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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Introduction and Dance
Non classifié
62
Piano & claviers
Piano seul
35
Piano Facile
30
Orgue
5
Orgue, Trompette (duo)
3
2 Pianos, 4 mains
2
Instruments en Do
1
Clavecin
1
Piano, Voix
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
6
Guitare
6
Ukulele
2
Paroles et Accords
1
Mandoline
1
Voix
Chorale SATB
6
Chorale TTBB
3
Chorale 2 parties
2
Chorale SSAA
2
Chorale Unison
1
Chorale 3 parties
1
+ 1 instrumentations
Retracter
Vents
2 Saxophones (duo)
15
Saxophone, Clarinette (duo)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Clarinettes (duo)
8
2 Flûtes traversières (duo)
7
Clarinette, Violon (duo)
7
Clarinette
6
Hautbois, Piano (duo)
5
Saxophone (partie séparée)
5
Clarinette et Alto
4
Clarinette, Trompette (duo)
4
Quatuor de Clarinettes: 4 clarinettes
4
Hautbois (partie séparée)
4
Saxophone Alto et Piano
4
Clarinette et Piano
4
Flûte, Alto (duo)
3
2 Hautbois (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Hautbois, Basson (duo)
3
Flûte, Trompette (duo)
3
Flûte, Violon
3
Hautbois, Flûte
3
Trio de Flûtes: 3 flûtes
2
Flûte traversière
2
Saxophone Soprano et Piano
2
Saxophone Alto
2
Flûte, Saxophone (duo)
2
Flûte, Clarinette (duo)
2
Flûte traversière et Piano
2
Hautbois, Clarinette (duo)
2
Saxophone Tenor
2
Saxophone
2
Cor Anglais
2
Ensemble de Clarinettes
1
Clarinette Basse, Piano
1
Flûte, Violon, Piano
1
Saxophone Tenor et Piano
1
3 Saxophones (trio)
1
3 Clarinettes (trio)
1
Saxophone Baryton, Piano
1
Flûte irlandaise
1
2 Saxophones, Piano
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Hautbois, Basson
1
Cor anglais, Piano
1
3 Flûtes à bec (trio)
1
+ 42 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette, Piano
4
Tuba
3
Tuba et Piano
3
Euphonium
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Cor
2
Trombone et Piano
2
Trombone
2
Trompette
2
Cor Anglais
2
2 Trompettes (duo)
2
Trompette (partie séparée)
2
Euphonium, Piano (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor et Piano
1
Cor anglais, Piano
1
+ 14 instrumentations
Retracter
Cordes
Violon, Violoncelle (duo)
21
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
10
Violon
5
Violoncelle, Piano
4
Violoncelle
4
2 Violons (duo)
4
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
2 Altos (duo)
3
Alto seul
2
Contre Basse
2
Alto, Piano
2
Harpe
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle (partie séparée)
1
Contrebasse, Piano (duo)
1
Violon (partie séparée)
1
Alto (partie séparée)
1
Harpe, Flûte (duo)
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 violins
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
46
Orchestre à Cordes
12
Orchestre
8
Ensemble de cuivres
7
Cloches
5
Orchestre de chambre
3
Xylophone
2
Marimba
2
Fanfare
1
Ensemble de Percussions
1
+ 5 instrumentations
Retracter
Autres
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AUTRES INST…
BALALAIKA
BANJO
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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METHODE : TECHNIQUES
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Vous avez sélectionné:
Introduction and Dance
Partitions à imprimer
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Polovtsian Dances - Introduction and Dance of the Gliding Maidens arr. for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Alexander Borodin
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Nancy Frese Tabb
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Polovtsian Dances - Introducti
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Nancy Frese Tabb
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.1099631 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,We...
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Alto Saxophone,Piano - Level 3 - SKU: A0.1099631 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Wedding. Score and part. 13 pages. Nancy Frese Tabb #703508. Published by Nancy Frese Tabb (A0.1099631). This arrangement of the Polovtsian Dances from Prince Igor includes the Introduction and the Dance of the Gliding Maidens. It is scored as a an Alto Saxophone Solo with Piano Accompaniment. Great for a contest, competition or recital!
$4.99
Polovtsian Dances-Introduction and Dance of the Gliding Maidens arr. as Bb Clarinet Solo with Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Alexander Borodin
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Nancy Frese Tabb
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Polovtsian Dances-Introduction
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Nancy Frese Tabb
#
SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.1099265 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Instruct...
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Clarinet,Piano - Level 3 - SKU: A0.1099265 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Instructional,Wedding. Score and part. 13 pages. Nancy Frese Tabb #703143. Published by Nancy Frese Tabb (A0.1099265). This arrangement of the Polovtsian Dances from Prince Igor includes the Introduction and the Dance of the Gliding Maidens. It is scored as a a Bb Clarinet Solo with Piano Accompaniment. Great for a contest, competition or recital!
$4.99
Polovtsian Dances (Introduction and Dance of the Gliding Maidens) - Flute Solo with Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Alexander Borodin
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Nancy Frese Tabb
#
Polovtsian Dances
#
Nancy Frese Tabb
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1098135 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Instruction...
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Flute,Piano - Level 3 - SKU: A0.1098135 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Instructional,Wedding. Score and part. 13 pages. Nancy Frese Tabb #702008. Published by Nancy Frese Tabb (A0.1098135). This arrangement of the Polovtsian Dances from Prince Igor includes the Introduction and the Dance of the Gliding Maidens. It is scored as a a Flute Solo with Piano Accompaniment. Great for a contest, competition or recital!
$4.99
Polovtsian Dances-Introduction and Dance of the Gliding Maidens - Solo Violin with Piano
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Violon et Piano
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INTERMÉDIAIRE
#
Alexander Borodin
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Nancy Frese Tabb
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Polovtsian Dances-Introduction
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Nancy Frese Tabb
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1097650 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Instructio...
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Piano,Violin - Level 3 - SKU: A0.1097650 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Instructional,Opera. 13 pages. Nancy Frese Tabb #701586. Published by Nancy Frese Tabb (A0.1097650). This arrangement of the Polovtsian Dances from Prince Igor includes the Introduction and the Dance of the Gliding Maidens. It is scored as a a Violin Solo with Piano Accompaniment. Great for a contest, competition or recital!
$4.99
Traditional Scottish Dance Music for Mandolin GDAE Tab; 40 Jigs, Marches, Strathspeys and more...
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Mandoline
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INTERMÉDIAIRE
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Traditional
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David McKeown
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Traditional Scottish Dance Mus
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David McKeown
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SheetMusicPlus
Instrumental Solo,Mandolin - Level 3 - SKU: A0.586803 Composed by Traditional. Arranged by David McKeown. Celtic,Instructional,Irish,Multicultural,Stand...
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Instrumental Solo,Mandolin - Level 3 - SKU: A0.586803 Composed by Traditional. Arranged by David McKeown. Celtic,Instructional,Irish,Multicultural,Standards,World. Individual part. 22 pages. David McKeown #3004483. Published by David McKeown (A0.586803). Traditional Scottish Dance Music is a new edition, arranged and edited for Mandolin Tab in GDAE by Dave McKeown. These arrangements may also be used by violinists who prefer to use GDAE tab. The book contains a selection of 40 jigs,strathspeys, reels, hornpipes, marches and polkas that are regularly played in sessions and in concert by Scottish musicians. This collection provides a fresh and diverse introduction to the Highland, Borders and Shetland traditions. Chord symbols are added throughout for accompaniment. The sample recording is of two of these tunes played on Flute and Clarinet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$6.99
Polovtsian Dances (introduction and Dance of the Gliding Maidens) - Solo Viola with Piano
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Alto, Piano
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INTERMÉDIAIRE
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Alexander Borodin
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Nancy Frese Tabb
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Polovtsian Dances
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Nancy Frese Tabb
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1098387 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Instruction...
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Piano,Viola - Level 3 - SKU: A0.1098387 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Instructional,Romantic Period. Score and part. 13 pages. Nancy Frese Tabb #702250. Published by Nancy Frese Tabb (A0.1098387). This arrangement of the Polovtsian Dances from Prince Igor includes the Introduction and the Dance of the Gliding Maidens. It is scored as a a Violq Solo with Piano Accompaniment. Great for a contest, competition or recital!
$4.99
Polovtsian Dances-Introduction and Dance of the Gliding Maidens arranged as a Cello Solo with Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Alexander Borodin
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Nancy Frese Tabb
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Polovtsian Dances-Introduction
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Nancy Frese Tabb
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1098856 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Opera. Scor...
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Cello,Piano - Level 3 - SKU: A0.1098856 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Opera. Score and part. 13 pages. Nancy Frese Tabb #702698. Published by Nancy Frese Tabb (A0.1098856). This arrangement of the Polovtsian Dances from Prince Igor includes the Introduction and the Dance of the Gliding Maidens. It is scored as a a Cello Solo with Piano Accompaniment. Great for a contest, competition or recital!
$4.99
Polovtsian Dances (Introduction and Dance of the Gliding Maidens)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Alexander Borodin
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Nancy Frese Tabb
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Polovtsian Dances
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Nancy Frese Tabb
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1099103 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Multicultura...
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Oboe,Piano - Level 3 - SKU: A0.1099103 Composed by Alexander Borodin. Arranged by Nancy Frese Tabb. 19th Century,Classical,Contest,Festival,Multicultural,Opera,World. Score and part. 13 pages. Nancy Frese Tabb #702974. Published by Nancy Frese Tabb (A0.1099103). This arrangement of the Polovtsian Dances from Prince Igor includes the Introduction and the Dance of the Gliding Maidens. It is scored as a an Oboe Solo with Piano Accompaniment. Great for a contest, competition or recital!
$4.99
Prelude and Tribal Dance
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Orchestre d'harmonie
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FACILE
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Tom Tucker
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Prelude and Tribal Dance
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PDF Band Music
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SheetMusicPlus
Concert Band - Grade 2 - SKU: B0.PDF-BAND284 Composed by Tom Tucker. Prelude and Tribal Dance is a compelling choice for Grade 2 level band students. Mu...
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Concert Band - Grade 2 - SKU: B0.PDF-BAND284 Composed by Tom Tucker. Prelude and Tribal Dance is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 54 pages. PDF Band Music #PDF-BAND284. Published by PDF Band Music (B0.PDF-BAND284). 8.5 x 11 inches.The flowing opening section which requires careful attention to dynamics, phrasing and intonation, leads into an exciting 7/4 introduction to the dance section. The dance section is very playable by younger bands. Ranges are limited and repetitive rhythm patterns will be quickly mastered by students. .
$38.70
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Fiddle Sonata (violin solo part - violin and piano)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Fiddle Sonata
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 4 - SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208239. Published by Mark O'Connor Musik International (A0.861944). Fiddle Sonata (violin solo part – violin and piano) MO121BViolin Solo Part (piano score available)Music by Mark O’Connor14 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$10.00
Fiddle Sonata (piano score - violin and piano)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Mark O'Connor
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Fiddle Sonata
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Mark O'Connor Musik International
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik International #6208237....
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Piano,Violin - Level 4 - SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik International #6208237. Published by Mark O'Connor Musik International (A0.861943). Fiddle Sonata (piano score – violin and piano) MO121APiano Score (violin part available)Music by Mark O’Connor36 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
Three Latin Dances - Score Only
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Orchestre d'harmonie
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AVANCÉ
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Latin/Musique du monde
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Jeff Tyzik
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Jeff Tyzik
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Three Latin Dances - Score Onl
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Jeff Tyzik/Macaroni Music
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #68...
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Concert Band - Level 5 - SKU: A0.1082229 Composed by Jeff Tyzik. Arranged by Jeff Tyzik. Latin. Score and parts. 31 pages. Jeff Tyzik/Macaroni Music #686377. Published by Jeff Tyzik/Macaroni Music (A0.1082229). Three Latin Dances was composed for the Eastman Wind Ensemble at the request of Mark Scatterday in September of 2018. In the past twenty years, Mark has been very instrumental in encouraging me to compose wind music. I am grateful for the many wind ensemble projects and recordings we have collaborated on including IMAGES, our CD that was released in October 2018. I've always been attracted to the music of great Latin composers including de Falla, Gimenez, Chapi, Piazzolla, Ginastera, Lacuona and many others. In this short suite, I used three different popular Latin dance forms. The first dance section is based on the Danzón, a Cuban dance that is slow, formal and elegant. The Danzón transitions into a Cha Cha, another Cuban dance that is a medium tempo rhythmic dance that I first experienced during my student days at Eastman when I played in local Latin bands. After a brief recap of the Danzón another transition evolves into a Malambo, an Argentine dance that is exciting, up tempo and whose roots can be traced back to the 1600s. As one might imagine, the percussion section is very busy and featured throughout from the elegant and lyrical introduction to the exciting finish. As an alumni of the EWE under Donald Hunsberger, it is an honor to have this preeminent Eastman ensemble premiere this new suite with Mark Scatterday conducting at Severance Hall in Cleveland on May 7, 2019.
$50.00
WITCHES’ FIREDANCE at BELTANE String quartet.
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Alan Edgar
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WITCHES’ FIREDANCE at BE
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1518635 Composed by Alan Edgar. Romantic Period. 18 pages. Alan Edgar Ted Moon #1092735. Published by ...
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String Quartet String Quartet - Level 3 - SKU: A0.1518635 Composed by Alan Edgar. Romantic Period. 18 pages. Alan Edgar Ted Moon #1092735. Published by Alan Edgar Ted Moon (A0.1518635). WITCHES’ FIREDANCE at BELTANE String quartet. Beltane continues to be observed throughout Ireland and Scotland. The Beltane celebrations on the Hill of Uisneach in Ireland and the Edinburgh Fire Festival are long-standing and beloved. These days, Beltane has been embraced by modern witches and mystics as a celebration of the energies of Spring. You can probably find a Spring festival with a maypole and a bonfire near you. Witches celebrate Beltane on May 1st as the height of Spring. They give thanks for the fertility of our planet and the ability of the Earth to renew herself. They revel in the new growth and general fecundity of the season. As co-creators with the Universe, witches also like to tap into the energy of Spring to help them bring new life into their own endeavours.They have a maypole and a bonfire. They celebrate the sexual union of Mother Earth and Green Man. The maypole is a symbol of masculine energy which is then joyfully embraced by colourful ribbons, symbolic of the beautiful abundance and diversity of our living world.Beltane is a pagan Celtic festval, but as is their wont, the Roman Catholic Church has modified it: into May Day, with participation of priests. Even the maypole upset many Christians.The sections of the piece are: Introduction to the witches theme, Witches fly in, Witches dance round the bonfire, Maypole dance, Witches inspect the finished maypole and disperse.The witches have a ground bass. I hint at their suspected spiritual allegiance to the Devil by including an occasional diabolus in musica.The Maypole Dance tune is English seventeenth C traditional.DURATION: 4 minutes.INSTRUMENTATION: String Quartet.
$29.00
Borodin : Prince Igor - Les danses Polovstiennes: Introduction et danse glissée des jeunes filles
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Violon
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INTERMÉDIAIRE
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Classique
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Borodin
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Prince Igor
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Tomplay
Telechargez la partition Violon Prince Igor - Les danses Polovstiennes: Introduction et danse glissee des jeunes filles de Borodin. Partition pour Duo (Violon-P...
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Telechargez la partition Violon Prince Igor - Les danses Polovstiennes: Introduction et danse glissee des jeunes filles de Borodin. Partition pour Duo (Violon-Piano) -- Classique
5.99€
Borodin : Prince Igor - Les danses Polovstiennes: Introduction et danse glissée des jeunes filles (piano d'accompagnement)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Borodin
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Prince Igor
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Tomplay
Telechargez la partition Piano Prince Igor - Les danses Polovstiennes: Introduction et danse glissee des jeunes filles (piano d'accompagnement) de Borodin...
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Telechargez la partition Piano Prince Igor - Les danses Polovstiennes: Introduction et danse glissee des jeunes filles (piano d'accompagnement) de Borodin. Partition pour Duo -- Classique
5.99€
Grieg: Holberg Suite Op. 40 (For Brass Band)
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Ensemble de cuivres
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AVANCÉ
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Classique
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Edvard Grieg
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Roar Kvam
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Grieg: Holberg Suite Op. 40
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.768479 Composed by Edvard Grieg. Arranged by Roar Kvam. Romantic Period. Score and parts. 174 pages. KVAMusic Edition...
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Brass Ensemble - Level 5 - SKU: A0.768479 Composed by Edvard Grieg. Arranged by Roar Kvam. Romantic Period. Score and parts. 174 pages. KVAMusic Edition #33653. Published by KVAMusic Edition (A0.768479). The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled Suite in olden style (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Danish-Norwegian humanist playwright Ludvig Holberg. It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century. The movements of the suite are: Praeludium (Allegro vivace) Sarabande (Andante) Gavotte (Allegretto) Air (Andante religioso) Rigaudon (Allegro con brio) The Holberg Suite was originally composed for the piano, but a year later was adapted for string orchestra. The suite consists of an introduction and a set of dances. It is a charming, early essay in neo-classicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era. This edition is an arrangement for a traditional Brass Band, and the music works very well for the band.
$75.00
Carmen Suite No. 2 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Georges Bizet
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Marc Oliver
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Carmen Suite No. 2 for Concert
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.733051 Composed by Georges Bizet. Arranged by Marc Oliver. Opera,Romantic Period. Score and parts. 361 pages. Ayotte Cu...
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Concert Band - Level 4 - SKU: A0.733051 Composed by Georges Bizet. Arranged by Marc Oliver. Opera,Romantic Period. Score and parts. 361 pages. Ayotte Custom Musical Engravings #2836729. Published by Ayotte Custom Musical Engravings (A0.733051). The Second Suite from Carmen contains the following movements:Marche des ContrebandiersAct III, Chorus: Écoutes, écoutes, compagnon!HabaneraAct I, Aria (Carmen): L'amour est un oiseau rebelleNocturneAct III, Aria (Michela): Je dis que rien ne m'épouranteChanson du ToréadorAct II, Introduction and aria (Escamillo): Votre toast, je peux vous le rendreLa Garde MontanteAct I: Avec la garde montante, nous arrivons, nous violá!Danse BohèmeAct II, Gypsy Dance: Les tringles des sistres tintaientIt has a duration of approximately 23 minutes.
$199.99
Traditional Scottish Dance Music for Guitar Tab; 40 Jigs, Marches, Strathspeys and more...
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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David McKeown
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Traditional Scottish Dance Mus
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David McKeown
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.586802 Composed by Traditional. Arranged by David McKeown. Celtic,Instructional,Standards,World. Guitar Tab. 22 pages. David ...
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Guitar - Level 3 - SKU: A0.586802 Composed by Traditional. Arranged by David McKeown. Celtic,Instructional,Standards,World. Guitar Tab. 22 pages. David McKeown #3004481. Published by David McKeown (A0.586802). Traditional Scottish Dance Music is a new edition, arranged and edited for Guitar Tab in standard EADGBE tuning by Dave McKeown. The book contains a selection of 40 jigs,strathspeys, reels, hornpipes, marches and polkas that are regularly played in sessions and in concert by Scottish musicians. This collection provides a fresh and diverse introduction to the Highland, Borders and Shetland traditions. Chord symbols are added throughout for accompaniment. The sample recording is of two of these tunes played on Flute and Clarinet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$6.99
Introduction and Dance from Piano Music I (arranged for woodwind quintet)
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John Davison
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Daniel Kaplan
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Introduction and Dance from Pi
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Daniel Kaplan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Piccolo - SKU: A0.1411593 Composed by John Davison. Arranged by Daniel Kaplan. 20...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Piccolo - SKU: A0.1411593 Composed by John Davison. Arranged by Daniel Kaplan. 20th Century,Chamber,Classical. 39 pages. Daniel Kaplan #993825. Published by Daniel Kaplan (A0.1411593). Kaplan has fond memories of studying composition with John Davison at Haverford College, where music majors received a copy of his book, Piano Music I. This has been a beloved companion through the years, always occupying a prominent place on the piano. The Introduction and Dance is by turns introspective and witty, and works well in a woodwind-quintet arrangement (even though here and there some notes are omitted—after all, a pianist has more than five fingers!—or raised or lowered by an octave). The arranger recalls Davison explaining that the Dance reflected his experience improvising for a Morris-dancing group. This is part of Kaplan's project to broaden the repertoire of music available to woodwind-quintet players by arranging both great classics and little-known gems. Several more of these arrangements have been (or will soon be) posted to YouTube and are available for purchase through SheetMusicPlus or SheetMusicDirect.Note that this quintet includes an optional piccolo part, for flautists who can double on piccolo.
$4.95
Kora's Song and Dance
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Orchestre d'harmonie
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AVANCÉ
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Contemporain
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Gary Powell Nash
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Kora's Song and Dance
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Gary Powell Nash
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.881254 Composed by Gary Powell Nash. Contemporary. Score and parts. 175 pages. Gary Powell Nash #4727399. Published by ...
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Concert Band - Level 5 - SKU: A0.881254 Composed by Gary Powell Nash. Contemporary. Score and parts. 175 pages. Gary Powell Nash #4727399. Published by Gary Powell Nash (A0.881254). During the 2006-2007 academic year, Nash was fortunate to travel to Ghana, Spain and Vietnam. These experiences were quite profound and resulted in Nash composing new works that reflect those experiences. KORA’S SONG AND DANCE (2009) for symphonic wind ensemble is his first large ensemble composition written under this premise. Kora is a 21 stringed musical instrument from West Africa and KORA'S SONG AND DANCE is largely based on the tune Diabate’ by singer/songwriter Vieux Farke’ Toure’ of Mali. Diabate’ is also the name of well known kora musician, Toumani Diabate’ in which Toure’ dedicated the song to. KORA’S SONG AND DANCE uses melodies that are derived from the drone motif in Toure’s Diabate. Diabate’ is a medium tempo song with the drone motif occurring throughout and improvised melodies on top of the drone. KORA’S SONG AND DANCE begins with a slow introduction, featuring the alto sax and marimba. The rest of the ensemble gradually enters and builds to the end of the intro, transitioning to the next section by way of metric modulation. The next section builds with layers of instrumental textures, much like the intro and concludes with an English horn and piano duet. This particular pattern of musical events repeats, transitioning back to slow music, reminiscent of the intro and then ends big by going back to the faster tempo.
$80.00
Lullaby Of Birdland
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Jazz
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George Shearing
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Serena Rose
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Lullaby Of Birdland
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Serena Rose Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by ...
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Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by George Shearing. Arranged by Serena Rose. Jazz. Score and parts. 25 pages. Serena Rose Music #4313909. Published by Serena Rose Music (A0.1032048). This playful arrangement of Lullaby of Birdland by George Shearing (concert Ab) for voice and 3 horn ( alto sax, trumpet, trombone, piano, bass, and drums ) is unique from many arrangements of this jazz standard by weaving complimentary melodies around the vocal melody, giving this piece a welcome breath of fresh air. The 10-bar intro has a rhythmic push in the piano reminiscent of Jamiroquai’s Virtual Insanity that intensifies the listener’s anticipation to hear the first few notes of this familiar tune in a new and unique context. Returning back to the head via a simple D.S. enables instrumentalists to easily focus on solos rather than the form. The 2-bar rhythm-section outro concludes the piece precisely and cleanly and takes the listener back to the time when jazz bands were first cooking up storms on the dance floors. Though cited with tempo at a quarter note = 160 bpm, this arrangement works well at any bpm between 140 and 170.Other than for the introduction and the ending, the piano part includes chords and rhythmic notation throughout for easy improvisation. The bass part includes both an intermediate-advanced written part and chords throughout, thus accommodating bassists at all skill levels and/or those who would prefer to play a combination of written and improvised bass lines. The drum chart is to be improvised throughout; however, it includes suggested rhythmic ideas and indicates key points in the arrangement such as horn hits, repeats, and fills. PLEASE NOTE: For ease of identifying parts, the forthcoming audio clip furnishes a piano playing the vocal melody. The piano chart does not include the melody. About the Arranger: Serena Rose is a professional musician who performs weekly in the greater Los Angeles area. She has a master's in music composition and has composed three large works for the Orange Coast College Wind Ensemble as well as various smaller ensembles based in Los Angeles.
$50.00
Introduction and Tarantella - Pablo de Sarasate - Clarinet and Piano
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Clarinette et Piano
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AVANCÉ
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Pablo de Sarasate
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Raymond Fenech
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Introduction and Tarantella -
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Raymond Fenech
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 5 - SKU: A0.1096206 Composed by Pablo de Sarasate. Arranged by Raymond Fenech. 19th Century,Contest,Festival,Instructional...
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B-Flat Clarinet,Piano - Level 5 - SKU: A0.1096206 Composed by Pablo de Sarasate. Arranged by Raymond Fenech. 19th Century,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and part. 29 pages. Raymond Fenech #700079. Published by Raymond Fenech (A0.1096206). Pablo de Sarasate (1844-1908), undoubtedly, is one of the most important and most successful violin virtuosos of the second half of the 19th century and has become immortal through his virtuoso and highly expressive bravura pieces in the world of violin playing. In 1899 Sarasate composed one of his most popular, non-Spanish pieces, 'Introduction & Tarantella' Op. 43, which was published in the following year, even in a version with orchestra accompaniment. The tarantella, a folk dance in 6/8 metre, comes from southern Italy and has developed from dance tunes played in Apulia for people suffering from tarantism. According to popular belief, the bite of a tarantula caused tarantism which was supposed to be cured by wild dancing. The duration of this is 5.18 minutes and it is a difficult level piece.
$6.99
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Introduction and Dance
