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Vous avez sélectionné:
Ineffable
Partitions à imprimer
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Ineffable
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1240350 Composed by Suting Han. 21s…
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Piano Solo - Level 3 - Digital Download SKU: A0.1240350 Composed by Suting Han. 21st Century,Classical,Contemporary,Film/TV. Score. 7 pages. Suting Han #835727. Published by Suting Han (A0.1240350). Ineffable is a solo piano piece that describes the indescribable emotions I felt when diving for the first time and the wonderful scenes I saw underwater. In order to create this unspeakable feeling, I have added many intervals of second and seventh to the harmonic construction to create an unstable sound environment.
$10.00
9.01 €
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Piano seul
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Suting Han
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Ineffable
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Suting Han
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SheetMusicPlus
Guthrie: In the Bleak Midwinter for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1496962 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 9 pages. Jmsgu3 #1073376. Published by jmsgu3 (A0.1496962). In the Bleak Midwinter is an essential and beloved Christmas carol with several notable aspects.Origins and AuthorshipThe carol originated as a poem titled A Christmas Carol, written by Christina Rossetti, a prominent English poet, in 1872. Rossetti was known for combining deep Christian faith with rich artistic sensibility in her works. Musical SettingsThe poem was set to music multiple times, with two versions becoming particularly popular: Gustav Holst's hymn tune Cranham in 1906, which is more straightforward and suitable for congregational singing. Harold Darke's more complex choral setting from 1911 was named the best Christmas carol in a 2008 poll of choirmasters and choral experts.Poetic and Theological SignificanceThe carol is notable for its stark imagery, contrasting the harsh winter landscape with the divine incarnation—the paradoxical juxtaposition of earthly elements with the ineffable nature of Christ's birth. Profound theological insights are conveyed through simple language—reflection on the meaning of gift-giving about Christ's birth.Cultural ImpactIn the Bleak Midwinter has become a beloved part of Christmas traditions. Choirs perform it widely, and various artists record it.Many music experts consider The carol one of the greatest Christmas songs. Its imagery and themes have inspired reflection on rest, renewal, and the deeper meaning of the winter season. The enduring popularity of In the Bleak Midwinter stems from its beautiful blend of evocative poetry, rich theological content, and dynamic musical settings, making it a cherished part of Christmas celebrations for many.
$32.95
29.68 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
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Guthrie: In the Bleak Midwinter for String Quartet
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jmsgu3
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SheetMusicPlus
Nevermore for alto and classical guitar (mp3)
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csák…
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Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1387471 By András Csáki (guitar) and Bernadett Nagy (alto). By David Warin Solomons. Contemporary. Full Performance. Duration 167. David Warin Solomons #971325. Published by David Warin Solomons (A0.1387471). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat majorThe poem and English translation are as follows:Nevermore  Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$6.00
5.4 €
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András Csáki
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Nevermore for alto and classical guitar
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David Warin Solomons
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SheetMusicPlus
Nevermore for alto and classical guitar
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1373984 Composed by D…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1373984 Composed by David Warin Solomons. 20th Century,Contemporary. Score. 8 pages. David Warin Solomons #958551. Published by David Warin Solomons (A0.1373984). This setting of Paul Verlaine's poem Nevermore plays on an ambiguity of major and minor modes, swaying back and forth between the tonal centres of G minor and E flat major The pdf contains score and separate guitar partThe poem and English translation are as follows:Nevermore Souvenir, souvenir, que me veux-tu? L'automneFaisait voler la grive à travers l'air atone,Et le soleil dardait un rayon monotoneSur le bois jaunissant où la bise détone.Nous étions seul à seule et marchions en rêvant,Elle et moi, les cheveux et la pensée au vent.Soudain, tournant vers moi son regard émouvant :Quel fut ton plus beau jour? fit sa voix d'or vivant,Sa voix douce et sonore, au frais timbre angélique.Un sourire discret lui donna la réplique,Et je baisai sa main blanche, dévotement.-- Ah! les premières fleurs, qu'elles sont parfumées !Et qu'il bruit avec un murmure charmantLe premier oui qui sort de lèvres bien-aimées !English translation by S N Solomons:Memory, what would you have of me? AutumnDrove the thrush up through the atonic airAnd the pale sun pierced in monotoneThe chill and windy woods and the leaf flare.Together but alone we went our ways,Hair blown awry and monad thoughts unfurled.Sudden she turned to me her tender gaze:What was your finest day? - a voice of gold,Dulcet and low, ineffable and fresh.And I said nothing, offered her a smile,Seized her pale hand and pressed a kiss.Ah those first flowers of spring how sweet they were,And that first whispered Yes, how it beguiled,Won from those lovely lips with gentle murmur.(c) S N Solomons.
$11.00
9.91 €
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Piano, Voix et Guitare
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David Warin Solomons
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Nevermore for alto and classical guitar
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David Warin Solomons
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SheetMusicPlus
Cradle Song (of Mary's Beloved)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.800364 Composed by Sarah W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.800364 Composed by Sarah Wallin Huff. Christian,Christmas,Contemporary,Sacred. Octavo. 15 pages. Novel Soundtrax #2918725. Published by Novel Soundtrax (A0.800364). Cradle Song (of Mary's Beloved) is a 3-minute-long work for SATB choir with either brass or woodwind instrumental solo (the solo part is available in this download for Bb Trumpet, C Flute, Bb Clarinet, or Horn in F). The text, adapted from the 1901 poem of the same name by Patrick K. O’Horan, is a sweet lullaby sung by Mary, mother of Jesus, to her beloved little One of the Holy, Immortal, Ineffable Name.
$18.00
16.21 €
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Chorale SATB
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Sarah Wallin Huff
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Cradle Song
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Novel Soundtrax
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SheetMusicPlus
Crow with no mouth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elk…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
7.21 €
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Piano, Voix
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
Sa Abang Sabsaban - Tagalog Christmas Song
Chorale 3 parties
Choral Choir (SSA) - Digital Download SKU: A0.916659 Composed by Airom Cruz Camua. …
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Choral Choir (SSA) - Digital Download SKU: A0.916659 Composed by Airom Cruz Camua. Christian,Christmas,Gospel,Sacred. Octavo. 6 pages. Airom Camua #4848837. Published by Airom Camua (A0.916659). This is a Tagalog Catholic Mass song specifically composed for the Christmas season. This is part of a 5-song composition project I did for the treble (SSA) chorus. Melody is notated and chords are written as well. On that first Christmas morn when He manifested Himself unto men, the great ones of the earth were unmindful; courts and palaces and royal were unmoved; no brazen trumpet blared; no arms rang; no glittering throngs voiced their pleasure; no lordly heads were bared; no princely knees were bent. Only the shepherds, the lowly ones, heard the glad tidings from the lips of an angel, that the Lord of Lords, the King of Kings, the Creator of heaven and earth, was I born, not in a palace, but in a stable. He who made all things, forsook the ineffable power and happiness and dignity and glory of Heaven, to be born for our sakes in humility and poverty, a helpless infant in the stable of Bethlehem. - The Humility of the Manger, The Sacred Heart Review, 1903
$5.99
5.39 €
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Chorale 3 parties
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Airom Cruz Camua
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Sa Abang Sabsaban - Tagalog Christmas Song
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Airom Camua
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SheetMusicPlus
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