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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In the Distance
Non classifié
153
Piano & claviers
Piano grosses notes
3 298
Orgue
1 533
Piano Facile
106
Piano seul
106
Clavier
59
Piano, Voix et Guitare
21
Piano, Voix
8
Instruments en Do
3
Accompagnement Piano
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Clavecin
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Paroles et Accords
3
Guitare notes et tablatures
3
Ukulele
2
Guitare
2
Basse electrique
1
Voix
Chorale SATB
30
Voix duo, Piano
7
Chorale Unison
6
Chorale 3 parties
4
Chorale TTBB
3
Chorale 2 parties
2
Voix duo
1
Voix moyenne, Piano
1
Voix Tenor, Piano
1
Chorale SSAA
1
+ 5 instrumentations
Retracter
Vents
2 Saxophones (duo)
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte traversière et Piano
5
Clarinette
5
Quatuor de Saxophones: 4 saxophones
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone, Clarinette (duo)
3
Saxophone Tenor
3
Saxophone Alto
3
Hautbois (partie séparée)
3
Clarinette et Piano
3
Saxophone Alto et Piano
3
2 Clarinettes (duo)
3
Saxophone Tenor et Piano
3
Flûte traversière
3
2 Flûtes traversières (duo)
3
Hautbois, Piano (duo)
3
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Violon (duo)
2
Ensemble de Flûtes
2
2 Hautbois (duo)
1
Clarinette, Trompette (duo)
1
Clarinette et Alto
1
Ensemble de Clarinettes
1
Instruments en Mib
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Trompette (duo)
1
2 Flûte à bec (duo)
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Clarinette (duo)
1
Flute (partie séparée)
1
Flûte, Violon
1
Hautbois
1
Saxophone (partie séparée)
1
Cor Anglais
1
+ 33 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Piano
3
Trompette (partie séparée)
3
Trombone
2
Trombone et Piano
2
Cor
2
Trompette, Saxophone (duo)
2
Trompette
2
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
1
Cor et Piano
1
2 Trombones (duo)
1
Trompette, Trombone (duo)
1
Instruments en Fa
1
Instruments en Sib
1
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
Bass Clef Instruments
1
+ 14 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
11
Violon
8
Violon et Piano
5
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Piano
3
Contre Basse
2
Alto (partie séparée)
2
Violoncelle
2
2 Violoncelles (duo)
2
2 Violons (duo)
2
Violon, Alto (duo)
1
Violon, Violoncelle (duo)
1
Alto seul
1
Piano Trio: Violon, Alto, Piano
1
2 Altos (duo)
1
Alto, Piano
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
44
Cloches
14
Orchestre
13
Orchestre à Cordes
7
Orchestre de chambre
6
Ensemble de Percussions
3
Ensemble Jazz
2
Jazz combo
2
Piano et Orchestre
1
Batterie
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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Vous avez sélectionné:
In the Distance
Partitions à imprimer
5 634 partitions trouvées
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Go The Distance
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Piano Facile
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DÉBUTANT
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Michael Bolton
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Catherine Wilson
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Go The Distance
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349151 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,I...
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Easy Piano - Level 1 - SKU: A0.1349151 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933891. Published by Catherine Wilson (A0.1349151). Go the Distance from Hercules is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
Mozart effect - Sonata in D for 2 Harpsichords K.448 1st mov, tuned 421.6 hz, Kirnberger III
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Clavecin
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Classique
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Arturo Escorza
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Arturo Escorza
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Mozart effect - Sonata in D fo
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Arturo Escorza
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SheetMusicPlus
Harpsichord - SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Artu...
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Harpsichord - SKU: A0.1108689 By Arturo Escorza. By Wolfgang Amadeus Mozart. Arranged by Arturo Escorza. Classical. Full Performance. Duration 506. Arturo Escorza #711337. Published by Arturo Escorza (A0.1108689). In 1993, Frances Rauscher, et al, published a study in which they attributed a temporary improvement (of around 15 minutes) in mental tasks such as those found in IQ tests... Now, my criticism goes further: the piece in question is the Allegro con spirito from Sonata for two pianos in D minor KV. 448 by Mozart, so far so good. If we look at the original score, Mozart does not mention pianos, nor their ancestor, the fortepiano, but clavicembalos, i.e. harpsichords. In modern music, the A4 is tuned to 440 Hz and the scale is divided into 12 semitones of identical distance between each of them, causing that the only pure interval between them is the octave and that the others are impure and cause unpleasant interferences. In past centuries, other temperaments were used to tune the scales, with more pure, harmonic intervals, without interferences, although the intervals between semitones were some larger than others, which is why there are compositions in different tones, because according to the temperament it provoked different sensations, but with the modern equal temperament that's part of the past... the equal temperament killed the harmony and the colors of the music as its composers imagined it, as they heard it. What's this all about? to which I have recorded the piece of the supposed Mozart Effect approaching what Mozart had in mind: with two harpsichords, both with the A4 tuned to 421.6 hz, according to the Steiner tuning fork, used at the time of composition of the piece in Vienna, (note: it's not enough to tune the A4 but also to tune the intervals), and tuned in the Kirnberger III temperament. Some intervals may seem out of tune to modern ears, but it is one of so many historical temperaments used in those times.
$4.00
Ringing of bells in the distance (Glockenläuten in der Ferne)
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Piano Facile
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S
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S
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Ringing of bells in the distan
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Antje Guenther
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SheetMusicPlus
Easy Piano - SKU: A0.1371508 By S. Antje Guenther. By S. Antje Guenther. Arranged by S. Antje Guenther. 20th Century,Children,Country,New Age,Singer/Son...
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Easy Piano - SKU: A0.1371508 By S. Antje Guenther. By S. Antje Guenther. Arranged by S. Antje Guenther. 20th Century,Children,Country,New Age,Singer/Songwriter. Score. 3 pages. Antje Guenther #955744. Published by Antje Guenther (A0.1371508). This is a little country-composition for piano. Focus: Jumps in the left hand, variations of a theme.
$12.99
Highland Cathedral
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Piano Facile
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FACILE
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Various
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Highland Cathedral
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Colne Edition / BullardMusic
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1415649 By Various. By Michael Korb and Ulrich Roever. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard Pia...
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Easy Piano - Level 2 - SKU: A0.1415649 By Various. By Michael Korb and Ulrich Roever. Arranged by Janet and Alan Bullard (The Janet and Alan Bullard Piano Series). 20th Century,Contest,Festival,Film/TV,March. Score. 4 pages. Colne Edition / BullardMusic #997366. Published by Colne Edition / BullardMusic (A0.1415649). Highland Cathedral is a tune for the Scottish bagpipes, written in 1962 for a Highland Games held in Germany. It has since become popular with many bands, such as the Royal Scots Dragoon Guards and the Band of the Scots Guards. In this easy-to-play arrangement you can imagine a band marching round the city, in the distance at the  beginning, and triumphantly arriving in the city centre at the end. The Janet and Alan Bullard Piano Series is an ever-growing collection of arrangements at easy to intermediate level, designed to complement the authors’ Pianoworks series (Oxford University Press). With Christmas songs such as ‘Chestnuts Roasting on an Open Fire’ and ‘A Spaceman Came Travelling’, songs from the shows such as ‘You’ll Never Walk Alone’, jazz standards such as ‘The Wedding’ and ‘A Child is Born’ songs by bands like Abba and The Kinks, pieces from the classics, and even the theme tunes from James Bond, Desert Island Discs, and The Archers, there is something here for everyone who learns the piano!All arrangements are distributed by Sheet Music Plus and Sheet Music Direct, and are available as individual digital downloads. A full list is available at www.bullardmusic.co.uk
$4.99
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
"Ever Farther", Piano Solo by Tania Przywara
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Piano seul
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INTERMÉDIAIRE
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Tania Przywara
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Ever farther
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"Ever Farther", Pian
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Tania Przywara
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1112867 By Tania Przywara. By Tania Przywara. 20th Century,Film/TV,Romantic Period. Score. 3 pages. Tania Przywara #71481...
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Piano Solo - Level 3 - SKU: A0.1112867 By Tania Przywara. By Tania Przywara. 20th Century,Film/TV,Romantic Period. Score. 3 pages. Tania Przywara #714819. Published by Tania Przywara (A0.1112867). Ever Farther, Original solo classical-cinematic piano composition by Tania Przywara (2019) ~Melancholic, emotional, romantic piano piece~ Music composed with an original romantic poem: “Ever Farther†You and I The memories we shared— Fading Like a speck in the distance; Ever farther... © Tania Przywara Access more details: https://www.patreon.com/posts/57777220 https://www.patreon.com/TaniaPrzywara http://www.taniaprzywara.com​.
$2.79
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Te...
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Concert Band - Level 3 - SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Sy Brandon
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Craters of the Moon for Oboe,
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Sy Brandon
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SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon ...
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
The First Noel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional English Carol
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Natalyn Rodriguez
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The First Noel
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Natalyn Rodriguez Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.954897 Composed by Traditional English Carol. Arranged by Natalyn Rodriguez. Christian,Christmas. Score. 3 pages. Natalyn...
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Piano Solo - Level 4 - SKU: A0.954897 Composed by Traditional English Carol. Arranged by Natalyn Rodriguez. Christian,Christmas. Score. 3 pages. Natalyn Rodriguez Music #4404440. Published by Natalyn Rodriguez Music (A0.954897). This one is sure to surprise listeners at a winter recital or Christmas event! Not only does the piece begin in a minor key, but it starts out quick and exciting, with the melody in a rhythmically-altered state! Then, it gradually slows down and gets softer. Suddenly, the melody as we usually know it is there, in a major key, in a slow tempo. Sincere, simple, and solemn. Then, it grows in expression, and then, almost to the end of the melody, something unexpected happens: it goes back to the fast tempo and minor key once more! The piece finishes off quietly, back to the major key, with the melody off in the distance, and is left with a final note before going silent.
$3.99
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
The Cross Kirk and the lang walk
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Ha...
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Concert Band - Level 3 - SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Distance
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Orchestre d'harmonie
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Britt Burns
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Distance
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBS158-S Composed by Britt Burns. Score. 16 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158-S. Published b...
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Concert band - SKU: IZ.CBS158-S Composed by Britt Burns. Score. 16 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158-S. Published by Imagine Music - Digital (IZ.CBS158-S). 9 x 12 in inches.Distance was composed in early 2009 (and later revised in 2011) when I was feeling very homesick. The title wasinspired by the big change that comes when one relocates 1,000 miles away from familiar territory to begin a new life.Although this kind of event is very exciting, it also can create pain from the absence of friends and family. The music isintended to sound bittersweet in nature because it's meant to reflect both of these things.I don't usually try to write in a specific form, as I feel that can hurt the natural flow of how the music wants to develop.However, this piece is indeed in anABAform. Almost all of the thematic material in the piece is written in a major key,but with the goal of sounding a little sad. While writing this, I was heavily influenced by the music of Ennio Morriconeand Dan Forrest. There is a short motive used in the B section of the piece that is similar to a motive used in variousfilm themes. Since I associate this motive with Morricone, and because he is one of my all time favorite composers, Idecided to dedicate this piece to him.
$10.00
Distance
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Orchestre d'harmonie
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Britt Burns
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Distance
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBS158 Composed by Britt Burns. Score and Parts. 90 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158. Publi...
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Concert band - SKU: IZ.CBS158 Composed by Britt Burns. Score and Parts. 90 pages. Duration 7 minutes, 35 seconds. Imagine Music - Digital #CBS158. Published by Imagine Music - Digital (IZ.CBS158). 9 x 12 in inches.Distance was composed in early 2009 (and later revised in 2011) when I was feeling very homesick. The title wasinspired by the big change that comes when one relocates 1,000 miles away from familiar territory to begin a new life.Although this kind of event is very exciting, it also can create pain from the absence of friends and family. The music isintended to sound bittersweet in nature because it's meant to reflect both of these things.I don't usually try to write in a specific form, as I feel that can hurt the natural flow of how the music wants to develop.However, this piece is indeed in anABAform. Almost all of the thematic material in the piece is written in a major key,but with the goal of sounding a little sad. While writing this, I was heavily influenced by the music of Ennio Morriconeand Dan Forrest. There is a short motive used in the B section of the piece that is similar to a motive used in variousfilm themes. Since I associate this motive with Morricone, and because he is one of my all time favorite composers, Idecided to dedicate this piece to him.
$80.00
Here Comes The Sun, by the Beatles, Trumpet Duet
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2 Trompettes (duo)
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INTERMÉDIAIRE
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Rock
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The Beatles
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David McKeown
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Here Comes The Sun, by the Bea
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David McKeown
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SheetMusicPlus
By The Beatles. Arranged by David McKeown. Score. 6 pages. Published by David McKeown...
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By The Beatles. Arranged by David McKeown. Score. 6 pages. Published by David McKeown
Here Comes the Sun first appeared on The Beatles? 1969 album, Abbey Road. It was written by George Harrison on a warm spring day whilst walking around Eric Clapton?s garden. The recording of Here Comes the Sun was one of the first British songs to feature a Moog synthesiser. In the digital age, Here Comes the Sun is the most streamed Beatles song by some distance.
This version of Here Comes the Sun is arranged as a duet for two Trumpets.
This arrangement of Here Comes the Sun is ideal for musicians at an intermediate level. There are syncopated rhythms in both parts throughout and the changing time signatures may present a challenge for some. The overall performance time is around three minutes. The full length YouTube performance above is the Clarinet version of this duet.
$5.99
The Entertainer
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Ragtime
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Scott Joplin
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Tony Tournoff
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The Entertainer
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Fairways Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Clarinet,Descant Recorder,Double Bass,Euphonium,Flute,Glockenspiel,Guitar,Keyboard,Piano Accompaniment,Tenor Horn,Tenor Reco...
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Large Ensemble Alto Saxophone,Cello,Clarinet,Descant Recorder,Double Bass,Euphonium,Flute,Glockenspiel,Guitar,Keyboard,Piano Accompaniment,Tenor Horn,Tenor Recorder,Tenor Saxophone,Treble Recorder,Trombone,Trumpet,Tuba,Ukulele,Viola,Violin,Xylophone - Level 2 - SKU: A0.842462 Composed by Scott Joplin. Arranged by Tony Tournoff. Contemporary. Score and parts. 37 pages. Fairways Music #6062325. Published by Fairways Music (A0.842462). Worthing U3A’s Inspired Instrumentalists was formed in 2015 with just 6 members, all mixed ability and wanting to make music together. They now have 36 members, still a very mixed ability group, and includes instruments which are not found in the normal orchestra so arrangements have to be made for them. Since March 2020 they have been in Lockdown and unable to meet. It was agreed that they would continue to make music through a form of distanced learning. They receive an arrangement from me to work on and are given a date to submit their audio file which is then collated into a whole piece for all of them to listen to. This is one of the arrangements they have worked on.
$30.00
Down by the Salley Gardens (Mixed Ensemble)
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Contemporain
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Irish Traditional
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Tony Tournoff
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Down by the Salley Gardens
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Fairways Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Euphonium,Flute,Guitar,Horn,Piano,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Viola,Vi...
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Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Euphonium,Flute,Guitar,Horn,Piano,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Viola,Violin - Level 2 - SKU: A0.842459 Composed by Irish Traditional. Arranged by Tony Tournoff. Contemporary. Score and parts. 43 pages. Fairways Music #6062317. Published by Fairways Music (A0.842459). Worthing U3A’s Inspired Instrumentalists was formed in 2015 with just 6 members, all mixed ability and wanting to make music together. They now have 36 members, still a very mixed ability group, and includes instruments which are not found in the normal orchestra so arrangements have to be made for them. Since March 2020 they have been in Lockdown and unable to meet. It was agreed that they would continue to make music through a form of distanced learning. They receive an arrangement from me to work on and are given a date to submit their audio file which is then collated into a whole piece for all of them to listen to. This is one of the arrangements they have worked on.
$30.00
A Clearing in the Distance for solo flute
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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A Clearing in the Distance for
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Burke & Bagley
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.787343 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Individual part. 4 pages. Burke & Bagle...
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Flute Solo - Level 4 - SKU: A0.787343 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Individual part. 4 pages. Burke & Bagley #2838139. Published by Burke & Bagley (A0.787343). A one-minute piece for solo flute or solo oboe, A CLEARING IN THE DISTANCE was composed in 2014 for Robert Botti in homage to Frederick Law Olmstead, preeminent American landscape architect who designed New York City's Central Park and Prospect Park, among many other locations. A Clearing in the Distance is the title of Witold Rybczynski's outstanding biography of Olmstead.Watch on YouTube: https://youtu.be/oU2TkYmWpno
$3.99
The Crow
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Rebekah M
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Rebekah M
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The Crow
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Rebekah M. Sweet
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SheetMusicPlus
Large Ensemble Bass Guitar,Cello,Flute,Maracas,Piano,Triangle,Trombone,Voice,Woodblock - Level 3 - SKU: A0.1518277 By Rebekah M. Sweet. By Rebekah M. Sw...
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Large Ensemble Bass Guitar,Cello,Flute,Maracas,Piano,Triangle,Trombone,Voice,Woodblock - Level 3 - SKU: A0.1518277 By Rebekah M. Sweet. By Rebekah M. Sweet. Arranged by Rebekah M. Sweet. 20th Century,Classical,Folk,New Age,Traditional. 14 pages. Rebekah M. Sweet #1092376. Published by Rebekah M. Sweet (A0.1518277). “The Crow”Score and Instrumentation Explanations “The Crow,” is an Avant Garde piece that plays on musical timbres of instruments to represent sounds, feelings, and animals. Flute-represents a bird’s call.Trombone-carries the sound and theme of the crow throughout the piece.Triangle-is the soft sound of noises in the woods, that are so low that they are often not heard.Maracas-represents the rattlesnake’s rattle when he is disturbed and angry.Wood Blocks-represent the sound of the woodpecker.Bass Guitar-is the background of the piece and sometimes the edgy feeling one gets when walking in (what they thought) was an empty forest.Piano-is the crow’s call.Tenor Voice-is meant to represent a cry in the forest but is only included twice in the piece.Cello-Is also the background music but gives one the feeling of coldness creeping upon them. The piece is meant to be slow, and eerie; maybe to some it sounds spacey.The glissandos for the Bass Guitar are to be played when the guitarist hits the first note and uses a glass cup against the string and slowly move it up and down the string to make a weird vibrato like sound.The glissandos for the Trombone are mainly the echoes of the forest that surround the person. It’s the crow’s call being echoed.The Piano can play with the crow’s call starting out loud then fading or diminishing as it also echoes in the distance. Not to be played too fast.The Flute can get louder as it repeats its lines.The Triangle is soft but not too soft. It must be able to be heard against the other instruments.The Cello may use as much vibrato or screech sounds as it wants with the use of the bow.The Tenor may use as much legato as they want.
$25.00
The Hedgehog Hustle
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Allen W
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The Hedgehog Hustle
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Imagine Music - Digital
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SheetMusicPlus
String orchestra & piano - SKU: IZ.OMW192-S Composed by Allen W. Menton. Score. 39 pages. Imagine Music - Digital #OMW192-S. Published by Imagine Music ...
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String orchestra & piano - SKU: IZ.OMW192-S Composed by Allen W. Menton. Score. 39 pages. Imagine Music - Digital #OMW192-S. Published by Imagine Music - Digital (IZ.OMW192-S). 9 x 12 in inches.Nineteenth-century philosophers coined the term hedgehog dilemma to describe the conundrum faced by hedgehogs huddling together for warmth during the winter. If they huddle too closely, they hurt each other with their spines. If they maintain greater distance, they become too cold. The challenge is to find an optimal distance, in which a few occasional pricks are endured in order to get some warmth. Philosophers viewed this situation as a metaphor for human relationships: close intimacy contains the risk of mutual harm. Inspired by the humorous movements of a friend's pet hedgehog, I imagined a fanciful scenario: a disco-loving hedgehog in search of a partner for the 1970's couples dance known as the hustle. Unfortunately, he and his partner keep sticking each other with their spines (represented by the pizzicato in the strings), and his partner abandons him. Our hero sadly contemplates his future, destined to dance alone. However, the music gives him courage, and he concludes with an exuberant dance solo.
$16.00
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Sweethearts
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Sweethearts
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano - SKU: HX.1414920 This edition: scorch. E-Z Play Today. Love. Score. 2 pages. Hal Leonard - Digital #803721. Published b...
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Electronic Keyboard,Organ,Piano - SKU: HX.1414920 This edition: scorch. E-Z Play Today. Love. Score. 2 pages. Hal Leonard - Digital #803721. Published by Hal Leonard - Digital (HX.1414920). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
Then the Baby Cried Demo MP3
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Chorale Unison
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Aren Newell Williams and Ruth
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Then the Baby Cried Demo MP3
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Growing In Grace - Digital
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SheetMusicPlus
Unison chorus, opt. 2-part chorus - SKU: C6.636018015 Composed by Aren Newell Williams and Ruth Elaine Schram. Growing in Grace. Christian, Advent, Chri...
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Unison chorus, opt. 2-part chorus - SKU: C6.636018015 Composed by Aren Newell Williams and Ruth Elaine Schram. Growing in Grace. Christian, Advent, Christmas, Children. MP3. Growing In Grace - Digital #636018015. Published by Growing In Grace - Digital (C6.636018015). Ruth Elaine Schram and Aren Newell Williams bring us a fun, energetic piece for Christmas! The contemporary, syncopated melody gives way to a catchy chorus that includes options for 2-part choirs. After the 2nd verse and chorus comes a spirited invitation for all to come to Bethlehem and worship. The piece concludes with Glorias that diminish in dynamic, as though fading away into the distance.
$1.99
Scenes from the Sea
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James E
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Scenes from the Sea
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James Goodwin
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.926712 Composed by James E. Goodwin. 20th Century,Contemporary. Score and parts. 238 pages. James Goodwin #5996663. P...
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Full Orchestra - Level 4 - SKU: A0.926712 Composed by James E. Goodwin. 20th Century,Contemporary. Score and parts. 238 pages. James Goodwin #5996663. Published by James Goodwin (A0.926712). Scenes from the Sea is a suite in five movements for full orchestra, each of which lasts approximately three minutes, except for the last movement which lasts five minutes. Movement One, entitled Schools of Fish, is a brisk opener that symbolizes the sea as a whole, teeming with life. Movement Two is called Shipwrecks. The music is contemplative and represents the multitude of ships that rest at the bottom of the sea, many of which are the graves of brave sailors. Movement Three is a march called Fighting Crabs, and is about two crabs who fight to the death for food. In Movement Four, The Abyss, the listener descends to the depths, whereupon he/she finds a peaceful rest. The last movement, A Squall, begins calmly, but a foreboding storm in the distance threatens to takes away the calm. The Navy Hymn, Eternal Father, Strong to Save, is heard just before the storm strikes. Finally, the calmness returns and the piece ends triumphantly. Scores and parts are included for full orchestra, including piano. Full program notes are available from the composer.
$120.00
A Holiday in Naples: A Sonata for Piano in Five Movements
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Piano seul
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AVANCÉ
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Classique
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Andrei Hadap
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A Holiday in Naples: A Sonata
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Andrei Hadap
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1485695 Composed by Andrei Hadap. 21st Century,Classical,Romantic Period. Score. 44 pages. Andrei Hadap #1062766. Publish...
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Piano Solo - Level 5 - SKU: A0.1485695 Composed by Andrei Hadap. 21st Century,Classical,Romantic Period. Score. 44 pages. Andrei Hadap #1062766. Published by Andrei Hadap (A0.1485695). A Holiday in Naples (2021, rev. 2024) I. At the CarnivalII. A Merchant at the Spinning WheelIII. In the BallroomIV. At the Opera V. At the Plaza A Holiday in Naples is a five-movement programmatic work for solo piano composed in 2021 by Andrei Hadap. Composed in the late nineteenth century style, it depicts a lone traveller, on holiday, who explores the city of Naples in the same period. Each movement is a short scene that narrates the traveller’s experience during his visit through music. The first movement, At the Carnival, in sonata form, begins with a slow introduction as the traveller sets foot at the pier in the morning. The main allegro begins as he hears the carnival from a distance and proceeds to explore, represented by the scherzando-like figures. Short episodes of tranquillity interrupt the carnival as the traveller, in a reverie, looks out to admire the Neapolitan coastline. The piece ends as the carnival fades out into the distance. Contrasting with the festivities, the traveller encounters A Merchant at the Spinning Wheel, the title of the second movement. This encounter depicts the reality of the poverty-stricken region at the time. Here, the merchant is depicted in a trance-like state, as the monotonous arpeggiated figures at the piano are heard throughout. Later in the piece, we hear the agitated merchant spinning the wheel faster, distracted by the carnival, but eventually calms down towards the end. The third movement, In the Ballroom, the traveller enters a ballroom, observing the dancers from a distance. He finds himself drawn to a young woman, though slightly nervous, whom he invites to dance. In the middle section, we hear the awkwardness between them as they both stumble frequently. Eventually, he regains his composure and the two dance well into the evening. In the fourth movement At the Opera, the traveller then goes to a nearby opera house where he walks in during a love duet between a tenor and soprano. The final movement At the Plaza, the traveller encounters the carnival once again. This time, they are dancing a tarantella, a Neapolitan folk dance depicting the involuntary muscle spasms from a venomous spider bite. The traveller joins in and dances with them until sunrise.
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In the Distance
