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In the Quiet Moments
Partitions à imprimer
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In Your Slumber
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. C…
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
13.77 €
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Orchestre d'harmonie
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Whispers on the Wing
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1031354 Composed by Ann Marie Kurra…
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Piano Solo - Level 3 - Digital Download SKU: A0.1031354 Composed by Ann Marie Kurrasch. 20th Century,Contemporary,New Age,Sacred. Score. 5 pages. Ann Marie Kurrasch #3126249. Published by Ann Marie Kurrasch (A0.1031354). Whispers on the Wing is an original piano solo that was composed in 2013. It begins very quietly with a very light touch and then expands into lush melody--a word picture in music to capture the gentle flight and beauty of the tiny hummingbirds flitting outside my window. It is perfect for quiet moments of reflection in a church service or personal moments of quieting and meditation. It offers an opportunity for the pianist to show an emotional range from light and wispy to lush and melodic. It is mostly in the key of C, duration is 3 ½ minutes. It is the first piano solo included in my album Whispers and Meditations that contains 20 such solos for reflection and quieting in today’s busy world. I am a long standing member of ASCAP and live in California.
$3.99
3.66 €
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Piano seul
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Ann Marie Kurrasch
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Whispers on the Wing
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Ann Marie Kurrasch
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SheetMusicPlus
In the Cross of Christ
Orgue
Organ: 3-staff - Intermediate SKU: LO.70-1634S Holy Week Hymn Settings for Organ…
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Organ: 3-staff - Intermediate SKU: LO.70-1634S Holy Week Hymn Settings for Organ. Composed by Robert J. Powell. Sacred, Holy Week. Sacred Music Press #70/1634S. Published by Sacred Music Press (LO.70-1634S). ISBN 9780893288754.In this outstanding collection of seven penitential Holy Week organ settings, this well-known composer has turned his musical gifts inwardly, utilizing beloved and lesser-known hymntunes which reflect quietly on this humble season. Ideal for quiet preludes, offertories or special moments of meditation.
Song List: Ah Holy Jesus The Glory of These Forty Days O Sorrow Deep Peace Perfect Peace What Wondrous Love Is This With Broken Heart And Contrite Sigh Jesus In Thy Dying Woes
$25.00
22.96 €
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Orgue
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Robert J
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In the Cross of Christ
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Sacred Music Press
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SheetMusicPlus
Moments in the Quiet
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1408551 By James Michael Stevens. By Jam…
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Piano - Level 3 - Digital Download SKU: A0.1408551 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Film/TV,New Age,Sacred. Full Performance. Duration 231. James M Stevens Music ASCAP #991145. Published by James M Stevens Music ASCAP (A0.1408551). This is the piano demonstration performance of Stevens' Moments in the Quiet..
$1.99
1.83 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Moments in the Quiet
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James M Stevens Music ASCAP
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SheetMusicPlus
Dreams under the Moon
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1255166 By Max Potseluiev. By Max P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1255166 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potseluiev #848731. Published by Max Potseluiev (A0.1255166). Dreams under the Moon is a slowly and contemplative nocturne that invites the listener to embark on a journey through a world of reverie and imagination. With its slow tempo and introspective nature, this piece creates a serene atmosphere, perfectly suited for moments of quiet contemplation.The composition unfolds like a moonlit night, where dreams come alive and emotions stir. The gentle melodies, delicate harmonies, and rich tonal colors blend together to create a soothing and introspective soundscape. Each note carries a sense of longing, evoking a mood of introspection and tranquility.Dreams under the Moon envelops the listener in a world of serenity and invites them to explore the depths of their own thoughts and emotions. The expressive phrasing and subtle dynamics evoke a sense of nostalgia and contemplation, as if gazing at the moon and being transported to a realm where dreams and reality intertwine.As the piece evolves, it paints a vivid musical portrait of a moonlit dreamscape, where the imagination takes flight. The slow and deliberate pace allows for each delicate note to resonate, creating an ethereal ambiance that captivates the senses and invites deep reflection.This nocturne is a testament to the power of music to touch the soul and ignite the imagination. It serves as a gentle lullaby for the mind, guiding the listener through a realm of dreams and introspection. With its evocative melodies and serene atmosphere, Dreams under the Moon offers a moment of respite from the complexities of life, providing solace and an opportunity for self-discovery.Indulge in this enchanting composition, let your thoughts wander, and immerse yourself in the tranquil world of Dreams under the Moon. Allow the music to guide you on a journey of introspection, where the moonlight illuminates the depths of your dreams and aspirations.
$4.99
4.58 €
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Piano seul
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Max Potseluiev
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Dreams under the Moon
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Max Potseluiev
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SheetMusicPlus
Moments in the Quiet
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1408561 By James Michael Stevens. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1408561 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Film/TV,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #991156. Published by James M Stevens Music ASCAP (A0.1408561). Written March 29, this is an original piano composition in a ultra quiet, laid back, and never rushed style in F major. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' on streaming platforms worldwide.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Moments in the Quiet
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James M Stevens Music ASCAP
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SheetMusicPlus
Faith of Our Fathers (Downloadable)
Orgue
Organ - Moderately Easy - Digital Download SKU: MQ.10-213-1E Composed by Robert J. …
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Organ - Moderately Easy - Digital Download SKU: MQ.10-213-1E Composed by Robert J. Powell. Ash Wednesday, Reformation. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-213-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-213-1E). The composer's intent for this very popular series was to write introspective, quiet pieces for moments in the worship service which require them. The pieces are two pages in length. Based on familiar hymn tunes, Set 8 contains BEECHER, ST. CATHERINE, and WOODWORTH.
$5.00
4.59 €
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Orgue
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Robert J
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Faith of Our Fathers
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.77 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Death Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morri…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00
73.46 €
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Orchestre
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Ennio Morricone
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Death Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.95 €
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Penitent Thief, The
Alto et Harpe
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.103…
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.95 €
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Alto et Harpe
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
The exploding Head
Voix Soprano, Piano
Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment fr…
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Soprano voice and piano - difficult - Digital Download SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
15.6 €
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Voix Soprano, Piano
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414908 By Fernando O…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1414908 By Fernando Ortega. By Robert Lowry. Arranged by Kenneth Martin. 21st Century,Contemporary,Praise & Worship,Religious,Sacred. Score. 7 pages. Martin Music Editions #996658. Published by Martin Music Editions (A0.1414908). In this stripped-down yet deeply emotive arrangement of Nothing But the Blood of Jesus, crafted in the style of Fernando Ortega and Jesus Culture, the focus is on the interplay between violin, voice, and piano. This rendition radiates a sense of intimacy and contemplation, drawing listeners into a sacred space of worship and reflection.The piano introduces the piece with gentle, lingering chords that evoke a sense of reverence. Its melodies are reminiscent of Fernando Ortega's contemplative style, creating a foundation that supports and uplifts the subsequent elements of the arrangement.As the vocalist begins, their voice carries the timeless lyrics with sincerity and warmth. Each word is infused with meaning, resonating against the piano's backdrop. The vocal delivery, reminiscent of Jesus Culture's heartfelt expression, conveys both vulnerability and deep conviction, inviting listeners to engage with the profound message of the hymn.The violin enters delicately, weaving its melodic lines around the vocal phrases. Its tone is expressive and soul-stirring, adding a poignant layer of emotion to the arrangement. The violin's presence evokes Fernando Ortega's introspective sensibility, enhancing the lyrical depth and drawing out the thematic richness of the hymn.As the arrangement progresses, the piano's role evolves, providing rhythmic support and harmonic depth. The vocal and violin melodies intertwine, creating a dialogue that reflects the spiritual journey depicted in the lyrics. The simplicity of the instrumentation allows each element to shine individually while blending harmoniously together.During the chorus, the arrangement swells with emotional intensity. The vocalist's delivery becomes more impassioned, emphasizing the profound truth encapsulated in the refrain. The piano responds with cascading arpeggios, underscoring the soaring declarations of faith and redemption.In the quieter moments, the violin takes center stage, offering introspective solos that invite contemplation. Its melodic lines soar above the piano's accompaniment, articulating the yearning and gratitude expressed in the hymn's verses.As the arrangement reaches its culmination, the trio of voice, violin, and piano unites in a transcendent climax. The vocal harmonies rise in unison, resonating with the instrumentation to create a moment of profound connection and worshipful response.In this arrangement of Nothing But the Blood of Jesus, the collaboration between voice, violin, and piano channels the spirit of Fernando Ortega and Jesus Culture. Rooted in simplicity yet imbued with deep emotion and spiritual depth, this rendition invites listeners to experience the transformative power of grace and redemption through music.
$7.99
7.34 €
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Piano, Voix et Guitare
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Fernando Ortega
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Kenneth Martin
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Worship Series - "Nothing But The Blood Of Jesus" for Voice, Piano, and optional violin solo
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Martin Music Editions
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SheetMusicPlus
There is Power in the Blood
Piano seul
Piano - Level 2 - Digital Download SKU: A0.1410819 By Quiet Soul Piano. By Public D…
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Piano - Level 2 - Digital Download SKU: A0.1410819 By Quiet Soul Piano. By Public Domain. Arranged by John Eric Copeland. Advent,Christian,Easter,Religious,Sacred. Full Performance. Duration 229. Quiet Soul Piano #993217. Published by Quiet Soul Piano (A0.1410819). A beautiful solo piano rendition of the classic Easter hymn Power in the Blood, celebrating the redemption and cleansing found through the blood of Jesus Christ. This solo piano version could be used as a meditative accompaniment for video, personal prayer, during worship services, or as background music for reflective moments in religious gatherings.
$1.99
1.83 €
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Piano seul
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Quiet Soul Piano
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John Eric Copeland
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There is Power in the Blood
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Quiet Soul Piano
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SheetMusicPlus
There is Power in the Blood
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1410814 By John Eric Copeland. By P…
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Piano Solo - Level 2 - Digital Download SKU: A0.1410814 By John Eric Copeland. By Public Domain. Arranged by John Eric Copeland. Christian,Easter,Holiday,Religious,Sacred. Score. 4 pages. Quiet Soul Piano #993212. Published by Quiet Soul Piano (A0.1410814). A beautiful solo piano rendition of the classic Easter hymn Power in the Blood, celebrating the redemption and cleansing found through the blood of Jesus Christ. This solo piano version could be used as a meditative accompaniment for video, personal prayer, during worship services, or as background music for reflective moments in religious gatherings.
$2.99
2.75 €
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Piano seul
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John Eric Copeland
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John Eric Copeland
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There is Power in the Blood
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Quiet Soul Piano
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SheetMusicPlus
Take Time in Life
Conductor's Score & Percussion Parts - Level 3 - Digital Download SKU: H1.2953PDP A…
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Conductor's Score & Percussion Parts - Level 3 - Digital Download SKU: H1.2953PDP Arranged by Greig Ashurst. Handbell Parts. 28 pages. Hope Publishing - Digital #2953PDP. Published by Hope Publishing - Digital (H1.2953PDP). Liberian Folk Song Take time in life. Take time in life. Take time in life 'cause you got far way to go. I was passing by my brother called to me. And he said to me you better take time in life. This work is based on the Liberian folk song and is a celebration of living life to its fullest. It is a musical essay on life and invites the listener to contemplate quiet moments, our labors and our celebrations. The traditional West African drum parts will add an authentic feel and will make this piece the perfect addition to your repertoire any time of year.
$22.95
21.07 €
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Greig Ashurst
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Take Time in Life
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Hope Publishing - Digital
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SheetMusicPlus
Take Time in Life
Cloches
Handbells 3-5 Octave handbells - Level 3 - Digital Download SKU: H1.2953DP Arranged…
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Handbells 3-5 Octave handbells - Level 3 - Digital Download SKU: H1.2953DP Arranged by Greig Ashurst. World Music, Folk Song, Education, Festival, General Worship, Global, Gratefulness, Hope, Adoration & Praise. Handbell score. 12 pages. Hope Publishing - Digital #2953DP. Published by Hope Publishing - Digital (H1.2953DP). Liberian Folk Song Take time in life. Take time in life. Take time in life 'cause you got far way to go. I was passing by my brother called to me. And he said to me you better take time in life. This work is based on the Liberian folk song and is a celebration of living life to its fullest. It is a musical essay on life and invites the listener to contemplate quiet moments, our labors and our celebrations. The traditional West African drum parts will add an authentic feel and will make this piece the perfect addition to your repertoire any time of year.
$6.50
5.97 €
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Cloches
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Greig Ashurst
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Take Time in Life
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Hope Publishing - Digital
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SheetMusicPlus
Quiet Moments of Peace - Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.572600 Composed by James Michael S…
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Flute,Piano - Level 3 - Digital Download SKU: A0.572600 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3638385. Published by James M Stevens Music ASCAP (A0.572600). This is an original composition for flute and piano in a relaxing, reflective, and romantic style in the key of C major. There is a separate flute part in the score and the piano can serve as a stand alone solo. There track as heard can be found under Quiet Moments of Peace Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. 2018 Holiday Contest Entry https://youtu.be/TNzFy2Y22p8
$6.99
6.42 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Quiet Moments of Peace - Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Quiet Moments of Peace - Violin & Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.572599 Composed by James Michael …
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Piano,Violin - Level 3 - Digital Download SKU: A0.572599 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #3637965. Published by James M Stevens Music ASCAP (A0.572599). This is an original composition for violin and piano in a relaxing, reflective, and romantic style in the key of C major. There is a separate violin part in the score and the piano can serve as a stand alone solo. There track as heard can be found under Quiet Moments of Peace Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. 2018 Holiday Contest Entry https://www.youtube.com/watch?v=UXeQphPYXDY
$4.99
4.58 €
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Violon et Piano
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James Michael Stevens
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James Michael Stevens
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Quiet Moments of Peace - Violin & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Two Quiet Moments (performance score)
Violon, Guitare (duo)
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.799384 Composed by Drake Mabry. Contemporary. Score and parts. 3 pages. Drake Mabry #2022035. Published by Drake Mabry (A0.799384). Two Quiet Moments for violin and classical guitar was a commission by the Auguste Tolbeque Conservatory of Music in Niort, France. The work is in two movements, both reflective and meditative in their own way. The duration is 4'40.
$3.99
3.66 €
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Violon, Guitare (duo)
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Drake Mabry
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Two Quiet Moments
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Drake Mabry
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SheetMusicPlus
Moments of Calm - Quiet Piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.573436 Composed by James Michael St…
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Piano Solo - Level 4 - Digital Download SKU: A0.573436 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding,World. Score. 4 pages. James M Stevens Music ASCAP #5726871. Published by James M Stevens Music ASCAP (A0.573436). Written April 29, 2020, this is an original piano composition in a very relaxing and spa like style in the key of C major. Relax… breathe deep… let your anxieties go. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Moments of Calm - Quiet Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
That Which Binds Us (Theme and Variations) for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.977645 Composed by Brian Balmages. Arranged by Benjamin (Benthoven) Lau. Contemporary. Brass Band. 90 pages. BenthovenMusic Publications #6612801. Published by BenthovenMusic Publications (A0.977645). That Which Binds Us (Theme and Variations) for Brass BandOriginally Composed by Brian Balmages, Adapted by Benjamin LauLevel of Difficulty: Grade 3.5Program Notes:Centered around the various stages of grief, the music cleverly uses theme and variations to take the audience on a roller coaster of emotions. From the everyday norm to moments of grief, anger, sorrow and acceptance, the powerful musical lines eventually lead into a massive ending reminiscent of Stravinsky’s Firebird. Epic in every sense of the word. This piece originally written for concert band by Brian Balmages has been adapted for brass band and percussion by BenthovenMusic. The percussion section has been reduced to only 4 players for the appropriate brass band setup, and it gives room for the brass to show a little bit more. The combination of exciting fast moments with slow and quiet playing makes this an excellent choice as a major work for brass band competitions in the mid-level section.Instrumentation:- Soprano Cornet- Solo Cornet 1, 2- Solo Cornet 3, 4- Repiano Cornet- 2nd Cornet- 3rd Cornet- Flugel- Solo Horn- 1st Horn- 2nd Horn- 1st Baritone- 2nd Baritone- 1st Trombone- 2nd Trombone- Bass Trombone- Euphonium- Eb Bass- Bb Bass- Timpani- Percussion 1 (Bells, Chimes)- Percussion 2 (Vibraphone)- Percussion 3 (Drum Set)
$40.00
36.73 €
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Brian Balmages
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Benjamin (Benthoven) Lau
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That Which Binds Us
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BenthovenMusic Publications
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SheetMusicPlus
Easy Moments
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1037129 By James Michael Stevens. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1037129 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,New Age,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #642101. Published by James M Stevens Music ASCAP (A0.1037129). Written May 19, 2022, this is an original piano composition in a quiet, easy, and romantic style in the key of C major. James Michael Stevens is a prolific composer residing in Nashville, TN. Follow Dr. Stevens' music on streaming services worldwide such as Spotify, Amazon, Apple, Pandora, and others.
$3.99
3.66 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Easy Moments
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James M Stevens Music ASCAP
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SheetMusicPlus
Quiet Moments in the Morning
Piano seul
Piano - Digital Download SKU: A0.1063255 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1063255 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,New Age,Sacred,Wedding. Full Performance. Duration 165. James M Stevens Music ASCAP #6534529. Published by James M Stevens Music ASCAP (A0.1063255). This is the piano demonstration performance of Stevens' Quiet Moments in the Morning.
$1.99
1.83 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Quiet Moments in the Morning
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James M Stevens Music ASCAP
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SheetMusicPlus
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