English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
413
Partitions
Numériques
3 884
Librairie
Musicale
0
Matériel
de Musique
3
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
550
PIANO & CLAVIERS
Piano seul
388
Piano Facile
110
Piano, Voix
91
Piano, Voix et Guitare
67
Instruments en Do
28
Orgue
14
1 Piano, 4 mains
12
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
2
2 Pianos, 4 mains
2
Accordéon
2
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
Piano grosses notes
1
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
29
Guitare notes et tablatures
24
Guitare (partie séparée)
6
Banjo
3
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
2
Basse electrique
2
Piano, Guitare (duo)
2
4 Guitares (Quatuor)
1
Paroles et Accords
1
Dulcimer
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
163
Chorale 3 parties
50
Chorale 2 parties
31
Chorale TTBB
24
Chorale SSAA
15
Voix Alto, Piano
10
Chorale Unison
10
Voix Soprano, Piano
9
Voix haute
5
Voix duo, Piano
4
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix moyenne, Piano
1
Chorale SSATB
1
Soli, choeur mixte et accompagnement
1
Voix duo
1
Voix seule
1
Voix Soprano
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
51
Quatuor de Saxophones: 4 saxophones
46
2 Flûtes traversières (duo)
45
Flûte traversière et Piano
43
Clarinette et Piano
41
2 Saxophones (duo)
29
Flûte, Hautbois, Clarinette, Basson
29
Hautbois, Piano (duo)
28
Clarinette
27
Quintette de Saxophone: 5 saxophones
26
Saxophone Alto et Piano
23
Flûte traversière
20
Saxophone (partie séparée)
18
Quatuor de Clarinettes: 4 clarinettes
15
Saxophone Tenor et Piano
15
Quintette de Clarinettes: 5 clarinettes
14
2 Clarinettes (duo)
13
Hautbois (partie séparée)
13
2 Flûte à bec (duo)
12
Ensemble de Clarinettes
12
Quatuor de Flûtes : 4 flûtes
12
Saxophone Baryton, Piano
10
Saxophone, Clarinette (duo)
9
Flûte, Clarinette (duo)
9
Saxophone Alto
9
Clarinette, Basson (duo)
9
Clarinette, Violoncelle (duo)
9
3 Saxophones (trio)
8
Saxophone Tenor
8
3 Clarinettes (trio)
8
Trio de Flûtes: 3 flûtes
8
Hautbois, Basson (duo)
8
Saxophone Soprano et Piano
8
Cor anglais, Piano
7
Clarinette, Violon (duo)
7
Ensemble de Flûtes
7
2 Hautbois (duo)
7
Clarinette Basse, Piano
7
Hautbois, Clarinette (duo)
7
Flûte à bec Soprano
6
Quatuor de Flûtes à bec
6
Ensemble de saxophones
6
Quintette de Flûte : 5 flûtes
5
Flûte, Violoncelle
5
Clarinette, Trompette (duo)
5
Hautbois, Violoncelle
5
Flute (partie séparée)
5
Flûte à bec Alto, Piano
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Saxophone (duo)
4
5 Flûtes à bec
4
Clarinette (partie séparée)
3
Flûte, Violon
3
Cor Anglais
3
Flûte, Clarinette et Basson
3
Hautbois
3
Flûte, Hautbois (duo)
3
3 Flûtes à bec (trio)
3
Hautbois, Flûte
3
Flûte et Guitare
2
Clarinette et Alto
2
Flûte à bec Alto
2
Flûte, Trompette (duo)
2
Flûte à Bec
2
Piccolo
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone
1
Flûte, Violon et Violoncelle
1
Cor anglais et Harpe (duo)
1
Hautbois, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Flûte irlandaise
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Violon, Piano
1
Flûte, Tuba (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trompette, Piano
22
Trombone et Piano
22
Trompette (partie séparée)
19
Cor
17
Cor et Piano
17
Trompette
17
Trombone (partie séparée)
16
Tuba et Piano
15
Quatuor de cuivres: 4 trombones
15
Tuba
14
Trombone
12
Quatuor de Cuivres
11
2 Trombones (duo)
10
Trompette, Trombone (duo)
9
Euphonium, Piano (duo)
9
Cor anglais, Piano
7
2 Trompettes (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Trompette, Saxophone (duo)
6
Cor, Violoncelle (duo)
6
2 Tubas (duo)
5
2 Cors (duo)
4
Cor (partie séparée)
4
Cor Anglais
3
Euphonium
3
Trompette, Violoncelle (duo)
2
Trio de Cuivres
2
Cor et Basson (duo)
2
Trompette, Cor (duo)
2
Ensemble de Cors
2
Ensemble de Trombones
2
Tuba (partie séparée)
2
Cor anglais et Harpe (duo)
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trompettes
1
4 Tubas
1
Ensemble de Tubas
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 cors
1
3 Euphoniums
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
85
Violon et Piano
45
Alto, Piano
33
Violon
28
Violon, Violoncelle (duo)
27
Violoncelle, Piano
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violoncelle
19
Violon, Basson (duo)
17
Harpe
15
Alto seul
15
2 Violoncelles (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Contre Basse
10
Violon (partie séparée)
10
Contrebasse, Piano (duo)
10
2 Altos (duo)
9
Violon, Alto (duo)
9
Alto, Violoncelle (duo)
9
2 Violons (duo)
9
Contrebasse (partie séparée)
7
Alto et Basson
6
Alto (partie séparée)
5
Harpe, Flûte (duo)
4
Trio à Cordes: 2 violons, violoncelle
3
2 Harpes (duo)
3
Violoncelle (partie séparée)
3
Harpe, Voix
3
Trio à cordes: 3 violins
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
4 Contrebasses
1
Ensemble d'Altos
1
Piano Trio: Violon, Alto, Piano
1
Ensemble de Violons
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Harpe et mandoline
1
4 Violoncelles
1
Harpe, Violon, Violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
291
Orchestre à Cordes
61
Orchestre
42
Ensemble Jazz
25
Ensemble de cuivres
20
Cloches
18
Orchestre de chambre
17
Jazz combo
12
Marimba
4
Ensemble de Percussions
4
Batterie (partie séparée)
3
Xylophone
2
Percussion (partie séparée)
2
Batterie
2
Vibraphone
1
Orchestre, Violon
1
Piano et Orchestre
1
Fanfare
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Ike Light music
SheetMusicPlus
Partitions à imprimer
3 884 partitions trouvées
<
1
26
51
....
3876
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
(+)
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22 €
#
Piano et Orchestre
#
Gyorgy Ligeti (1923-2006)
#
Concerto
#
Schott Music - Digital
#
SheetMusicPlus
A Night of Lights
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Shoshana Michel. …
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Shoshana Michel. 21st Century, Neo-Classical, Hanukkah, Recital, New Age. Sheet Music Single. 4 pages. Published by Shoshana Music Music
A Night of Lights is a light, music box-like piano solo. It was originally composed with the holiday, Hanukkah, in mind.<br> Level: 5 – Late Intermediate<br> Key Signature: F#m <br> Length: 4 pages<br> From the solo piano album, Dancing on the Wind. Nominated for 2016 Best Piano Album by Whisperings Solo Piano Radio.<br> More info at www.ShoshanaMusic.comA Night of Lights is a light, music box-like piano solo. It was originally composed with the holiday, Hanukkah, in mind.<br> Level: 5 – Late Intermediate<br> Key Signature: F#m <br> Length: 4 pages<br> From the solo piano album, Dancing on the Wind. Nominated for 2016 Best Piano Album by Whisperings Solo Piano Radio.<br> More info at www.ShoshanaMusic.com
$5.99
5.49 €
#
Piano seul
#
Shoshana Michel
#
A Night of Lights
#
Shoshana Music Music
#
SheetMusicPlus
Schubert: Moment Musicaux for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.22 €
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Schubert: Moment Musicaux for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz …
(+)
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.22 €
#
Saxophone Alto et Piano
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.22 €
#
Saxophone Baryton, Piano
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Shrouded in light and fog
Violon et Piano
Violin and piano - advanced - Digital Download SKU: S9.Q46171 Poème for violi…
(+)
Violin and piano - advanced - Digital Download SKU: S9.Q46171 Poème for violin and piano. Composed by Tatjana Komarova. This edition: score and part. Viola Library. Downloadable, score and part. Duration 14 minutes. Schott Music - Digital #Q46171. Published by Schott Music - Digital (S9.Q46171). Musicians onstage stand in the limelight and enjoy their fame whereas after performance they become shrouded in a strange fog of isolation. Light is associated with ascent and descent: it can lead into brightness, but equally into darkness. Light can illuminate and yet be dazzling; fog stands for insecurity, uncertainty and anxiety ... but also for mysticism and wafting dreams. Somehow time stands still... Tatjana Komarova (Translation: Lindsay Chalmers-Gerbracht)Musiker sind auf der Bühne von Rampenlicht und Ruhm, und nach der Aufführung von einem seltsamen Nebel in Einsamkeit umhüllt.Licht verknüpft sich mit Auf- und Untergang, es führt in die Helligkeit, aber auch in die Finsternis. Licht kann erleuchten oder blenden; Nebel steht für Ungewissheit, Unsicherheit, Angst ... aber auch für Mystik, als Schweben in Träumen. Die Zeit bleibt irgendwie stehen... (Tatjana Komarova).
$16.99
15.58 €
#
Violon et Piano
#
Tatjana Komarova
#
Shrouded in light and fog
#
Schott Music - Digital
#
SheetMusicPlus
Eternal Light
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1368416 By Jose Valladares. By Jose…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1368416 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 5 pages. Circlesquare Music #952763. Published by Circlesquare Music (A0.1368416). Introducing Eternal Light, a transcendent piano composition that radiates hope, serenity, and the enduring beauty of life's simplest moments. This luminous piece, from the acclaimed album A Celebration of Love, and Life by the distinguished artist and composer Jose Valladares, is a musical embodiment of the warmth and comfort that light brings to our souls.With a tempo of 75, Eternal Light unfolds gracefully, each note like a gentle ray of sunshine breaking through the morning mist. The composition is an uplifting journey, a reminder of the persistent strength and resilience that reside within us all. Its melody dances like light on water, a harmonious blend of reflection and brilliance that resonates with the heart's most profound aspirations for peace and joy.Eternal Light is not just a piece of music; it's a sanctuary. It offers a haven from the tumult of everyday life, inviting listeners to bask in the glow of tranquility and hope. The composition's measured tempo and uplifting harmonies serve as a gentle reminder that, amidst life's ebb and flow, there is always a steadfast beam of light guiding us forward.This composition is perfect for those seeking solace in music, for pianists who wish to convey a message of optimism and inspiration, and for anyone who yearns to connect with the more profound, more luminous parts of the human experience. Whether you're reflecting on life's joys, seeking comfort during challenging times, or simply enjoying a moment of peace, Eternal Light is a faithful companion that uplifts and enlightens.
$8.99
8.25 €
#
Piano seul
#
Jose Valladares
#
Jose Valladares
#
it's a sanctuary
#
Eternal Light
#
Circlesquare Music
#
SheetMusicPlus
Free at Last
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. Spirit…
(+)
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. Spiritual, New Age. Sheet Music Single. 7 pages. Published by Landon Creative, Inc.
Healing Hearts 2<br> Louis Landon<br> 2015 / Landon Creative<br> 66 minutes<br> Review by Kathy Parsons<br> Louis Landon continues to soar on the wings of an amazingly creative period - now going on several years! Healing Hearts 2 is the follow-up to Healing Hearts, which was released the end of 2014 and is nominated for Album of the Year on Whisperings Solo Piano Radio. This is Landon’s second album for 2015 and he’s already working on his first release for 2016! The fourteen tracks on Healing Hearts 2 were gathered from improvisations created during sessions at Landon’s Healing Piano of Sedona (AZ), so the piano solos are very smooth and soothing - probably the most relaxed and relaxing album of Landon’s career. Recorded on a Steinway B grand piano at The Peace Palace in Sedona and mastered by Joe Bongiorno at Piano Haven, also in Sedona, the piano sound is impeccable - very warm and enveloping. Landon told me that this is the best music he never wrote, referring to the fact that the music just flows out of him during these sessions, reflective of each client’s wants and needs at the time of the session.<br> <br> The full Healing Hearts 2 album is a little more than an hour of quietly uplifting music and works exceptionally well as a relaxing and healing experience. I’d like to mention a few favorite pieces, though. The album begins with “Sisters,” a very gentle piece that expresses the love and special bond that can exist between sisters. Very light and free, it’s a beautiful start. “Free At Last” starts out almost mournfully - dark and searching - gradually becoming livelier and more optimistic. It’s an amazing musical journey and development! “Relax and Enjoy” expresses the warm comfort of just letting go and “being” for awhile - leisurely and contented. “Feeling the Love” is so warm and open that it feels like a musical embrace - melodic yet very free. “All Is Well” is almost ambient, but what a wonderful atmosphere of quiet contentment it creates - a perfect peace. “Transition” is like floating on a cloud - effortless and so peaceful. “Dark Nights” is one of the most beautiful pieces Landon has recorded. It reminds me a little bit of Beethoven’s “Moonlight Sonata” and some of Chopin’s Nocturnes - so poignant and heartfelt that it takes my breath away. The gracefully flowing “Dancer” expresses freedom and elegant movement. “Lullaby” closes this excellent album with a piece so soothing it could melt the tension out of anyone. Gorgeous!<br> <br> If you are looking for music that will relax and refresh your inner being, you need to look no further than Healing Hearts 2. This is the real deal when it comes to soothing piano music with substance and heart. It is available from louislandon.com, Amazon, iTunes, and CD Baby. Highly recommended!<br> November 1, 2015<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.Healing Hearts 2<br> Louis Landon<br> 2015 / Landon Creative<br> 66 minutes<br> Review by Kathy Parsons<br> Louis Landon continues to soar on the wings of an amazingly creative period - now going on several years! Healing Hearts 2 is the follow-up to Healing Hearts, which was released the end of 2014 and is nominated for Album of the Year on Whisperings Solo Piano Radio. This is Landon’s second album for 2015 and he’s already working on his first release for 2016! The fourteen tracks on Healing Hearts 2 were gathered from improvisations created during sessions at Landon’s Healing Piano of Sedona (AZ), so the piano solos are very smooth and soothing - probably the most relaxed and relaxing album of Landon’s career. Recorded on a Steinway B grand piano at The Peace Palace in Sedona and mastered by Joe Bongiorno at Piano Haven, also in Sedona, the piano sound is impeccable - very warm and enveloping. Landon told me that this is the best music he never wrote, referring to the fact that the music just flows out of him during these sessions, reflective of each client’s wants and needs at the time of the session.<br> <br> The full Healing Hearts 2 album is a little more than an hour of quietly uplifting music and works exceptionally well as a relaxing and healing experience. I’d like to mention a few favorite pieces, though. The album begins with “Sisters,” a very gentle piece that expresses the love and special bond that can exist between sisters. Very light and free, it’s a beautiful start. “Free At Last” starts out almost mournfully - dark and searching - gradually becoming livelier and more optimistic. It’s an amazing musical journey and development! “Relax and Enjoy” expresses the warm comfort of just letting go and “being” for awhile - leisurely and contented. “Feeling the Love” is so warm and open that it feels like a musical embrace - melodic yet very free. “All Is Well” is almost ambient, but what a wonderful atmosphere of quiet contentment it creates - a perfect peace. “Transition” is like floating on a cloud - effortless and so peaceful. “Dark Nights” is one of the most beautiful pieces Landon has recorded. It reminds me a little bit of Beethoven’s “Moonlight Sonata” and some of Chopin’s Nocturnes - so poignant and heartfelt that it takes my breath away. The gracefully flowing “Dancer” expresses freedom and elegant movement. “Lullaby” closes this excellent album with a piece so soothing it could melt the tension out of anyone. Gorgeous!<br> <br> If you are looking for music that will relax and refresh your inner being, you need to look no further than Healing Hearts 2. This is the real deal when it comes to soothing piano music with substance and heart. It is available from louislandon.com, Amazon, iTunes, and CD Baby. Highly recommended!<br> November 1, 2015<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.82 €
#
Piano seul
#
Louis Landon
#
Free at Last
#
Landon Creative, Inc.
#
SheetMusicPlus
Heart Song
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. New Ag…
(+)
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 2<br> Louis Landon<br> 2015 / Landon Creative<br> 66 minutes<br> Review by Kathy Parsons<br> Louis Landon continues to soar on the wings of an amazingly creative period - now going on several years! Healing Hearts 2 is the follow-up to Healing Hearts, which was released the end of 2014 and is nominated for Album of the Year on Whisperings Solo Piano Radio. This is Landon’s second album for 2015 and he’s already working on his first release for 2016! The fourteen tracks on Healing Hearts 2 were gathered from improvisations created during sessions at Landon’s Healing Piano of Sedona (AZ), so the piano solos are very smooth and soothing - probably the most relaxed and relaxing album of Landon’s career. Recorded on a Steinway B grand piano at The Peace Palace in Sedona and mastered by Joe Bongiorno at Piano Haven, also in Sedona, the piano sound is impeccable - very warm and enveloping. Landon told me that this is the best music he never wrote, referring to the fact that the music just flows out of him during these sessions, reflective of each client’s wants and needs at the time of the session.<br> <br> The full Healing Hearts 2 album is a little more than an hour of quietly uplifting music and works exceptionally well as a relaxing and healing experience. I’d like to mention a few favorite pieces, though. The album begins with “Sisters,” a very gentle piece that expresses the love and special bond that can exist between sisters. Very light and free, it’s a beautiful start. “Free At Last” starts out almost mournfully - dark and searching - gradually becoming livelier and more optimistic. It’s an amazing musical journey and development! “Relax and Enjoy” expresses the warm comfort of just letting go and “being” for awhile - leisurely and contented. “Feeling the Love” is so warm and open that it feels like a musical embrace - melodic yet very free. “All Is Well” is almost ambient, but what a wonderful atmosphere of quiet contentment it creates - a perfect peace. “Transition” is like floating on a cloud - effortless and so peaceful. “Dark Nights” is one of the most beautiful pieces Landon has recorded. It reminds me a little bit of Beethoven’s “Moonlight Sonata” and some of Chopin’s Nocturnes - so poignant and heartfelt that it takes my breath away. The gracefully flowing “Dancer” expresses freedom and elegant movement. “Lullaby” closes this excellent album with a piece so soothing it could melt the tension out of anyone. Gorgeous!<br> <br> If you are looking for music that will relax and refresh your inner being, you need to look no further than Healing Hearts 2. This is the real deal when it comes to soothing piano music with substance and heart. It is available from louislandon.com, Amazon, iTunes, and CD Baby. Highly recommended!<br> November 1, 2015<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.Healing Hearts 2<br> Louis Landon<br> 2015 / Landon Creative<br> 66 minutes<br> Review by Kathy Parsons<br> Louis Landon continues to soar on the wings of an amazingly creative period - now going on several years! Healing Hearts 2 is the follow-up to Healing Hearts, which was released the end of 2014 and is nominated for Album of the Year on Whisperings Solo Piano Radio. This is Landon’s second album for 2015 and he’s already working on his first release for 2016! The fourteen tracks on Healing Hearts 2 were gathered from improvisations created during sessions at Landon’s Healing Piano of Sedona (AZ), so the piano solos are very smooth and soothing - probably the most relaxed and relaxing album of Landon’s career. Recorded on a Steinway B grand piano at The Peace Palace in Sedona and mastered by Joe Bongiorno at Piano Haven, also in Sedona, the piano sound is impeccable - very warm and enveloping. Landon told me that this is the best music he never wrote, referring to the fact that the music just flows out of him during these sessions, reflective of each client’s wants and needs at the time of the session.<br> <br> The full Healing Hearts 2 album is a little more than an hour of quietly uplifting music and works exceptionally well as a relaxing and healing experience. I’d like to mention a few favorite pieces, though. The album begins with “Sisters,” a very gentle piece that expresses the love and special bond that can exist between sisters. Very light and free, it’s a beautiful start. “Free At Last” starts out almost mournfully - dark and searching - gradually becoming livelier and more optimistic. It’s an amazing musical journey and development! “Relax and Enjoy” expresses the warm comfort of just letting go and “being” for awhile - leisurely and contented. “Feeling the Love” is so warm and open that it feels like a musical embrace - melodic yet very free. “All Is Well” is almost ambient, but what a wonderful atmosphere of quiet contentment it creates - a perfect peace. “Transition” is like floating on a cloud - effortless and so peaceful. “Dark Nights” is one of the most beautiful pieces Landon has recorded. It reminds me a little bit of Beethoven’s “Moonlight Sonata” and some of Chopin’s Nocturnes - so poignant and heartfelt that it takes my breath away. The gracefully flowing “Dancer” expresses freedom and elegant movement. “Lullaby” closes this excellent album with a piece so soothing it could melt the tension out of anyone. Gorgeous!<br> <br> If you are looking for music that will relax and refresh your inner being, you need to look no further than Healing Hearts 2. This is the real deal when it comes to soothing piano music with substance and heart. It is available from louislandon.com, Amazon, iTunes, and CD Baby. Highly recommended!<br> November 1, 2015<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.82 €
#
Piano seul
#
Louis Landon
#
Heart Song
#
Landon Creative, Inc.
#
SheetMusicPlus
Classical Highlights
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet, double bass ad libitum - intermediate - Digital Download Arranged for…
(+)
String quartet, double bass ad libitum - intermediate - Digital Download Arranged for String Quartet, Double Bass ad lib.. Arranged by Wolfgang Birtel. This edition: score and parts. Wedding songs, instrumental, funeral, sheet music, strings. Classical Highlights. Downloadable. Schott Music - Digital #Q43543. Published by Schott Music - Digital
The Classical Highlights series presents the best-known and most popular performance pieces of the classical repertoire in arrangements for various instruments - .and now for string quartet. Apart from 'classic' string quartet arrangements like Pachelbel's Canon, J.S. Bach's Air, Mozart's Ave Verum, or Faure's Apres un reve, there are also some surprises, such as Recuerdos de la Alhambra by Tarrega or Debussy's Golliwogg's Cakewalk.The Classical Highlights series presents the best-known and most popular performance pieces of the classical repertoire in arrangements for various instruments - .and now for string quartet. Apart from 'classic' string quartet arrangements like Pachelbel's Canon, J.S. Bach's Air, Mozart's Ave Verum, or Faure's Apres un reve, there are also some surprises, such as Recuerdos de la Alhambra by Tarrega or Debussy's Golliwogg's Cakewalk.
$35.99
33.01 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Classical Highlights
#
Schott Music - Digital
#
SheetMusicPlus
Acadia First Light: 1st Violin
Violon (partie séparée)
String Orchestra - Digital Download SKU: AX.00-PC-0017356_VN1 1st Violin. Co…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0017356_VN1 1st Violin. Composed by Andrew H. Dabczynski. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017356_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017356_VN1). UPC: 038081518367.This work sensitively conveys the rising sun as it first greets America each morning on Cadillac Mountain at Acadia National Park. Written by Andrew H. Dabczynski in celebration of that park's centennial, this enchanting piece provides an opportunity for young string players to musically express the magic of dawn on the mountain, of light sparkling on the ocean, of swelling seas as a squall approaches, and of the returning calm as the light recedes. Acadia First Light will transport players and audiences alike to Acadia, that treasured national gem. (3:30)Concert/Contest; Festival.
$5.99
5.49 €
#
Violon (partie séparée)
#
Andrew H
#
Festival.
#
Acadia First Light: 1st Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Acadia First Light: String Bass
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017356_SB String Bass. Co…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0017356_SB String Bass. Composed by Andrew H. Dabczynski. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017356_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017356_SB). UPC: 038081518367.This work sensitively conveys the rising sun as it first greets America each morning on Cadillac Mountain at Acadia National Park. Written by Andrew H. Dabczynski in celebration of that park's centennial, this enchanting piece provides an opportunity for young string players to musically express the magic of dawn on the mountain, of light sparkling on the ocean, of swelling seas as a squall approaches, and of the returning calm as the light recedes. Acadia First Light will transport players and audiences alike to Acadia, that treasured national gem. (3:30)Concert/Contest; Festival.
$5.99
5.49 €
#
Orchestre à Cordes
#
Andrew H
#
Festival.
#
Acadia First Light: String Bass
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Acadia First Light: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0005635 Score. Composed by…
(+)
String Orchestra - Digital Download SKU: AX.00-PR-0005635 Score. Composed by Andrew H. Dabczynski. Instructional. Score. 13 pages. Alfred Music - Digital Sheet Music #00-PR-0005635. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005635). UPC: 038081518367.This work sensitively conveys the rising sun as it first greets America each morning on Cadillac Mountain at Acadia National Park. Written by Andrew H. Dabczynski in celebration of that park's centennial, this enchanting piece provides an opportunity for young string players to musically express the magic of dawn on the mountain, of light sparkling on the ocean, of swelling seas as a squall approaches, and of the returning calm as the light recedes. Acadia First Light will transport players and audiences alike to Acadia, that treasured national gem. (3:30)Concert/Contest; Festival.
$9.00
8.25 €
#
Orchestre à Cordes
#
Andrew H
#
Festival.
#
Acadia First Light: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Acadia First Light: 2nd Violin
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017356_VN2 2nd Violin. Co…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0017356_VN2 2nd Violin. Composed by Andrew H. Dabczynski. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017356_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017356_VN2). UPC: 038081518367.This work sensitively conveys the rising sun as it first greets America each morning on Cadillac Mountain at Acadia National Park. Written by Andrew H. Dabczynski in celebration of that park's centennial, this enchanting piece provides an opportunity for young string players to musically express the magic of dawn on the mountain, of light sparkling on the ocean, of swelling seas as a squall approaches, and of the returning calm as the light recedes. Acadia First Light will transport players and audiences alike to Acadia, that treasured national gem. (3:30)Concert/Contest; Festival.
$5.99
5.49 €
#
Orchestre à Cordes
#
Andrew H
#
Festival.
#
Acadia First Light: 2nd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Acadia First Light: Cello
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017356_VC1 Cello. Compose…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0017356_VC1 Cello. Composed by Andrew H. Dabczynski. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017356_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017356_VC1). UPC: 038081518367.This work sensitively conveys the rising sun as it first greets America each morning on Cadillac Mountain at Acadia National Park. Written by Andrew H. Dabczynski in celebration of that park's centennial, this enchanting piece provides an opportunity for young string players to musically express the magic of dawn on the mountain, of light sparkling on the ocean, of swelling seas as a squall approaches, and of the returning calm as the light recedes. Acadia First Light will transport players and audiences alike to Acadia, that treasured national gem. (3:30)Concert/Contest; Festival.
$5.99
5.49 €
#
Orchestre à Cordes
#
Andrew H
#
Festival.
#
Acadia First Light: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Acadia First Light: Viola
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PC-0017356_VA1 Viola. Compose…
(+)
String Orchestra - Digital Download SKU: AX.00-PC-0017356_VA1 Viola. Composed by Andrew H. Dabczynski. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017356_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017356_VA1). UPC: 038081518367.This work sensitively conveys the rising sun as it first greets America each morning on Cadillac Mountain at Acadia National Park. Written by Andrew H. Dabczynski in celebration of that park's centennial, this enchanting piece provides an opportunity for young string players to musically express the magic of dawn on the mountain, of light sparkling on the ocean, of swelling seas as a squall approaches, and of the returning calm as the light recedes. Acadia First Light will transport players and audiences alike to Acadia, that treasured national gem. (3:30)Concert/Contest; Festival.
$5.99
5.49 €
#
Orchestre à Cordes
#
Andrew H
#
Festival.
#
Acadia First Light: Viola
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Life is Beautiful
Piano seul
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century,…
(+)
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.82 €
#
Piano seul
#
Louis Landon
#
Life is Beautiful
#
Landon Creative, Inc.
#
SheetMusicPlus
Classical Masterpieces for Banjo
Banjo
Banjo (5-string) - Advanced - Digital Download Composed by Claudio Parravicini. Solos…
(+)
Banjo (5-string) - Advanced - Digital Download Composed by Claudio Parravicini. Solos and Duets. Style. E-book. 56 pages. Mel Bay Publications - Digital Sheet Music #30719EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118898.<br> <br> If youave ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was aa virtuoso instrument capable of enriching any musical genre.aIn the authoras words, aI chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the playeras musical sensibilitya\| Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethovenas Moonlight Sonata, are much slower, but will test your musical abilities in other ways.a The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo.ISBN 9781619118898.<br> <br> If youave ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was aa virtuoso instrument capable of enriching any musical genre.aIn the authoras words, aI chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the playeras musical sensibilitya\| Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethovenas Moonlight Sonata, are much slower, but will test your musical abilities in other ways.a The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo.
$14.99
13.75 €
#
Banjo
#
Claudio Parravicini
#
Classical Masterpieces for Banjo
#
Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Someone Like You
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1378832 By Adele. By Adele Adkins a…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1378832 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jhonatan Lucio Viana. 21st Century,Film/TV,Holiday,Multicultural,Pop,World. Score. 5 pages. JLVPartitura #963546. Published by JLVPartitura (A0.1378832). Immerse yourself in a delightful musical journey with this easy piano solo arrangement of the captivating song Someone Like You by Adele. Explore the enchanting melody as it unfolds gracefully, creating a truly mesmerizing and harmonious interpretation.Key Features:- Piano Solo Arrangement: Carefully curated to suit pianists at an easy level, this adaptation presents the melody in a straightforward piano arrangement without accompaniment.- Accessible for All Levels: Designed to strike the perfect balance between simplicity and musical depth, allowing pianists of varying skill levels to enjoy and interpret the song effortlessly.- Expressive Interpretation: Adapted to accommodate a variety of playing styles, our sheet music encourages personal interpretation, enabling you to infuse your unique artistry into the cherished melody.- High-Quality Sheet Music: Receive a polished PDF score for a clear and professional representation, enhancing your practice and performance experience.- Timeless Appeal: Someone Like You exudes universal charm and emotional resonance. Our adaptation preserves the essence of this captivating song by Adele, making it a perfect addition to your piano repertoire.Immerse yourself in the enchantment of Someone Like You with this easy piano solo arrangement, providing a delightful musical experience that will undoubtedly elevate your playing.I am thrilled to present this exclusive arrangement of 'Someone Like You.' I invite you to explore my diverse collection of sheet music on my website. Simply search for 'Jhonatan Lucio Viana' to discover a wide range of musical arrangements waiting for.
$5.99
5.49 €
#
Piano seul
#
Adele
#
Jhonatan Lucio Viana
#
Someone Like You
#
JLVPartitura
#
SheetMusicPlus
Someone Like You
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1378833 By Adele. By Adele Adkins a…
(+)
Easy Piano - Level 2 - Digital Download SKU: A0.1378833 By Adele. By Adele Adkins and Dan Wilson. Arranged by Jhonatan Lucio Viana. 21st Century,Film/TV,Holiday,Multicultural,Pop,World. Score. 5 pages. JLVPartitura #963547. Published by JLVPartitura (A0.1378833). Immerse yourself in a delightful musical journey with this easy piano solo arrangement of the captivating song Someone Like You by Adele. Explore the enchanting melody as it unfolds gracefully, creating a truly mesmerizing and harmonious interpretation.Key Features:- Piano Solo Arrangement with Chords: Carefully curated to suit pianists at an easy level, this adaptation presents the melody along with chord symbols for accompaniment.- Accessible for All Levels: Designed to strike the perfect balance between simplicity and musical depth, allowing pianists of varying skill levels to enjoy and interpret the song effortlessly.- Expressive Interpretation: Adapted to accommodate a variety of playing styles, our sheet music encourages personal interpretation, enabling you to infuse your unique artistry into the cherished melody.- High-Quality Sheet Music: Receive a polished PDF score for a clear and professional representation, enhancing your practice and performance experience.- Timeless Appeal: Someone Like You exudes universal charm and emotional resonance. Our adaptation preserves the essence of this captivating song by Adele, making it a perfect addition to your piano repertoire.Immerse yourself in the enchantment of Someone Like You with this easy piano solo arrangement, providing a delightful musical experience that will undoubtedly elevate your playing.I am thrilled to present this exclusive arrangement of 'Someone Like You.' I invite you to explore my diverse collection of sheet music on my website. Simply search for 'Jhonatan Lucio Viana' to discover a wide range of musical arrangements waiting for you..
$5.99
5.49 €
#
Piano Facile
#
Adele
#
Jhonatan Lucio Viana
#
Someone Like You
#
JLVPartitura
#
SheetMusicPlus
Jeanie with the Light Brown Hair
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind quintet - Digital Download SKU: IZ.CMS1612 Composed by Stephen Foster. Arr…
(+)
Woodwind quintet - Digital Download SKU: IZ.CMS1612 Composed by Stephen Foster. Arranged by Judith Katz. Score and Parts. 18 pages. Imagine Music - Digital #CMS1612. Published by Imagine Music - Digital (IZ.CMS1612). 9 x 12 in inches.Jeanie With The Light Brown Hair is one of the most enduring, and popular American songs of all times.Characterized as a parlor song, it was written by Stephen Foster, and published by Firth, Pond & Co. of NewYork, in1854.In 1850, Foster married Jane Denny McDowell, whose nickname was Jennie. However, this was an unhappymarriage, short-lived, with numerous conflicts and separations. Jeanie With The Light Brown Hair, was written asperhaps an attempt to win his wife back. To add to his problems, Foster also ran into deep financial difficulties.Jeanie With the Light Brown Hair was virtually unknown during its time. When it was first published, the royaltieson the ten thousand copies sold, earned just $200 for Stephen Foster. To make ends meet, he had to sell the rights toJeanie, as well as other songs. After his death, the rights to Jeanie With The Light Brown Hair reverted back to hiswife and daughter.It would indeed be a pleasant surprise to Stephen Foster, if he only knew what a wide range of artists have adaptedthis song to different genres. Among solo instrumentalists, Jascha Heifitz, and William Primrose have arranged itfor solo violin and viola. The big bands of Gene Krupa, and Glen Miller have recorded it. The great R & B artist,Sam Cooke used it, as well as opera stars, Marilyn Horne and John McCormick, who added it to their concertrepertoire.The song's frequent airplay in the 1940's, led Spike Jones to create a parody, called, I Dream of Jeanie with theLight Blue Jeans. Les Brown in 1941, created a big band song, Joltin' Joe DiMaggio with the line.....We Dream ofJoey With the Light Brown Bat. Even Bugs Bunny got into the act. The 1960 short, From Hare To Heir, featuresBugs singing, I dream of Jeanie, she's a light brown hareMy arrangement, for woodwind quintet is written to capture a lyric, singing style, which I think Foster had in mind.
$12.00
11.01 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Stephen Foster
#
Judith Katz
#
Jeanie with the Light Brown Hair
#
Imagine Music - Digital
#
SheetMusicPlus
Autumn Twilight
Ob. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM518 Composed by Richa…
(+)
Ob. Pft. - Intermediate-Advanced - Digital Download SKU: F2.FM518 Composed by Richard Lambert. Oboe and Piano. Score and Part. 10 pages. Forton Music - Digital #FM518. Published by Forton Music - Digital (F2.FM518). ISBN 9790570484171.This piece is a reworking of the song 'An end' from the composer's song cycle ...too bitter sweet (Op. 27) and takes its title from a line in the Rosetti poem, which suggests an overall mood of regret and nostalgia. Based on a rising minor arpeggio in an E modal minor tonality, the main theme is varied slightly on each statement. Likewise the secondary motif, first heard in bars 27 to 30, is presented differently each time. Wistful throughout and unashamedly melodic, the oboe is in constant dialogue with the piano accompaniment.
$7.95
7.29 €
#
Richard Lambert
#
Autumn Twilight
#
Forton Music - Digital
#
SheetMusicPlus
The Tale Of The Slightly Miffed Dancing Bear
Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by Jame…
(+)
Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95
7.29 €
#
James Pickering
#
The Tale Of The Slightly Miffed Dancing Bear
#
Forton Music - Digital
#
SheetMusicPlus
Do You Feel Like We Do
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015544 By Peter Frampton. By J…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015544 By Peter Frampton. By John Siomos, Mick Gallagher, Peter Frampton, and Rick Willis. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015544. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015544). ISBN 9780739094235. UPC: 038081455211.Play everybody's favorite songs! The 300 pages of piano/vocal/guitar sheet music in this collection allow music makers to bring dozens of the most memorable songs of the 1960s, '70s, and early '80s to life. Classic rock fans who love to play will have a blast applying their talent to more than 40 enduring songs made famous by legendary artists like The Beatles, David Bowie, Journey, Led Zeppelin, Pink Floyd, The Rolling Stones, Rush, The Who, and many more. The arrangements feature piano parts that accurately reflect each song's familiar original recording. Basic chord fingering grids are provided for optional guitar accompaniment, along with vocal melodies and complete lyrics. Titles: 50 Ways to Leave Your Lover (Paul Simon) * Africa (Toto) * All Along the Watchtower (Jimi Hendrix) * All My Love (Led Zeppelin) * Behind Blue Eyes (The Who) * Big Yellow Taxi (Joni Mitchell) * Blinded by the Light (Manfred Mann's Earth Band) * Blowin' in the Wind (Bob Dylan) * Born to Run (Bruce Springsteen) * Bridge Over Troubled Water (Simon and Garfunkel) * Closer to the Heart (Rush) * Dancing in the Moonlight (King Harvest) * Do You Feel Like We Do (Peter Frampton) * Don't Stop Believin' (Journey) * Faithfully (Journey) * Fool in the Rain (Led Zeppelin) * From Me to You (The Beatles) * Give Up the Funk (Tear the Roof off the Sucker) (Parliament) * Going Up the Country (Canned Heat) * The Great Gig in the Sky (Pink Floyd) * I Love L.A. (Randy Newman) * I Saw Her Standing There (The Beatles) * Like a Rolling Stone (Bob Dylan) * Live and Let Die (Paul McCartney) * The Load Out (Jackson Browne) * Love Reign O'er Me (The Who) * Money (Pink Floyd) * Nights in White Satin (The Moody Blues) * Paranoid (Black Sabbath) * P-Funk (Wants to Get Funked Up) (Parliament) * Pinball Wizard (The Who) * River (Joni Mitchell) * Saturday in the Park (Chicago) * She Loves You (The Beatles) * She's a Rainbow (The Rolling Stones) * The Sound of Silence (Simon and Garfunkel) * Space Oddity (David Bowie) *.
$3.99
3.66 €
#
Piano, Voix et Guitare
#
Peter Frampton
#
Do You Feel Like We Do
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
<
1
26
51
....
3876
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
