviously quite different from what Beethoven himself would have produced if he had lived more, also due to the fact that he usually transformed his preliminary sketches substantially during the compositional process. However, there are some of his frequent, subtle thematic relationships between the sketches for the Quintet movements, and probably some features in the sketches would have been kept in the completed composition. The four-movement design hypothesized by Martin Staehelin and others, as well as other retrospective or relaxed features in the sketches may be a result of a still early stage of the compositional process, or perhaps an indicator of a fourth, neoclassical creative period, together with Op. 135 and the new Finale for Op. 130.To generate a continuity draft of the Quintet, all of Beethoven’s sketches for it were used, with the addition of several ones from the same context within the respective sketchbook and which could be related to the identified Quintet sketches: some sketches are clearly labeled as being for the Quintet, while others are thematically related or written down close to them. With the possible exception of bars 75-94 and 136-155 in movement II (which are variations on the theme) and bars 140-145 in movement IV (which fill in the blank bars in the sketch with a progression based on it), virtually every bar of this composition includes the notes from the sketches in at least one of the instruments. Some of those notes were subject to transpositions and adaptations to fit the formal design, and to editorial choices for the unclear pitches and duration in the sketches.This publication includes the score, parts and continuity draft, the latter being marked with the sources in the sketches for each passage.Total duration: 33 minutes. The mp3 audio clip is the 3rd movement. Performing Rights Organization: SOCAN.
$49.95
Gaudete for SATB choir
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Chorale SATB
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FACILE
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Musique Sacrée
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Anonymous
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Mark Reeves
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Gaudete for SATB choir
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Mark Reeves
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.748682 Composed by Anonymous. Arranged by Mark Reeves. A Cappella,Christmas,Classical,Latin,Praise & Worship,Sac...
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Choral Choir (SATB) - Level 2 - SKU: A0.748682 Composed by Anonymous. Arranged by Mark Reeves. A Cappella,Christmas,Classical,Latin,Praise & Worship,Sacred. Octavo. 9 pages. Mark Reeves #3638835. Published by Mark Reeves (A0.748682). Gaudete for SATB choir and pianoThis Christmas Carol first appeared in print in a Finnish publication of 1582 entitled Piæ Cantiones Ecclesiasticæ et Scholasticæ Veterum Episcoporum. The æolian modal polyphony and Medieval Latin text suggest a much earlier date of composition originating from central Europe; the plainsong melody of the verses is derived from liturgical sources of the same period and was not included in the original document.This new arrangement of Gaudete is based closely on the original music and text. However, the original key of G minor has been transposed to D minor to create more variety in the voicing, yet remaining faithful to the original vocal parts.The piano accompaniment in the refrain is simply an amalgamation of the voices and therefore, in order to create a pure a cappella sound in performance, the piano part may be omitted and used solely for rehearsal purposes. As the verses were originally sung unaccompanied, the piano part in this arrangement has been devised to compliment the plainsong melody, but of course may be omitted in performance if preferred.Originally, each verse would probably have been sung by a solo tenor voice. However, in this arrangement, each of the four verses has been allocated to a different soloist. This should create the effect of a gradual build-up in the intensity of sound, culminating in the final fortissimo refrain.About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: https://www.sheetmusicplus.com/publishers/mark-reeves-sheet-music/3001850Further informationWeb: http://www.markreeves.co.uk/Email: info@markreeves.co.ukYouTube: https://www.youtube.com/channel/UCpySKWz7dvreLSmqUXvoXhATwitter: @MarkReeves001
$2.99
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