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Vous avez sélectionné:
Invitation Theme
Partitions à imprimer
26 partitions trouvées
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An Invitation To Snow
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1044112 Composed by Michae…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1044112 Composed by Michael Gordon Bennett. Arranged by Michael Gordon Bennett. A Cappella,Christmas,Contemporary,Holiday,Jazz. Octavo. 8 pages. MGB Choral Music #648840. Published by MGB Choral Music (A0.1044112). What's winter without snow? That long held wish for a white Christmas is celebrated in this fun a carpella piece for SATB chorus. This song evokes childhood memories of fun in the snow and the Christmas that we used to know. Jazz, swing and hints of barbershop quartet make for a lively performance that singers and your audience will enjoy. Bring on snow! Makes a great winter themed/Christmas/Holiday themed concert opener.
$2.29
2.09 €
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Chorale SATB
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Michael Gordon Bennett
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Michael Gordon Bennett
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An Invitation To Snow
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MGB Choral Music
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SheetMusicPlus
Invitation Theme
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.926166 Composed by Dirk Ettelt. Con…
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Piano Solo - Level 2 - Digital Download SKU: A0.926166 Composed by Dirk Ettelt. Contemporary,Holiday,Romantic Period,Wedding. Score. 2 pages. Dirk Ettelt #14047. Published by Dirk Ettelt (A0.926166). An easy to play, very melodic and beautiful piano solo in G major. Ideal for short performances (e.g. school concerts) or as musical contribution to celebratory events.
$2.99
2.73 €
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Piano seul
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Dirk Ettelt
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Invitation Theme
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Dirk Ettelt
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SheetMusicPlus
String Quartet No. 5
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - difficult - Digital Download SKU: S9.Q6235 Composed by Peteris Vas…
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String quartet - difficult - Digital Download SKU: S9.Q6235 Composed by Peteris Vasks. This edition: score and parts. Downloadable, Score and parts. Duration 25 minutes. Schott Music - Digital #Q6235. Published by Schott Music - Digital (S9.Q6235). String Quartet No. 5 consists of two contrasting movements. The first movement, being present, immediately leads to an atmosphere of high emotional tension. The prevailing atmospheric elements of the music are dramatic and passionate, alternating with each other like a kaleidoscope. In contrast to that, a second theme is intoned three times – an invitation, a memory of the existence of another world, a light-house which illuminates the twilight in which we live so often. But this invitation remains unheard. The first movement concludes with dissonances in the upper register – a cry of utter desperation. The second movement, so distant ... yet so near, is the calm, unhurried vocal section of the quartet. A forgiving, loving look at a world tortured by grief and contradictions. Gradually, the singing becomes more personal, more emotional and more dramatic. The rhythmic figure of a funeral march in the recapitulation of the second movement is a gesture of loss. Eventually, the quartet loses itself in an atmosphere of light-filled grief. Pēteris Vask.
$35.99
32.85 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Peteris Vasks
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String Quartet No. 5
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Schott Music - Digital
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SheetMusicPlus
"It was a dark and stormy night..." 9 Spooky composing prompts
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1404470 By Elizabeth Essex. By Eliz…
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Easy Piano - Level 1 - Digital Download SKU: A0.1404470 By Elizabeth Essex. By Elizabeth Essex. Arranged by Elizabeth Essex. Children,Halloween,Holiday,Instructional,Thriller. Score. 18 pages. Elizabeth Essex #987552. Published by Elizabeth Essex (A0.1404470). It was a dark and stormy night…†is a collection of songs-writing templates centered around the theme of telling stories around a campfire. Full of spooky-sounding flats and staccato jump-scares, these late primer level songwriting templates work around a basic call-and response framework. The first and every other measure of music are provided; the blank measures are an invitation for the student to add in their own unique creations. I usually suggest the song end on a “C†key and offer similar guidance along the way.The song templates are sequenced in order of difficulty to read and play; each includes a variety of interesting composing problems for primer-level pianists:Rain Storm - harmonic seconds, thirdsLittle Surprise - staccatosCampfire Story - eighth note pairs, repeat barBlack Cats and Bats - flats, quarter restsPumpkin Carving - 3/4 time signaturePotions and Poisons - slurs into staccato groupsCostume Party - review of flats, secondsVampires vs. Zombies - review of flats, seconds, eighth note pairsCandy Bucket - intro to eighth note groups See my other arrangements: Sheet Music Press (copyrighted music available)https://www.sheetmusicplus.com/publishers/elizabeth-essex-sheet-music/3018847Sheet Music Direct (copyrighted music available)https://www.sheetmusicdirect.com/en-US/Search.aspx?query=Elizabeth EssexTop Music Marketplace (piano studio licenses available)https://topmusicmarketplace.com/pages/seller-profile/elizabeths-music-artsTeachers Pay Teachers (classroom licenses available)https://www.teacherspayteachers.com/Store/Elizabeths-Music-And-ArtsTo commission an arrangement or set up Zoom piano or art lessons, contact Elizabeth: https://elizabethmusicnarts.wordpress.com
$5.99
5.47 €
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Piano Facile
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Elizabeth Essex
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Elizabeth Essex
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"It was a dark and stormy night..." 9 Spooky composing prompts
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Elizabeth Essex
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SheetMusicPlus
Forest and Fen
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1391903 By …
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1391903 By Kari Cruver Medina. By Kari Cruver Medina. 21st Century,Classical,Contemporary,Contest,Festival. 34 pages. Kari Medina Music #975379. Published by Kari Medina Music (A0.1391903). Forest and Fen is one of four movements in a larger series titled Wanderings, that walks us through different environs in the natural world. It seeks to capture the wonder of the imagination when exploring the natural world, and celebrates the whimsy, delight, humor, and calming transcendence of our planet’s sublime beauty. The piece is an invitation to enter the woods and wetlands with the fresh eyes of a child. Laid out in an ABA format, the first and last sections are characterized by a buoyant, adventurous ascending dotted-note theme tossed back and forth between instruments. The contrasting middle section is characterized by a lyrical calm.Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, BassoonParts and Full Score includedapprox  4. 45 - 5.00 Min. total time.
$12.99
11.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Kari Cruver Medina
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Forest and Fen
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Kari Medina Music
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SheetMusicPlus
Come to the Banquet
Chorale SATB
Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-16046 Composed by…
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Choir Sacred (SATB choir) - Grade 3 - Digital Download SKU: JX.00-16046 Composed by Joseph M. Martin. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Communion; Holy Week; Lent; Palm Sunday; Sacred; Spring. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-16046. Published by Jubilate Music Group - Digital (JX.00-16046). English. Exodus 12:1-14, Psalm 116:12-19, Matthew 26:17-29, Mark 14:12-25, Luke 22:7-23, 1 Corinthians 11:23-26.Come to the Banquet is an anthem for communion and for Maundy Thursday services. Suggested corresponding lectionary readings include Exodus 12: 1-14, Psalm 116: 12-19, Matthew 26: 17-29, Mark 14: 12-25, Luke 22: 7-23, and 1 Corinthians 11: 23-26. One basic homiletical theme is an invitation to join the body of Christ is a feast of forgiveness at the Lord's table.
$2.25
2.05 €
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Chorale SATB
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Joseph M
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Choral Octavo
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Come to the Banquet
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Jubilate Music Group - Digital
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SheetMusicPlus
Come to the Table of the Lord
Chorale SATB
Choir Sacred Opt. C-Instrument (SATB choir) - Grade 3 - Digital Download SKU: JX.00-180…
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Choir Sacred Opt. C-Instrument (SATB choir) - Grade 3 - Digital Download SKU: JX.00-18030 Composed by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Communion; Holy Week; Lent; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-18030. Published by Jubilate Music Group - Digital (JX.00-18030). English. Exodus 12:1-14; Mark 14:12-25; Matthew 26:17-25; Psalm 116; 1 Corinthians 11:23-36; John 13:1-30; Luke 22:7-13.Come to the Table of the Lord is a Communion anthem that may be performed throughout the year and especially during Holy Week. Suggested corresponding lectionary readings include Exodus 12: 1-14, Psalm 116, Matthew 26: 17-25, Mark 14: 12-25, Luke 22: 7-13, John 13: 1-30 and 1 Corinthians 11: 23-36. One basic homiletical theme is accepting the invitation to join with all the Christians in holy Communion at the Lord's table.
$2.25
2.05 €
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Chorale SATB
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Patrick M
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Choral Octavo
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Come to the Table of the Lord
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Jubilate Music Group - Digital
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SheetMusicPlus
O Come All Ye Faithful
Piano seul
Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1147510 Composed by Jo…
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Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1147510 Composed by John Francis Wade. Arranged by Luis Chris Medina. Christmas,Holiday,Jazz,Sacred,Traditional. Score and individual part. 5 pages. Luis Chris Medina #747748. Published by Luis Chris Medina (A0.1147510). In the 18th century this work was penned and composed by John Francis Wade. Originally titled in Latin Adeste Fideles. Now this work has come to represent one of the most loved and cherished of the Christmas Carols. Its powerful text make the invitation of coming to Christ and worshiping the King of Kings. This new arrangement re-harmonizes and creates a lush texture while maintaining the soaring melodic theme. Your audience will enjoy this new adaptation of O Come All Ye Faithful..
$1.99
1.82 €
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Piano seul
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John Francis Wade
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Luis Chris Medina
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O Come All Ye Faithful
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Luis Chris Medina
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SheetMusicPlus
Rock of Ages
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.565114 By Sharon Wilson. By Thomas …
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Piano Solo - Level 3 - Digital Download SKU: A0.565114 By Sharon Wilson. By Thomas Hastings. Arranged by Sharon Wilson. Christian,Easter,Lent,Romantic Period,Sacred. Score. 4 pages. Sharon Wilson #3430437. Published by Sharon Wilson (A0.565114). Quiet and flowing throughout, this piano solo arrangement encourages contemplation and reflection. Beginning in the key of C major, the first verse progresses gracefully with simple melody and harmony. The second verse transitions to the key of F major and adds delicate, cascading embellishments complementing the arpeggiated chord theme of the introduction and interlude. This is a wonderful selection for times when a musical meditation is needed such as communion, invitation, or prelude. Â
$4.99
4.55 €
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Piano seul
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Sharon Wilson
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Sharon Wilson
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Rock of Ages
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Sharon Wilson
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SheetMusicPlus
With Grateful Hearts, Rejoice! - Accompaniment Download
Digital Download SKU: LX.E99-3880L Composed by Patti Drennan. Thanksgiving. Sacred …
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Digital Download SKU: LX.E99-3880L Composed by Patti Drennan. Thanksgiving. Sacred Anthem, General, Thanksgiving. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3880L. Published by Lorenz Publishing - Digital Sheet Music (LX.E99-3880L). Orchestrated by Ed Hogan.Downloadable accompaniment track for With Grateful Hearts, Rejoice! (10/5141L) This sturdy proclamation of thanks by Patti Drennan is ideally suited for Thanksgiving or any worship service where thanks is an appropriate theme. It is an invitation to choir and congregation alike to lift their voices in grateful praise. Solid choral writing is strengthened with a supportive accompaniment. The optional brass and percussion add an inspiring layer of sound in this joyous anthem of worship.
$14.95
13.64 €
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Patti Drennan
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With Grateful Hearts, Rejoice! - Accompaniment Download
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
On Jordan's Stormy Banks
Cloches
Handbells 3-5 octave handbells - Level 2 - Digital Download SKU: H1.2833DP Arranged…
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Handbells 3-5 octave handbells - Level 2 - Digital Download SKU: H1.2833DP Arranged by Linda R. Lamb. Easter Sunday. Handbell score. 8 pages. Hope Publishing - Digital #2833DP. Published by Hope Publishing - Digital (H1.2833DP). Medley of sacred hymn tunes This engaging and contrasting medley pays tribute to the Sacresd Harp hymnal with its opening treatment in a minor key, before transitioning to a lively major key. The theme of heaven and eternal life are emphasized at the ending with an invitation to gather at the river that flows by the throne of God.
$6.25
5.7 €
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Cloches
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Linda R
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On Jordan's Stormy Banks
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Hope Publishing - Digital
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SheetMusicPlus
With Grateful Hearts, Rejoice!
Chorale SATB
SATB choir, Piano, Brass Quintet, Percussion - Digital Download SKU: LX.10-5141L Co…
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SATB choir, Piano, Brass Quintet, Percussion - Digital Download SKU: LX.10-5141L Composed by Patti Drennan. Sacred Anthem, General, Thanksgiving. Octavo. 8 pages. Lorenz Publishing - Digital Sheet Music #e10/5141L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5141L). ISBN 9780787761455.This sturdy proclamation of thanks by Patti Drennan is ideally suited for Thanksgiving or any worship service where “thanks†is an appropriate theme. It is an invitation to choir and congregation alike to lift their voices in grateful praise. Solid choral writing is strengthened with a supportive accompaniment. The optional brass and percussion add an inspiring layer of sound in this joyous anthem of worship.
$2.40
2.19 €
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Chorale SATB
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Patti Drennan
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With Grateful Hearts, Rejoice!
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
And the Crowd Cried Out
Chorale SATB
Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-16122 Composed by…
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Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-16122 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Holy Week; Lent; Sacred; Spring. Choral Octavo. 8 pages. Jubilate Music Group - Digital #00-16122. Published by Jubilate Music Group - Digital (JX.00-16122). English.And the Crowd Cried Out is an anthem for Lent, Holy Week and Easter sunrise services. Suggested corresponding lectionary readings include Psalm 31, Isaiah 52: 13-15, Isaiah 53: 1-12, John 18: 1-40, John 19: 1-42, John 20: 1-10, Hebrews 4: 14-16 and Hebrews 5: 7-9. One basic homiletical theme is an invitation for all true believers to stand with Jesus in His betrayal, suffering, death and resurrection.
$2.25
2.05 €
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Chorale SATB
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Jay Althouse
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Choral Octavo
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And the Crowd Cried Out
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Jubilate Music Group - Digital
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SheetMusicPlus
Thy Word
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1355209 By Ginny Owens. By Amy Gran…
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Piano Solo - Level 3 - Digital Download SKU: A0.1355209 By Ginny Owens. By Amy Grant and Michael W. Smith. Arranged by Sharon Wilson. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 5 pages. Sharon Wilson #939927. Published by Sharon Wilson (A0.1355209). The beautiful contemporary worship hymn Thy Word by Michael W. Smith and Amy Grant is arranged as an intermediate piano solo. The introduction and interlude feature excerpts from the classic hymn Give Me the Bible by Edmund S. Lorenz.   An optional repeat is provided in case a longer performance is desired. Upbeat and festive, this song encourages heartfelt praise making it a treasured addition to the church pianist's sacred repertoire.Performance Notes:Pair this arrangement with Ancient Words (sold separately) to create an extended performance continuing the theme of the Bible as the Word of God. Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: praise music, worship service, meditation, devotion, devotional music, invitation, prelude, offertory, contemporary Gospel songs, contemporary Christmas music, praise band.
$4.99
4.55 €
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Piano seul
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Ginny Owens
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Sharon Wilson
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Thy Word
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Sharon Wilson
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SheetMusicPlus
Ancient Words
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1355117 Composed by Lynn DeShazo. A…
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Piano Solo - Level 3 - Digital Download SKU: A0.1355117 Composed by Lynn DeShazo. Arranged by Sharon Wilson. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 5 pages. Sharon Wilson #939834. Published by Sharon Wilson (A0.1355117). The beautiful contemporary worship hymn Ancient Words by LYNN DESHAZO is arranged as an intermediate piano solo. The introduction and interlude feature excerpts from the classic hymn Wonderful Words of Life by Philip P. Bliss.   An optional repeat is provided in case a longer performance is desired. Relaxed and expressive, this song encourages thoughtful reflection making it a treasured addition to the church pianist's sacred repertoire.Performance Notes:Pair this arrangement with Thy Word (sold separately) to create an extended performance continuing the theme of the Bible as the Word of God. Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: praise music, worship service, meditation, devotion, devotional music, invitation, prelude, offertory, contemporary Gospel songs, communion, altar call, Michael W. Smith.
$4.99
4.55 €
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Piano seul
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Lynn DeShazo
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Sharon Wilson
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Ancient Words
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Sharon Wilson
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SheetMusicPlus
TE DEUM - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINT…
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Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99
22.81 €
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Orchestre
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LORENZO ONDARRA QUINTANA
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TE DEUM - Score Only
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OE OFICINA
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SheetMusicPlus
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINT…
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Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
13.6 €
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Orchestre
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LORENZO ONDARRA QUINTANA
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TE DEUM Reducción para piano y 4 voces mixtas - Score Only
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OE OFICINA
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Long Ago, within a Garden—SATB Choir and Organ
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1169685 By Daniel Carter. …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1169685 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Easter,Praise & Worship,Religious,Sacred. Octavo. 6 pages. Daniel Carter #770047. Published by Daniel Carter (A0.1169685). An Easter-themed choral setting with descant using the ageless images of the Tree of Life from the time of Adam to the tree that Jesus was crucified upon, to the invitation to come and partake of the fruit of the tree of eternal life. Devan Jensen’s moving text about life, death, and atonement is a beautiful expression of eternal hope suitable for worship, devotional, and other Christ-centered gatherings.Female/Male Duet for Medium-Range Voices and Piano available at www.danielcartermusic.com1. Long ago, within a garden,Adam tasted of a tree,Death would be our awful burden;Only One could set us freeAlleluia, alleluia! Jesus came to set us free!Lamb of God and true Messiah,Song of joy we raise to Thee!………4. Come to Christ and be forgiven;Taste the fruit of Father’s tree,Sweetest fruit of all His garden,Dwell with Him eternally.Alleluia, alleluia! Jesus came to set us free!Lamb of God and true Messiah,Song of joy we raise to Thee!
$1.99
1.82 €
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Chorale SATB
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Daniel Carter
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Daniel Carter
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Long Ago, within a Garden—SATB Choir and Organ
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Daniel Carter
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SheetMusicPlus
Long Ago, within a Garden—Medium-Range Vocal Solo and Piano
Voix moyenne, Piano
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1170399 By Daniel Cart…
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1170399 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Easter,Praise & Worship,Religious,Sacred. 4 pages. Daniel Carter #770768. Published by Daniel Carter (A0.1170399). An Easter-themed vocal solo using the ageless images of the Tree of Life from the time of Adam to the tree that Jesus was crucified upon, to the invitation to come and partake of the fruit of the tree of eternal life. Devan Jensen’s moving text about life, death, and atonement is a beautiful expression of eternal hope. Instantly downloadable sheet music at sheetmusicdirect.comInstantly downloadable sheet music for SATB Choir and Organ and Female/Male Duet for Medium-Range Voices and Piano at www.danielcartermusic.com.
$4.99
4.55 €
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Voix moyenne, Piano
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Daniel Carter
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Daniel Carter
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Long Ago, within a Garden—Medium-Range Vocal Solo and Piano
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Daniel Carter
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SheetMusicPlus
Crow with no mouth
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elk…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
7.3 €
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Piano, Voix
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
A Thousand and One Nights, Op 346 - Pedal Score & Parts
2 Harpes (duo)
Instrumental Duet Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803893
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Instrumental Duet Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803893 Composed by Johann Strauss Jr. Arranged by Serena O’Meara. Classical,Multicultural,Opera,Romantic Period,Standards,World. Score and parts. 54 pages. O'Meara Music #5361563. Published by O'Meara Music (A0.803893). Johann Strauss, Jr. used themes from his operetta, Indigo and the Forty Thieves,to create this wonderful orchestra piece. The mysterious Arabian introduction is followed by three Waltzes. Waltz II is the most famous melody. The pedal and lever harp duet versions are not the same. They differ in the pedal/lever markings, harmony notes and which harp is playing the melody note. The dynamics and Waltz sections are clearly marked. The score includes a page of performance information. The Harp Ensemble would perform for 2 hours each evening as guests arrived at the UW-Eau Claire’s annual Viennese Ball in the student center (1998-2016). The invitation was extended because Eduard Strauss, the youngest Strauss, was a harpist. He conducted his own orchestra from his harp and toured the United States.
$20.00
18.25 €
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2 Harpes (duo)
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Johann Strauss Jr
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Serena O’Meara
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A Thousand and One Nights, Op 346 - Pedal Score & Parts
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O'Meara Music
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SheetMusicPlus
A Thousand and One Nights, Op 346 - Lever Score & Parts
2 Harpes (duo)
Folk Harp,Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803896 …
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Folk Harp,Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803896 Composed by Johann Strauss Jr. Arranged by Serena O’Meara. Classical,Multicultural,Opera,Romantic Period,Standards,World. 54 pages. O'Meara Music #5361583. Published by O'Meara Music (A0.803896). Johann Strauss, Jr. used themes from his operetta, Indigo and the Forty Thieves, to create this wonderful orchestra piece. The mysterious Arabian introduction is followed by three Waltzes. Waltz II is the most famous melody. The pedal and lever harp duet versions are not the same, although they can perform in an ensemble together. They differ in the pedal/lever markings, harmony notes and which harp is playing the melody note. The dynamics and Waltz sections are clearly marked. The score includes a page of performance information. The Harp Ensemble would perform for 2 hours each evening as guests arrived at the UW-Eau Claire’s annual Viennese Ball in the student center (1998-2016). The invitation was extended because Eduard Strauss, the youngest Strauss, was a harpist. He conducted his own orchestra from his harp and toured the United States.
$12.00
10.95 €
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2 Harpes (duo)
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Johann Strauss Jr
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Serena O’Meara
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A Thousand and One Nights, Op 346 - Lever Score & Parts
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O'Meara Music
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SheetMusicPlus
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