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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In The Stone
Non classifié
263
Piano & claviers
Piano seul
197
Piano, Voix et Guitare
93
Piano Facile
62
Piano, Voix
55
Instruments en Do
22
Orgue
18
Piano grosses notes
17
1 Piano, 4 mains
5
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
47
Ligne De Mélodie, (Paroles) et Accords
35
Guitare
22
Ukulele
9
Basse electrique
9
2 Guitares (duo)
6
Paroles et Accords
6
Guitare (partie séparée)
3
Piano, Guitare (duo)
2
Mandoline
2
Dulcimer
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
86
Chorale 3 parties
18
Chorale TTBB
10
Chorale Unison
5
Voix duo, Piano
5
Voix Soprano, Piano
4
Chorale 2 parties
4
Voix Alto, Piano
3
Voix seule
2
Voix haute
2
Chorale SSAA
1
Voix Soprano
1
Chorale SSAATTBB
1
+ 8 instrumentations
Retracter
Vents
Saxophone Alto
23
Clarinette
21
Flûte traversière
21
Flûte traversière et Piano
18
Quatuor de Saxophones: 4 saxophones
17
Saxophone (partie séparée)
17
Saxophone Tenor
13
Quatuor de Clarinettes: 4 clarinettes
12
Hautbois, Piano (duo)
12
Flûte, Hautbois, Clarinette, Basson
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Clarinette et Piano
9
Quatuor de Flûtes : 4 flûtes
9
Hautbois
8
2 Saxophones (duo)
8
2 Clarinettes (duo)
7
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
6
Saxophone Alto et Piano
6
Saxophone Soprano
6
2 Flûtes traversières (duo)
6
Saxophone Baryton, Piano
6
Flûte, Clarinette (duo)
5
2 Hautbois (duo)
4
Hautbois (partie séparée)
4
Saxophone, Clarinette (duo)
3
Hautbois, Basson (duo)
3
Clarinette, Violoncelle (duo)
3
Clarinette (partie séparée)
3
3 Saxophones (trio)
3
Hautbois, Clarinette (duo)
3
Ocarina
3
Cor anglais, Piano
2
Saxophone Baryton
2
3 Clarinettes (trio)
2
Harmonica
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois (duo)
2
Flute (partie séparée)
2
Flûte irlandaise
2
Clarinette Basse, Piano
2
Clarinette, Basson (duo)
2
Flûte, Trompette (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano
1
Saxophone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Flûtes
1
Flûte, Hautbois, Clarinette (trio)
1
Cor Anglais
1
Flûte, Violon, Piano
1
Clarinette, Violon (duo)
1
Clarinette et Alto
1
Flûte, Alto et Piano
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte et Guitare
1
2 Flûtes traversières, Piano
1
3 Hautbois
1
Hautbois, Flûte
1
Clarinette Basse
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Violon
1
+ 61 instrumentations
Retracter
Cuivres
Trompette
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trombone et Piano
13
Trombone
13
Trompette (partie séparée)
11
Trompette, Piano
10
Cor et Piano
10
Cor
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trombone (partie séparée)
9
Tuba et Piano
8
Tuba
7
2 Trompettes (duo)
4
Euphonium, Piano (duo)
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Quatuor de Cuivres
3
Trompette, Tuba (duo)
2
Trompette, Violoncelle (duo)
2
Cor, Tuba (duo)
2
2 Tubas (duo)
2
Cor anglais, Piano
2
Trombone, Cor (duo)
2
Trompette, Cor (duo)
2
Trombone, Tuba (duo)
2
Trompette, Saxophone (duo)
2
Cor, Violoncelle (duo)
2
2 Cors (duo)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
Trio de Cuivres
1
3 Cors (trio)
1
Ensemble de Trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Euphoniums et 2 Tubas
1
Trompette, Trombone, Piano
1
Trompette, Violoncelle et Piano
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
42
Violoncelle
41
Violon
32
Violoncelle, Piano
18
Alto seul
16
Violon, Violoncelle (duo)
15
Violon et Piano
14
Alto, Piano
11
Violon, Alto (duo)
10
Harpe
10
Contre Basse
8
Trio à cordes: 3 violins
7
2 Violoncelles (duo)
7
Violon (partie séparée)
7
Contrebasse, Piano (duo)
6
2 Violons (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Alto, Violoncelle (duo)
4
2 Altos (duo)
4
Contrebasse (partie séparée)
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
2 Contrebasses (duo)
2
Violoncelle (partie séparée)
2
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
4 Violoncelles
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
272
Fanfare
53
Orchestre
39
Orchestre à Cordes
19
Batterie
18
Ensemble Jazz
17
Ensemble de cuivres
13
Orchestre de chambre
11
Marimba
3
Batterie (partie séparée)
3
Cloches
2
Ensemble de Percussions
2
Percussion (partie séparée)
1
Vibraphone
1
Jazz combo
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Prix + au -
Nouveautes
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difficulté (tous)
débutant
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Vous avez sélectionné:
In The Stone
Partitions à imprimer
2 323 partitions trouvées
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2301
The Sundials
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Contemporain
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #580083...
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Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
Four Favorite Hymns from the Movie - "Stars In My Crown"
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Musique Sacrée
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John R
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Ginny Saltzman
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Four Favorite Hymns from the M
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Ginny's House of Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robi...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
SOS REACHING THE FUTURE
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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SOS REACHING THE FUTURE
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. P...
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Piano - SKU: A0.1066576 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 256. THEMIS KOUTRAS #4766863. Published by THEMIS KOUTRAS (A0.1066576). The meaning of this song is that if we right something down like a message or film tape so on you can then hide it good well sometime in the future the item will still be there as long as it is not destroyed thus it will travel in the future the best way is on paper writings or stone tablets because in the future they may have or may not have the same technology as we do today for videos or tapes so on to see it or hear the message if someone in the future finds it off course it would have to be preserved from things like weather that can destroy it well the old saints preached the gospel everywhere but also wrote it down and hid it well well by miracle by praying GOD preserved it and now we got the holy bible this is proven that there was no way in the world that this holy bible could have survived preserved all these years unless GOD preserved it which he did this is the story of how the holy bible survived the time they found it they found it in different books lots of them in different places of the world this proves there must be a GOD out there who preserved it the HOLY BIBLE thus the song says s o s reaching the future thus it means as i said above
$4.99
Stone and Steel: Cello
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Violoncelle (partie séparée)
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Methodes
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Richard Meyer
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Festival.
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Stone and Steel: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017364_VC1 Cello. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #...
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String Orchestra - SKU: AX.00-PC-0017364_VC1 Cello. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017364_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017364_VC1). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
$5.99
Stone and Steel: 1st Violin
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Violon (partie séparée)
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Methodes
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Richard Meyer
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Festival.
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Stone and Steel: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017364_VN1 1st Violin. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Mu...
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String Orchestra - SKU: AX.00-PC-0017364_VN1 1st Violin. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017364_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017364_VN1). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
$5.99
Stone and Steel: String Bass
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Orchestre à Cordes
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Methodes
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Richard Meyer
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Festival.
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Stone and Steel: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017364_SB String Bass. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Mu...
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String Orchestra - SKU: AX.00-PC-0017364_SB String Bass. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017364_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017364_SB). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
$5.99
Stone and Steel: Score
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Orchestre à Cordes
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Methodes
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Richard Meyer
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Festival.
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Stone and Steel: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0005643 Score. Composed by Richard Meyer. Instructional. Score. 24 pages. Alfred Music - Digital Sheet Music #00...
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String Orchestra - SKU: AX.00-PR-0005643 Score. Composed by Richard Meyer. Instructional. Score. 24 pages. Alfred Music - Digital Sheet Music #00-PR-0005643. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005643). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
$10.00
Stone and Steel: 2nd Violin
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Orchestre à Cordes
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Methodes
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Richard Meyer
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Festival.
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Stone and Steel: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017364_VN2 2nd Violin. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Mu...
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String Orchestra - SKU: AX.00-PC-0017364_VN2 2nd Violin. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017364_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017364_VN2). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
$5.99
Stone and Steel: Viola
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Orchestre à Cordes
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Methodes
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Richard Meyer
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Festival.
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Stone and Steel: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017364_VA1 Viola. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #...
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String Orchestra - SKU: AX.00-PC-0017364_VA1 Viola. Composed by Richard Meyer. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017364_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017364_VA1). UPC: 038081518503.Written to celebrate the 110th Anniversary of the Joliet Township High School Orchestras of Illinois, Stone and Steel is a modern concert overture by Richard Meyer that treats the listener and performer to a myriad of styles and moods. The piece begins with a heavy, ponderous theme marked Molto pesante, which depicts the limestone quarries that first earned Joliet the nickname City of Stone in the early 1800s. The mood soon changes and we can visualize huge barges laden down with stone, making their way through the city's large lift bridges and into the famous Illinois and Michigan Canal on their way to regional customers. With the construction of a steel mill in 1869, Joliet became known as the City of Steel. Stone and steel were now shipped by both canal and railroad, and this exciting new age is represented by a modern, fast-moving theme in a bright major key. The two themes, stone and steel, are then further developed, and the piece culminates in a majestic, celebratory final statement of the steel theme. (6:00)Concert/Contest; Festival.
$5.99
Feed The Birds (Tuppence A Bag)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Richard M
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Feed The Birds
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1509331 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by John Langley (Studio Orchestrations). Broad...
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Full Orchestra - Level 4 - SKU: A0.1509331 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by John Langley (Studio Orchestrations). Broadway,Children,Christmas,Film/TV,Musical/Show,Standards. 88 pages. Www.studio-orchestrations.com #1084580. Published by www.studio-orchestrations.com (A0.1509331). For vocal soloist, (Optional SATB chorus) and Orchestra in G MajorBrothers Richard Sherman and Robert Sherman were two of the finest song writers of all time, creating iconic family friendly songs and scores for many Disney films including Mary Poppins (1964), Chitty Chitty Bang Bang (1968), and Bedknobs and Broomsticks (1971) and the animated films The Sword in the Stone (1963), The Jungle Book (1967), Charlotte's Web (1973), The Aristocats (1970), and of course the theme park songs There's A Great Big Beautiful Tomorrow and It's A Small World (After All). The score for Mary Poppins is especially perfect with so many immortal songs like Chim chimeney, Spoonful of sugar, Fly a kite, Supercali ........ and of course the simple but beautiful Feed the birds. It has such finely balanced musicality as a song and tugs the heart strings with its gentle lilting narrative of the unassuming bird lady on the steps of St. Paul's Cathedral.This arrangement tries to capture the magic of the original song, using some occasional harmonic ideas from the stage musical version as well. Instrumentation:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 Horns2 PercussionHarpKeyboard Strings Optional SATB chorusCheck out other arrangements and orchestrations by John Langley and Paul Campbell at https://www.studio-orchestrations.com/buy-hire-music
$120.00
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95
Nearer My God To Thee (Titanic) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Sarah Flower Adams
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Film/TV,Multicultural,Praise & Worship,Sacred,World. 9 pages. Keith Terrett #614983. Published by Keith Terrett (A0.1009325). Nearer, My God, to Thee arranged for Brass Quartet, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$10.99
Nearer My God To Thee (Titanic) for Young Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett....
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Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Rosary Sonatas: The Resurrection
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Resurrecti
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 4 - SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 151 pages. JMJ Arrangements #685830. Published by JMJ Arrangements (A0.1081705). [W]hen the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, so that they might go and anoint him. And very early on the first day of the week they went to the tomb when the sun had risen. And they were saying to one another, 'Who will roll away the stone for us from the door of the tomb?' And looking up, they saw that the stone was rolled back; for it was very large. And entering the tomb, they saw a young man sitting on the right side, dressed in a white robe; and they were amazed. And he said to them, 'Do not be amazed; you seek Jesus of Nazareth, who was crucified. He has risen, he is not here; see the place where they laid him. But go, tell his disciples and Peter that he is going before you to Galilee; there you will see him, as he told you.' And they went out and fled from the tomb; for trembling and astonishment had come upon them; and they said nothing to any one, for they were afraid. Now when [Christ] rose early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons. She went out and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it.Mark 16:1-11 (RSV-CE).
$39.99
Hark! the Herald-Angels Sing (Letter Format)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Felix Bartholdy Mendelssohn
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Sandstone Music
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Hark! the Herald-Angels Sing
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Sandstone Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978434 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sac...
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Full Orchestra - Level 4 - SKU: A0.978434 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 48 pages. Sandstone Music #6057731. Published by Sandstone Music (A0.978434). The latest publication in the Sandstone Epic Christmas Collection, this new arrangement of 'Hark! the Herald-Angels Sing' is for full orchestra when you want to impress the audience! Including all three verses of this carol, this arrangement is suitable for choirs and / or audiences to sing along to. A brand new fanfare between verses 2 and 3 has been included, as well as a brand new descant. If your choir or audience wish to sing the standard David Willcocks choral parts in the first two verses, or his descant in the third verse, these will also fit with this arrangement.Christmas carols for full orchestra are virtually impossible to find, so the Sandstone Epic Christmas Collection solves this problem. Suitable for use by churches, schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved carols, meaning you can include them in your Christmas programme for your choir or for audience participation.
$79.99
Hark! the Herald-Angels Sing (A4 Format)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Felix Bartholdy Mendelssohn
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Sandstone Music
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Hark! the Herald-Angels Sing
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Sandstone Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978435 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sac...
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Full Orchestra - Level 4 - SKU: A0.978435 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandstone Music. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 48 pages. Sandstone Music #6057735. Published by Sandstone Music (A0.978435). The latest publication in the Sandstone Epic Christmas Collection, this new arrangement of 'Hark! the Herald-Angels Sing' is for full orchestra when you want to impress the audience! Including all three verses of this carol, this arrangement is suitable for choirs and / or audiences to sing along to. A brand new fanfare between verses 2 and 3 has been included, as well as a brand new descant. If your choir or audience wish to sing the standard David Willcocks choral parts in the first two verses, or his descant in the third verse, these will also fit with this arrangement.Christmas carols for full orchestra are virtually impossible to find, so the Sandstone Epic Christmas Collection solves this problem. Suitable for use by churches, schools, colleges and universities as well as amateur and professional orchestras, these arrangements add a new interest to existing well-known and well-loved carols, meaning you can include them in your Christmas programme for your choir or for audience participation.
$79.99
The Winds of Grace As You Soar—SATB Choir and Piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Daniel Carter
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Daniel Carter
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The Winds of Grace As You Soar
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Daniel Carter
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1293980 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Praise & Worship,Religio...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1293980 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Praise & Worship,Religious,Sacred. 6 pages. Daniel Carter #884462. Published by Daniel Carter (A0.1293980). A musical blessing of healing and safety for those who have experienced difficulty and trauma in their lives. Arranged for intermediate-advanced choir and piano with flowing accompaniment and memorable melodic lines. Suitable for worship, farewells, homecomings, concert events, and many other settings. The text uses powerful images to strengthen and reassure:Safety of a mother’s womb to you. / Strength of a father’s love to you; / May the breath of each word that you speak and hear / Be a breath of affirming life in your ears, / Be the winds of grace in your wings, / Be grace in your wings as you soar.When stones of abuse and deceit are hurled / May you catch them and drop them before they harm. / But when your wounds are too much to bear, / May you offer no harm in return.Healing of a mother’s love to you. / Wisdom of a father’s heart to you. / And may your damaged wings heal once again / By the winds of grace as you soar.And so it is. / So be it. / AmenFor other choral, instrumental, vocal solo, and duet works by Daniel Carter, visit Daniel Carter Music.
$1.99
The Flintstones
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David Louis Newman, Jeffrey Je
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Marcelo Borba
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The Flintstones
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Marcelo Borba
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1512730 Composed by David Louis Newman, Jeffrey Jerald Poskin, and Marty Frasu. Arranged by Marcelo Borba. Broadway,Comedy,Fi...
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Guitar - Level 1 - SKU: A0.1512730 Composed by David Louis Newman, Jeffrey Jerald Poskin, and Marty Frasu. Arranged by Marcelo Borba. Broadway,Comedy,Film/TV,Jazz,Musical/Show,Pop. Tablature. 2 pages. Marcelo Borba #1087682. Published by Marcelo Borba (A0.1512730). LEADSHEET STYLE - with tablature The theme song of The Flintstones cartoon is one of the most recognizable and beloved TV theme songs of all time. It was composed by the legendary American composer Hoyt Curtin, who also created music for many other Hanna-Barbera cartoons.The Flintstones theme song has a jaunty, prehistoric vibe that perfectly matches the show's Stone Age setting and comedic tone. The song features a catchy melody played by a small ensemble of instruments, including saxophones, trumpets, and drums, giving it a lively and upbeat feel.The lyrics of the theme song are simple and memorable, with the iconic opening line, Flintstones, meet the Flintstones, they're the modern stone-age family. The lyrics go on to describe the daily life of the Flintstone family, including Fred, Wilma, Pebbles, and their pet dinosaur, Dino.The Flintstones premiered in 1960 and was the first primetime animated series to air on American television. The theme song, with its catchy tune and catchy lyrics, became an integral part of the show's identity and helped to establish it as a classic of animation.Hoyt Curtin's musical composition for The Flintstones theme song has endured for decades, continuing to delight audiences of all ages with its nostalgic charm and timeless appeal. It remains one of the most iconic and beloved theme songs in the history of television.
$5.99
The Dreaming Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Publis...
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Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99
The Butterfly
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Contemporain
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
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Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00
Shelter in Place for SSAATB chorus and nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Shelter in Place for SSAATB ch
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
The Church's One Foundation - Flex Orchestra
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Musique Sacrée
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having one or more instruments
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Samuel Stone
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Kristin Campbell
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The Church's One Foundation -
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Horsehair Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596381 Composed by Samuel Stone. Arranged by Kristin Campbell. Sac...
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596381 Composed by Samuel Stone. Arranged by Kristin Campbell. Sacred. Score and parts. 22 pages. Horsehair Music #4278645. Published by Horsehair Music (A0.596381). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. This arrangement for strings is easy and all set in first position in the keys of C and G. A straightforward and simple setting to help students learn this classic hymn tune.
$9.99
Dance of the Stone Trolls (Opus 319) (Bass Solo)
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Violoncelle
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INTERMÉDIAIRE
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Daniel Hay
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Dance of the Stone Trolls
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Daniel Hay Music
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.596426 Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #57...
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Cello Solo - Level 3 - SKU: A0.596426 Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #5741937. Published by Daniel Hay Music (A0.596426). When composing this solo piece the composer, Daniel Hay was thinking of massive troll-like creatures ponderously stomping around a bonfire. Perhaps the image is better if you think of drunk sumo fighters dancing around rising flames. Most of the time when the composer uses repeats he labels them with an uppercase letter to identify them, followed by a hyphen and a lowercase letter showing where the repeat leads. Occasionally, as in The Dance of the Stone Trolls, there is also a lowercase letter within parentheses which is used to indicate an optional location to repeat from either at the first pass or possible as a second pass. The attached YouTube link is performed on Tenor Recorder by the composer during a rehearsal. The sound file here is presented in Cello voice. Looking forward to hearing a Trombone play this.
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