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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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If You Call Me
Non classifié
68
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45
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15
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8
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5
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2
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1
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Instruments en Do
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16
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4
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3
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1
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14
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3
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1
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1
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Quatuor à cordes: 2 violons, alto, violoncelle
11
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6
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3
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Contre Basse
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Violon, Violoncelle (duo)
1
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14
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11
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8
Orchestre de chambre
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Jazz combo
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Ensemble Jazz
3
Ensemble de cuivres
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Ensemble de Percussions
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Fanfare
1
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--INSTRUMENTS--
ACCORDEON
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BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
If You Call Me
Partitions à imprimer
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If You Could Go Back Piano Vocal Performance
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Pop musique
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Voc
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. P...
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Piano,Voice - SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
If You Could Go Back Guitar Vocal Performance
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Rock
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Steven H
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If You Could Go Back Guitar Vo
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Boothe Publishing
#
SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boo...
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Bass Guitar,Voice - SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
If You Could Go Back Piano Minus Vocal
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Piano seul
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Rock
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Min
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Publi...
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Piano - SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Published by Boothe Publishing (A0.1069959). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
If You Leave Me Now
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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Chicago
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Sean Sullivan
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If You Leave Me Now
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Sean Sullivan
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1457877 By Chicago. By Peter...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1457877 By Chicago. By Peter Cetera. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 18 pages. Sean Sullivan #1036885. Published by Sean Sullivan (A0.1457877). Get ready to transport your audience to a bygone era of smooth, soulful sounds with our unique arrangement of 'If You Leave Me Now' by Chicago, specifically tailored for saxophone quintet. This iconic ballad, made famous by Peter Cetera's soaring vocals, takes on a new dimension with the rich, velvety tones of five saxophones. This arrangement stays true to the original's emotive essence, while showcasing the versatility and expressiveness of the saxophone. Perfect for jazz and pop ensembles, wedding receptions, or any occasion that calls for a touch of nostalgia and romance. Let your saxophone quintet bring this timeless classic to life!
$14.99
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
All I Want For Christmas Is You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Justin Bieber Duet With Mariah
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary. 39 pages. Helen Marple-Horvat #6196305. Published by Helen Marple-Horvat (A0.749239). https://www.youtube.com/watch?v=GSx1esb0D0wMariah Carey released this critically acclaimed song in 1994 and it has remained a popular snowy-season Christmas standard ever since. I originally arranged it for Voice with Quartet accompaniment in F, with my daughter, Alice Rose Wild, who sings on the live recording. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. More recently I have created this version for String Quartet in the key of G. At the moment I have only the Sibelius computer score, and hope to record it with Capriccio Quartet once the covid pandemic is at an end. Suspend your disbelief!Why choose my Arrangement?The arrangement is in a great key for strings and most of the double stopping includes an open string. In one or two places the double stopping is a bit more tricky, so for younger players it would be better perhaps to miss out one of the notes, or to play them consecutively.The Intro.For the first violinist I include two versions of the intro and recommend that the quartet listen to the original, or to Alice’s recording for speed and performance tips. It is quite difficult to get the computer to do it musically, so the video intro is only intended as a rough guide. One of the enclosed options is intended as a rehearsal version, and has the lyrics to help. I have bowed it to include lots of downbows, and recovery of bows, which will help the other members to follow. The tricky sextuplet and triplet ornament at bar 10 can be omitted altogether. Simply pause on the ‘C’ and then recover the downbow for the next bar.I also include two versions of the violin two and viola parts. One is on two pages as a smaller font, and one on three pages with a larger font.For cellists who are a bit daunted by the solo at letter A , simply play the fourth position semi breve Gs at bar 12 and at bars 13 and 14 too, and revert to the original score at bar 15. ie Six semibreve Gs. Perhaps a harmonic D at bar 15 would be easier than a shift at this point, and then join in unison with the rest of the band.The song moves between a straight crotchet pulse and lots of syncopated lines. This will be difficult to read on paper, but I always recommend listening to the song many times and then doing it by ear, using the notes on the page as a guide. Try not to play them too literally.PrintoutsPages 1 - 10 are for Look Inside Options only.Pages 11 - 28 includes all PartsPage 29 onwards is the optional Score for rehearsals. The vocal version is proving popular, but for a standard quartet Wedding and Events repertoire I hope that people will enjoy this arrangement. Send me recordings on facebook, even if they are phone rehearsals. I love to hear them, and to make contact with quartets around the world!
$20.00
Yesterday, When I Was Young (hier Encore)
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Piano seul
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AVANCÉ
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...
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Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
The Call
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Chorale 3 parties
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FACILE
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Regina Spektor
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John R
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The Call
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John R. Daniels
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.503027 By Regina Spektor. By Regina Spektor. Arranged by John R. Daniels. Contemporary,Folk,Pop,Rock. Octavo. 19 ...
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Choral Choir (SAB) - Level 2 - SKU: A0.503027 By Regina Spektor. By Regina Spektor. Arranged by John R. Daniels. Contemporary,Folk,Pop,Rock. Octavo. 19 pages. John R. Daniels #115264. Published by John R. Daniels (A0.503027). The Call not only evokes a sense of longing because separation is so often a part of life, but it also reassures those being separated that they will be needed again by those from whom they have been separated. This arrangement captures the beauty and power of those emotions of lasting friendship. It also has piano and guitar (including bass) parts that are playable by an intermediate high school music student. IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me.
$2.50
Stand By Me
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Ben E
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Stephen Bulat
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Stand By Me
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859021 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by Stephen Bulat. Oldies. Score and parts. 10 pages. Stephen Bulat Publishing #6291087. Published by Stephen Bulat Publishing (A0.859021). One of the most romantic songs ever written, Stand By Me is a wedding song staple.This arrangement contains the instrumental string break typically omitted from most arrangements as well as all the vocal stylings of the Ben E. King classic. An oldies and pop songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical pop fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)This is the Bandleader Gig Pack which has a lead sheet in the key of concert A major for C, Bb and Eb instruments (arrangements in A, B and Gb major); perfect if you have a sax or trumpet player wanting to play along with the band in their written pitch.The perfect addition for the bandleader's pop, jazz, love song and wedding fake book. Please click on the publisher to view this song in other keys as well as to purchase other easy to follow charts to add to your modern day gig book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$9.99
You've Got A Friend In Me
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Orchestre à Cordes
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INTERMÉDIAIRE
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Randy Newman And Lyle Lovett
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Thomas Graf
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You've Got A Friend In Me
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.506043 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Thomas Graf. Broadway,Film/TV,Musical/Show,Pop...
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String Orchestra - Level 3 - SKU: A0.506043 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Thomas Graf. Broadway,Film/TV,Musical/Show,Pop. Score and parts. 16 pages. Thomas Graf - the-hit-factory.com #117643. Published by Thomas Graf - the-hit-factory.com (A0.506043). Wonderful and world wide known leitmotif from the Toy Story movies. A must for your repertoire! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$50.00
Against All Odds (take A Look At Me Now)
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Orchestre à Cordes
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Pop musique
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Phil Collins
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Thomas Graf
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Against All Odds
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - SKU: A0.506012 By Phil Collins. By Phil Collins. Arranged by Thomas Graf. Pop. Score and parts. 19 pages. Published by Thomas Graf - ...
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String Orchestra - SKU: A0.506012 By Phil Collins. By Phil Collins. Arranged by Thomas Graf. Pop. Score and parts. 19 pages. Published by Thomas Graf - the-hit-factory.com (A0.506012). Phil Collins- Classic from the eighties. The melody goes through many parts; a real challenge for your ensemble. An arrangement with feeling and power. Enjoy! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass, Drums (opt.) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$50.00
All Of Me
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Orchestre à Cordes
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Pop musique
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John Legend
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Thomas Graf
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All Of Me
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
String Orchestra - SKU: A0.506024 By John Legend. By John Stephens and Toby Gad. Arranged by Thomas Graf. Pop. Score and parts. 18 pages. Published by T...
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String Orchestra - SKU: A0.506024 By John Legend. By John Stephens and Toby Gad. Arranged by Thomas Graf. Pop. Score and parts. 18 pages. Published by Thomas Graf - the-hit-factory.com (A0.506024). What a wonderful Ballad by John Legend. Enjoy! Instrumentation: Violin 1/2, Viola 1/2, Cello 1/2 - 2 Viols, 2 Violas + Cello or 2 Viols, 1 Viola + 2 Cellos Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$50.00
I Don’t Want to Play in Your Yard: Trumpet Feature
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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H
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F
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I Don’t Want to Play in
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
Why D'you Only Call Me When You're High?
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Rock
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Arctic Monkeys
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Melanie Morris
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Why D'you Only Call Me When Yo
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Melanie Morris
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SheetMusicPlus
Choral Alto Voice,Soprano voice (SSA) - Level 5 - Interactive Download SKU: A0.492883 By Arctic Monkeys. By Arctic Monkeys. Arranged by Melanie Morris. T...
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Choral Alto Voice,Soprano voice (SSA) - Level 5 - Interactive Download SKU: A0.492883 By Arctic Monkeys. By Arctic Monkeys. Arranged by Melanie Morris. This edition: Interactive Download. Pop,Rock. Octavo. Duration 221. Melanie Morris #3CvGJ8RuskIR1lpoeqKL2b. Published by Melanie Morris (A0.492883). Key: F# minor.Arrangement of Why'd You Only Call Me When You're High by the Arctic Monkeys with elements from MGMT's Electric Feel at the beginning (feel free to omit that part!!) Email melanie.morris343@gmail.com with questions before purchasing or for a performance video! I will gladly convert to a file without Electric Feel or to SATB/TTBB if requested!
$2.50
Let Me Call You Sweetheart for Brass Quartet with optional horn
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Ensemble de cuivres
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FACILE
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Leo Friedman
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Tyler Merideth
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Let Me Call You Sweetheart for
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Tyler Merideth
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.782539 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. Score and parts. 10 pages. Tyler Merid...
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Brass Ensemble - Level 2 - SKU: A0.782539 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. Score and parts. 10 pages. Tyler Merideth #6097539. Published by Tyler Merideth (A0.782539). Let Me Call You Sweetheart is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910. This arrangement features two trumpets and two trombone parts with an optional horn part for the first trombone.If you liked this arrangement, you might like other work I have done. Feel free to visit tylermerideth.com
$9.99
Let Me Call You Sweetheart for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Leo Friedman
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Tyler Merideth
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Let Me Call You Sweetheart for
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Tyler Merideth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.782540 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. 14 pages. Tyler Me...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.782540 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. 14 pages. Tyler Merideth #6097541. Published by Tyler Merideth (A0.782540). Let Me Call You Sweetheart is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910.If you liked this arrangement, you might like other work I have done. Feel free to visit tylermerideth.com
$9.99
Let Me Call You Sweetheart for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Leo Friedman
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Tyler Merideth
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Let Me Call You Sweetheart for
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Tyler Merideth
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.782541 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. 8 pages. Tyler Mer...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.782541 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. 8 pages. Tyler Merideth #6097545. Published by Tyler Merideth (A0.782541). Let Me Call You Sweetheart is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910.If you liked this arrangement, you might like other work I have done. Feel free to visit tylermerideth.com.
$9.99
Let Me Call You Sweetheart for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Leo Friedman
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Tyler Merideth
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Let Me Call You Sweetheart for
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Tyler Merideth
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.782538 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. Score and parts. 13 pag...
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String Quartet String Quartet - Level 2 - SKU: A0.782538 Composed by Leo Friedman. Arranged by Tyler Merideth. Holiday,Love,Pop. Score and parts. 13 pages. Tyler Merideth #6097537. Published by Tyler Merideth (A0.782538). Let Me Call You Sweetheart is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910.If you liked this arrangement, you might like other work I have done. Feel free to visit tylermerideth.com
$9.99
Itsumo Nandodemo (Always With Me)
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
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Youmi Kimura
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Homco/Crinion
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Itsumo Nandodemo
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Homco/Crinion
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1451923 By Youmi Kimura. By Wakako Kaku and Youmi Kimura. Arranged by Homco/Crinion. Contemporary,Film/TV,N...
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String Trio Cello,Violin - Level 3 - SKU: A0.1451923 By Youmi Kimura. By Wakako Kaku and Youmi Kimura. Arranged by Homco/Crinion. Contemporary,Film/TV,New Age. 7 pages. Homco/Crinion #1031235. Published by Homco/Crinion (A0.1451923). Always With Me (Itsumo Nando demo) is the closing song for Miyazaki's 2021 Academy Award winning animation film. This lilting song in 3/4 time captures the essence of the film's themes of love, loss and the passage of time. Both violins in the Trio equally share in the delicate melodies. If you listen closely enough - somewhere a voice calls out, as we learn from the stars in the sky, that there is a lasting truth that guides us always.
$12.99
You Can Call Me Al
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Rock
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Simon And Garfunkel
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Neil Brownless
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You Can Call Me Al
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Neil Brownless
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.961591 By Simon And Garfunkel. By Paul Simon. Arranged by Neil Brownless. Pop,Rock. Score and parts. 16 page...
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Brass Ensemble Trombone - Level 4 - SKU: A0.961591 By Simon And Garfunkel. By Paul Simon. Arranged by Neil Brownless. Pop,Rock. Score and parts. 16 pages. Neil Brownless #5743019. Published by Neil Brownless (A0.961591). A Trombone Quartet arrangement of Paul Simon's You Can Call Me Al. This arrangement has a tricky 2 bar solo in the bass trombone part which has been cued into the 1st trombone part if you want to share it out.
$14.99
Let Me Call You Sweetheart
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Piano seul
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INTERMÉDIAIRE
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Leo Friedman
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Sandy McIntire
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Let Me Call You Sweetheart
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Sandy McIntire
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.697612 Composed by Leo Friedman. Arranged by Sandy McIntire. Film/TV,Holiday,Pop,Standards,Wedding. Score. 4 pages. Sandy...
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Piano Solo - Level 3 - SKU: A0.697612 Composed by Leo Friedman. Arranged by Sandy McIntire. Film/TV,Holiday,Pop,Standards,Wedding. Score. 4 pages. Sandy McIntire #6062385. Published by Sandy McIntire (A0.697612). Let Me Call You Sweetheart was a waltz published in 1910 that became immediately popular. It has remained a favorite since then in recordings (Bing Crosby-1944, Pat Boone-1959) and TV movies (Downton Abbey-2012 and Murdoch Mysteries-2020) This arrangement is an intermediate piano solo. Other similar waltzes from the same time period arranged by McIntire include If You Were the Only Girl in the World and Alice Blue Gown, also available on sheetmusicplus.
$5.99
Everybody Loves My Baby (but My Baby Don't Love Nobody But Me)
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Orchestre d'harmonie
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Jazz
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Clarence Williams and The Blue
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Thomas Graf
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Everybody Loves My Baby
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - SKU: A0.502604 By Clarence Williams and The Blue Five. By Jack Palmer and Spencer Williams. Arranged by Thomas Graf. Jazz. Score and part...
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Concert Band - SKU: A0.502604 By Clarence Williams and The Blue Five. By Jack Palmer and Spencer Williams. Arranged by Thomas Graf. Jazz. Score and parts. 34 pages. Published by Thomas Graf - the-hit-factory.com (A0.502604). One of the hottest jazz tunes ever, a real crowd pleaser - have fun! Instrumentation: Flute 1 Flute 2 Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F Tenor Horn in Bb Baritone Horn in Bb Trombone Tuba Drum Set Piano Bass in Bb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$50.00
You've Got To Hide Your Love Away
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Orchestre
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INTERMÉDIAIRE
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Rock
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love A
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score an...
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Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
Lean On Me
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Pop musique
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Bill Withers
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S
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Lean On Me
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S. Tyler Fitzgerald
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SheetMusicPlus
Choral Choir (3-Part Treble) - Level 3 - SKU: A0.1095379 By Bill Withers. By Bill Withers. Arranged by S. Tyler Fitzgerald. Pop. Octavo. 11 pages. S. Ty...
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Choral Choir (3-Part Treble) - Level 3 - SKU: A0.1095379 By Bill Withers. By Bill Withers. Arranged by S. Tyler Fitzgerald. Pop. Octavo. 11 pages. S. Tyler Fitzgerald #699380. Published by S. Tyler Fitzgerald (A0.1095379). 'Lean on Me’ for soloist, mixed chorus, and piano. This arrangement is separated into an upper, middle, and lower part and can be performed by a variety of ensemble configurations: SSA, SAT, or SAB. It is approximately 3’00†minutes in length. The gospel influenced harmonies are accessible and fun! Solo in Verse 1, an energetic a-cappella section in Verse 3, and the accompaniment in the ending section ‘Call Me’ gives the piano a chance to play some crunchy, bluesy riffs under the voices. My name is Tyler Fitzgerald - I’m a composer, arranger and choir director based in Calgary, Alberta, Canada. I create accessible arrangements that play to the strengths of community choirs and non-auditioned singing groups. If you’d like to say hello or inquire about an arrangement please contact me: tyler.fitzgerald88@hotmail.com Also, feel free to get in touch if you would like rehearsal tracks - these are available for all of my scores.
$1.99
(i Wonder Why?) You're Just In Love
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Contemporain
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Irving Berlin
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Jill Elliott
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(i Wonder Why?) You're Just In
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Daffiddle Music
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SheetMusicPlus
Small Ensemble,Strings Clarinet,Horn - Level 3 - SKU: A0.925242 Composed by Irving Berlin. Arranged by Jill Elliott. Contemporary. Score and parts. 18 p...
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Small Ensemble,Strings Clarinet,Horn - Level 3 - SKU: A0.925242 Composed by Irving Berlin. Arranged by Jill Elliott. Contemporary. Score and parts. 18 pages. Daffiddle Music #6480391. Published by Daffiddle Music (A0.925242). This entertaining duet comes from the musical Call me Madam, in which the heroine, Sally, gives romantic advice to her young assistant, Kenneth. In this arrangement the part of Kenneth is taken by the French Horn and that of Sally by the clarinet, while the strings provide support. A solo viola part is provided as a horn substitute if needed. .
$12.99
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If You Call Me
