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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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PIANO & CLAVIERS
Piano seul
56
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25
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15
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11
Orgue
5
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3
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3
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3
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2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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1
2 Pianos, 4 mains
1
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Guitare (partie séparée)
2
Ukulele
2
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1
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1
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1
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1
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Chorale SATB
25
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24
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23
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22
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16
Chorale 3 parties
12
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8
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3
Chorale TTBB
3
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3
Voix Tenor
2
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1
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1
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1
Pack Instrumental pour Chorale
1
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Saxophone Alto
18
Flûte traversière
15
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12
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8
Saxophone (partie séparée)
7
Hautbois, Piano (duo)
7
Clarinette et Piano
7
Quatuor de Saxophones: 4 saxophones
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Hautbois, Clarinette, Basson
6
Hautbois (partie séparée)
6
Clarinette
5
2 Saxophones (duo)
4
Saxophone Tenor
4
Quintette de Saxophone: 5 saxophones
4
Saxophone Soprano et Piano
4
2 Flûte à bec (duo)
4
2 Flûtes traversières (duo)
4
Flûte, Clarinette (duo)
3
Saxophone Alto et Piano
3
Flute (partie séparée)
3
Ensemble de Clarinettes
2
Clarinette (partie séparée)
2
Saxophone Tenor et Piano
2
Quintette de Flûte : 5 flûtes
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
Flûte, Basson et Piano
1
Flûte, Violon, Piano
1
Clarinette Basse, Piano
1
Piccolo, Piano
1
2 Clarinettes (duo)
1
2 Hautbois (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
9
Cor
7
Quatuor de Cuivres
7
Trombone et Piano
7
Cor et Piano
6
Trombone
6
Tuba et Piano
4
Trompette (partie séparée)
4
Tuba
4
Trompette
4
Trompette, Cor (duo)
2
2 Trompettes (duo)
2
Trompette, Trombone (duo)
2
Trombone (partie séparée)
1
2 Cors (duo)
1
Trompette, Saxophone (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba (partie séparée)
1
Euphonium, Piano (duo)
1
Trio de Cuivres
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
13
Violon
10
Violoncelle, Piano
9
Alto, Piano
8
Violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contre Basse
6
Alto (partie séparée)
4
Contrebasse, Piano (duo)
4
Alto seul
4
2 Violons (duo)
3
Violon, Violoncelle (duo)
3
Violon, Alto (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse (partie séparée)
2
2 Harpes (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Alto et Harpe
1
Harpe
1
2 Altos (duo)
1
Trio à cordes
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
51
Orchestre
11
Orchestre à Cordes
5
Orchestre de chambre
5
Batterie (partie séparée)
4
Ensemble Jazz
3
Fanfare
2
Ensemble de cuivres
2
Marimba
1
Timbales
1
2 Marimbas
1
Ensemble de Percussions
1
Cloches
1
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AUTRES
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Imagine the world
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They Who Decide Fate
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Published by Brandon Nelson (A0.912906). Imagine the terrifying prospect of having your fate-indeed, the fate of the entire universe-decided by the fickle whims of seven gods! This was life for all those who dwelled in the ancient society of Sumeria! They Who Decide Fate paints the picture of what living with these gods might have been like for those pitiable mortals. The introduction builds to the dreadful fate theme, which is woven within the rest of the piece. In the first episode, the Eb clarinet is highlighted depicting Enki, the magical, clever Lord of the Earth. Crafty and mischievous, one would not cross this god, so mighty he was said to have created the Tigris and Euphrates rivers between which the entire Sumerian world existed! The full orchestra comes roaring back to represent Shamash, the Lion of Justice. Bringing wrongdoers their just due, he could also be merciful, curing the faithful sick who plead for his mercy. The second episode is gently ushered in by the Basset horn. Featured here is Ninhursag, the mild, nurturing Mother Goddess. It was said that any couple who desired to be fertile would do well to propitiate themselves to herâ?¦ An explosive, percussive jolt fanfares in Inanna, wild, untamed Goddess of Primal Passions! Whether in war or in lust, Inanna stood for all things raw-and ultimately destructive! The low, rumbling voice of the contralto clarinet brings us Anu, Father of the Gods. Ancient and wise, Anu is the manifestation of the heavenly vault. Nanna, the moon god riding on the back of a bull, illuminated the night sky. Sparkling and light colors of the orchestra depict his deft, spry nocturnal motions. The sinuous lines of the Bb clarinet illustrate Enlil, fickle God of Wind and Weather. It is said that it was he who created humans, but lost interest in them and flooded the whole earth. The whole clarinet quartet reprises the fate theme one last time, ending in an exultant flurry, reflecting both the fear and ecstasy that these seven gods inspired in their mortal charges. Learn more about me: bnelsonmusic.wordpress.com.
$89.99
82.27 €
#
Flûte, Hautbois, Clarinette, Basson
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Brandon Nelson
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They Who Decide Fate
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Brandon Nelson
#
SheetMusicPlus
How Beautiful on the Mountain
Chorale SATB
SATB Chorus, Piano, Flute, Oboe - Digital Download SKU: IZ.VMW221V Composed by Robe…
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SATB Chorus, Piano, Flute, Oboe - Digital Download SKU: IZ.VMW221V Composed by Robert M. Shearn. Octavo. 15 pages. Imagine Music - Digital #VMW221V. Published by Imagine Music - Digital (IZ.VMW221V). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25
2.06 €
#
Chorale SATB
#
Robert M
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How Beautiful on the Mountain
#
Imagine Music - Digital
#
SheetMusicPlus
America, the Land of Liberty
Chorale SATB
SATB Chorus & Piano - Digital Download SKU: IZ.VMW2211 Composed by Michael Francis …
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SATB Chorus & Piano - Digital Download SKU: IZ.VMW2211 Composed by Michael Francis Smith. Octavo. 14 pages. Imagine Music - Digital #VMW2211. Published by Imagine Music - Digital (IZ.VMW2211). 9 x 12 inches.“The Galaxies is a grand orchestral composition in A minor written for string orchestra, mixing classical and modern musical writing styles. This piece tells the story of three young American astronauts who went up to space to discover the galaxies and life in outer space. They found out things that no one has ever thought of, the gleams and sophistication, the immense beauty that defies our human knowledge on space. This piece is divided into three parts, namely Adagietto, Maestoso and Grandioso. Adagietto represents the mysteriousness of space and the awe they felt as they took their first glance into the surreal world of fantasies and imaginations.Maestoso is the central part of the piece, where the main theme resembles the exquisitely beautiful galaxies in outer space. Over several years, they found a way to communicate with the extra-terrestrial and developed a mutual understanding. This part contains various majestically glorious melodies, symbolising the visions of humanity. They took a giant leap of faith for this nearly impossible mission to perceive what humankind can never envision. Grandioso signifies the lavish natural architectures that filled the galaxies and the monumental bonding between humans and aliens. As the friendship blossomed, they further explored the world that has been an enigma for centuries. Before the piece ends, the main theme is delivered again. This time, it is an emotional farewell as these astronauts return to Earth and cannot wait to share information that will revolutionise astrophysics forever.
$2.25
2.06 €
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Chorale SATB
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Michael Francis Smith
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America, the Land of Liberty
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Imagine Music - Digital
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.85 €
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
#
SheetMusicPlus
Penitent Thief, The
Alto et Harpe
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.103…
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.85 €
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Alto et Harpe
#
David M
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Penitent Thief, The
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David Sterrett Music
#
SheetMusicPlus
Telemann – Polish Dances from the Rostock Manuscript TWV 45
Small Ensemble - Level 1 - Digital Download SKU: A0.890779 Composed by Georg Philip…
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Small Ensemble - Level 1 - Digital Download SKU: A0.890779 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Folk,Jewish,World. Score and parts. 32 pages. Sneakwood Editions #5799897. Published by Sneakwood Editions (A0.890779). Georg Philipp Telemann – Polish Dances from the Rostock Manuscript TWV 45 (Danse d`Polones / Danse Polonie)Telemann was seduced by Polish music, especially by his dances and popular musicI became acquainted there and also in Krakau with Polish and Moravian music in its true, barbaric beauty […] […] it is impossible to imagine the fantastic musical ideas they presented between dances when the dancers rested and the musicians improvised music together [‘jammed’] to fill out the time. Anyone who paid very close attention could pick up in 8 days sufficient musical ideas to last a lifetime.(Telemann’s autobiography, published in Mattheson’s Ehren-Pforte, Hamburg, 1740)It is easy to understand, through Telemann’s own words, the great influence that Polish music and Polish dances had on Telemann. It was in 1705 when Telemann become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Żary, in Poland), His career there was cut short in early 1706 by the hostilities of the Great Northern War but his contact with Polish music marked him for life.These Polish dances found in Rostock are a reflection of the music that Telemann heard and transcribed. A reflection of that barbaric beauty.The manuscript was discovered in 1986 at the University of Rostock. It consists of two volumes. One of the volumes contains the violin part and the other the bass part.
$18.00
16.46 €
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Polish Dances from the Rostock Manuscript TWV 45
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Sneakwood Editions
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SheetMusicPlus
Overture to the Swashbucklers
Wind ensemble - Digital Download SKU: IZ.CBS157 Composed by Phil Sims. Score and Pa…
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Wind ensemble - Digital Download SKU: IZ.CBS157 Composed by Phil Sims. Score and Parts. 135 pages. Imagine Music - Digital #CBS157. Published by Imagine Music - Digital (IZ.CBS157). 9 x 12 in inches.This piece is a programmatic piece (a commission for a specific concert, originally an orchestral score) depictingheroes, heroines, villains, death, the netherworld, triumph, and love. The themes are obvious, as is the apparent storythe music tells. As the title implies, this entire piece should be performed in an intense manner, but should be fun foreveryone. The entire piece is somewhattongue-in-cheek, but it should always be approached with a dignified manner.
$90.00
82.28 €
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Phil Sims
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Overture to the Swashbucklers
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Imagine Music - Digital
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SheetMusicPlus
Overture to the Swashbucklers
Wind ensemble - Digital Download SKU: IZ.CBS157-S Composed by Phil Sims. Score. 23 …
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Wind ensemble - Digital Download SKU: IZ.CBS157-S Composed by Phil Sims. Score. 23 pages. Imagine Music - Digital #CBS157-S. Published by Imagine Music - Digital (IZ.CBS157-S). 9 x 12 in inches.This piece is a programmatic piece (a commission for a specific concert, originally an orchestral score) depictingheroes, heroines, villains, death, the netherworld, triumph, and love. The themes are obvious, as is the apparent storythe music tells. As the title implies, this entire piece should be performed in an intense manner, but should be fun foreveryone. The entire piece is somewhattongue-in-cheek, but it should always be approached with a dignified manner.
$12.00
10.97 €
#
Phil Sims
#
Overture to the Swashbucklers
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Imagine Music - Digital
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SheetMusicPlus
On Top Of The World
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.799121 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, and Daniel Sermon. Arranged by Dan Sanchez. Rock. Score and parts. 15 pages. Dan Sanchez #4969495. Published by Dan Sanchez (A0.799121). This String Quartet arrangement of On Top of the World by Imagine Dragons is sure to lift the spirit of your audience. It’s a care-free toe-tapper! This can also be performed with a String Trio, since the 2nd Violin part is optional. One thing that sets my arrangements apart from others is that I fit all of my parts on 2 sheets of music. This makes it so the songs can fit into a binder, without the need for flipping pages!Another great thing (for multi-instrumental arrangements) is that I include cue lines on each part, so that every player in the ensemble can see one other person’s music at the same time. This is so amazingly useful and has saved countless performances in the past. If someone skips a beat or misses a measure, you can now see where they are and reconnect! This also helps with sight-reading and keeping the group together in general.
$12.99
11.88 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Imagine Dragons
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Dan Sanchez
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On Top Of The World
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Dan Sanchez
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SheetMusicPlus
Minuet Sauvage: Dance of the Catrinas
Orchestre à Cordes
String orchestra - Digital Download SKU: IZ.OMF176 Composed by Kenneth Piotrowski. …
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String orchestra - Digital Download SKU: IZ.OMF176 Composed by Kenneth Piotrowski. Score and Parts. 46 pages. Imagine Music - Digital #OMF176. Published by Imagine Music - Digital (IZ.OMF176). 9 x 12 in inches.Minuet Sauvage, as with my other string orchestra music, especially those that fall under the dance genre, was designed primarily for student orchestras. With that being said, however, they are also challenging enough to be of interest to both advanced players and professional string orchestras. The subtitle: Dance of the Catrinas (the world famous Day of the Dead dolls) came about due to the heavy use of both forzando and pizzicato.
$40.00
36.57 €
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Orchestre à Cordes
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Kenneth Piotrowski
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Minuet Sauvage: Dance of the Catrinas
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Imagine Music - Digital
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SheetMusicPlus
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99
45.7 €
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Quatuor de Saxophones: 4 saxophones
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort for Sxophone Quartet
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
On Top Of The World
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.8…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.884010 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, and Daniel Sermon. Arranged by Athena Strings. Rock. Score and parts. 10 pages. Athena Strings #5322539. Published by Athena Strings (A0.884010). On Top of the World, by Imagine Dragons arr. Athena Strings, this version follows the original structure of the song.Find out more about Athena Strings at http://athenastrings.net or at https://www.facebook.com/athenastrings/.
$12.99
11.88 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Imagine Dragons
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Athena Strings
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On Top Of The World
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Athena Strings
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SheetMusicPlus
Into the Unknown
Ensemble de cuivres
Brass Ensemble - Level 5 - Digital Download SKU: A0.915968 Composed by Matthew Birk…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.915968 Composed by Matthew Birkett. Contemporary. Score and parts. 192 pages. MEB Music #1954955. Published by MEB Music (A0.915968). Imagine a journey into the unknown, out of this world, maybe even into it. Imagine the tension beforehand, the unusual otherworldly things you may see. Imagine the pride of your return, eager to tell the world about your exploits. In three linked movements, this piece describes such an adventure, with unusual tempi, time signatures and keys all featuring. Suitable for UK 2nd-3rd Section bands as a contest piece.
$34.00
31.08 €
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Ensemble de cuivres
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Matthew Birkett
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Into the Unknown
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MEB Music
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SheetMusicPlus
The Carousel Pony
Orchestre à Cordes
String orchestra - Grade 2 - Digital Download SKU: IZ.OMS152 Composed by John O'Nei…
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String orchestra - Grade 2 - Digital Download SKU: IZ.OMS152 Composed by John O'Neill. Score and Parts. 26 pages. Imagine Music - Digital #OMS152. Published by Imagine Music - Digital (IZ.OMS152). 9 x 12 in inches.The Carousel Pony loves give boys and girls rides....up and down, up and down...round and round, round and round...Sometime though, he gets a bit frisky and would like to jump right off that merry go round and see for himself what the rest of the world is like...But he really loves to give boys and girls rides...up and down, up and down...round and round, round and round...Once on a while he dreams of sunlit green pastures, white clouds and other ponies to play with...But he really, really, really loves to give boys and girls rides....up and down, up and down...round and round, round and round...
$40.00
36.57 €
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Orchestre à Cordes
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John O'Neill
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The Carousel Pony
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Imagine Music - Digital
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SheetMusicPlus
The Children of the World (July 1969)
Chorale 2 parties
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.510156 Composed by Glyn Lehm…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.510156 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Latin,Pop. Octavo. 11 pages. Glyn Lehmann #3507405. Published by Glyn Lehmann (A0.510156). The third song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. The other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and Apollo 11 (Homecoming).Captures the sense of wonder and excitement children felt as they watched Neil Armstrong walk on the moon in 1969. Gentle melodic verses and a lively, upbeat chorus. More information at songlibrary.net/Space-Racehttps://youtu.be/BH97dn2_fSIMore SPACE RACE song-cycle songs on SheetMusicPlus1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=12. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=13. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.......4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1The Children of the World (July 1969)Words by Phil Cummings, music by Glyn LehmannFor children in nineteen sixty nineThere were new games to playTo the children of that far off time There was wonder in that July DayA rocket flew with fire and flameAcross a wide open sky On TV screens around the worldChildren saw that rocket flyYoung hearts beat a rhythmGreat minds played their part The children of the world held their breath As Armstrong placed a print upon their heartsAt night the children gazed at the starsTheir faces lit by silver moonlightAnd tried to imagine the the viewOf those on that Apollo flightKids flew in missions to save the worldCreated games and stories and schemesTheir bikes flew like asteroids Treehouses were rockets in dreamsThe children of the world in streets everydaySaw flickering screens in shop window displaysPhotos without colour on newspaper spreadsBooks about space strewn across bedsLyrics © 2018 Phil Cummings
$2.50
2.29 €
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Chorale 2 parties
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Glyn Lehmann
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The Children of the World
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Glyn Lehmann
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SheetMusicPlus
The Children of the World (July 1969)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510171 Composed by Glyn Le…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.510171 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Latin,Pop,World. Octavo. 16 pages. Glyn Lehmann #3542457. Published by Glyn Lehmann (A0.510171). The third song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. The other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and Apollo 11 (Homecoming).Captures the sense of wonder and excitement children felt as they watched Neil Armstrong walk on the moon in 1969. Gentle melodic verses and a lively, upbeat chorus. More information at https://glynlehmann.com/Space-Racehttps://youtu.be/BH97dn2_fSIThe Children of the World (July 1969)Words by Phil Cummings, music by Glyn LehmannFor children in nineteen sixty nineThere were new games to playTo the children of that far off time There was wonder in that July DayA rocket flew with fire and flameAcross a wide open sky On TV screens around the worldChildren saw that rocket flyYoung hearts beat a rhythmGreat minds played their part The children of the world held their breath As Armstrong placed a print upon their heartsAt night the children gazed at the starsTheir faces lit by silver moonlightAnd tried to imagine the the viewOf those on that Apollo flightKids flew in missions to save the worldCreated games and stories and schemesTheir bikes flew like asteroids Treehouses were rockets in dreamsThe children of the world in streets everydaySaw flickering screens in shop window displaysPhotos without colour on newspaper spreadsBooks about space strewn across bedsLyrics © 2018 Phil Cummings
$2.50
2.29 €
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Chorale SATB
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Glyn Lehmann
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The Children of the World
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Glyn Lehmann
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SheetMusicPlus
Moon Over The Rising Sun
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - …
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00
22.86 €
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
The End Of The World - Score Only
Level 2 - Digital Download SKU: A0.1190974 By Skeeter Davis. By Arthur Kent and Syl…
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Level 2 - Digital Download SKU: A0.1190974 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Arco Ensembles. Chamber,Jazz,Pop,Standards,Traditional. 7 pages. Arco Ensembles Production Corp #790498. Published by Arco Ensembles Production Corp (A0.1190974). Imagine living in a parallel universe where the 19th-century practice of inviting a few friends over to one's home to read chamber music over finger sandwiches on a Sunday afternoon had never died. Recommend pairing with a bottle of red wine if age appropriate.This reference score is arranged for voice, two violas, piano, and bass. Drums can read off the score. Replace the vocals with another string, or have the vocalist google the lyrics. The possibilities are numerous![Note: mp3 sample and youtube link were recorded in a sight-reading session from this score by an ensemble that had never played together as a whole. Thereby proving you can too].
$7.99
7.3 €
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Skeeter Davis
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Arco Ensembles
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The End Of The World - Score Only
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Arco Ensembles Production Corp
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SheetMusicPlus
Mother Ginger and Her Children for Multi-Level Violin Ensemble
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.859942 Composed by Peter Ilyich Tch…
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Piano Solo - Level 3 - Digital Download SKU: A0.859942 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Kruse. Children,Christmas,Romantic Period,World. Score. 86 pages. String Play for All #4809639. Published by String Play for All (A0.859942). Can you ever get too much of the Nutcracker? This arrangement of Mother Ginger and Her Children brings a less familiar and rarely arrangement dance from the the Nutcracker to your students. This energetic, joyful, and humorous movement will delight your students as they imagine Mother Ginger's Children emerging from her dress to dance and play. This arrangement is for a violin ensemble with six parts, each part on a different technical level. The twinkle violin is designed for beginners while the Violin Book 1 part is designed for students who have completed most of Volume of the Suzuki Violin Method. The optional Advanced Violin part extends to fifth position while all the other parts can be played in first position. There is a piano part which can be used in rehearsals but is optional in performance. Fun for all! Just over two minutes in length.
$11.99
10.96 €
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Piano seul
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Peter Ilyich Tchaikovsky
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Steven Kruse
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Mother Ginger and Her Children for Multi-Level Violin Ensemble
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String Play for All
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SheetMusicPlus
Imagine the world
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.883871 Composed by Fiona Ev…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.883871 Composed by Fiona Evans. Arranged by Fiona Evans. Contemporary. Octavo. 2 pages. Fi Evans #3570755. Published by Fi Evans (A0.883871). The original of this piece was written for the children taking part in the Hay Festival schools project 2018 and I did this arrangement for SAB which was sung on the last night of the festival by the Hay Community Choir.
$4.99
4.56 €
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Chorale 3 parties
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Fiona Evans
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Fiona Evans
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Imagine the world
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Fi Evans
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette (partie séparée)
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Trompette (partie séparée)
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Timpani
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Be…
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.2 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
Cor
French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin …
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
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