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If You Imagined - Flute
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If You Imagined - Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.572731 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.572731 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Love,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #3925457. Published by James M Stevens Music ASCAP (A0.572731). This is an original composition for Violin & Piano in a beautiful romantic style in the key of C major. There is a separate violin part in the score and the track as heard is available under If You Imagined Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=swhdJwxjiI0
$4.99
4.59 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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If You Imagined - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
If You Imagined (from Relaxing & Romantic Piano, Vol. III)
Piano seul
Piano - Digital Download SKU: A0.1060376 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1060376 Composed by James Michael Stevens. Arranged by James Michael Stevens. Holiday,Jazz,Love,Standards,Wedding. Full Performance. Duration 212. James M Stevens Music ASCAP #518703. Published by James M Stevens Music ASCAP (A0.1060376). If You Imagined is the piano solo recording from the piano book, Relaxing & Romantic Piano, Vol. III, played and composed by Dr. James Michael Stevens.
$1.99
1.83 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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If You Imagined
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James M Stevens Music ASCAP
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SheetMusicPlus
If You Imagined - Violin & Piano
Violon et Piano
Piano,Violin - Digital Download SKU: A0.1061354 Composed by James Michael Stevens. …
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Piano,Violin - Digital Download SKU: A0.1061354 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,New Age,Sacred,Wedding. Full Performance. Duration 132. James M Stevens Music ASCAP #3925385. Published by James M Stevens Music ASCAP (A0.1061354). This is the Violin & Piano performance of Stevens' If You Imagined with some added bass guitar.
$1.99
1.83 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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If You Imagined - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
If You Imagined Piano Track
Piano seul
Piano - Digital Download SKU: A0.1061355 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1061355 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,New Age,Sacred,Wedding. Accompaniment. Duration 132. James M Stevens Music ASCAP #3925415. Published by James M Stevens Music ASCAP (A0.1061355). This is the piano track for Stevens' If You Imagined which may be used for various instrumentals.
$2.99
2.75 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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If You Imagined Piano Track
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James M Stevens Music ASCAP
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SheetMusicPlus
At the Round Earth's Imagined Corners for Trombone or Low Brass Octet
Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 4 - Digital Download S…
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Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 4 - Digital Download SKU: A0.508191 Arranged by Eric Burger Music. 20th Century. Score and parts. 24 pages. Eric Burger Music #3514661. Published by Eric Burger Music (A0.508191). Written near the end of Parry's life, he takes the evocative title from his song, At the Round Earth’s Imagined Corners from a poem by John Donne that talks about redemption of the spirit in the face of adversity.This beautiful and haunting work is both mournful and celebratory, and will give your ensemble a rewarding musical challenge.View the score with playback at:https://youtu.be/X7yAUEw4e64This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement. View the score with playback at:https://youtu.be/X7yAUEw4e64 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$13.00
11.97 €
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Eric Burger Music
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At the Round Earth's Imagined Corners for Trombone or Low Brass Octet
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Eric Burger Music
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SheetMusicPlus
Never Gonna Give You Up
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1452400 By Rick Astley. By Matthe…
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Concert Band - Level 4 - Digital Download SKU: A0.1452400 By Rick Astley. By Matthew Aitken, Mike Stock, and Peter Waterman. Arranged by Rusty Toots. 20th Century,21st Century,Classical,Comedy,Pop. 41 pages. Russell Ward #1031726. Published by Russell Ward (A0.1452400). The 3rd installment from the Stock Aitken and Waterman Re-imagined Suite for Symphonic Winds by Rusty Toots, this haunting arrangement of Never Gonna Give You Up promises to leave you spell-bound. Set to an evocative adagio, this lush re-imaginging of this Rick Astley favourite brings out the full expressive qualities of the full Symphonic Wind ensemble. The Pachelbel's Canon cello motif, widely prevalent throughout Stock Aitken and Waterman's songwriting, provides the basis for a darker reharmonisation of the theme. The main melody is introduced by a solo tenor saxophone (or optional fludgelhorn), before building to an exquisite climax that will leave your audience breathless. If you want to rick-roll your audience with class and sophistication, then this is the chart for you!
$80.00
73.66 €
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Orchestre d'harmonie
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Rick Astley
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Rusty Toots
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Never Gonna Give You Up
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Russell Ward
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SheetMusicPlus
You Found Me
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slad…
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C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99
4.59 €
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Instruments en Do
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The Fray
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Ben Clapton
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You Found Me
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Ben Clapton
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
33.15 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
Mille lune (Dedicato a Eleonora)
Small Ensemble Alto Saxophone,Guitar,Piano,Recorder,Synthesizer,Violin - Level 3 - Digital…
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Small Ensemble Alto Saxophone,Guitar,Piano,Recorder,Synthesizer,Violin - Level 3 - Digital Download SKU: A0.976832 Composed by Monica Bergo. Contemporary. Score and parts. 26 pages. Monica Bergo #3235413. Published by Monica Bergo (A0.976832). 2017 Holiday Contest EntryA thousand moons (For Eleonora) My eyes inside your I finally met you your boss laid on my aching belly that miracle you are ... I sought, I thought I invented and imagined and now I tremble at the thought that all this is not true not fade away ... you're mine ... Who will you be (where will you go) where will you go (who will be) of who you'll love? and I lose myself to dream your life to be invented thousand moons (lots of sun) you see And while time changes everything You blossom and you are rose and you are rebel wind and you are fire, sparks sustain me, exalt me and we reverse sides my embrace that melts fear and welcomes the thousand moons that you are the much sun that you are I will dry up your tears of love I will teach you to make quickly heal the heart and I'll be there thoughtful and silent spectator actress you are in this movie that is your life After me you, a thousand moons and sun still forget me if the pains you to think of me pieces of me in your young pain fragments that the time will disappear in your moon I will be Time that you know that know and saw my years be more good to her Wind,you will need Always inflate strong her sails a thousand moons, the sun for her If you love me I death for you defy if you do not want to leave me and you will walk in my own magical balance in your moon and your sun I'll be ... I thought you, I invented you I dreamed and imagined but now that you're next to me I would have hoped for so much because you are.... all this and more ..... Monica Bergo
$3.99
3.67 €
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Monica Bergo
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you are
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Mille lune
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Monica Bergo
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SheetMusicPlus
Symphony No. 40 - 1st Movement
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1204321 By Wolfgang Amadeus Mozart.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1204321 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Melquisedeque C.Silva. Classical. Score. 4 pages. Melquisedeque C.Silva #802797. Published by Melquisedeque C.Silva (A0.1204321). If you are a lover of classical music, or simply appreciate the beauty and grandeur of art, you need to listen to my adaptation of Mozart's Symphony No. 40. With it, you will experience the timeless beauty of classical music in a way you never imagined possible. Don't miss this opportunity to immerse yourself in a unique and exciting musical journey. Come and experience this masterpiece in a new guise that is sure to move and enchant all who hear it.
$4.99
4.59 €
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Piano seul
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Wolfgang Amadeus Mozart
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Melquisedeque C
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Symphony No. 40 - 1st Movement
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Melquisedeque C.Silva
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SheetMusicPlus
Nuclear - Wind Ensemble
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1000459 Composed by Bryce Styles.…
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Concert Band - Level 5 - Digital Download SKU: A0.1000459 Composed by Bryce Styles. Contemporary. Score and parts. 75 pages. Bryce Styles #5732243. Published by Bryce Styles (A0.1000459). After two years of off and on progress with months in between, I finally had the motivation to finish my third wind band piece, Nuclear. When first composing this piece, I imagined an apocalyptic scene, similar to that of those video games set in some kind of wasteland (hence the name, Nuclear). The piece is completely through-composed, and around the 3:30 minute mark, I decided to shift the theme from armageddon to rebuilding and hope. Here, the piece makes a sudden character change with a rather abrupt transition, which actually just results from my lack of skill in writing... Either way, the overall story that I am trying to tell, whether it be literal or philosophical, is that life will eventually return to normal, as one takes absorbed damage and attempts to heal. This is applicable especially today, as the 2020 pandemic has torn apart lives from all cultures and backgrounds. Someday, we will be celebrating the moment that we can all be together again. Please, if you like wind band repertoire, consider giving this piece a listen and find the story it can tell in your life. Thank you, and enjoy Nuclear.
$25.00
23.02 €
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Orchestre d'harmonie
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Bryce Styles
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Nuclear - Wind Ensemble
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Bryce Styles
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SheetMusicPlus
Barroque suite nº32B -for piano solo (Toni Tudurí - november 2020)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.999015 Composed by Antonio TudurÃ…
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Piano Solo - Level 3 - Digital Download SKU: A0.999015 Composed by Antonio TudurÃ. Baroque,Classical,Contemporary,Instructional,Standards. Score. 13 pages. Antonio Tuduri #6139323. Published by Antonio Tuduri (A0.999015). This suite has been composed in baroque style.The audio file uploaded is only the prelude movement. If you want listen the other movements you can listen them in the individual movements score links.This suite is a piano version of the original composed for violin solo.When I composed the violin version my brain imagined the bass voice thinking the armony strucuture in a natural way.It has been an exercise to demonstrate that, in general, all music can be adapted to other instrment formations.The adaptation of piano version from the violin version has been made separating the armonic elements and creating the left hand voices.The piano player can add slurs, digitation numbers and articulations in order to create its own version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.
$14.99
13.8 €
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Piano seul
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Antonio TudurÃ
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Barroque suite nº32B -for piano solo
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Antonio Tuduri
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SheetMusicPlus
Duo Mpingo
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1028053 Composed by Sarah He…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Burbury Lane Music (A0.1028053). No clarinet duet has made me stop in rehearsal and just smile so much from how cool things sounded. - Marcus Moore, clarinetist on Duo MpingoDuo Mpingo is an approximately 6 minute crowd pleaser that is perfect for any occasion. It is a modern but accessible piece that is loosely based on the lifecycle of a mpingo, or African blackwood, tree. It is a relatively advanced piece but could be performed by advanced level students. Duo Mpingo can be programmed equally well on environmental-themed or any other type of concert.Program Note: When I began to research the mpingo (African blackwood) tree in preparation for writing this piece, I came to learn that it is a fascinating tree. It has the ability to survive fires, it does not reach maturity for about 70 – 100 years, and it improves soil fertility. However, it is endangered in several African countries due to illegal logging and over-harvesting, in part because of its beautiful dark heartwood. The outside of the mpingo tree looks like any other tree with a light brown color; the inside, however, is a gorgeous, dark brown-black color – a color you have seen if you’ve ever seen a clarinet, as clarinets, along with other western instruments, are made out of the dark heartwood of the mpingo tree. I had never stopped to think about why wooden clarinets have such a dark color instead of what one typically thinks of as a wood color. I was astonished by the hidden beauty of this tree and what secrets lay inside.Duo Mpingo is somewhat programmatic in that it loosely chronicles the imagined life of a mpingo tree. There is a short section close to the middle of the piece (the inner part of the piece, if you will) that is meant to evoke the beautiful, mysterious, endangered dark heartwood of the mpingo tree. The direction to the performers for this section is solemn, prayer-like, reverential, which is how I feel we should look at every tree – not as something in our way that needs to be cut down, but with reverence for the amazing living things they are.Duo Mpingo was commissioned and premiered by Daraja Music Initiative and Clarinets for Conservation to promote a sustainable planet. This recording is by members of Terminus Ensemble, Marcus Moore and Lauren Murphy. To hear the entire piece, please visit www.sarahhersh.com.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$9.99
9.2 €
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Sarah Hersh
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Duo Mpingo
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Burbury Lane Music
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SheetMusicPlus
Fountains of the Deep (SATB, Piano, Horns, Timpani, Perc)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.799654 Composed by D. M. G…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.799654 Composed by D. M. Gardner. Christian,Concert,Contemporary. Octavo. 55 pages. D. M. Gardner Music #481051. Published by D. M. Gardner Music (A0.799654). SATB, Piano, Horns, Timpani, PercussionBE ADVISED, IF YOU SIT IN THE FRONT ROW, YOU MAY WANT TO BRING A RAINCOAT!In the six hundredth year of Noah's life, in the second month, the seventeenth day of the month, the same day were all the fountains of the great deep broken up, and the windows of heaven were opened. And the rain was upon the earth forty days and forty nights. (Gen 7:11-12 KJV)Quietly the first drops of rain begin to fall... One, two... The wind begins to stir, becoming audible. And in a moment it seems thousands of heavy raindrops fall upon the mountains and hills and plains, as though a veil of water had suddenly descended upon the earth from the heavens. Fountains of the Deep musically portrays the events of the Bible concerning the great waters in a tumultuous storm of notes thundering from the grand piano and percussion. Simultaneously, the choir calls out for help while being tossed by the tempestuous seas, swallowed by a great fish, and chased to the edge of the sea by Pharaoh.The text in Fountains of the Deep is a mixed narrative that combines scripture with an imagined exclamation at the cataclysmic events of the day. Still comes the rain, still comes the rain, never ceasing! Whether it was one man, thousands, or all of mankind, the Lord has chosen to use the great depths of the sea to do his Will. This dramatic sonic reenactment brings the listener as close to the action as one would wish to get.PURCHASE INCLUDES FULL SCORE AND ALL PARTS - priced to be purchased as a choral score, so, please purchase one copy per performer...Thank you!)Difficulty: Moderate (Choir)/Intermediate/Advanced (Piano)NOTE: While Ab minor may seem like an extreme key, it plays very well on the piano and gives the choir a very full sound. However, Fountains can easily be performed in A minor, as desired, by simply removing the key signature (for the Horns, also add a sharp (E minor)Approx. 4 minutes and 50 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.99
2.75 €
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Chorale SATB
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D
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Fountains of the Deep
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D. M. Gardner Music
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SheetMusicPlus
Bach Little Fugue in G Minor for Double Reed Choir BWV 578
Chorale SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann…
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.796870 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque,Concert. Octavo. 29 pages. Stephanie Daige #3377603. Published by Stephanie Daige (A0.796870). This little fugue is one of Bach's most famous and beloved organ works. Re-imagined for double reed choir, it is a challenging and fun setting for this fugue. The different instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments adds a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these wind instruments, which obviously wasn't an issue for the original version intended for organ. This piece would be appropriate for advanced high school students, college students, or professionals. It would do well in a chamber music concert, in a church, or between acts of a larger ensemble concert, perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There are also versions of this piece available for wind and brass quintets. Please check out my other arrangements at: http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$17.99
16.57 €
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Chorale SATB
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor for Double Reed Choir BWV 578
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Stephanie Daige
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SheetMusicPlus
Bach Little Fugue in G Minor for Brass Quintet BWV 578
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.796864 Composed by Johann Sebas…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.796864 Composed by Johann Sebastian Bach. Arranged by Stephanie Daige. Baroque. Score and parts. 29 pages. Stephanie Daige #3368125. Published by Stephanie Daige (A0.796864). This little fugue is one of Bach's most famous and beloved keyboard works. Re-imagined for brass quintet, it is a challenging and fun setting for this fugue. The five instruments take turns entering with the subject of the fugue, and interplay back and forth with the other instruments. The timbres of the different instruments add a whole new textural dimension to this already fascinating work by J.S. Bach. I considered the need to breathe for each of these brass instruments, which obviously wasn’t an issue in the original version intended for organ. This piece would be appropriate for advanced high school students, college students,or professionals. It would do well in a chamber music concert, a church, or between acts of a larger ensemble concert,perhaps in another location of the auditorium while a (quiet!) set change is taking place. It would also work well as prelude or lobby music. The duration is just over three minutes (or longer if you prefer to take it slower). Each measure is numbered individually for convenience during rehearsals. I hope you will enjoy performing this piece as much as I have enjoyed arranging it! There is also a version of this piece available for woodwind quintet. Please check out my other arrangements at:http://www.sheetmusicplus.com/publishers/stephanie-daige/6875
$9.99
9.2 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Stephanie Daige
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Bach Little Fugue in G Minor for Brass Quintet BWV 578
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Stephanie Daige
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SheetMusicPlus
Menuet of barroque suite nº32B - (Toni Tudurí - november 2020)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.999013 Composed by Antonio TudurÃ…
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Piano Solo - Level 3 - Digital Download SKU: A0.999013 Composed by Antonio TudurÃ. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Antonio Tuduri #6139301. Published by Antonio Tuduri (A0.999013). This suite has been composed in baroque style.This suite is a piano version of the original composed for violin solo.When I composed the violin version my brain imagined the bass voice thinking the armony strucuture in a natural way.It has been an exercise to demonstrate that, in general, all music can be adapted to other instrment formations.The adaptation of piano version from the violin version has been made separating the armonic elements and creating the left hand voices.The piano player can add slurs, digitation numbers and articulations in order to create its own version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.
$3.99
3.67 €
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Piano seul
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Antonio TudurÃ
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Menuet of barroque suite nº32B -
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Antonio Tuduri
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SheetMusicPlus
The Farewell Waltz (Solo Easy Piano)
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.711726 Composed by Nicholas Steinba…
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Easy Piano - Level 1 - Digital Download SKU: A0.711726 Composed by Nicholas Steinbach. Arranged by Nicholas Steinbach. 20th Century,Film/TV,Graduation,Holiday,Romantic Period. Score. 2 pages. Nicholaas Steinbach #2852735. Published by Nicholaas Steinbach (A0.711726). 2016 Easy Piano Contest Entry. This is an easy solo piano arrangement to a piece written by Nicholas Steinbach titled, The Farewell Waltz. - Note From The Composer - While writing The Farewell Waltz, I imagined it being played at a dinner party back in the early 1910's before a family member left on a trip overseas. I tried to capture the sense of anxious and nervous excitement someone would have felt as he/she leaves family to chase dreams abroad. The key I chose to write in is B flat which has a warm color and a pensive tone. Throughout the piece, I relied on the sharp 4 scale degree (Lydian) to build a sense of mild tension as it is heard over the tonic before a release and quick resolution. Enjoy! Please leave feedback if you'd like!
$1.99
1.83 €
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Piano Facile
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Nicholas Steinbach
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Nicholas Steinbach
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The Farewell Waltz
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Nicholaas Steinbach
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SheetMusicPlus
Durham Concerto
Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: …
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Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra. Composed by Jon Lord. This edition: study score. Evening - architecture - dawn - architecture - cathedral - bagpipes - Durham - England - Great Britain - cathedral - Church - concerto - morning - afternoon - nocturne - Northumbrian pipes - program music - program music - students - Studies - Studies. Music Of Our Time. Downloadable, Study score. Duration 57' 0. Schott Music - Digital #Q52424. Published by Schott Music - Digital (S9.Q52424). The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mindâ€, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durhamâ€, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 20173 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6).
$46.99
43.27 €
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Jon Lord
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Durham Concerto
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Schott Music - Digital
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SheetMusicPlus
Gavotte of barroque suite nº32B - (Toni Tudurí - novembre 2020)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.999011 Composed by Antonio TudurÃ…
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Piano Solo - Level 3 - Digital Download SKU: A0.999011 Composed by Antonio TudurÃ. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Antonio Tuduri #6139295. Published by Antonio Tuduri (A0.999011). This suite has been composed in baroque style.This suite is a piano version of the original composed for violin solo.When I composed the violin version my brain imagined the bass voice thinking the armony strucuture in a natural way.It has been an exercise to demonstrate that, in general, all music can be adapted to other instrment formations.The adaptation of piano version from the violin version has been made separating the armonic elements and creating the left hand voices.The piano player can add slurs, digitation numbers and articulations in order to create its own version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.
$3.99
3.67 €
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Piano seul
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Antonio TudurÃ
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Gavotte of barroque suite nº32B -
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Antonio Tuduri
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SheetMusicPlus
Gigue of barroque suite nº32B - (Toni Tudurí - november 2020)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.999014 Composed by Antonio TudurÃ…
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Piano Solo - Level 3 - Digital Download SKU: A0.999014 Composed by Antonio TudurÃ. Baroque,Classical,Contemporary,Instructional,Standards. Score. 2 pages. Antonio Tuduri #6139303. Published by Antonio Tuduri (A0.999014). This suite has been composed in baroque style.This suite is a piano version of the original composed for violin solo.When I composed the violin version my brain imagined the bass voice thinking the armony strucuture in a natural way.It has been an exercise to demonstrate that, in general, all music can be adapted to other instrment formations.The adaptation of piano version from the violin version has been made separating the armonic elements and creating the left hand voices.The piano player can add slurs, digitation numbers and articulations in order to create its own version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.
$3.99
3.67 €
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Piano seul
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Antonio TudurÃ
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Gigue of barroque suite nº32B -
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Antonio Tuduri
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SheetMusicPlus
Sarabande of barroque suite nº32B - (Toni Tudurí - novembre 2020)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.999012 Composed by Antonio TudurÃ…
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Piano Solo - Level 3 - Digital Download SKU: A0.999012 Composed by Antonio TudurÃ. Baroque,Contemporary,Instructional,Standards. Score. 3 pages. Antonio Tuduri #6139299. Published by Antonio Tuduri (A0.999012). This suite has been composed in baroque style.This suite is a piano version of the original composed for violin solo.When I composed the violin version my brain imagined the bass voice thinking the armony strucuture in a natural way.It has been an exercise to demonstrate that, in general, all music can be adapted to other instrment formations.The adaptation of piano version from the violin version has been made separating the armonic elements and creating the left hand voices.The piano player can add slurs, digitation numbers and articulations in order to create its own version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.
$3.99
3.67 €
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Piano seul
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Antonio TudurÃ
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Sarabande of barroque suite nº32B -
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Antonio Tuduri
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SheetMusicPlus
Prelude of barroque suite nº32B - (Toni Tudurí - novembre 2020)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.999010 Composed by Antonio TudurÃ…
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Piano Solo - Level 3 - Digital Download SKU: A0.999010 Composed by Antonio TudurÃ. Baroque,Classical,Contemporary,Instructional,Standards. Score. 4 pages. Antonio Tuduri #6139293. Published by Antonio Tuduri (A0.999010). This suite has been composed in baroque style.This suite is a piano version of the original composed for violin solo.When I composed the violin version my brain imagined the bass voice thinking the armony strucuture in a natural way.It has been an exercise to demonstrate that, in general, all music can be adapted to other instrment formations.The adaptation of piano version from the violin version has been made separating the armonic elements and creating the left hand voices.The piano player can add slurs, digitation numbers and articulations in order to create its own version.Their movements can be used also as a training studies.Enjoy it !!!.If you play it, please send me an audio file of how it sounds !!!.Tanks in advance !!.
$3.99
3.67 €
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Piano seul
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Antonio TudurÃ
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Prelude of barroque suite nº32B -
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Antonio Tuduri
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.56 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.72 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
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