Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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HARMONICA
HARPE
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MANDOLINE
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45
▽ INSTRUMENTS
ACCORDEON
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AUTRES INSTRU…
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BUGLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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HARPE
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LUTH
MANDOLINE
MARIMBA
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ENFANTS : EVEIL - IN…
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GOSPEL - SPIRITUEL -…
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Partitions à imprimer
87 partitions trouvées
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26
51
76
Inscription
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Orgue
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Contemporain
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Carson Cooman
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Inscription
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Carson Cooman
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SheetMusicPlus
Organ - SKU: A0.962078 Composed by Carson Cooman. 20th Century,Contemporary. Score. 3 pages. Carson Cooman #6886231. Published by Carson Cooman (A0.9620...
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Organ - SKU: A0.962078 Composed by Carson Cooman. 20th Century,Contemporary. Score. 3 pages. Carson Cooman #6886231. Published by Carson Cooman (A0.962078). Inscription (2022) was written for Vidas PinkeviÄius.
$3.99
Inscription of Hope
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Chorale SATB
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Z Randall Stroope
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Inscription of Hope
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Heritage Music Press
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SheetMusicPlus
Arranged by Z Randall Stroope. For SATB choir, Piano, Optional Narration, Optional String Quartet, Optional Oboe. Educational Octavo. Published by Heritage Musi...
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Arranged by Z Randall Stroope. For SATB choir, Piano, Optional Narration, Optional String Quartet, Optional Oboe. Educational Octavo. Published by Heritage Music Press
$2.50
Inscription of Hope
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Chorale 3 parties
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Z Randall Stroope
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Inscription of Hope
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Heritage Music Press
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SheetMusicPlus
By Z Randall Stroope. For Three-part mixed choir, Piano, Optional Narration, Optional String Quartet, Optional Oboe. Educational Octavo. Published by Heritage M...
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By Z Randall Stroope. For Three-part mixed choir, Piano, Optional Narration, Optional String Quartet, Optional Oboe. Educational Octavo. Published by Heritage Music Press
$2.50
G. Fauré-Inscription sur le sable,in e minor,Op.106 No.8
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Gabriel Faure
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OSM Press
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G. Fauré-Inscription su
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1376791 Composed by Gabriel Faure. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #961340. Published...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1376791 Composed by Gabriel Faure. Arranged by OSM Press. Classical. Score. 4 pages. Open Cloud #961340. Published by Open Cloud (A0.1376791).
$2.99
Inscription For a Wayside Spring
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Chorale SATB
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FACILE
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Contemporain
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Wayland Rogers
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Inscription For a Wayside Spri
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WR Editions
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.866589 Composed by Wayland Rogers. Contemporary. Octavo. 7 pages. WR Editions #2024239. Published by WR Editions...
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Choral Choir (SATB) - Level 2 - SKU: A0.866589 Composed by Wayland Rogers. Contemporary. Octavo. 7 pages. WR Editions #2024239. Published by WR Editions (A0.866589). The poem by Frances Darwin Cornford encourages the traveler to kneel by a wayside spring for spiritual and physical refreshment. It was the winner of the 2008 Leeds Philosophical & Literary Choral Composition Prize, England.
$2.00
Inscription of Hope
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Chorale 2 parties
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Z
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Inscription of Hope
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Heritage Music Press
#
SheetMusicPlus
2-part choir Any Combination of Voices, Piano (With Optional Narration, String Quartet, Oboe) - SKU: LX.15-1081H Arranged by Z. Randall Stroope. New Hor...
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2-part choir Any Combination of Voices, Piano (With Optional Narration, String Quartet, Oboe) - SKU: LX.15-1081H Arranged by Z. Randall Stroope. New Horizons Series. Concert. Octavo. 12 pages. Heritage Music Press #e15/1081H. Published by Heritage Music Press (LX.15-1081H). UPC: 000308021561.The elements used to create this piece came from diverse sources, including fragments of a Russian folk melody and a Jewish text, but the message is universal: hope and firm belief will eventually reign victorious over the greatest of odds, be they prejudice, hate, or fear of death. Limited ranges, an a cappella middle section, and a brief narration all contribute to the effectiveness of this accessible song of hope.
$2.50
Here Rests in Honored Glory
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Chorale 3 parties
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INTERMÉDIAIRE
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Patriotique
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Donald Miller
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Here Rests in Honored Glory
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Donald Miller Music
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 3 - SKU: A0.1495903 Composed by Donald Miller. Patriotic. 12 pages. Donald Miller Music #1072432. Published by Do...
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Choral Choir,Choral,SSA Chorus - Level 3 - SKU: A0.1495903 Composed by Donald Miller. Patriotic. 12 pages. Donald Miller Music #1072432. Published by Donald Miller Music (A0.1495903). Now available for women's voices! Chosen as the 2009 recipient of the George Washington Medal of Honor awarded by the Freedoms Foundation of Valley Forge, this composition is the only musical setting of the inscription on the Tomb of the Unknot Soldier in Arlington Cemetery. Here Rests in Honored Glory exemplifies the essence of the National Awards by promoting an understanding and appreciation for our country's rich heritage and unique freedoms. Beginning in 2010, according to the Curator of the Normandy France Museum, a CD of the work is played each June 6th in honor of D-Day. On December 28, 2018, Governor Andrew Cuomo signed into law a bill making Here Rests in Honored Glory the Official New York State Hymn of Remembrance for all American Veterans.Brass and timpani parts available through Shawnee Press.
$2.99
String Trio No. 3 in A major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 3 in A major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 4 in E major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
#
Robert Hoskins
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String Trio No. 4 in E major
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Artaria Editions
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488229 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065116. Published by Artaria Editions (A0.1488229). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 6 in B flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 6 in B flat ma
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488232 Composed by William Shield. Arranged by Robert Hoskins. Classical. 36 pages. Artaria Editions #1065119. Published by Artaria Editions (A0.1488232). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 5 in C minor
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 5 in C minor
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488231 Composed by William Shield. Arranged by Robert Hoskins. Classical. 23 pages. Artaria Editions #1065118. Published by Artaria Editions (A0.1488231). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No. 2 in D major
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Trio à Cordes: violon, alto, violoncelle
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No. 2 in D major
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111....
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String Trio Cello,Viola,Violin - SKU: A0.1488225 Composed by William Shield. Arranged by Robert Hoskins. Classical. 37 pages. Artaria Editions #1065111. Published by Artaria Editions (A0.1488225). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
String Trio No.1 in E flat major
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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/ Wm
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William Shield
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Robert Hoskins
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String Trio No.1 in E flat maj
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Artaria Editions
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions...
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String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1488224 Composed by William Shield. Arranged by Robert Hoskins. Classical. 24 pages. Artaria Editions #1065110. Published by Artaria Editions (A0.1488224). The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$49.00
Pita: Tanda de valses
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Piano seul
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FACILE
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José De Jesús Ravelo
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Pita: Tanda de valses
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Editorial Copistas Acuario
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1478307 Composed by José De Jesús Ravelo. 19th Century,Classical,Historic,Romantic Period. Score. 52 pages. Editorial C...
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Piano Solo - Level 2 - SKU: A0.1478307 Composed by José De Jesús Ravelo. 19th Century,Classical,Historic,Romantic Period. Score. 52 pages. Editorial Copistas Acuario #1055685. Published by Editorial Copistas Acuario (A0.1478307). La presente publicación de la tanda de valses «Pita», del reconocido compositor dominicano José De Jesús Ravelo, se basa en la primera edición de la obra realizada en 1897 con el estampado musical diseñado en Leipzig por C. G. Röder. Esta colección de valses está dedicada a la entonces enamorada del compositor, la Srta. Josefa de la Fuente, conocida como “Pepita”, con quien contraería matrimonio en 1902. Además, está documentada la intención del compositor de recaudar fondos con la edición de esta obra y destinarlos al proyecto del Parque Independencia en Santo Domingo. De ahí la inscripción «mi ofrenda al Parque ‘Independencia’» en la portada, la cual hemos decidido recrear como homenaje, incluyendo también una reinterpretación de la ilustración original alegórica a la independencia dominicana. Por lo tanto, además de ser una de las primeras ediciones impresas conocidas de música dominicana, la tanda de valses «Pita» se circunscribe también a la historia del desarrollo y expansión de nuestra ciudad capital, ligada al proceso de construcción de uno de sus puntos de referencia más importantes. Agradecemos la iniciativa de la Fundación Copistas Acuario por reeditar esta obra como resultado de su continua labor de rescate del patrimonio musical nacional. Ahora sí, adentrémonos en esta historia de un joven Ravelo enamorado y emocionémonos junto a él con la música que inspiró su amor. --------------------------------------------------------------------------------------------------------The present publication of the “Pita” waltz suite, by the renowned Dominican composer José De Jesús Ravelo, is based on the first edition of the work made in 1897 with the musical print designed in Leipzig by C. G. Röder. This collection of waltzes is dedicated to the composer’s then fiancée, Miss Josefa de la Fuente, known as “Pepita”, whom he would marry in 1902. In addition, it is documented the composer’s intention to raise funds with the edition of this work and allocate them to the project of the Independencia Park in Santo Domingo. Hence the inscription “mi ofrenda al Parque ‘Independencia’” on the cover, which we have decided to recreate as a tribute, also including a reinterpretation of the original illustration allegorical to the Dominican independence. Therefore, in addition to being one of the first known printed editions of Dominican music, the “Pita” waltz suite is also circumscribed to the history of the development and expansion of our capital city, linked to the process of construction of one of its most important landmarks. We are grateful for the initiative of the Fundación Copistas Acuario for reissuing this work as a result of its continuous work to rescue the national musical heritage. Now, let’s delve into this story of a young Ravelo in love and let’s be moved along with him by the music that inspired his love.
$4.99
Pavan-Alman-Fantasy for recorder quartet
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Thomas Tomkins
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Clive Lane
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Pavan-Alman-Fantasy for record
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Clive Lane
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SheetMusicPlus
Bass Recorder,Descant Recorder,Tenor Recorder,Treble Recorder - Level 3 - SKU: A0.1428664 Composed by Thomas Tomkins (1572-1656). Arranged by Clive Lane...
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Bass Recorder,Descant Recorder,Tenor Recorder,Treble Recorder - Level 3 - SKU: A0.1428664 Composed by Thomas Tomkins (1572-1656). Arranged by Clive Lane. Classical,Early Music,Renaissance. Recorder Ensemble. 16 pages. Clive Lane #1009500. Published by Clive Lane (A0.1428664). Pavan - Alman - Fantasy for recorder quartet (d/tr/t/b) by Thomas Tomkins.Thomas Tomkins (1572 – 9 June 1656) was a Welsh-born composer of the late Tudor and early Stuart period. In addition to being one of the prominent members of the English Madrigal School, he was a skilled composer of keyboard and consort music, and the last member of the English virginalist school. Tomkins almost certainly studied under William Byrd for a time, for one of his songs bears the inscription: To my ancient, and much reverenced Master, William Byrd.(Wikipedia)Score and parts.
$2.99
Four Choruses
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Adrian Borza
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Four Choruses
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Adrian Borza
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SheetMusicPlus
Choir,Soprano voice - SKU: A0.1071447 Composed by Adrian Borza. 20th Century,Contemporary. Full Performance. Duration 322. Adrian Borza #2931029. Publis...
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Choir,Soprano voice - SKU: A0.1071447 Composed by Adrian Borza. 20th Century,Contemporary. Full Performance. Duration 322. Adrian Borza #2931029. Published by Adrian Borza (A0.1071447). Four Choruses (5:21) is a collection of short pieces of vocal music:Part I – The Mirror from the DepthPart II – Inscription Covered in MossPart III – TravellingPart IV – EpilogueEnsemble: Soprano solo, Soprano, Alto, Tenor, Baritone, Bass.
$1.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
Psalm 145
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Samuel M
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Psalm 145
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Samuel Hunter
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.877672 Composed by Samuel M. Hunter. Christian,Contemporary,Sacred. Octavo. 48 pages. Samuel Hunter #5993399. Pu...
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Choral Choir (SATB) - Level 4 - SKU: A0.877672 Composed by Samuel M. Hunter. Christian,Contemporary,Sacred. Octavo. 48 pages. Samuel Hunter #5993399. Published by Samuel Hunter (A0.877672). Psalm 145 is a new motet for Soprano, Bass, Cello, and piano, with a lovely chorale (for SATB chorus or quartet) as the final movement. The text is significant in that it is the only biblical psalm to bear the inscription, a psalm of praise. Comprised of six movements, the work draws on traditional conventions of dramatic music from the 17th and 18th centuries, with brief but smooth forays into modern idioms with the stunning pentatonic stillness of the third movement and the sensitive and colorful harmony of the sixth. The work stands as a whole, yet each movement may be performed independently as well. Psalm 145 is suitable for a worship service or as a concert work. Purchase of this work entitles the original purchaser to make any copies needed for performance. Full score and cello parts are included.
$45.00
Give Me Your Tired, Your Poor
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Spencer Hewitt Jones
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Gene Roberson
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Give Me Your Tired, Your Poor
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Gene Roberson
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.848663 Composed by Thomas Spencer Hewitt Jones. Arranged by Gene Roberson. Contemporary. Octavo. 5 pages. Gene R...
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Choral Choir (SATB) - Level 4 - SKU: A0.848663 Composed by Thomas Spencer Hewitt Jones. Arranged by Gene Roberson. Contemporary. Octavo. 5 pages. Gene Roberson #4594729. Published by Gene Roberson (A0.848663). New SATB arrangement of the famous inscription on the Statue of Liberty.
$1.99
May God Grant
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Brian Childers
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May God Grant
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Brian Childers
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.950718 Composed by Brian Childers. Christian,Sacred. Octavo. 5 pages. Brian Childers #3024875. Published by Bria...
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Choral Choir (SATB) - Level 3 - SKU: A0.950718 Composed by Brian Childers. Christian,Sacred. Octavo. 5 pages. Brian Childers #3024875. Published by Brian Childers (A0.950718). This lovely benediction is based on an inscription at Westminster Abbey. The tune is easily learned by SATB choirs. The anthem utilizes piano accompaniment and has optional parts for handbells and solo trumpet or C instrument. Brian Childers is an accomplished composer, conductor, and clinician. His choral, instrumental, and handbell works are performed throughout the world. He has been a featured performer and clinician at numerous music conferences and workshops across the nation. Visit Brian at BrianChilders.org
$2.00
Mother of Exiles
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Theresa Koon
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Mother of Exiles
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Theresa Koon
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.1023429 Composed by Theresa Koon. A Cappella,Contemporary,Folk,Holiday,Patriotic,World. Octavo. 8 pages. Theres...
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Choral Choir (Mixed) - Level 4 - SKU: A0.1023429 Composed by Theresa Koon. A Cappella,Contemporary,Folk,Holiday,Patriotic,World. Octavo. 8 pages. Theresa Koon #5359431. Published by Theresa Koon (A0.1023429). The Statue of Liberty, with its famous inscription of Emma Lazarus’ poem The New Colossus, is the inspiration behind the choral work, Mother of Exiles. Eleven of the sonnet's fourteen lines have been set for SATB a capella choir, (with some doubling), including the familiar Give me your tired, your poor, section. When the text refers to the Statue as Mother of Exiles, sixteen foreign language translations of that title are overlapped in layers of increasing rhythmic complexity. The music contrasts sections of taut dissonance between expansive phrases of harmonious warmth. Mother of Exiles is a perfect vehicle for high school, college and professional choirs seeking an inspirational anthem of compassion in times of need.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
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String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
In My Garden: Timpani
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Orchestre d'harmonie
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Methodes
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Kirk Vogel
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Festival.
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In My Garden: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016424_TMP Timpani. Composed by Kirk Vogel. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC...
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Concert Band - SKU: AX.00-PC-0016424_TMP Timpani. Composed by Kirk Vogel. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016424_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016424_TMP). UPC: 038081482576.In My Garden is inspired by one family's struggle with an untimely death. The healing process was aided by the construction of a beautiful garden in their back yard with the inscription in stone as you enter saying If I had a flower for every time I think of you, I could walk forever in my garden. (4:10)Concert/Contest; Festival.
$3.00
In My Garden: Baritone T.C.
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Orchestre d'harmonie
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Methodes
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Kirk Vogel
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Festival.
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In My Garden: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016424_BTC1 Baritone T.C.. Composed by Kirk Vogel. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music...
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Concert Band - SKU: AX.00-PC-0016424_BTC1 Baritone T.C.. Composed by Kirk Vogel. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016424_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016424_BTC1). UPC: 038081482576.In My Garden is inspired by one family's struggle with an untimely death. The healing process was aided by the construction of a beautiful garden in their back yard with the inscription in stone as you enter saying If I had a flower for every time I think of you, I could walk forever in my garden. (4:10)Concert/Contest; Festival.
$3.00
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