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Vous avez sélectionné:
Imagining Quietly
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Imagining Quietly (Alternate Version in C Major)
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Piano Facile
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FACILE
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Joshua Sharo
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Imagining Quietly
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Joshua Sharo
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.957955 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096365. Published by Joshua Sharo...
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Easy Piano - Level 2 - SKU: A0.957955 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096365. Published by Joshua Sharo (A0.957955). Practice Tips: The left hand has the melody in the second two lines of the piece. Make sure to voice the top of all of the chords. When the right hand enters with the same melody, it also continues some of the opening ostinato – make sure that the theme is clearly heard. Don't get too loud in measure 15. Remember that the loudest section is still to come! This is an alternate version of the composition Imagining Quietly. It is in C major and most of the hard jumps have been removed. The end is also slightly different and should be easier to voice. In this version, note that the third beat of measure 22 is a third: Eb-Gb (F#)
$1.99
Imagining Quietly
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Piano seul
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INTERMÉDIAIRE
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Joshua Sharo
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Imagining Quietly
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Joshua Sharo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.957954 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096361. Published by Joshua Sharo...
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Piano Solo - Level 3 - SKU: A0.957954 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096361. Published by Joshua Sharo (A0.957954). Practice Tips: In order to play this piece, you must be able to play octave chords with multiple notes and be able to fluidly switch hand positions. Keep in mind that an F-flat is an E, an E double-flat is a D, and a B double-flat is an A. The third beat of measure 22, then, is a third: A-C. The right hand ostinato (repeating pattern) will get annoying if you play the B-flats too loudly. Instead, voice the lower notes whenever the pattern appears. The left hand has the melody in the second two lines of the piece. Make sure to voice the top of all of the chords. When the right hand enters with the same melody, it also continues some of the opening ostinato – make sure that the theme is clearly heard. Don't get too loud in measure 15. Remember that the loudest section is still to come! There are a lot of notes in measures 21-26. If you're not careful, it will sound muddy and dull. Give the most attention to the top note of the right hand and the bottom note of the left hand – this will help make your sound more clear. If you are having problems with some of the jumps (such as the left hand in measure 23), make sure you have a good fingering and then drill it multiple times. Start at a very slow metronome speed and gradually move up by 5 BPM until it gets too hard. If you do this day after day, you should eventually be able to play it! If this piece is too difficult, there exists an alternate version in C major. Most of the hard jumps have been removed. The end is also slightly different and should be easier to voice.
$1.99
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Imagining Quietly
