I am very proud to offer this remake of Irish Tunes for Young @ Heart Cellists, Book 1! I am very thankful for the response I have had from students, teachers, and families, who have enjoyed these tunes over the years! Included in this volume are the following tunes: The Ballydesmond Polka and Matt Teehan?s Polka, CaptainO?Kane, The Cliffs of Moher, in Dm and Am, Sally Gardens, The Eagle?s Whistle, Dunmore Lasses, in Am and Em, Harvest Home, The Foggy Dew, Maira?s Wedding, George Brabizon, Hewlett?s, Tobins into The Irish Washerwoman, Southwind, Lanigan?s Ball, Mary Mack, Planxty Fanny Power, The Rights of Man, Slane, Walker Street into Silver Spear. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! There is a link to the first tune of the book to give you an idea of what the music sounds like. They make a very good supplemental resource for growing fiddlers, are fun to play, and can be used with the Fiddle book of the same name. Please enjoy! Included here is a youtube link to a playlist of these tunes, played in their entirety by cello and fiddle:https://youtube.com/playlist?list=PL1QxSodsD2nH6EPY-NIvVnJfcAMs2LPQW.

The world famous Irish tune in an arrangement for Brass Quintet or small brass band with optional percussion.

The download contains all scores and parts for both orchestral brass and treble clef brass band instruments:

Full Score and parts for standard brass quintet

Trumpet 1 in Bb
Trumpet 2 in Bb
Horn in F
Trombone
Tuba

For Brass Band - Full Score plus

1st Cornet Bb
2nd Cornet Bb
1st Horn Eb
2nd Horn Eb
Baritone/Trombone Bb
Euphonium Bb
Bass Eb
Bass Bb
Percussion

Six tunes warming up with relaxed tempos and then moving to flashy toe tapping tempos: Garryowen; Roving Galway Boy; Miss Blair Fancy; Paddy O?Whack; Irish Washerwoman; and Rakes of Mallow.You will receive the Score, plus separate parts.

In this volume, the folk musician Patrick Steinbach has compiled the most beautiful Irish tunes and, in addition, provides much information on the performance as well as on the style and the cultural background of Irish music.

ISBN 9781513459684. 8.75x11.75 inches.

The tunes in this collection were chosen from Peggy Carters half-century of performing, teaching, and arranging music for the hammered dulcimer. This anthology contains 60 tunes arranged especially for novice to intermediate-level players of the 12/11 dulcimer, including suggestions for note reading, hammering patterns and embellishments. Playing the dulcimer is not effortless, but it should be fun! The title tune, Dulcimer Frolic, is a family heirloom originally written for mandolin by Peggys grandfather in the early 1920s; transcribed for hammered dulcimer, the tune really lives up to its name. In fact, every tune in the collection is designed for fun and frolic. Some have lyrics, some are presented as bare-bones melodies, and some are embellished. Youll find that these arrangements bring out the best in all of them.

ISBN 9781619119970.

This unique collection celebrates the contemporary fiddle music of northeast Ireland, much of it for the first time in print. Not surprisingly, given its location and long history of traditional music, the fiddle music of this region shares some characteristics with Scottish music, yet it has its own distinct style. For those who are not familiar with this ruggedly attractive part of Ireland, this book will introduce you to some of its music and musicians. The tunes presented here, collected by County Antrim fiddler, Rowan Leslie, have all been written relatively recently by local musicians. Each tune is offered in two versionsone with the barebones melody and suggested accompaniment chords, and a second with ornamentation, articulation and bowing details. All tune types from northeast Ireland are represented, including jigs and reels, polkas and hornpipes, marches, barn dances and waltzes, plus set dances and slow airs. Moreover, the biographical sketches and backstories provided for each composer and tune demonstrate how the land itself, along with personal experiences and relationships, influence the fiddle music of northeast Ireland.