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If You Should Go
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Vous avez sélectionné:
If You Should Go
Partitions à imprimer
85 partitions trouvées
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Missionary Medley: Called to Serve, Let Us All Press On, Put Your Shoulder to the Wheel (Soprano & T
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Chorale SATB
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Adam Geibel, Evan Stephens, Gr
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Stacey Oakes
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Missionary Medley: Called to S
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Stacey Oakes at Whiting Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Ch...
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Choral Choir (SATB) - Level 2 - SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Stacey Oakes at Whiting Publishing #3878753. Published by Stacey Oakes at Whiting Publishing (A0.1033403). Good for Missionary or Youth Musical Numbers - Soprano/Tenor or Men/Women Choirs This medley was written upon request for a missionary's send-off! It's great for: - Church Services - Missionary Farewells and Homecomings - Firesides - Youth Choirs - Adult Choirs - Soprano and Tenor Duet Purpose/Message: The medley's purpose is to invigorate us and to encourage us to be brave in sharing truth. It emphasizes the concepts of pressing on, having courage, and not fearing. Difficulty: Medium (There are some independent singing sections, some notes at the top of the soprano and tenor range, and a couple spots with less typical harmonies. It is, however, not a difficult piece overall. Those who are accustomed to singing in choirs will have no trouble but will be challenged enough to enjoy the piece.) Range: The notes are within range for a somewhat experienced or serious singer. If using in a choir, you can have the higher notes sung one octave lower by those out of range, or add a harmonic note as needed. There are only a couple of instances where this might be needed. Solutions to Problems: If you have youth afraid to go on missions, this song will help them take courage and be brave. If you have adults who are faltering from fear (as all do on occasion), it is hoped this song will bolster their courage and resolve. Duration of Work: This medley is approximately 4:12 minutes long. Performing Rights Organization: The composer is a member of BMI. Contact Information: You can contact the composer through MyMusicStash.blogspot.com. Some of her works are also posted on Instagram @LDSSheetMusic Called to Serve: Grace Gordon, Adam Geibel; Let Us All Press On: Evan Stephens; Put Your Shoulder to the Wheel: Will L. Thompson.
$3.99
Should I Stay Or Should I Go
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
You Can Close Your Eyes
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Pu...
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Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99
You Can Close Your Eyes
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Guitare notes et tablatures
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by...
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Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99
You Can Close Your Eyes
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Guitare notes et tablatures
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FACILE
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Rock
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James Taylor
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John Murphy C
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You Can Close Your Eyes
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John Murphy
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Pu...
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Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99
Let's Go Crazy
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Prince
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Zack Smith
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Let's Go Crazy
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Zack Smith
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1079662 By Prince. By Prince. Arranged by Zack Smith. Pop,Rock. Score and parts. 19 pages. Zack Smith #683843. Publis...
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Brass Ensemble - Level 4 - SKU: A0.1079662 By Prince. By Prince. Arranged by Zack Smith. Pop,Rock. Score and parts. 19 pages. Zack Smith #683843. Published by Zack Smith (A0.1079662). This is a fairly faithful brass quintet adaption of the Prince party tune. Trombone is featured heavily and takes the iconic guitar cadenza at the end. Trumpet 1 also gets featured on Prince's guitar solo (which is written out and kind of high). If you have a stand out trombonist in your group, this will work really well (and if your trombonist is not very strong, you probably should go check out one of Zack's other Prince arrangements).
$14.99
who knows if the moon's a balloon - SSAA (Children) & Piano
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Chorale SSAA
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INTERMÉDIAIRE
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Charles Griffin
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who knows if the moon's a ball
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Coriolis Press
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Publis...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1000875 Composed by Charles Griffin. 20th Century,Contemporary. Octavo. 8 pages. Coriolis Press #5982771. Published by Coriolis Press (A0.1000875). SSAA with piano accompaniment (1999 rev. 2020) ca. 3’e.e. cummings, Text.Commissioned by the Piedmont Choirs, for use in the International Choral Olympics in Linz, Austria, July, 2000.The MP3 recording is of the original composition. A handful of small tweaks were recently made, all of which simplify the performance challenges.Text:who knows if the moon’sa balloon, coming out of a keen cityin the sky-filled with pretty people?(and if you and I shouldget into it, if theyshould take me and take you into their balloon,why thenwe’d go up higher with all the pretty peoplethan houses and steeples and clouds:go sailingaway and away into a keencity which nobody’s ever visited, wherealwaysit’sSpring)and everyone’sIn love and flowers pick themselves
$2.99
Go Tell Your Friends and Neighbors
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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the way, every choir that I ha
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Richard Joseph Barber
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Alt., C4 to E-flat 5
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Go Tell Your Friends and Neigh
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Barber Music Company
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.915693 Composed by Richard Joseph Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 13 pages....
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Choral Choir (SAB) - Level 4 - SKU: A0.915693 Composed by Richard Joseph Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 13 pages. Barber Music Company #3868985. Published by Barber Music Company (A0.915693). Voicing: SAB w/ piano. Range: Sop., C4 to A5; Alt., C4 to E-flat 5; Baritone., C3 to E-flat 4. Duration: 2:40. Use: Christmas services. Great for choirs low on male voices. Performance: I wrote this piece as the finale to The Father Sent the Son, a cantata I wrote for one of my church choirs. The last theme in this piece is a reprise of the title music. I was thinking of the shepherds running to tell their neighbors what they had seen that wonderful night in Bethlehem. Avoid singing with a heavy tone. There should be buoyancy in the tone and in the diction. The tempo is fast a mm140, but it works if you pianist can handle it. I have done it at mm132 on more than occasion for a piano player's sake. It still worked okay, but if you can manage 140,do it. By the way, every choir that I have done this piece with has enjoyed it thoroughly. It is fun to sing and to hear. Please send your comments, and questions. I will be happy to hear from you! Dick Barber: aspiringtunerrjb@sbcglobal.net.
$2.20
Should I Stay Or Should I Go
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Guitare notes et tablatures
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INTERMÉDIAIRE
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The Clash
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Seamus McDaniel
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Should I Stay Or Should I Go
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Seamus McDaniel
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1323336 By The Clash. By Joe Strummer and Mick Jones. Arranged by Seamus McDaniel. 20th Century,Punk,Rock. Guitar Tab. 4 page...
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Guitar - Level 3 - SKU: A0.1323336 By The Clash. By Joe Strummer and Mick Jones. Arranged by Seamus McDaniel. 20th Century,Punk,Rock. Guitar Tab. 4 pages. Seamus McDaniel #911567. Published by Seamus McDaniel (A0.1323336). This is my arrangement/transcription of Should I Stay or Should I Go by The Clash! I've included left hand fingering and really aimed for note-by-note accuracy in this one. There is standard notation as well as tabature in the PDF!If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$4.99
Go The Distance
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Chorale SSAA
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INTERMÉDIAIRE
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Michael Bolton
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Larry Wright
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Go The Distance
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Larry Wright
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1124392 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Larry Wright. A Cappella,Barbershop. Oct...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1124392 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 3 pages. Larry Wright #725137. Published by Larry Wright (A0.1124392). A MEN'S 4-part, a cappella, barbershop ballad arrangement of this Disney hit song from the animated movie Hercules; recorded by Michael Bolton and a host of others; contestable for BHS; this arrangement has the alternate TAG #2. If you need to hear the different tags, email me. IMPORTANT NOTE: by first purchasing the $100 Arrmt/Trax COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT vocal learning trax, but also be able to purchase the sheet music from SMP for a low $1.89 per-copy price,... NOT the currently posted much higher $15.00 per-copy price,... PLUS you also get a second Arrmt/Trax COMBO of your choice from my website FREE!!!! Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT Vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
Where Should I Go? (Opus 720) (Tenor, Flute, Oboe, Bassoon) [Full Score] - Score Only
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Contemporain
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Daniel Hay
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Where Should I Go?
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Daniel Hay Music
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SheetMusicPlus
Level 4 - SKU: A0.596432 Composed by Daniel Hay. Contemporary. 3 pages. Daniel Hay Music #5756133. Published by Daniel Hay Music (A0.596432). ...
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Level 4 - SKU: A0.596432 Composed by Daniel Hay. Contemporary. 3 pages. Daniel Hay Music #5756133. Published by Daniel Hay Music (A0.596432). A unique piece for Tenor with Flute, Oboe, and Bassoon. It asks the question, Where should I go to hear the sound of music? It is a wonderful challenge that presents well in small settings or with doubling of instruments can fill an auditorium. If you need parts the composer will gladly post a new item for the parts.
$5.99
If You Should Go
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Piano seul
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INTERMÉDIAIRE
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Jeremiah Evans
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If You Should Go
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Jeremiah Evans
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1379942 Composed by Jeremiah Evans. 21st Century. Score (Chords/Lyrics). 5 pages. Jeremiah Evans #964651. Published by Jeremia...
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Piano - Level 3 - SKU: A0.1379942 Composed by Jeremiah Evans. 21st Century. Score (Chords/Lyrics). 5 pages. Jeremiah Evans #964651. Published by Jeremiah Evans (A0.1379942). Art song for medium high voice and piano (text by Countee Cullen).
$3.00
If You Should Go
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Piano seul
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INTERMÉDIAIRE
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Jeremiah Evans
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If You Should Go
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Jeremiah Evans
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1380026 Composed by Jeremiah Evans. 21st Century,Chamber,Classical,Contemporary,Opera. Score (Chords/Lyrics). 5 pages. Jeremia...
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Piano - Level 3 - SKU: A0.1380026 Composed by Jeremiah Evans. 21st Century,Chamber,Classical,Contemporary,Opera. Score (Chords/Lyrics). 5 pages. Jeremiah Evans #964735. Published by Jeremiah Evans (A0.1380026). Art song for medium-low voice and piano (Text by Countee Cullen).
$3.00
If You Go Away
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Orgue
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Jazz
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Barbra Streisand
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If You Go Away
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.451283 By Barbra Streisand. This edition: scorch. E-Z Play Today. Jazz,Pop,Standards. Score. 4 pa...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.451283 By Barbra Streisand. This edition: scorch. E-Z Play Today. Jazz,Pop,Standards. Score. 4 pages. Hal Leonard - Digital #390070. Published by Hal Leonard - Digital (HX.451283). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
O Lord, you have searched me out
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Le Bas
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O Lord, you have searched me o
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Philip Le Bas
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. Philip Le Bas #1072778. Published by Philip Le Bas (A0.1496253). A new setting of Psalm 139 by Philip Le Bas, which begins O Lord, you have searched me out and known me - text printed below. The psalm is a deeply personal reflection by the psalmist on the wonder of my being and on the inescapability of God's love, wherever we might try to hide, and whatever we might do ourselves or might experience - even death. This gentle setting for unaccompanied SATB choir uses the full range of all four choral voices, with just one divisi passage at the end of the composition in the tenor and bass parts. The piece should be sung meditatively, without too much drama, even in the fortissimo passages, aiming for a sense of wonder and inner peace. Psalm 139 O Lord, you have searched me out and known me; you know all my sitting down and rising; you discern my thoughts from afar. You mark all my journeys and my resting place and are acquainted with all my ways. For not a word is on my tongue but, Lord, you know it altogether. You encompass me, behind and before me, you lay you hand upon me. O where can I go from your spirit? Or where can I flee from your presence? If I climb up to heaven you are there; you are there if the grave is where I lie. If I take the wings of the morning, or dwell in the depths of the sea, even there your hand shall lead me, your right hand hold me fast. You created my innermost parts; you knit me together in my mother's womb. I thank you for the wonder of my being, I marvel at all your works. Amen.
$2.99
I Forgive You
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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I Forgive You
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842200 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 8 pages. Andrew Mc Donald (Macka Records) #5...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842200 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 8 pages. Andrew Mc Donald (Macka Records) #5722479. Published by Andrew Mc Donald (Macka Records) (A0.842200). I Forgive You is a song about forgiveness. Sometimes people do things to offend us or hurt us. When this happens we should forgive and not go to the grave without resolving it like some do. Sometimes we can hold on to the bitterness but the Lord says no matter how many times they sin against us, we should forgive cause if we don't He will not hear our prayers.
$4.99
The Carnival of Venice
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J
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Chris Gorman
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The Carnival of Venice
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1089024 Composed by J.B. Arban. Arranged by Chris Gorman. Classical,Contest,Festival. Brass Band. 101 pages. Chris Gorman #693241. Published by Chris Gorman (A0.1089024). The Carnival of Venice is based on a Neapolitan folk tune called O Mamma, Mamma Cara and popularised by violinist and composer Niccolo Paganini, who wrote twenty variations on the original tune. He titled it Il Carnevale Di Venezia, Op. 40. In 1829, he wrote to a friend, The variations I've composed on the graceful Neapolitan ditty, 'O Mamma, Mamma Cara,' outshine everything. I can't describe it. Since then, the tune has been used for a number of popular songs, such as If You Should Go to Venice and My Hat, It Has Three Corners. The tune was also used as an endless song in Australian schoolyards: A doggy stole a sausage, cos he was underfed The butcher saw him do it, and now that doggy's dead And all the little doggies, were very sad that night They built for him a tombstone, and on it they did write... – repeated, ad nauseam, to the tune of Carnival of Venice, sometimes only stopped by the ringing of the bell to return to class. A series of theme and variations has been written for solo cornet, as show off pieces that contain virtuoso displays of double and triple tonguing, and fast tempos.
$40.00
Smile - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Smile - an original hymn for S
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701689 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevi...
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Choral Choir (SATB) - Level 4 - SKU: A0.701689 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3246053. Published by Kevin G. Pace (A0.701689). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/6AXDSre-o2QDoes it pay to be downcast or gloomy? Does it help to complain or be sad? Will the world open wide if you're cloudy inside, Or will sunshine align with the glad? CHORUS You can smile every day you are living, For each day you can choose how you feel. Win control of your heart each morning When you first take the time to kneel. Should your life go awry in the morning, Should your day take a turn for the worse, If you only see doom through the fog and the gloom, All your blessings you now should rehearse. CHORUS There are days when you just feel like crying. There are days when the tears tend to flow. When the grief in your heart only sadness imparts, Seek the Lord for His comfort to know. CHORUS Should your anger build up near to boiling, Should it seem you are soon to explode, In the gospel of peace, let your mind rest at ease, For all vengeance is Mine, said the Lord. CHORUS Let the goodness of God be your comfort. Let the blessings of God be your stay. May His glory and light shine within you so bright, Any darkness will soon turn to day. CHORUS
$1.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Chord Studies 1-4 for Solo Piano
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Piano seul
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DÉBUTANT
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Cody Weinmann
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Chord Studies 1-4 for Solo Pia
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Cody Weinmann
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.835139 Composed by Cody Weinmann. Contemporary,Instructional. Score. 10 pages. Cody Weinmann #5370917. Published by Cody ...
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Easy Piano - Level 1 - SKU: A0.835139 Composed by Cody Weinmann. Contemporary,Instructional. Score. 10 pages. Cody Weinmann #5370917. Published by Cody Weinmann (A0.835139). This innovative chord study series for piano solo is made to help pianists of many different levels,especially those in the beginning of their playing career. This first set of warmups in the series takes the pianist through a series of known and slightly altered chord progressions in basic keys like C andG major. There are many chords in root position, but there are also chords in first and second inversionto give the player a realm of possibilities to explore and spot should they come across them or shouldthey later use them to compose their own music.It features all the chords notated for you all with suggested fingering numbers. Note: you can alter thefingerings if you feel the need. Also featured are the chord symbols above the chords for easy reference when practicing.If you would like more information about this or other music tutorials, feel free to go to:https://www.youtube.com/channel/UCeQjG3LlwSFprkTFvoJNqNAIf you are looking for more music, go to the websites on the previous page, or go to:https://www.youtube.com/channel/UCXq0u6NR-2FKeowdNzcJbng?
$4.99
The Worm
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Ensemble Jazz
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DÉBUTANT
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Blues
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Jazz
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John Philips
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The Worm
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.947265 Composed by John Philips. Blues,Jazz. Score and parts. 17 pages. John Philips Music Service #3867...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.947265 Composed by John Philips. Blues,Jazz. Score and parts. 17 pages. John Philips Music Service #3867627. Published by John Philips Music Service (A0.947265). Very easy chart for middle schools on up. Based on 12 bar blues it runs at about 140 and has simple themes that are done with unison sections. It’ funky 2 beat and make you want to clap your hands on 2 & 4. Fun to play, younger players can do it and learn. It usually works to have the horn players that are not playing in the first part of the chat clap their hands over their head on 2 and 4. This will get the people into it. This is a simple funky 2 beat and should be kept that way. Piano has dissonant afterbeats--should be soft.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
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If You Should Go
