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AUTRES
Vous avez sélectionné:
Independently Owned
Partitions à imprimer
75 partitions trouvées
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26
51
Independently Owned
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1256244 Composed by Brandy Clark and Sh…
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Guitar - Level 3 - Digital Download SKU: A0.1256244 Composed by Brandy Clark and Shane McAnally. Arranged by Kenneth Pasciak. Broadway,Classical,Contemporary,Folk,Jazz,Musical/Show. Guitar Tab. 6 pages. Kenneth Pasciak #849714. Published by Kenneth Pasciak (A0.1256244). Independently Owned by Brandy Clark and Shane McAnnally from the Broadway musical Shucked arranged for solo fingerstyle or classical guitar in G major. This jazzy and fun-to-play arrangement of Independently Owned incorporates walking basslines and elements of jazz counterpoint, plus various short fills using pentatonic scales and arpeggios that create an improvised feel. Includes 4-page score with tablature and some fingering suggestions.Kenneth Pasciak Music Publishing, ASCAPkenpasciak.com.
$4.99
4.58 €
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Guitare notes et tablatures
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Brandy Clark and Shane McAnally
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Kenneth Pasciak
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Independently Owned
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Kenneth Pasciak
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SheetMusicPlus
Independently Owned
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1406076 Composed by Brandy C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1406076 Composed by Brandy Clark and Shane McAnally. Arranged by Manuel Guinand. Broadway,Comedy,Musical/Show,Pop,Singer/Songwriter. Score. 14 pages. Aumaitre Guinand #989166. Published by Aumaitre Guinand (A0.1406076). Arrangement for Piano and Vocals of Shucked Musical's song Independently Owned. Original key. Ideal for intermediate players.
$20.00
18.37 €
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Piano, Voix
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Brandy Clark and Shane McAnally
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Manuel Guinand
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Independently Owned
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Aumaitre Guinand
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SheetMusicPlus
Independently Owned
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1255502 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1255502 Composed by Brandy Clark and Shane McAnally. Arranged by Jeff Tincher. Broadway,Jazz,Musical/Show. Score and Parts. 9 pages. Jeff Tincher #849008. Published by Jeff Tincher (A0.1255502). If you like swing with some wild melody, this one is it. In the original key from the Broadway musical Shucked soundtrack, this arrangement has both a vocal lead and a Bb Clarinet lead. It is designed so that you can either do a big band instrumental or one with a vocalist.. If you don't have a Bb clainetist, you can switch out 1st Auto Saxophone for it. Duration = 2:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
45.92 €
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Ensemble Jazz
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Brandy Clark and Shane McAnally
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Jeff Tincher
#
Independently Owned
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Jeff Tincher
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SheetMusicPlus
Independently Owned
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1254968 Composed by B…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1254968 Composed by Brandy Clark and Shane McAnally. Arranged by Jeff Tincher. Broadway,Jazz,Musical/Show. Score. 9 pages. Jeff Tincher #848557. Published by Jeff Tincher (A0.1254968). If you like swing with some wild vocals, this one is it. In the original key from the Broadway musical Shucked soundtrack. Duration = 2:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99
5.5 €
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Piano, Voix et Guitare
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Brandy Clark and Shane McAnally
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Jeff Tincher
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Independently Owned
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Jeff Tincher
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SheetMusicPlus
Independently Owned (from Shucked)
Piano, Voix
Piano and Keyboard,Vocal,Voice - Interactive Download SKU: HX.1255665 Composed by S…
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Piano and Keyboard,Vocal,Voice - Interactive Download SKU: HX.1255665 Composed by Shane McAnally and Brandy Clark. This edition: Interactive Download,scorch. Broadway,Musical/Show. Score. 7 pages. Hal Leonard - Digital #348983. Published by Hal Leonard - Digital (HX.1255665).
$4.99
4.58 €
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Piano, Voix
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Shane McAnally and Brandy Clark
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Independently Owned
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Hal Leonard - Digital
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SheetMusicPlus
Independently Owned
Quatuor de Cuivres
Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1254977 Co…
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Brass Quartet Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1254977 Composed by Brandy Clark and Shane McAnally. Arranged by Jeff Tincher. Broadway,Jazz,Musical/Show. 19 pages. Jeff Tincher #848565. Published by Jeff Tincher (A0.1254977). If you like swing with some wild melody, this one is it. In the original key from the Broadway musical Shucked soundtrack. Duration = 2:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.93 €
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Quatuor de Cuivres
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Brandy Clark and Shane McAnally
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Jeff Tincher
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Independently Owned
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Jeff Tincher
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SheetMusicPlus
Independently Owned
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.1254973 Composed by Brandy Clark and Shane McAnally. Arranged by Jeff Tincher. Broadway,Jazz,Musical/Show. 18 pages. Jeff Tincher #848563. Published by Jeff Tincher (A0.1254973). If you like swing with some wild melody, this one is it. In the original key from the Broadway musical Shucked soundtrack. Duration = 2:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.93 €
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Quatuor de Saxophones: 4 saxophones
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Brandy Clark and Shane McAnally
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Jeff Tincher
#
Independently Owned
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Jeff Tincher
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SheetMusicPlus
Independently Owned
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1254980 Composed by Brandy Clark and Shane McAnally. Arranged by Jeff Tincher. Broadway,Jazz,Musical/Show. 18 pages. Jeff Tincher #848568. Published by Jeff Tincher (A0.1254980). If you like swing with some wild melody, this one is it. In the original key from the Broadway musical Shucked soundtrack. Duration = 2:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.93 €
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Flûte, Hautbois, Clarinette, Basson
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Brandy Clark and Shane McAnally
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Jeff Tincher
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Independently Owned
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Jeff Tincher
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SheetMusicPlus
Independently Owned
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1254971 Composed by Brandy Clark and Shane McAnally. Arranged by Jeff Tincher. Broadway,Jazz,Musical/Show. 18 pages. Jeff Tincher #848561. Published by Jeff Tincher (A0.1254971). If you like swing with some wild melody, this one is it. In the original key from the Broadway musical Shucked soundtrack. Duration = 2:41. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.93 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Brandy Clark and Shane McAnally
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Jeff Tincher
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Independently Owned
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Jeff Tincher
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SheetMusicPlus
Independently Owned from Shucked - Piano Solo
Piano seul
Sheet Music for Independently Owned from Shucked arranged for Instrumental Solo in G Major…
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Sheet Music for Independently Owned from Shucked arranged for Instrumental Solo in G Major. Digital sheet music from Musicnotes. --
$5.79
5.32 €
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Piano seul
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Piano Solo
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Musicnotes
Independently Owned from Shucked - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Sheet Music for Independently Owned from Shucked arranged for Piano/Vocal/Chords;Singer Pr…
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Sheet Music for Independently Owned from Shucked arranged for Piano/Vocal/Chords;Singer Pro in G Major. Digital sheet music from Musicnotes. --
$5.79
5.32 €
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Piano, Voix
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Dallas Opener
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1393740 Composed by Jerrold Immel…
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Concert Band - Level 3 - Digital Download SKU: A0.1393740 Composed by Jerrold Immel. Arranged by Lorenzo Bocci. Film/TV. 113 pages. Lorenzo Bocci #977210. Published by Lorenzo Bocci (A0.1393740). DALLAS Theme from the Lorimar Production, Inc., TV Series, DALLASfor Concert Band (with Fanfare Band parts) - Grade 3,5 - Digital Download Composed by Jerrold Immel. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 4'20''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Triangle), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Dallas was an American prime time television soap opera that aired on CBS from 1978, to 1991. The series revolved around an affluent and feuding Texas family, the Ewings, who owned the independent oil company Ewing Oil and the cattle-ranching land of Southfork. The show was mostly an ensemble cast, with Larry Hagman (John Ross J.R. Ewing Jr.), Barbara Bel Geddes (Eleanor Miss Ellie Ewing Farlow) and Jim Davis (John Ross Jock Ewing Sr.). In 2007, Dallas was included in Time magazine's list of 100 Best TV Shows of All-Time. The powerful theme, by Jerrold Immel, is one of tv's best and has appeared on numerous lists of 'Greatest Tv Themes'.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
81.74 €
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Orchestre d'harmonie
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Jerrold Immel
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Lorenzo Bocci
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Dallas Opener
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Lorenzo Bocci
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.34 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A…
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
7.34 €
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Guido Menestrina
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SheetMusicPlus
The french touch collection - Book 3 : Sea shanties
Clarinette
B-Flat Clarinet Solo - Digital Download SKU: A0.1219935 By Maëla Raoult. By MaÅ
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B-Flat Clarinet Solo - Digital Download SKU: A0.1219935 By Maëla Raoult. By Maëla Raoult. Arranged by Maëla Raoult. Children,Classical,Traditional. Individual part. 27 pages. Maëla Raoult #816303. Published by Maëla Raoult (A0.1219935). Embark on a musical journey with “Book III: Sea Shanties,†thoughtfully arranged by the talented Maëla Raoult, and now available on sheetmusic direct and sheetmusic plus.Dive into the captivating world of “The French Touch’ Collection†as we unveil Book III, a collection of timeless Sea Shanties meticulously selected and expertly arranged by Maëla Raoult. This enchanting repertoire is tailored to nurture the young clarinetist’s development, offering an assortment of the most famous sailors’ songs. A Musical Voyage Within these pages, aspiring clarinetists, both young and old, will have the opportunity to expand their musical repertoire with a selection of beloved sea shanties. Rediscover the merriment of songs such as “Tri Martolod,†“Paddy Doyle’s Boots,†“A Sailor Went to Sea Sea Sea,†“Avec Jean Bart,†“Bonny Was a Warrior,†“Le Père Lancelot,†“Marins de Groix,†“Cheerly Man,†“Au Fait du Mât d’Misaine,†“Amsterdam Maid,†and many more. Perfectly Tailored for Second or Third-Year Clarinetists This method is thoughtfully designed for second or third-year clarinetists, providing an engaging repertoire to practice register transitions on the instrument. Most songs are initially presented in the lower notes and subsequently in the upper octave. These awesome melodies offer a comprehensive approach to improve various technical aspects encountered in the second or third year, including rhythms, articulations, ternary structures, register transitions, nuances, and more—all while enjoying the music. Video accompaniement for Enhanced Autonomy To facilitate your musical journey, each song is thoughtfully linked to a freely accessible video. Simply scan the QR code with your phone or tablet to immerse yourself in the melody of each composition. These videos empower students to learn and practice independently, with or without the guidance of a teacher, and to access the songs at their convenience. The French Touch Collection, Where Learning Meets Fun “The French Touch’ Collection†is the ultimate clarinet method that seamlessly blends learning with enjoyment. Transform yourself into a true musical pirate and bring to life the most renowned sea shanties.“The French Touch’ Collection – Sea Shanties – Book 3†is available in both eBook and print formats, on sheetmusic direct and sheetmusic plus. Don’t miss your chance to become a musical pirate and enjoy the most famous sea shanties.
$19.40
17.82 €
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Clarinette
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Maëla Raoult
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Maëla Raoult
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The french touch collection - Book 3 : Sea shanties
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Maëla Raoult
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SheetMusicPlus
Pita: Tanda de valses
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1478307 Composed by José De Jesús…
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Piano Solo - Level 2 - Digital Download SKU: A0.1478307 Composed by José De Jesús Ravelo. 19th Century,Classical,Historic,Romantic Period. Score. 52 pages. Editorial Copistas Acuario #1055685. Published by Editorial Copistas Acuario (A0.1478307). La presente publicación de la tanda de valses «Pita», del reconocido compositor dominicano José De Jesús Ravelo, se basa en la primera edición de la obra realizada en 1897 con el estampado musical diseñado en Leipzig por C. G. Röder. Esta colección de valses está dedicada a la entonces enamorada del compositor, la Srta. Josefa de la Fuente, conocida como “Pepita”, con quien contraería matrimonio en 1902. Además, está documentada la intención del compositor de recaudar fondos con la edición de esta obra y destinarlos al proyecto del Parque Independencia en Santo Domingo. De ahí la inscripción «mi ofrenda al Parque ‘Independencia’» en la portada, la cual hemos decidido recrear como homenaje, incluyendo también una reinterpretación de la ilustración original alegórica a la independencia dominicana. Por lo tanto, además de ser una de las primeras ediciones impresas conocidas de música dominicana, la tanda de valses «Pita» se circunscribe también a la historia del desarrollo y expansión de nuestra ciudad capital, ligada al proceso de construcción de uno de sus puntos de referencia más importantes. Agradecemos la iniciativa de la Fundación Copistas Acuario por reeditar esta obra como resultado de su continua labor de rescate del patrimonio musical nacional. Ahora sí, adentrémonos en esta historia de un joven Ravelo enamorado y emocionémonos junto a él con la música que inspiró su amor. --------------------------------------------------------------------------------------------------------The present publication of the “Pita” waltz suite, by the renowned Dominican composer José De Jesús Ravelo, is based on the first edition of the work made in 1897 with the musical print designed in Leipzig by C. G. Röder. This collection of waltzes is dedicated to the composer’s then fiancée, Miss Josefa de la Fuente, known as “Pepita”, whom he would marry in 1902. In addition, it is documented the composer’s intention to raise funds with the edition of this work and allocate them to the project of the Independencia Park in Santo Domingo. Hence the inscription “mi ofrenda al Parque ‘Independencia’” on the cover, which we have decided to recreate as a tribute, also including a reinterpretation of the original illustration allegorical to the Dominican independence. Therefore, in addition to being one of the first known printed editions of Dominican music, the “Pita” waltz suite is also circumscribed to the history of the development and expansion of our capital city, linked to the process of construction of one of its most important landmarks. We are grateful for the initiative of the Fundación Copistas Acuario for reissuing this work as a result of its continuous work to rescue the national musical heritage. Now, let’s delve into this story of a young Ravelo in love and let’s be moved along with him by the music that inspired his love.
$4.99
4.58 €
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Piano seul
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José De Jesús Ravelo
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Pita: Tanda de valses
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Editorial Copistas Acuario
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SheetMusicPlus
Josquin: 22 Duets for French Horn & Bass Trombone
Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 C…
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Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for French Horn & Bass Trombone
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jmsgu3
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SheetMusicPlus
"Night Songs" for mezzo-soprano and guitar
Small Ensemble Guitar,High Voice,Low Voice - Level 5 - Digital Download SKU: A0.978212
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Small Ensemble Guitar,High Voice,Low Voice - Level 5 - Digital Download SKU: A0.978212 Composed by Jason A. Heald. Concert. Score and parts. 7 pages. Call of the Wild Publishing #6424719. Published by Call of the Wild Publishing (A0.978212). Night Songs is a lovely setting of three poems by Hwang Chin-i for mezzo-soprano and guitar. Hwang Chin-i (1520 -1560),a is the most legendary gisaeng of the Joseon Dynasty. She was noted for her exceptional beauty, charming quick wit, and extraordinary intellect. Due to her renowned assertive and independent nature, she has become a modern popular cultural icon of Korea. For more music by Jason Heald, visit www.jasonheald.com
$4.99
4.58 €
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Jason A
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"Night Songs" for mezzo-soprano and guitar
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Call of the Wild Publishing
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SheetMusicPlus
Josquin: 22 Duets for Trombone & Tuba
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 …
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone & Tuba
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Clarinet & Bass Clarinet
2 Clarinettes (duo)
Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1074017 Composed b…
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Clarinet Duet Bass Clarinet - Level 2 - Digital Download SKU: A0.1074017 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 2 scores. 50 pages. Jmsgu3 #678286. Published by jmsgu3 (A0.1074017). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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2 Clarinettes (duo)
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Josquin des Prez
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James M
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Josquin: 22 Duets for Clarinet & Bass Clarinet
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Bassoon & Contrabassoon
Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Compos…
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Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon & Contrabassoon
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Trumpet & Bass Trombone
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trumpet & Bass Trombone
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Baritone Horn & Bass Trombone
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1…
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Baritone Horn & Bass Trombone
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Clarinet & Cello
Clarinette, Violoncelle (duo)
B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074010
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B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074010 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678278. Published by jmsgu3 (A0.1074010). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.26 €
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Clarinette, Violoncelle (duo)
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Josquin des Prez
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James M
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Josquin: 22 Duets for Clarinet & Cello
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jmsgu3
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SheetMusicPlus
Bach: 14 Easy Duets for Baritone Horn Duo
Baritone Horn TC/Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.55286…
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Baritone Horn TC/Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.552864 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards. 36 pages. Jmsgu3 #4887741. Published by jmsgu3 (A0.552864). Score: 18 pages, Duration ca. 21:30, players read from the score.Johann Sebastian Bach was a German composer of the Baroque period. He is considered one of the greatest composers of all time and is known for his extraordinary technical command of harmony and counterpoint. His works are characterized by a complex musical texture and an immense variety of musical forms. He wrote hundreds of works, including cantatas, motets, masses, oratorios, and concertos.Bach's compositional style was highly influenced by the polyphonic tradition of the Baroque period, in which two or more independent melodic lines were woven together to create a rich harmonic texture. He was also renowned for his ability to create a unified whole out of the many different musical forms and styles he encountered. One of his most famous works, the 14 Easy Duets, showcases his ability to create intricate polyphonic textures and to explore the different possibilities of melodic and harmonic combinations. The duets demonstrate Bach's mastery of the form.
$38.95
35.77 €
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Johann Sebastian Bach
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James M
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Bach: 14 Easy Duets for Baritone Horn Duo
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jmsgu3
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SheetMusicPlus
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