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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Imaginary Friend
Sheetmusicplus
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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MARIMBA
OCARINA
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ORGUE
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Vous avez sélectionné:
Imaginary Friend
SheetMusicPlus
Partitions à imprimer
24 partitions trouvées
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1
Furry Friends March
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1310634 Composed by Michael J. In…
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Concert Band - Level 1 - Digital Download SKU: A0.1310634 Composed by Michael J. Indrawan. March. 30 pages. Man Model Music #899600. Published by Man Model Music (A0.1310634). Introduce young musicians to the enchanting world of furries with 'Furry Friends March.' Full of contrasts, this delightful composition is a playful celebration of imaginary animal characters, perfect for elementary bands and their audiences. Cast in ABACA form, which a lyrical trio in the middle, this piece combines the joy of music with the fun of furry fandom. Join our furry friends as they parade to the beat of this cheerful and whimsical march!
$30.00
27.66 €
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Orchestre d'harmonie
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Michael J
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Furry Friends March
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Man Model Music
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SheetMusicPlus
Imaginary Friend
Piano seul
Piano Solo - Digital Download SKU: A0.994909 Composed by Grigor Iliev. New Age. Sco…
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Piano Solo - Digital Download SKU: A0.994909 Composed by Grigor Iliev. New Age. Score. 2 pages. Grigor Iliev #4596773. Published by Grigor Iliev (A0.994909). Romantic modern classical solo piano piece.
$1.99
1.83 €
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Piano seul
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Grigor Iliev
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Imaginary Friend
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Grigor Iliev
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SheetMusicPlus
Can't Help Falling In Love
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1515004 By Elvis Pres…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1515004 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Gav.Khugzhem G.U.Taka. 20th Century,Chamber,Film/TV,Multicultural,Singer/Songwriter,World. Score. 2 pages. Gav.Khugzhem G.U.Taka #1089502. Published by Gav.Khugzhem G.U.Taka (A0.1515004). Can't Help Falling In Love, Piano Arrangement for ArrangeMe (Talking to my imaginary friend version).
$5.99
5.52 €
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Piano, Voix et Guitare
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Elvis Presley
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Gav
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Can't Help Falling In Love
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Gav.Khugzhem G.U.Taka
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SheetMusicPlus
Wonderwall
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1504272 By Oasis. By Noel Gallagh…
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C Instrument - Level 2 - Digital Download SKU: A0.1504272 By Oasis. By Noel Gallagher. Arranged by B. McCormick. Pop,Rock. Lead Sheet / Fake Book. 5 pages. B. McCormick #1079731. Published by B. McCormick (A0.1504272). Wonderwall by Oasis - Lead Sheet Arrangement Experience the timeless classic “Wonderwall” by Oasis with this meticulously arranged lead sheet. Originally released in 1995 as part of the album “(What’s the Story) Morning Glory?”, “Wonderwall” quickly became a global hit, reaching the top ten in multiple countries and earning numerous accolades. The song, written by Noel Gallagher, is often interpreted as a heartfelt message about an imaginary friend who offers salvation. About the Band: Oasis, formed in Manchester in 1991, is one of the most iconic bands of the Britpop era. Led by the Gallagher brothers, Noel and Liam, the band achieved massive success with their debut album “Definitely Maybe” and continued to dominate the charts with (What’s the Story) Morning Glory?3. Known for their distinctive sound and charismatic performances, Oasis has left an indelible mark on the music industry. Arrangement Highlights: Lead Sheet Format: Melody with lyrics and chords. Additional Information: Suggested strum patterns and strumming changes. Ending Instrumental: Notated for complete performance. Guitar Chord Sheet: Includes chord diagrams and strum patterns using arrows for easy reference. Capo Usage: Contains both key chords and capo chords for versatility. Page Layout: Lead sheet (3 pages) and chord sheet (2 pages) designed to minimize page turns. Ideal For: Learners and Teachers: Comprehensive information in a condensed format. Gigging Acts: Suitable for both paper and electronic viewing.
$3.99
3.68 €
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Instruments en Do
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Oasis
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B
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Wonderwall
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B. McCormick
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SheetMusicPlus
Wonderwall
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.563785 By Oasis. By Noel Gallagher…
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Piano,Viola - Level 3 - Digital Download SKU: A0.563785 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 10 pages. Austin Ralphson #5001403. Published by Austin Ralphson (A0.563785). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement so chill out and enjoy!Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$7.99
7.37 €
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Alto, Piano
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Wonderwall
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.563095 By Oasis. By Noel Gallag…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.563095 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 11 pages. Austin Ralphson #1909215. Published by Austin Ralphson (A0.563095). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement for trombone and piano. Parts are provided in B flat treble clef and C bass clef.
$5.99
5.52 €
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Trombone et Piano
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Teddy
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1023210 Composed by Hon-Kit …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1023210 Composed by Hon-Kit Wong. Arranged by Hon-Kit Wong. Children. Score. 4 pages. By Hon-Kit Wong #5001879. Published by By Hon-Kit Wong (A0.1023210). Teddy is written to be sung by the character of an orphaned young boy who only possesses a teddy bear as a close, imaginary friend. The lyrics are kept simple to reflect the innocence of a child who longs for compassion and companionship.
$2.99
2.76 €
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Piano, Voix
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Hon-Kit Wong #5001879
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Hon-Kit Wong
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Hon-Kit Wong
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Teddy
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By Hon-Kit Wong
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SheetMusicPlus
Wonderwall
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.563091 By Oasis. By Noel Gallag…
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.563091 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 9 pages. Austin Ralphson #1909207. Published by Austin Ralphson (A0.563091). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement for clarinet and piano.
$7.99
7.37 €
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Clarinette et Piano
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Wonderwall
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.563092 By Oasis. By Noel Gallagher…
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Flute,Piano - Level 3 - Digital Download SKU: A0.563092 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 9 pages. Austin Ralphson #1909209. Published by Austin Ralphson (A0.563092). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement for flute and piano.
$7.99
7.37 €
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Flûte traversière et Piano
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Wonderwall
Piano, Guitare (duo)
Guitar,Piano - Level 3 - Digital Download SKU: A0.563788 By Oasis. By Noel Gallaghe…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.563788 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 12 pages. Austin Ralphson #5001411. Published by Austin Ralphson (A0.563788). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher.I have changed the groove to a cool jazz one in this arrangement; it is suitable for acoustic, semi-acoustic or electric guitarists to play, and the different moods could be heightened with guitar effects or light distortion as well. Parts are provided in standard and tab notations. Chill out and enjoy!
$7.99
7.37 €
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Piano, Guitare (duo)
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Wonderwall
Instrumental Solo,Tenor Horn - Level 3 - Digital Download SKU: A0.563093 By Oasis. …
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Instrumental Solo,Tenor Horn - Level 3 - Digital Download SKU: A0.563093 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Individual part. 9 pages. Austin Ralphson #1909211. Published by Austin Ralphson (A0.563093). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement for tenor horn and piano.
$7.99
7.37 €
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Wonderwall
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.563786 By Oasis. By Noel Gallagher…
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Cello,Piano - Level 3 - Digital Download SKU: A0.563786 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score and part. 10 pages. Austin Ralphson #5001407. Published by Austin Ralphson (A0.563786). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement so chill out and enjoy!Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$7.99
7.37 €
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Violoncelle, Piano
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Wonderwall
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.563787 By Oasis. By…
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.563787 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Score. 6 pages. Austin Ralphson #5001409. Published by Austin Ralphson (A0.563787). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this piano duet arrangement; the Primo part is intermediate level and the Secondo is advanced. Chill out and enjoy!
$6.99
6.44 €
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1 Piano, 4 mains
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Wonderwall
Saxophone Alto
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.563090 By Oasis. By Noel G…
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.563090 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. Individual part. 10 pages. Austin Ralphson #1909205. Published by Austin Ralphson (A0.563090). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement for alto saxophone and piano.
$7.99
7.37 €
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Saxophone Alto
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Wonderwall
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.563784 By Oasis. By Noel Gallaghe…
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Piano,Violin - Level 3 - Digital Download SKU: A0.563784 By Oasis. By Noel Gallagher. Arranged by Austin Ralphson. Rock. 10 pages. Austin Ralphson #5001401. Published by Austin Ralphson (A0.563784). This song was composed by Noel Gallagher for Oasis in 1995 for their second studio album (What's the Story) Morning Glory? According to Gallagher, Wonderwall describes an imaginary friend who's gonna come and save you from yourself; the song remains one of the most popular that the band has released, and is often performed in an acoustic arrangement by Gallagher. I have changed the groove to a cool jazz one in this arrangement so chill out and enjoy!Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.ralphsonstrings.com
$7.99
7.37 €
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Violon et Piano
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Oasis
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Austin Ralphson
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Wonderwall
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Austin Ralphson
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SheetMusicPlus
Course of Empire
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.1448781 Composed by Kyle Vanderburg. 21st Century,Classical. 58 pages. NoteForge #1028595. Published by NoteForge (A0.1448781). Course of Empire takes its title and theme from a series of paintings by Thomas Cole. Over the course of these five paintings, an imaginary city rises and falls. A large boulder atop a cliff watches the scenes unfold: a wild and untamed landscape in the first painting; an agrarian, peaceful, arcadian state in the second; a decadent celebration in the third; the sack and destruction of the city in the fourth; and the ruins in the last.I tried to work unifying musical motives throughout the quintet. The first movement, The State of Nature, begins with a twelve-tone texture. There is no sense of tonal hierarchy or pitch center. The music is in a state of balance, adhering to a natural system not discernable to the listener. The bassoon introduces the main motive representing the cliff, a pastoral sort of hiccup.The second movement, Daydreams of Arcadia, begins with and develops the cliff motive, and has a more defined tonality. There is more action throughout the movement, as we’re led to the peaceful beginnings of civilization. The Empire motive, a series of syncopated chords, shows up toward the end of the movement: This is the beginning of the end, where our imaginary city makes the change from existing in harmony with nature to conquering it.The third movement, Fulfillment of Empire, begins with a cliff motive that has been added to, almost to the point of unrecognizability. Scenes of empire are shown musically, from a grand parade, to a show of naval forces, to the temple that occupies most of the painting. The Empire theme returns, expanded upon, but somehow sounding a little overextended.The fourth movement, The Fall, alternates between unfriendly chords (and noises) and the Empire motive. Every iteration of the Empire motive gets a little weaker, as the foundations of the civilization are destroyed. The movement ends with a lone flute.Movement five, Redemption, features some scenes that are familiar, but are now in ruins. The movement slips slowly back into the twelve-tone texture from the beginning. The Empire motive, or something like it, makes a brief appearance and passes through the ensemble, starting in the upper voices and sinking into the lower.
$25.00
23.05 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Kyle Vanderburg
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Course of Empire
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NoteForge
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SheetMusicPlus
Adamastor - Seres Imaginários 6 (for Narrator & Large Brass Ensemble)
Small Ensemble Bass Trombone,Horn,Tenor Trombone,Trumpet,Tuba,Voice - Level 5 - Digital Do…
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Small Ensemble Bass Trombone,Horn,Tenor Trombone,Trumpet,Tuba,Voice - Level 5 - Digital Download SKU: A0.934367 Composed by Luis Cardoso. Contemporary. Score and parts. 94 pages. Luis Cardoso #6167321. Published by Luis Cardoso (A0.934367). Adamastor was composed in response to another challenge from my friend Sérgio Carolino, to be premiered by Massive Brass Attack, a large brass ensemble, with a narrator. It is my 6th composition on the theme of Imaginary Beings, which continually fascinates me. This time, it is based on the monster of the cape of the storms, in the extreme south of the African continent, whose passage frightened for centuries the Portuguese sailors who wanted to go to the Indian Ocean. I used the texts by Luiz de Camões (LusÃadas) and Fernando Pessoa (Message), under whose narration I create a musical environment in search of the fantastic, the struggle and redemption. January 30, 2014.
$120.00
110.63 €
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Luis Cardoso
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Adamastor - Seres Imaginários 6
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Luis Cardoso
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
23.05 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
"Periscopes" - For Piano [Full Cycle]
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.975987 Composed by Lior Navok Music…
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Piano Solo - Level 5 - Digital Download SKU: A0.975987 Composed by Lior Navok Music. 20th Century,Contemporary,World. Score. 41 pages. Lior Navok Music #4643243. Published by Lior Navok Music (A0.975987). PERISCOPES - Twelve Miniatures for solo piano (2009)Total Duration: 30 MinutesThe composer writes about his work:Somewhere in the middle of an imaginary ocean, a friendly submarine sends its periscope up to the surface in a mission of discovery. What awaits there above the water? What is to be seen? With Periscopes I have portrayed twelve different miniatures; each sending the listener into a different sonorous world. Periscopes was generously commissioned in memory of Adele and John GrayMovements: 1. Voyage 2. Howdy! 3. The Maiden and her Soldier…4. Suspicious Fluids5. A Dusky Fall6. The Wondrous Park Carousel7. Towards the Unknown8. Awakening9. The Garden behind the Gate 10. Cotton Candy Man11. Before Farewell12. Night RideINFO
$22.00
20.28 €
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Piano seul
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Lior Navok Music
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"Periscopes" - For Piano [Full Cycle]
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Lior Navok Music
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SheetMusicPlus
Percussion Quartet (2015) for vibraphone, marimba, drum set and multi-percussion (full score)
Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download
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Small Ensemble Drum Set,Marimba,Multi-Percussion,Vibraphone - Level 4 - Digital Download SKU: A0.869371 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 27 pages. Thomas Oboe Lee #37741. Published by Thomas Oboe Lee (A0.869371). Program note: I met Brian Calhoon when he performed at a Boston Conservatory of Music recital featuring students of marimba godhead, Nancy Zeltsman. This was a few years ago … A year ago, I noticed that Brian had started a percussion ensemble with some friends called the Boston Percussion Group. I have always been fascinated with John Cage’s early explorations with percussion instruments: First, Second and Third Constructions; Imaginary Landscape Nos 1, 2 & 3; etc. These percussion pieces eventually led to his invention of the prepared piano. Brian and I got together one day for lunch last fall, and I asked him if he would be interested if I wrote a piece for his group. He said, Yes!!! Percussion Quartet is in six movements. 1 Back beat … Moderato. 2 Arioso … Moderato. 3 Funk march … Moderato. 4 Nachtmusik I … Adagio. 5 Fast and furious … Presto. 6 Nachtmusik II … Moderato Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/percussion-quartet-2015
$9.99
9.21 €
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Thomas Oboe Lee
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Percussion Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Imaginary Friend
Piano, Voix
By Craig Carnelia and Marvin Hamlisch. Broadway; Musical/Show. PV. 5 pages. Published by H…
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By Craig Carnelia and Marvin Hamlisch. Broadway; Musical/Show. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.6 €
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Piano, Voix
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Craig Carnelia and Marvin Hamlisch
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Musical/Show
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Imaginary Friend
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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Imaginary Friend
