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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Independent Together
Sheetmusicplus
Non classifié
23
Piano & claviers
Piano seul
17
Piano Facile
5
Piano, Voix
2
1 Piano, 4 mains
2
Orgue
2
2 Pianos, 4 mains
2
Piano, Voix et Guitare
1
+ 2 instrumentations
Retracter
Guitares
Guitare
4
Voix
Chorale SATB
13
Chorale 2 parties
4
Chorale 3 parties
4
Chorale Unison
2
Voix Soprano, Piano
1
Vents
Clarinette
4
2 Clarinettes (duo)
4
Flûte, Hautbois, Clarinette, Basson
3
Flûte traversière et Piano
3
Clarinette et Piano
3
Ensemble de saxophones
2
Ensemble de Flûtes
2
Hautbois (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Saxophones (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Saxophone (duo)
1
3 Saxophones (trio)
1
Flûte traversière
1
Flûte, Clarinette (duo)
1
Flute (partie séparée)
1
Quatuor de Saxophones: 4 saxophones
1
2 Flûtes traversières (duo)
1
Trio de Flûtes: 3 flûtes
1
+ 14 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette (partie séparée)
2
Cor
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
+ 3 instrumentations
Retracter
Cordes
Violon
12
Violon et Piano
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
Alto (partie séparée)
3
Violon, Violoncelle (duo)
3
Alto seul
3
Violoncelle
3
Harpe, Flûte (duo)
2
Violoncelle, Piano
2
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Contre Basse
1
Harpe, Violon (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violoncelles (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7
Ensemble d'École
7
Orchestre
6
Orchestre à Cordes
4
Cloches
2
Ensemble de cuivres
1
Fanfare
1
+ 2 instrumentations
Retracter
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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Crtitères actifs :
Independent Together
SheetMusicPlus
Partitions à imprimer
202 partitions trouvées
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201
Independent Together
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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Grant Henry, Rebecca Rea Sugar
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Mario Stallbaumer
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Independent Together
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.510692 Composed by Grant Henry, Rebecca Rea Sugar, Rebecca Sugar, and Ted Leo. Arranged by Mario Stallbaumer. Cont...
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Piano,Vocal,Voice - Level 3 - SKU: A0.510692 Composed by Grant Henry, Rebecca Rea Sugar, Rebecca Sugar, and Ted Leo. Arranged by Mario Stallbaumer. Contemporary. Score. 8 pages. Mario Stallbaumer #5308287. Published by Mario Stallbaumer (A0.510692). Here's how to play Independent Together from Steven Universe: The Movie on piano!
$4.99
Love Will Keep Us Together
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Piano seul
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DÉBUTANT
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Pop musique
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The Captain & Tennille
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Susan Staples Bell
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Love Will Keep Us Together
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Susan Staples Mast Bell
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.749598 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by Susan Staples Bell. Contemporary. Sco...
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Piano Solo - Level 1 - SKU: A0.749598 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by Susan Staples Bell. Contemporary. Score. 7 pages. Susan Staples Mast Bell #6680495. Published by Susan Staples Mast Bell (A0.749598). Love Will Keep Us TogetherEasy Piano Soloby Howard Greenfield, Neil SedakaArranged by Susan Staples Bell, ASCAPThis #1 smash hit for the Captain & Tennille in 1975, is an all time favorite. Here’s a fresh new arrangement, that’s sure to please! Perfect for recitals or just plain fun.Let’s keep everyone together in this fun Elementary Solo! Written in the Happy Key of C, and frolics at 132 BPM. Here’s what you’ll find this duet:Both hands stay in Middle C position, and only plays the melody throughout; using 1 hand at a time. Rhythm may need to be taught by rote- though, it’s not too difficult. Comes with optional, Teacher accompanying duet.This arrangement is also available for Multi Leveled Piano Ensemble, or as these independent parts: Elementary Solo, Late Elementary Solo, Intermediate Duet and Advanced Intermediate Solo.Susan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight.This is a Single Use License.Love Will Keep Us Togetherby Howard Greenfield, Neil SedakaArranged by Susan Staples Bell, ASCAPTime length. (02.30). Perfect for Recitals. Pop. Ballad.Like what you hear? Check out other compositions by Susan Staples Bell available on Sheet Music Plus:Also, selected pieces are now available on JW Pepper for a print option: https://www.jwpepper.com/myscore/SusanStaplesBellSusan Bell Youtube:https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycg
$4.99
Guitar Finger Independence Method
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Guitare
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INTERMÉDIAIRE
#
Guitar Finger Independence Met
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar - Intermediate - SKU: M0.30969MEB Folk. Ebook and online audio. 137 pages. Mel Bay Publications - Digital Sheet Music #30969MEB. Published by Mel...
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Guitar - Intermediate - SKU: M0.30969MEB Folk. Ebook and online audio. 137 pages. Mel Bay Publications - Digital Sheet Music #30969MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30969MEB). ISBN 9781513472911. 8.75X11.75 inches.As a guitarist, have you ever dreamed of playing contrapuntal bass lines and melodies? Or maybe you would like to sound more like a pianist, able to perform fluently with independent right and left hands.Playing multiple lines simultaneously can be one of the most physically and mentally demanding challenges posed by the guitar. Using the concept of planted notesùa fretting-hand finger that remains in place while the other fingers play scale-like passages or arpeggiosù this book will methodically guide you towards right and left-hand finger independence.Written in standard notation and tablature, this no-nonsense revolutionary method is the first of its kind. Together with 95 online audio recordings, it will help you build finger independence in both hands, approaching that of a pianist. Includes access to online audio.
$24.99
Independence
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Pop musique
#
John Jubinsky
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Independence
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John Jubinsky
#
SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.1018812 Composed by John Jubinsky. Pop. Score and parts. 5 pages. John Jubinsky #2075913. Published by John Jubinsky ...
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Small Ensemble - Level 2 - SKU: A0.1018812 Composed by John Jubinsky. Pop. Score and parts. 5 pages. John Jubinsky #2075913. Published by John Jubinsky (A0.1018812). Score of a series of melodic movements that together comprise an instrumental that is easy listening in nature and meant to invoke a feeling of independence in the hearer. It is 4 minutes and 50 seconds in length. People who would like to be inspired into an independent state of mind would like this piece.
$1.99
We Gather Together
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
#
Adrianus Valerius and Eduard K
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Nathaniel Hontz
#
We Gather Together
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TigerSong LLC
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SheetMusicPlus
Trombone Quartet Bass Trombone - Level 3 - SKU: A0.1135606 Composed by Adrianus Valerius and Eduard Kremser. Arranged by Nathaniel Hontz. Chamber,Christ...
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Trombone Quartet Bass Trombone - Level 3 - SKU: A0.1135606 Composed by Adrianus Valerius and Eduard Kremser. Arranged by Nathaniel Hontz. Chamber,Christian,Holiday,Sacred,Traditional. 8 pages. TigerSong LLC #735661. Published by TigerSong LLC (A0.1135606). Old Dutch hymn of thanks and independence We Gather Together, arranged for trombone choir (quartet). Great for Thanksgiving or anytime of year.
$12.99
We Gather Together (Thanksgiving Hymn) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
#
Andrius Valerius and Eduard Kr
#
Nathaniel Hontz
#
We Gather Together
#
TigerSong LLC
#
SheetMusicPlus
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1316206 Composed by Andrius Valerius and Eduard Kremser. Arranged by Nathaniel Hontz....
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Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1316206 Composed by Andrius Valerius and Eduard Kremser. Arranged by Nathaniel Hontz. Historic,Multicultural,Religious,Sacred,Traditional,World. 9 pages. TigerSong LLC #904942. Published by TigerSong LLC (A0.1316206). We Gather Together is an English text setting to the patriotic Dutch Tune Kremser. The Dutch setting dates back to the Dutch wars of Independence. The English setting is a text of is a hymn of thanksgiving. Here its set for Brass Quintet in three verses, perfect for preludes, postludes, and offertories.
$12.99
Teo Torriatte (let Us Cling Together)
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Chorale SATB
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FACILE
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Rock
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Queen
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Carolyn Goates
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Teo Torriatte
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Carolyn Goates
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.762569 By Queen. By Brian May. Arranged by Carolyn Goates. Rock. 16 pages. Carolyn Goates #5806789. Publi...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.762569 By Queen. By Brian May. Arranged by Carolyn Goates. Rock. 16 pages. Carolyn Goates #5806789. Published by Carolyn Goates (A0.762569). This uplifting song written by Brian May of Queen has two huge choruses in both English and Japanese. This arrangement can be sung by male and female voices independently as the melody and harmonies are spread across the spectrum of the choir.I have also arranged many other songs by Queen for choirs and solo including:Love of My Life, You Take My Breath Away, Save Me, '39.
$2.99
Anea Crystal
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chaya Czernowin
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Anea Crystal
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Schott Music - Digital
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SheetMusicPlus
It is possible for one string quartet to perform the whole cycle, playing Anea by recording the second Seed and performing the first Seed live. 1 or 2 string qu...
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It is possible for one string quartet to perform the whole cycle, playing Anea by recording the second Seed and performing the first Seed live. 1 or 2 string quartets - SKU: S9.Q6988 Two String Quartets and an Octet. Composed by Chaya Czernowin. This edition: score and parts. Downloadable, Score and parts. Duration 22 minutes. Schott Music - Digital #Q6988. Published by Schott Music - Digital (S9.Q6988). Anea is an invented name for a music-crystal modelled on an ionic crystal. It is a piece written in three independent and individual movements which can be played separately or together. Seed I and Seed II are for string quartet and Anea is for string octet, being built of both Seeds together played simultaneously with some changes. The pieces belong to the series “Shifting Gravity†together with the pieces Sheva (Seven) and Sahaf (Drift). The five pieces on this series are each a concise and concentrated focus on a singular physical gesture. Close examination of the gesture reveals the strange physical laws of the world in which the gesture exists, and the body performing it. One could conceive of Anea Crystal as an ionic crystal of gestures. Anea Crystal is dedicated to Johannes Kalitzke. Chaya Czernowin.
$57.99
Our Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Pop musique
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Cody Fry
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Jordan Sibayan
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Our Love
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Sibayan Sounds
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1393787 By Cody Fry. By Cody Fry, John Randall Fields, and Mark Siegel. Arranged by...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1393787 By Cody Fry. By Cody Fry, John Randall Fields, and Mark Siegel. Arranged by Jordan Sibayan. Pop. 21 pages. Sibayan Sounds #977259. Published by Sibayan Sounds (A0.1393787). This arrangement is a fun but slightly challenging piece for young string players. For people who enjoy music by Cody Fry, this is for you. Every player gets a piece of the melody but all work together to create a fantastic piece of music through a different medium. This arrangement will teach musicians to work together due to the sycopated and independent rhythms each player has. To grow your musicianship, play this arrangement of Our Love by Cody fry.
$12.99
Four Sketches for Horn Quartet
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Quatuor de cuivres: 4 cors
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AVANCÉ
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Contemporain
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Josh Rogan
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Four Sketches for Horn Quartet
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Josh Rogan
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.933697 Composed by Josh Rogan. 20th Century,Concert,Contemporary. Score and parts. 49 pages. Josh Rogan #1921443. Pub...
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Brass Ensemble - Level 5 - SKU: A0.933697 Composed by Josh Rogan. 20th Century,Concert,Contemporary. Score and parts. 49 pages. Josh Rogan #1921443. Published by Josh Rogan (A0.933697). This work for horn quartet is in 4 Movements. It is written for a formal performance setting, but could be used for a less serious occasion too. The piece is about 12 minutes in total duration. Here is a brief description of the piece: Movement 1 (Fragments) introduces the sound world of this piece, and features different sounds 'bouncing around' each other to create different melodies and harmonies. Movement 2 (Breakdown) is an exciting rhythmic movement, where all four horns play their independent lines, which join together to create a somewhat 'groovy' melody. This movement is short, entertaining, and would also be a great encore piece on its own. Movement 3 (Reflection) portrays a more relaxed mood, where timing is much more free, and the listener is drawn along through the shifting harmonies by each note in the musical line. It then transforms into a 'floating' section, and segues into the next movement. Movement 4 (Interlude and Finale) revisits the original 'bouncing sounds' idea, progresses to another rhythmically intricate 'groovy' motive, and finally reaches a stable, sonorous melody that showcases the brilliance and majestic sound of all four horns together, giving a satisfying close to this unique work.
$24.99
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
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Guitare
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Matthew Nace
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bass line
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Jesu, Joy of Man's Desiring
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Matthew Nace
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Indiv...
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Solo Guitar - Level 3 - SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
A Holiday Celebration Mash-Up for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
#
Traditional
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A Holiday Celebration Mash-Up
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String Play for All
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.859963 Composed by Traditional. Arranged by Steven Kruse and Penny Thompson Kruse. Baroque,Christian,C...
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String Quartet String Quartet - Level 4 - SKU: A0.859963 Composed by Traditional. Arranged by Steven Kruse and Penny Thompson Kruse. Baroque,Christian,Christmas,Classical,Sacred. Score and parts. 33 pages. String Play for All #6600165. Published by String Play for All (A0.859963). 19 songs mashed together to make one 6-minute cohesive, harmonically rich, and lyrical Holiday Celebration! This is the perfect piece for you to play at your Holiday gig! Your audience will enjoy try to identify all the melodies throughout. The quartet will enjoy playing their individual, unique, independent parts and marvel how everything fits together in a rich, clear harmonic texture. Six minutes in length, the parts are on an intermediate to advanced level, with the first violin extending to third position and the cello part extending to a g on the A string. Enjoy!
$12.99
A Holiday Celebration Mash-Up for String Orchestra, Grade 3
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Traditional
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A Holiday Celebration Mash-Up
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String Play for All
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.859964 Composed by Traditional. Arranged by Steven Kruse and Penny Thompson Kruse. Baroque,Christian,Christmas,Clas...
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String Orchestra - Level 4 - SKU: A0.859964 Composed by Traditional. Arranged by Steven Kruse and Penny Thompson Kruse. Baroque,Christian,Christmas,Classical,Sacred. Score and parts. 139 pages. String Play for All #6600167. Published by String Play for All (A0.859964). 19 songs mashed together to make one 6-minute cohesive, harmonically rich, and lyrical Holiday Celebration! Your students will know all the melodies and enjoy playing parts independent of the others, with their melodies fitting seamlessly with the melodies of the other parts. The first violin part extends to third position and the cello part extends to a g on the A string, with the other parts remaining mostly in first position. The contrapuntal style will develop ensemble playing by your students and careful listening to allow all the parts to fit together. Just in time for the holidays, this is a perfect addition to your Winter concert. Grade 3 with score and parts: 8 first violin, 8 second violin, 5 viola, 5 cello, and 5 bass parts, with score included.
$19.99
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
#
Crazy Latin! for classrooms an
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Austin Ralphson
#
SheetMusicPlus
Concert Band - Level 1 - SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphso...
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Concert Band - Level 1 - SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #368...
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Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
Paul Wehage: This Burning Sun of Grief and Memory for SAB saxophone trio
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3 Saxophones (trio)
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AVANCÉ
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Paul Wehage
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Paul Wehage: This Burning Sun
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 5 - SKU: A0.533912 Composed by Paul Wehage. Contemporary,Sta...
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Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Soprano Saxophone - Level 5 - SKU: A0.533912 Composed by Paul Wehage. Contemporary,Standards. 38 pages. Musik Fabrik Music Publishing #3073965. Published by Musik Fabrik Music Publishing (A0.533912). This Burning Sun of Grief and Memory... was written for and dedicated tothe French Saxophone Trio Trimurti. The work is a further reworking of thetheatre music which the composer wrote for Nevers, based on the appendix ofMarguerite Duras' script for Hiroshima Mon Amour.The musical material is based on the central motive of this music, which representsboth desire and grief, which are tied together through a veil of remembrance and loss.The work is in several independant sections which are performed without pause, usingall three instruments as independent voices in a typical Trio Sonata texture. This workcould also be seen as a musical expression of performing and preparing the theatre piece,with each of the instruments representing one of the individuals involved in the originalproduction.
$25.95
El Sitio de Zaragoza
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Fanfare
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INTERMÉDIAIRE
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Alicia Domínguez Arcos Sonay
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Alicia Domínguez Arcos
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El Sitio de Zaragoza
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Alicia Dominguez
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.1516009 By Alicia Domínguez Arcos Sonay. By Cristóbal Oudrid y Segura. Arranged by Alicia Domínguez Arcos. 19th Cen...
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Marching Band - Level 3 - SKU: A0.1516009 By Alicia Domínguez Arcos Sonay. By Cristóbal Oudrid y Segura. Arranged by Alicia Domínguez Arcos. 19th Century,Contemporary,Historic,Patriotic,Traditional. 24 pages. Alicia Dominguez #1090255. Published by Alicia Dominguez (A0.1516009). Cristóbal Oudrid y Segura was a Spanish pianist, composer of zarzuelas and conductor. He was the son of Cristóbal Oudrid y Estarón, born in Madrid in 1793, a musician in the Napoleonic troops stationed in Badajoz, and director of the National Militia's band from 1825, and Antonia Segura González, born in Badajoz in 1801. He was married to Vicenta Muñoz Vallejo, a native of the same city. As a composer, he is remembered for revitalizing the genre, for pieces in his zarzuelas El molinero de Subiza and El postillón de la Rioja, and for the piece El sitio de Zaragoza, originally the incidental music he composed for the eponymous drama by Juan Lombía. In 1851, together with Joaquín Gaztambide, Rafael Hernando, Francisco Asenjo Barbieri, José Inzenga y Olona y Salas, he founded the Sociedad Artístico Musical para el cultura de la zarzuela. As a conductor, he directed the orchestra of the Teatro Real in Madrid and the Teatro de la Zarzuela. He is buried in the patio de la Concepción de la Sacramental de San Isidro. His grave has a medallion with the composer's effigy made by the Italian sculptor Benedetto Civiletti, a specialist in funerary monuments for cemeteries. The siege of Zaragoza is a descriptive fantasy on military themes composed by Cristóbal Oudrid around 1848. The work was originally conceived as incidental music for the play El Sitio de Zaragoza of 1808 by Juan Lombía, a drama in three acts and written in verse. The music was to be played throughout the play and ended with a rondalla playing the Jota aragonesa. As the piece became very popular with the public, Oudrid made an anthology with it and the rest of the work to create the instrumental work in the form of a descriptive fantasy, independent of the play. During the second half of the 20th century, the work gained popularity due to the national exaltation of heroes of the sieges such as Agustina de Aragón. It was common for military bands and police groups to perform it in recitals and today it continues to be performed by municipal and military bands as well as by orchestras and groups in various versions that offer different readings of the work.
$10.00
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
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Orchestre
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AVANCÉ
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbi
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes...
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Full Orchestra - Level 5 - SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
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Orchestre
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AVANCÉ
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbi
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes...
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Full Orchestra - Level 5 - SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
Shake the Papaya Down
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Chorale 3 parties
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Glenda E
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Shake the Papaya Down
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Heritage Music Press - Digital
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SheetMusicPlus
3-part mixed choir, Piano (With Optional Percussion, Accompaniment MP3) - SKU: LX.15-3972H Arranged by Glenda E. Franklin. Educational, Concert, General...
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3-part mixed choir, Piano (With Optional Percussion, Accompaniment MP3) - SKU: LX.15-3972H Arranged by Glenda E. Franklin. Educational, Concert, General. Octavo. 12 pages. Heritage Music Press - Digital #e15/3972H. Published by Heritage Music Press - Digital (LX.15-3972H). Bright and energetic, Glenda E. Franklin’s Three-part mixed setting of the traditional Jamaican folk song is irresistible with its Caribbean style and optional percussion instruments. The layering of melodies in each voice part makes this very exciting to sing as the parts come together and separate into independent lines. This is an excellent piece to improve your choir’s harmony singing and rhythmic awareness.
$2.50
Warm Up Duet
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Violon, Violoncelle (duo)
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FACILE
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Methodes Etudes
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Methodes
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Doran/Tallis
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Nicole Doran
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Warm Up Duet
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Nicole E Doran
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SheetMusicPlus
String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.1382835 Composed by Doran/Tallis. Arranged by Nicole Doran. Classical,Early Music,Instructional,S...
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String Ensemble Cello,Piano,Violin - Level 2 - SKU: A0.1382835 Composed by Doran/Tallis. Arranged by Nicole Doran. Classical,Early Music,Instructional,Sacred. Educational Warm-up. 3 pages. Nicole E Doran #967263. Published by Nicole E Doran (A0.1382835). Encourage independent warm-up and practice with this carefully chosen collection of technical essentials and canons. With the basic tools you need to harmonize and develop your ear this practical resource will be useful to young string players. Â A pianist can play along to provide a base for steady intonation. This would help String classes and Suzuki families that want the musicians to have a way to warm up and sound good together. It would help developing elementary, middle schoolers, high school students in need of review and reinforcement, and even inexperienced adults in a church music program.
$5.00
How Gentle God's Commands, Vocal Duet for Medium-Range Voices
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Musique Sacrée
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Hans G
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Daniel Carter
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How Gentle God's Commands, Voc
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Daniel Carter
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SheetMusicPlus
Voice Duet Alto Voice,Baritone Horn TC - Level 2 - SKU: A0.1041579 Composed by Hans G. Nägeli. Arranged by Daniel Carter. 20th Century,Classical,Prai...
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Voice Duet Alto Voice,Baritone Horn TC - Level 2 - SKU: A0.1041579 Composed by Hans G. Nägeli. Arranged by Daniel Carter. 20th Century,Classical,Praise & Worship,Sacred. 5 pages. Daniel Carter #646337. Published by Daniel Carter (A0.1041579). Hans G. Nägeli's beloved hymn tune DENNIS arranged as a female/male duet and piano. (For medium-range voices with the top note being an E above treble clef.) Arranged with an independent accompaniment with counter melodies weaving together, this duet is easy to learn and perform. Suitable for worship services and many other praise, thanksgiving, and gratitude gatherings. (This same arrangement is available for high-range voices in the key of B-flat).
$4.99
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. P...
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Trumpet Solo - Level 4 - SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Schubert - Lullaby - 2nd. Flute Part - Suzuki Bk.1
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Flûte traversière
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FACILE
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TK Tim Murray
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Schubert - Lullaby - 2nd. Flut
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TK
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.824054 Composed by TK Tim Murray. Classical,Concert,Standards. Individual part. 1 pages. TK (Tim) Murray #4786783. Publis...
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Flute Solo - Level 2 - SKU: A0.824054 Composed by TK Tim Murray. Classical,Concert,Standards. Individual part. 1 pages. TK (Tim) Murray #4786783. Published by TK (Tim) Murray (A0.824054). This stylistic 2nd Flute part will bring fresh life into old repertoire. Ideal for a teacher to play along with their student or for 2 students to play together in performance. Also perfect for Groups of mixed level students.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$3.95
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