International Counterpoint - Partitions musicales à imprimer

128 partitions trouvées

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Colombia en Contrapunto. Latin Music for Piano (Counterpoint)

Piano seul

Piano Solo - Level 3 - Digital Download SKU: A0.742493 Composed by Javier MartÃn…(+)

$40.00 35.98 € #Piano seul #Javier MartÃnez Maya #Colombia en Contrapunto. Latin Music for Piano #Arte Nova Music Lab #SheetMusicPlus

Bambuco en Contrapunto - Piano

Piano seul

Piano Solo - Level 3 - Digital Download SKU: A0.742489 Composed by Javier MartÃn…(+)

$15.00 13.49 € #Piano seul #Javier MartÃnez Maya #Bambuco en Contrapunto - Piano #Arte Nova Music Lab #SheetMusicPlus

Pasillo en Contrapunto - Piano

Piano seul

Piano Solo - Level 3 - Digital Download SKU: A0.742490 Composed by Javier MartÃn…(+)

$15.00 13.49 € #Piano seul #Javier MartÃnez Maya #Pasillo en Contrapunto - Piano #Arte Nova Music Lab #SheetMusicPlus

Variations on "La ci darem la mano"

Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.927392 Compose…(+)

$20.00 17.99 € #Ludwig van Beethoven #International Counterpoint #Variations on "La ci darem la mano" #International Counterpoint #SheetMusicPlus

Chief Sitting In The Rain (score - vln, vla, cel)

String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861821 Arranged by…(+)

$7.50 6.75 € #Mark O'Connor, Edgar Meyer #Chief Sitting In The Rain #Mark O'Connor Musik International #SheetMusicPlus

Chief Sitting In The Rain (cello part - vln, vla, cel)

String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861824 Arranged by…(+)

$4.50 4.05 € #Mark O'Connor, Edgar Meyer #Chief Sitting In The Rain #Mark O'Connor Musik International #SheetMusicPlus

Chief Sitting In The Rain (viola part - vln, vla, cel)

String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861823 Arranged by…(+)

$4.50 4.05 € #Mark O'Connor, Edgar Meyer #Chief Sitting In The Rain #Mark O'Connor Musik International #SheetMusicPlus

Chief Sitting In The Rain (violin part - vln, vla, cel)

String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.861822 Arranged by…(+)

$4.50 4.05 € #Mark O'Connor, Edgar Meyer #Chief Sitting In The Rain #Mark O'Connor Musik International #SheetMusicPlus

Chief Sitting In The Rain (violin part - vln, cel, bs)

String Ensemble,String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: …(+)

$4.50 4.05 € #Mark O'Connor, Edgar Meyer #Chief Sitting In The Rain #Mark O'Connor Musik International #SheetMusicPlus

Chief Sitting In The Rain (score - vln, cel, bs)

String Ensemble,String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: …(+)

$7.50 6.75 € #Mark O'Connor, Edgar Meyer #Chief Sitting In The Rain #Mark O'Connor Musik International #SheetMusicPlus

Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)

Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Down…(+)

$3.99 3.59 € #Mark S #Professor M & M's Jive Detector #Geofonica Artistworks #SheetMusicPlus

Chief Sitting In The Rain (cello part - vln, cel, bs)

String Ensemble,String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: …(+)

$4.50 4.05 € #Mark O'Connor, Edgar Meyer #Chief Sitting In The Rain #Mark O'Connor Musik International #SheetMusicPlus

Chief Sitting In The Rain (double bass part - vln, cel, bs)

String Ensemble,String Trio Cello,Double Bass,Violin - Level 4 - Digital Download SKU: …(+)

$4.50 4.05 € #Mark O'Connor, Edgar Meyer #Chief Sitting In The Rain #Mark O'Connor Musik International #SheetMusicPlus

Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)

Ensemble Jazz

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.948697 Composed by…(+)

$3.99 3.59 € #Ensemble Jazz #Mark S #Professor M & M's Jive Detector #Geofonica Artistworks #SheetMusicPlus

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)

Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861789 Composed …(+)

$15.00 13.49 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861790 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790). String Quartet No. 3 Old-Time (viola â€“ two vlns, vla, cel) MO169DViola Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169DCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.49 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861791 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791). String Quartet No. 3 Old-Time (cello part â€“ two vlns, vla, cel) MO169ECello Part (score and parts available)Music by Mark Oâ€™Connor24 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169ECopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.49 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed …(+)

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.861788 Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788). String Quartet No. 3 Old-Time (violin 2 part â€“ two vlns, vla, cel) MO169CViolin 2 Part (score and parts available)Music by Mark Oâ€™Connor28 pages - 24:00 minutes in lengthMovement I (5:02)Movement II (5:38)Movement III (3:18)Movement IV (9:46)String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600â€™s, and eventually traveled down the Appalachians to settle in the South in the early 1800â€™s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2007 Composed By Mark Oâ€™ConnorCommissioned by the Santa Fe and La Jolla Chamber Music FestivalsString Quartet No. 2 Bluegrass) can be heard on String Quartets No.â€™s 2 & 3 OMAC RecordsRecorded by Mark Oâ€™Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cellohttps://omacrecords.com/omac-14-string-quartets-2-3 Catalogue Number MO169CCopyright Â© 2007 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00 13.49 € #Quatuor à cordes: 2 violons, alto, violoncelle #Mark Oâ€™Connor
Commissioned by the Santa Fe and La Jolla Chamber Music Festivals
String Quartet No #Mark O'Connor #String Quartet No. 3 "Old-Time" #Mark O'Connor Musik International #SheetMusicPlus

Interplay for Bassoon/Trombone/Euphonium, Tuba/Bass Clarinet and Piano

Small Ensemble Bassoon,Clarinet,Euphonium,Piano Accompaniment,Trombone,Tuba - Level 4 - Di…(+)

Small Ensemble Bassoon,Clarinet,Euphonium,Piano Accompaniment,Trombone,Tuba - Level 4 - Digital Download SKU: A0.755131 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 86 pages. Sy Brandon #3399593. Published by Sy Brandon (A0.755131). Interplay was composed for the Maxwell Trio, an ensemble consisting of Kansas State University faculty members with the unusual combination of instruments of bassoon, tuba, and piano. It was premiered at the 2013 International Double Reed Society Conference. The composition can be performed with trombone or euphonium substituting for the bassoon and bass clarinet substituting for the tuba (parts are provided). The title of this three-movement work was derived from the large use of counterpoint throughout the composition. The first movement is in a quasi sonata form. The second movement is in an ABA form. The middle section of this movement uses an ostinato to accompany the melodic interplay. The last movement is lighter than the first two movements and utilizes a loose rondo form. Its allegro tempo and frequent meter changes add a humorous quality. The interplay in this movement relies less on counterpoint. Instead, the shifting of colors through alternating the melodic material among the three instruments creates interplay between sections within the rondo form.
$14.99 13.49 € #Sy Brandon #Interplay for Bassoon/Trombone/Euphonium, Tuba/Bass Clarinet and Piano #Sy Brandon #SheetMusicPlus

Celebration Overture for Band
Orchestre d'harmonie

Concert Band - Level 4 - Digital Download SKU: A0.755106 Composed by Sy Brandon. 20…(+)

Concert Band - Level 4 - Digital Download SKU: A0.755106 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 133 pages. Sy Brandon #3387903. Published by Sy Brandon (A0.755106). This band transcription of Celebration Overture was composed for orchestra during August and September of 1995 in honor of WITF-FMâ€™s 25th Anniversary. It was selected as the winning composition in WITF-FMâ€™s Composition Competition from a field of over forty international entries and received its premiere by the Harrisburg Symphony Orchestra with Maestro Richard Westerfield conducting on April 23, 1996. Subsequent performances have been given by the York Symphony Orchestra, the Reading Symphony Orchestra, and several university orchestras. During March 1997, the overture was recorded by the Czech National Symphony Orchestra under the direction of Maestro Paul Freeman for release as part of CD series entitled Paul Freeman Introduces on the Albany Label in 1998. This six minute overture alternates sections of fanfare-like figures with sections of playful rhythms and counterpoint. The overall form consists of two main sections that contrast each other and a middle section that serves as a development of previously stated material. The composition is an economical one as its material is derived primarily from the opening brass fanfare and the woodwind counter melody. The modal melodic and harmonic material is interwoven with polyrhythm, imitation, counterpoint, and timbral changes to create a composition reflective of the excitement of this celebration. The score prints on legal size paper and the parts on letter.
$39.99 35.98 € #Orchestre d'harmonie #Sy Brandon #Celebration Overture for Band #Sy Brandon #SheetMusicPlus

Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Contre Basse

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…(+)

Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae â€¦ The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But itâ€™s such an old work. Why donâ€™t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldnâ€™t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato â€¦ Trio â€¦ A tempo. Adagio. Allegro â€¦ Trio â€¦ Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass â€¦ molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously â€¦ holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then itâ€™s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade fourâ€™s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99 8.99 € #Contre Basse #Thomas Oboe Lee #I told him That is great #Toccata for Double Bass and Piano #Thomas Oboe Lee #SheetMusicPlus

Que Garota Linda (Bb leadsheet)

Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.94…(+)

Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex AcuÃ±a of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, StÃ©phane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex AcuÃ±a, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.
$3.99 3.59 € #Mark S #Que Garota Linda #Geofonica Artistworks #SheetMusicPlus

Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts â€“ symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark Oâ€™Connor164 pages â€“ 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark Oâ€™Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark Oâ€™ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 71.97 € #Orchestre #Mark O'Connor #Americana Symphony "Variations on Appalachia Waltz" #Mark O'Connor Musik International #SheetMusicPlus

Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts â€“ symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark Oâ€™Connor163 pages â€“ 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark Oâ€™Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark Oâ€™ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 71.97 € #Orchestre #Mark O'Connor #Americana Symphony "Variations on Appalachia Waltz" #Mark O'Connor Musik International #SheetMusicPlus

Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts â€“ symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark Oâ€™Connor162 pages â€“ 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark Oâ€™Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark Oâ€™ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00 71.97 € #Orchestre #Mark O'Connor #Americana Symphony "Variations on Appalachia Waltz" #Mark O'Connor Musik International #SheetMusicPlus

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