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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Imitation Of Life
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1
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5
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2 Euphoniums et 2 Tubas
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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Vous avez sélectionné:
Imitation Of Life
Partitions à imprimer
27 partitions trouvées
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26
The Lake Isle of Innisfree
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Chorale SATB
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AVANCÉ
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John Newell
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The Lake Isle of Innisfree
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Abierto Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1294289 Composed by John Newell. 21st Century,Contemporary. 14 pages. Abierto Music #884670. Publi...
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Choral Choir,Choral (SATB divisi) - Level 5 - SKU: A0.1294289 Composed by John Newell. 21st Century,Contemporary. 14 pages. Abierto Music #884670. Published by Abierto Music (A0.1294289). A new setting of William Butler Yeats’ great poem. It arose from a memory he had of his childhood while walking along Fleet Street in London in 1888: “I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill…†The poem is a powerful expression of Yeats’ desire for a life of peace, simplicity and being close to nature. This work (SSATBB) is intended for advanced choral ensembles. For more information about my work visit www.johnnewellmusic.com.
$2.00
Traversing the Ocean of Dreams
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Elizabeth Borowsky
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Traversing the Ocean of Dreams
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Piano Prodigies
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1215866 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 7 pages. Piano Prodigies #812559. Pub...
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Piano Solo - Level 3 - SKU: A0.1215866 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 7 pages. Piano Prodigies #812559. Published by Piano Prodigies (A0.1215866). Have you ever thought about the physical process of falling asleep? How we go from a state of awareness and activity to one in which the body slows down and the conscious mind is suspended. Ironically, our minds are active, just not in the way that they function when we are awake. Dreams feel like a magical opportunity to bypass any of the limitations of real-life, yet we are but a bystander as the mind takes over as director, producer, and set designer. As you play, imagine that you are on a small boat on a black sea of stars, on your way to tonight's destination...
$7.00
Imitation Of Life
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Piano, Voix et Guitare
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Rock Alternatif
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Rock
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R
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Imitation Of Life
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Hal Leonard - Digital
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SheetMusicPlus
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.297516 By R.E.M. This edition: Interactive Download. Alternative,Pop,Rock. Piano/Voc...
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Piano, voice and guitar (chords only) - Interactive Download SKU: HX.297516 By R.E.M. This edition: Interactive Download. Alternative,Pop,Rock. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital (HX.297516).
$4.99
Imitation Of Life
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Piano, Voix et Guitare
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Rock
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R
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Imitation Of Life
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Hal Leonard Europe
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SheetMusicPlus
Piano, voice and guitar (chords only) - SKU: HX.24144 By R.E.M. Pop,Rock. Piano/Vocal/Guitar (Piano Accompaniment). 7 pages. Published by Hal Leonard Eu...
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Piano, voice and guitar (chords only) - SKU: HX.24144 By R.E.M. Pop,Rock. Piano/Vocal/Guitar (Piano Accompaniment). 7 pages. Published by Hal Leonard Europe (HX.24144).
$4.99
Imitation Of Life
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Piano seul
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INTERMÉDIAIRE
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Rock
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R
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G
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Imitation Of Life
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GTiago
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1276883 By R.E.M. By Michael Mills, Michael Stipe, and Peter Buck. Arranged by G. Tiago. Pop,Rock. Score. 5 pages. GTiago...
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Piano Solo - Level 3 - SKU: A0.1276883 By R.E.M. By Michael Mills, Michael Stipe, and Peter Buck. Arranged by G. Tiago. Pop,Rock. Score. 5 pages. GTiago #868574. Published by GTiago (A0.1276883).
$4.99
Imitation Of Life
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Guitare notes et tablatures
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FACILE
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Rock Alternatif
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Rock
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R
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Imitation Of Life
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Hal Leonard - Digital
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SheetMusicPlus
Easy Guitar (with TAB) - Interactive Download By R.E.M. This edition: Interactive Download,scorch. Alternative, Pop, Rock. Tablature. 5 pages. Hal Le...
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Easy Guitar (with TAB) - Interactive Download By R.E.M. This edition: Interactive Download,scorch. Alternative, Pop, Rock. Tablature. 5 pages. Hal Leonard - Digital #53745. Published by Hal Leonard - Digital
$3.99
Monteverdi - The Seventh Book of Madrigals (1619) - 14. Tornate, O cari baci a6
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767320 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Ren...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.767320 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Opera,Renaissance. Score and parts. 18 pages. Lyons Music Services #3468156. Published by Lyons Music Services (A0.767320). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Tornate, O cari baci is another duet for two tenors, The title translates as Return, O Beloved ? . In it, the poet is pleading with his lover to return and kiss him back to life - with the usual proviso that 'life' and 'death' are euphemisms.I decided to use two euphonious/baritones for the soloists, with the accompaniment managed by 2 cornets/trumpets, a horn and a tuba.The accompaniment is, in places, quite complex. There are many places where there is imitation, not just between the soloists, but also between them and the accompaniment.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
R.E.M.: Imitation Of Life - guitar solo (easy tablature)
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Guitare notes et tablatures
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FACILE
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Rock Alternatif
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Rock
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R.E.M.
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Virtualsheetmusic
Instantly printable sheet music by R.E.M. for guitar solo (easy tablature) of EASY skill level. / alternative,pop,rock,children
Instantly printable sheet music by R.E.M. for guitar solo (easy tablature) of EASY skill level. / alternative,pop,rock,children
$5.97
Of Water, Sand, and Time (Postcards from the Indiana Dunes)
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeffrey Hoover
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Of Water, Sand, and Time
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Musicart Publications
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.971665 Composed by Jeffrey Hoover. 20th Century,Concert,Contemporary. 24 pages. Musicart Publications #6382801. Publishe...
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Violin Solo - Level 4 - SKU: A0.971665 Composed by Jeffrey Hoover. 20th Century,Concert,Contemporary. 24 pages. Musicart Publications #6382801. Published by Musicart Publications (A0.971665). Of Water, Sand, and Time (Postcards from the Indiana Dunes) was commissioned by Vanessa Porter, violinist, for National Park Compositions. For solo violin, the work represents the natural beauty of the Indiana Dunes National Park on the shore of Lake Michigan in Northern Indiana. https://nationalparkcompositions.com Each of the seven movements depicts some aspect of the Indiana Dunes. Where Northern Indiana and Lake Michigan come together, the Indiana Dunes is a place where wildlife, geography, and human history amplify each other. While there is an order to the work, the performer is free to rearrange the number and order of movements in performance a given performance, to meet time limitations if necessary. The title of each movement is like a few works written rapidly on the back of a picture postcard and sent to a friend.The score of this edition is formatted to be printed double-sided, with correct page turns.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the Universal Edition/SMP Press Contemporary Composition Award, the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for his distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as an M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments. To learn more about Jeffrey Hoover's work, or for specific inquiries about his music, guest residencies/festivals, and commissions, please visit his website: https://jeffreyhooverart.wixsite.com/mysiteContacting Musicart Publications Carlos Rio, DCM - Editormusicart.publications.editor@gmail.com
$18.95
Imitation of Life by R.E.M. - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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R.E.M.
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Imitation of Life
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Musicnotes
Performed by: R.E.M.: Imitation of Life Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this...
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Performed by: R.E.M.: Imitation of Life Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Guitar;Piano; 6 pages -- Rock~~Alternative Pop/Rock~~Jangle-Pop
$5.50
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
H.M.S. Surprise
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Orchestre de chambre
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AVANCÉ
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Julian Harvey
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H.M.S. Surprise
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. ...
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Chamber Orchestra - Level 5 - SKU: A0.1410415 Composed by Julian Harvey. 21st Century,Classical,Contemporary,Film/TV. 128 pages. Julian Harvey #992821. Published by Julian Harvey (A0.1410415). Having read many of the novels of Patrick O'Brian about the British Navy during the Napoleonic Wars, I thought I would write music for a hypothetical film based on these novels. I started H.M.S. Surprise long before I learned that such a film, Master and Commander: The Far Side of the World was actually being made. I had neither seen the movie nor heard the music used in it.H.M.S. Surprise consists of two movements for chamber orchestra. The first, In the Harbour, serves as an introducton. It portrays an existence which is peaceful and devoid of the difficulties to be encountered later. To be sure, there is some back-street intrigue and romantic entanglement, but life is generally pleasant. The second movement, At Sea, immediately follows the first and is considerably longer and more programmatic. It begins with typical adventure at sea music and soon becomes an imitation of a sailor's hornpipe, begun by the flute. Next comes the storm or the battle or perhaps both at the same time. Calm returns and the sailors give thanks by singing a hymn. Thanksgiving turns to celebration as everyone on deck plays one tune or another, including even the Captain, Jack Aubrey, who plays the violin. Later Captain Aubrey and his friend, Steven Maturin, physician, spy and cellist, play a duet before the music comes to a rousing conclusion.
$20.00
Perry The Platypus Theme
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Film Walt Disney
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Dan Povenmire and Jeff Swampy
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Ryan Beard
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Perry The Platypus Theme
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Ryan Beard Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1034486 Composed by Dan Povenmire and Jeff Swampy Marsh. Arrange...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1034486 Composed by Dan Povenmire and Jeff Swampy Marsh. Arranged by Ryan Beard. Children,Film/TV,Instructional. 16 pages. Ryan Beard Music #639844. Published by Ryan Beard Music (A0.1034486). This fun arrangement for your woodwind quintet is sure to please all the fans of Phineas & Ferb from the Disney Channel. This high-energy spy-rock tune is the theme song of Perry the Platypus who, unbeknownst to his owners, lives a double life as a secret agent! While the horn carries the melody for most of the piece, you can feature one player who can create the best imitation of a platypus with a multiphonic or other special technique on their instrument. This is a wonderful and entertaining choice for demonstration concerts.
$24.99
Mandy
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Piano seul
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INTERMÉDIAIRE
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Barry Manilow
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Mandy
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Unimusic Academy
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1145782 By Barry Manilow. By Richard Kerr and Scott English. Arranged by Unimusic Academy (Academia Unimusica). Contempor...
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Piano Solo - Level 3 - SKU: A0.1145782 By Barry Manilow. By Richard Kerr and Scott English. Arranged by Unimusic Academy (Academia Unimusica). Contemporary,Pop,Rock,Singer/Songwriter. Score. 4 pages. Unimusic Academy (Academia Unimusica) #745983. Published by Unimusic Academy (Academia Unimusica) (A0.1145782). Mandy is a romantic song that has had several versions. It was recorded for the first time in 1971, with the title Brandy by Scott English, however, it achieved popularity with the version of the American Barry Manilow in 1974, being his first song to reach number one on the Billboard Hot 100 and his first golden song.1​2​ In 1992 Italian music producer Marco Parmigiani produced a Eurodance version on 12-inch vinyl. It was released in Italy on the Disc-O-Very Records label, and a year later it was published in Spain on the mythical Barcelona label Max Music. The version sounded a lot in the Valencian discos of the 90s. It was later re-recorded by the Irish group Westlife in 2003, becoming the number one version of the UK chart. The song also appeared in several movies, such as Can't Hardly Wait, being performed by various characters. One theory is that because of Manilow's alcoholism, Brandy became Mandy. Scott English is thought to have written Brandy after his favorite dog that he let get away. English claimed (as quoted in The Billboard Book of Number One Adult Contemporary Hits) that an assistant phoned him early that morning to ask who Brandy was, and he angrily lied that it was a dog so that she would conversation will end quickly. When Manilow recorded Mandy he was not satisfied with the electronic rhythm of the original English version, so he preferred to sing it as a ballad and was much more pleased with the results. The song was parodied on Gift Grub under the title Andy on The Drew Carey Show, where the name Mandy is replaced with Kyra. Who also performed a parody of Mandy was the German singer LaFee at the age of 13. Thanks to this imitation, called Handy, it was that a music producer discovered her in a singing contest for children in Germany. Korean actor, singer and model Jang Keun Suk sings this song during the movie You are my pet It also appeared in an episode of CSI: Crime Scene Investigation (originally aired November 2006), and in an episode of The Simpsons, Homer sings it to Margo as Oh, Margo. Years later, in an episode of Family Guy, Manilow himself sings Gregg a version of his song, Oh, Quagmire..
$8.00
A Billings Triptych - for 8-Part Brass Choir
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
The Betrayal
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Michelle Kraak
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The Betrayal
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Michelle Kraak
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Pu...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1012606 Composed by Michelle Kraak. Easter,Praise & Worship,Sacred. 16 pages. Michelle Kraak #6102931. Published by Michelle Kraak (A0.1012606). The Betrayal is written for choir (soprano, alto, tenor, bass). It is a religious piece based on the passion of Christ. It has aspects of imitation, with a lot of independence in the parts. The vocal parts represent the voice of Jesus, the voices of those who crucified him, a narrator, and also briefly the voice of Peter, Jesus' disciple. The bass primarily sings the role of the people who called for his death, but as the piece continues others join in this role. I wrote some of the lyrics and also pulled some verses in from the Bible. I think this would be a great piece for Holy Week, perhaps on Good Friday or Maundy Thursday. the piece captures some of the intense emotions involved in the crucifixion and would make a great addition to Lenten music in the church. Lyrics:Why did you leave me?Why did you run?I absolved you of your sin. Jesus Christ must die for what he's done. I absolved you of your sin,I saved you from yourselves,I just wanted to lead you,Closer to God. Death! I wanted to give you new life. Three times you will deny me, Woman I do not know him! Jesus Christ must die for what he's done. Why did you leave me? Why did you run?I absolved you of your sin.I saved you from yourselves,I just wanted to lead you, Closer to God. Jesus I didn't know him.I don't know the man! Jesus Christ must die for what he's done. Peter struck him!Cut off his ear,Jesus touched him and healed him,Though the man had come for him. Jesus Christ must die for what he's done. Why should Jesus die for what he's done?Why did I forsake the Son of God?I'd have called for him to be crucified. We are no better,Then the past. Why did you forsake me,Why did you forsake me? Forgive them,For they do not know what they're doing. Forgive them,For they do not know what they're doing. Betrayed with a kiss. Surely he was the son of God.Surely he was the son of God.Surely he was the son of God.4 minutes 29 seconds6 minutes 29 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/
$16.95
Mandy
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Piano, Voix et Guitare
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FACILE
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Barry Manilow
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Unimusic Academy
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Mandy
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Unimusic Academy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1302223 By Barry Manilow. By Richard Kerr and Scott English. Arranged by Unimusic Academy. Contemporary,Pop...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1302223 By Barry Manilow. By Richard Kerr and Scott English. Arranged by Unimusic Academy. Contemporary,Pop,Rock,Singer/Songwriter. Score. 5 pages. Unimusic Academy (Academia Unimusica) #891827. Published by Unimusic Academy (Academia Unimusica) (A0.1302223). Mandy is a romantic song that has had several versions. It was recorded for the first time in 1971, with the title Brandy by Scott English, however, it achieved popularity with the version by the American Barry Manilow in 1974, being his first song to reach number one on the Billboard Hot 100 and his first golden song.1​2​In 1992 the Italian music producer Marco Parmigiani produced a Eurodance version on 12-inch vinyl. It was released in Italy on the Disc-O-Very Records label, and a year later it was published in Spain on the legendary Barcelona label Max Music. The version was heard a lot in Valencian clubs in the 90s.It was later re-recorded by the Irish group Westlife in 2003, and this version became number one on the UK chart.3The song also appeared in several films, such as Can't Hardly Wait, being performed by various characters. One theory says that because of Manilow's alcoholism, Brandy became Mandy.It is thought that Scott English wrote Brandy inspired by his favorite dog that he let escape. English claimed (reported in The Billboard Book of Number One Adult Contemporary Hits) that an assistant called him early that morning to ask who Brandy was, and he, irritated, lied that it was a dog so that the conversation will end quickly.When Manilow recorded Mandy he was not happy with the electronic rhythm of English's original version, so he preferred to sing it as a ballad and was much more pleased with the results.The song was parodied on the show Gift Grub under the title Andy on The Drew Carey Show, where the name Mandy is replaced by Kyra. Who also performed a parody of Mandy was the German singer LaFee at the age of 13. Thanks to this imitation, called Handy, a music producer discovered her in a children's singing competition in Germany.Korean actor, singer and model Jang Keun Suk sings this song during the movie You are my petIt also appeared in an episode of CSI: Crime Scene Investigation (originally aired in November 2006), and in an episode of The Simpsons, Homer sings it to Margo as Oh, Margo. Years later, in an episode of Family Guy, Manilow himself sings to Gregg a version of his song, Oh, Quagmire..
$8.00
Adages for Tuba/Euphonium Quartet
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2 Euphoniums et 2 Tubas
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AVANCÉ
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Contemporain
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Sy Brandon
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Adages for Tuba/Euphonium Quar
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #66073...
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Brass Ensemble Euphonium,Tuba - Level 5 - SKU: A0.755334 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 48 pages. Sy Brandon #6607353. Published by Sy Brandon (A0.755334). I. The grass is always greener on the other side of the fence. The interpretation of this adage is that one always wants what someone else has instead of accepting one’s own uniqueness. During the movement, counterpoint is used to depict one instrument copying another. Towards the middle of the movement, tuba 2 eventually realizes its independence and states a bold melody of its own. The movement ends with the euphonium 1 playing its melody alone with pauses between the phrases as if looking over its shoulder wondering where the other musicians are. II. Absence makes the heart grow fonder. This setting represents a growing love despite the emptiness of being apart. Hollow intervals of fourths and fifths representing longing, occur at the beginning and end. A short love duet between two instruments occurs in the middle. III. Time flies when you are having fun. A rollicking six-eight meter is used to represent a children’s game of tag. There is a lot of alternation of short phrases as if one instrument is trying to tag the other and the other is trying to avoid being tagged. The dissonance and short accented notes represent taunting. IV. Every cloud has a silver lining. This movement is a prayer-like setting with alternation of minor and major harmonies representing the cloud and the silver lining respectively. V. He who hesitates is lost. This movement is very rhythmic and syncopated with the instruments alternating phrases in the manner of a call and response. It calls for split-second precision between the performers, therefore representing the adage. VI. A rolling stone gathers no moss. The last movement is a perpetual motion in a rolling six-eight meter. The musical ideas are very chromatic with the exception of main theme that appears first as a solo melody, then as several instruments together, and later as instruments in imitation. Towards the end, there are a few brief pauses and low accented notes as a life of activity has a few bumps along the way.
$9.99
String Quintet G minor
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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INTERMÉDIAIRE
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Ignaz Joseph Pleyel
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String Quintet G minor
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Schott Music - Digital
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SheetMusicPlus
2 violins, 2 violas and cello - intermediate - SKU: S9.Q6558 Composed by Ignaz Joseph Pleyel. This edition: score and parts. Downloadable, Score and par...
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2 violins, 2 violas and cello - intermediate - SKU: S9.Q6558 Composed by Ignaz Joseph Pleyel. This edition: score and parts. Downloadable, Score and parts. Schott Music - Digital #Q6558. Published by Schott Music - Digital (S9.Q6558). Key: G minor.The Quintet in G minor belongs to the first group of three quintets written by Ignaz Pleyel in 1785 and published for the first time in 1786. Of all his quintets, it was the most frequently published one and was available in various editions even during Pleyel's lifetime. The modern character of this piece shows in the 'new kind' of compositional technique and elaboration of the themes, as presented by Joseph Haydn for the first time in 1781 in his String Quartets Op. 33. As with Haydn, the modern compositional style shows in the thematic work of the development which is mainly derived from the main theme. Particularly impressive is the elaboration of the theme by imitation, sequencing, shortening, rhythmic and tonal changes as well as by inversion.
$34.99
Five Pieces by Cécile Chaminade
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Cécile Chaminade
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Stephen Levintow
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Five Pieces by Cécile C
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1423506 Composed by Cécile Chaminade (1857-1944). Arranged by Stephen Levintow. 19...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1423506 Composed by Cécile Chaminade (1857-1944). Arranged by Stephen Levintow. 19th Century,Romantic Period. 49 pages. Cypress Publishing #1004747. Published by Cypress Publishing (A0.1423506). The music of pianist-composer Cécile Chaminade (1857-1944) was highly popular in her lifetime, but mostly neglected afterward. It is fortunately now being rediscovered. Her character pieces, of which she wrote many, display charm and wit, with elegant French romantic sensibility. This set of arrangements for string quartet includes includes selected works composed between 1887 and 1910. It begins with two excerpts from her ballet suite Callirhoë for piano, Pas des Amphores and Pas des écharpes (Scarf Dance), followed by Idylle, from a set of 6 Romances sans Paroles. The next piece, Chanson Russe (Russian Song), if it isn’t based on an actual folksong, is a clever imitation. The set concludes with the gently uplifting Romance in D major. CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$10.00
Let's Get Growing
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Chorale 2 parties
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DÉBUTANT
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Roselie Everson & Noël Ferg
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Let's Get Growing
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Jeff Batdorf
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.940505 Composed by Roselie Everson & Noël Ferguson. Children,Musical/Show. Octavo. 84 pages. Jeff Batdorf #6526...
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Choral Choir (SA) - Level 1 - SKU: A0.940505 Composed by Roselie Everson & Noël Ferguson. Children,Musical/Show. Octavo. 84 pages. Jeff Batdorf #6526705. Published by Jeff Batdorf (A0.940505). LET’S GET GROWING tells the story of Norman Borlaug, who won the Nobel Peace Prize, the Congressional Gold Medal and the Presidential Medal of Freedom, one of only five people in our history who have been so honored. An agricultural scientist, he devoted his life to feeding a hungry world. This musical traces Borlaug’s fascinating life of accomplishment from his boyhood near Cresco, Iowa to the Mexican State of Sonoma, where he developed wheat strains that ultimately saved billions of lives from starvation throughout the world. Written by a music teacher who understands time and resource limitations, this musical provides a user-friendly script, easy music for young voices, complete piano/vocal score, reproducible vocal parts, and additional resources for further exploration of Dr. Borlaug’s life and work.
$29.95
Oscillation
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Contemporain
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pa...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
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Imitation Of Life
