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Is It A Crime?
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ALTO
AUTOHARPE
BANJO
BASSE
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BOUZOUKI
CHORALE - CHAN…
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Is It A Crime?
Partitions à imprimer
13 partitions trouvées
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1
A Girl Born in Afghanistan (for solo voice with piano and optional violin)
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.787341 Compo…
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.787341 Composed by Greg Bartholomew. Concert,Contemporary,Graduation,Standards. Score and parts. 14 pages. Burke & Bagley #2807631. Published by Burke & Bagley (A0.787341). United Nations Secretary-General Kofi Annan was awarded the 2001 Nobel Peace Prize. The text for this piece is adapted from his Nobel Lecture given on December 10, 2001. The lecture text is Copyright © 2001 by The Nobel Foundation, Stockholm, 2001, and is used by permission. This work was originally written for unaccompanied mixed choir. It was adapted for solo voice with optional violin for Michael Oriatti.A Girl Born in Afghanistan Today, in Afghanistan, a girl will be born. Her mother will hold her and feed her, comfort her and care for her – just as any mother would anywhere in the world. In these basic acts of human nature, humanity knows no divisions. We must focus on improving the conditions of men and women. We must begin with the young Afghan girl. Saving that one life is to save humanity itself. In this new century, we must start from understanding Peace must be made real and tangible in the daily lives of every man and woman. The notion that what is ours must conflict with what is theirs is both false and dangerous. It has resulted in endless enmity and conflict. It has led men to commit great crimes in the name of a higher power. It need not be so. We can love what we are, without hating what we are not, without hating who we are not. The girl born in Afghanistan today is just one test of our humanity – But it is the only test that matters.
$9.99
9.21 €
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Greg Bartholomew
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A Girl Born in Afghanistan
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Burke & Bagley
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SheetMusicPlus
Venezuela
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1176600 Composed by Jose Luis Armenteros Sanchez and Pablo Herrero Ibarz. Arranged by Luis Turina and Nonamé Música. 20th Century,Classical,Latin,Multicultural,Wedding,World. Score and parts. 9 pages. Nonamé Música #776677. Published by Nonamé Música (A0.1176600). (English below) (De Wikipedia) Venezuela es una canción popular venezolana, con letra y música de [...] Los Relámpagos [...]. La popularidad y el sentimiento que evoca en los venezolanos es tal, que se la considera el cuarto himno de Venezuela, [tras] el Himno Nacional, «Alma llanera» y «Conticinio, del venezolano, Laudelino MejÃas»...Con los millones de venezolanos que hay emigrados por todo el mundo, era casi un crimen no tener esta canción disponible para ellos. Novios y novias lloran por igual al entrar en sus bodas escuchando estos acordes, invitados cantando y abrazándose... Toca mucho el corazón.Mientras el cello hace casi un continuo, viola y violines se van alternando la melodÃa, con multitud de contratemas, adornos, segundas voces y contrapuntos. Una gozada tocarla, muy sencilla además. Cuidado con el calderón del cambio de tono.Arreglo en una página por instrumento para facilitar su interpretación al aire libre. Arcos, matices y letras de ensayo para poder hacer una buena lectura a primera vista. Más arreglos de Nonamé en nuestro canal: Nonamé Música.(From Wikipedia) Venezuela is a popular Venezuelan song, with lyrics and music by [...] Los Relámpagos [...]. The popularity and sentiment it evokes in Venezuelans is such that it is considered the fourth anthem from Venezuela, [after] the National Anthem, Alma llanera and Conticinio, from the Venezuelan, Laudelino MejÃas...With millions of Venezuelans emigrating all over the world, it was almost a crime not to have this song available to them. Grooms and brides alike cry when they enter their weddings listening to these chords, guests singing and hugging each other... It really touches the heart.While the cello plays almost a continuum, the viola and violins alternate the melody, with a multitude of counter-themes, ornaments, second voices and counterpoints. A joy to play it, very simple as well. Beware of the calderón of the change of tone.Arrangement on one page per instrument to facilitate outdoor performance. Bowings, dynamics and rehearsal letters to be able to make a good sightreading. More Nonamé arrangements on our channel: Noname Música.Letra/Lyrics Llevo tu luz y tu aroma en mi pielY el cuatro en el corazónLlevo en mi sangre la espuma del marY tu horizonte en mis ojosNo envidio el vuelo ni el nido al turpialSoy como el viento en la miezSiento el caribe como a una mujerSoy asÃ, ¿qué voy a hacer?Soy desierto, selva, nieve y volcánY al andar dejo una estelaDel rumor del llano en una canciónQue me desvela La mujer que quiero tiene que serCorazón, fuego y espuelasCon la piel tostada como una florDe VenezuelaCon tu paisaje y mis sueños me iréPor esos mundos de DiosY tus recuerdos al atardecerMe harán más corto el caminoEntre tus playas quedó mi niñezTendida al viento y al solY esa nostalgia que sube a mi vozSin querer se hizo canciónDe los montes quiero la inmensidadY del rÃo la acuarelaY de ti los hijos que sembraránNuevas estrellasY si un dÃa tengo que naufragarY el tifón rompe mis velasEnterrad mi cuerpo cerca del marEn Venezuela
$17.99
16.59 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jose Luis Armenteros Sanchez and Pablo Herrero Ibarz
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Venezuela
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Nonamé Música
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SheetMusicPlus
Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/R…
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Piano Solo - Level 4 - Digital Download SKU: A0.534653 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 16 pages. Musik Fabrik Music Publishing #5726995. Published by Musik Fabrik Music Publishing (A0.534653). Recorded for Grand Piano (GP822) by Nicolas Horvath.IFêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres. The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin..This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle Joyeuse (1904). Following Laloy’s scenario, the mas-queraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$12.95
11.94 €
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Piano seul
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Claude Debussy/Robert Orledge
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Claude Debussy: Fêtes Galantes for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$24.95
23 €
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Orchestre
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Claude Debussy/Robert Orledge
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Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Moon Of Wintertime (The Huron Carol)
Guitare notes et tablatures
Guitar Tab - Intermediate - Digital Download Composed by Henry Worrall. Arranged by P…
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Guitar Tab - Intermediate - Digital Download Composed by Henry Worrall. Arranged by Perry Brooks Nichols. Romantic Period, Classical Period, Folk, Recital, Americana. Score, Tablature. 18 pages. Published by Perry Brooks Nichols
“Sebastopol, A Descriptive Fantaisie For The Guitar” or “The Siege of Sebastopol” by Henry Worrall (1825 - 1902) is considered to be the seminal work of the American Parlor music era prior to the turn of the 20th century. Worrall was largely responsible for introducing open tunings, particularly open D major, i.e “Vestapol” or “tuned like Sebastopol, to the American public with the wide distribution of his publications and guitar method. “Sebastopol” was the original work in open D major tuning. It reveals many of the potential harmonies capable in this tuning such as barred chords at the 5th and 7th frets, as well as the usage of the rising minor 3rd interval rising to the Major 3rd in the context of the major scale - an important element in ragtime and country blues which would develop subsequently. This opus was first published as early as 1854, and was said to have been inspired by the contemporaneous debut of photojournalistic depictions of war in worldwide newspapers; “The Siege Of Sevastopol” of the Crimean War was this breakthrough. The “descriptive fantaisie” aspect of the work illustrates via sound the images of armies marching in the 2/4 beat, bugles represented by natural harmonics of the D major chord, cannons firing in barred arpeggios and rasgueados, and bombs exploding using the “Drumming” technique of tambor. The middle section of this work may be the first extensive passage of a work composed in the “percussive guitar” genre. In addition, I have included the elegant Introduction and Finale, found only in the notebooks of Worrall's collection. Notation, Tab, with right and left hand fingering, and description of techniques are included. 18 pages including cover.“Sebastopol, A Descriptive Fantaisie For The Guitar” or “The Siege of Sebastopol” by Henry Worrall (1825 - 1902) is considered to be the seminal work of the American Parlor music era prior to the turn of the 20th century. Worrall was largely responsible for introducing open tunings, particularly open D major, i.e “Vestapol” or “tuned like Sebastopol, to the American public with the wide distribution of his publications and guitar method. “Sebastopol” was the original work in open D major tuning. It reveals many of the potential harmonies capable in this tuning such as barred chords at the 5th and 7th frets, as well as the usage of the rising minor 3rd interval rising to the Major 3rd in the context of the major scale - an important element in ragtime and country blues which would develop subsequently. This opus was first published as early as 1854, and was said to have been inspired by the contemporaneous debut of photojournalistic depictions of war in worldwide newspapers; “The Siege Of Sevastopol” of the Crimean War was this breakthrough. The “descriptive fantaisie” aspect of the work illustrates via sound the images of armies marching in the 2/4 beat, bugles represented by natural harmonics of the D major chord, cannons firing in barred arpeggios and rasgueados, and bombs exploding using the “Drumming” technique of tambor. The middle section of this work may be the first extensive passage of a work composed in the “percussive guitar” genre. In addition, I have included the elegant Introduction and Finale, found only in the notebooks of Worrall's collection. Notation, Tab, with right and left hand fingering, and description of techniques are included. 18 pages including cover.
$5.00
4.61 €
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Guitare notes et tablatures
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Henry Worrall
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Perry Brooks Nichols
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The Moon Of Wintertime
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.61 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Variations on Ukrainian National Anthem, Op. 226 (Organ Solo) by Vidas Pinkevicius
Orgue
Organ - Level 4 - Digital Download SKU: A0.1254563 Composed by Vidas Pinkevicius. C…
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Organ - Level 4 - Digital Download SKU: A0.1254563 Composed by Vidas Pinkevicius. Contemporary,Multicultural,Patriotic,World. Score. 11 pages. Vidas Pinkevicius #848160. Published by Vidas Pinkevicius (A0.1254563). This is a theme and 6 variations originally composed for organ duet but arranged for organ solo in this version. It is based on the melody of the Ukrainian National Anthem. This piece is designed to spread awareness about the tragedy of Ukrainian people and the war crimes being committed by the Russian aggressors in Ukraine. It will give a voice to organists who are at a loss for words but cannot keep silent in the face of the unthinkable situation the brave Ukrainian people are experiencing every day. This composition will be very effective for concert programs. This piece is dedicated to prominent Ukrainian organists Olenka Matselyukh and Nadiya Velychko.
$11.99
11.05 €
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Orgue
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Vidas Pinkevicius
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Variations on Ukrainian National Anthem, Op. 226
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Vidas Pinkevicius
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SheetMusicPlus
The-protest
Piano seul
Piano - Digital Download SKU: A0.1066732 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066732 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 229. THEMIS KOUTRAS #5033559. Published by THEMIS KOUTRAS (A0.1066732). This song is about having a say in a protest means just that to have a say it does not mean to through evil doings or rebellion or making trouble it means to when protesting to do it in a way of peace and no crimes who know the authorities may like your ideas and bring it about ones it has been addressed but if you through fights or chaos you lose the Authorities and the righteous people from supporting your protest but doing it legally can get there support all the way if they like your ideas OK
$3.99
3.68 €
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Piano seul
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THEMIS KOUTRAS
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The-protest
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THEMIS KOUTRAS
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SheetMusicPlus
Mauthausen
Mezzo-soprano and orchestra - Digital Download SKU: S9.Q7344 Cantata for Mezzoso…
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Mezzo-soprano and orchestra - Digital Download SKU: S9.Q7344 Cantata for Mezzosoprano and Orchestra. Composed by Mikis Theodorakis. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q7344. Published by Schott Music - Digital (S9.Q7344). Greek.Sung texts are in Greek; English, German and French translations are included. A good friend of mine, the poet lacovos Kambanellis, was a prisoner in Mauthausen during World War II. At the beginning of the sixties, he wrote his memories of this time under the title of Mauthausen. In 1965, he also wrote four poems on the subject and gave me the opportunity to set them to music. I did this with much pleasure, firstly, because I liked the poetry of the texts, and secondly, because I myself was detained in Italian and German prisons during the Nazi occupation, but mainly because this composition gives us the chance to remind the younger generation of history, of events that must never be forgotten. First and foremost, of course, the Mauthausen Cantata is addressed to all those who suffered under Fascism and fought against it. We must keep the Nazi crimes continually in our minds, because that is the only guarantee and the only way to assure that they are not repeated. And we can see every day that the ghost of Fascism is far from being laid. It seldom shows its real face, but Fascist cultures and mentalities exist all over the world. For us, who had to live through this time of horror, the most important task is to protect our children against this peril. (Mikis Theodorakis, 1999).
$33.99
31.34 €
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Mikis Theodorakis
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Mauthausen
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Schott Music - Digital
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SheetMusicPlus
The Legend of Ramund
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. …
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Choral Choir (SATB) - Digital Download SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00
6.45 €
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Chorale SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
Please Please Please
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1499182 By Sabrina Carpenter. By Amy Allen, Jack Antonoff, and Sabrina Carpenter. Arranged by Max Stannard. Pop. Brass Band. 35 pages. Max Stannard Music #1075231. Published by Max Stannard Music (A0.1499182). This is an arrangement of the pop song Please, Please, Please for brass band. It has a challenging euphonium and xylophone part, which takes on the role of synth, with some help from sop and horn. The song was Sabrina Carpenter's first number on on the Billboard Hot 100 chart. The music video for Please Please Please serves as a sequel to the Espresso music video released earlier in 2024. In the music video for Espresso, Carpenter gets arrested at the end. I ended the last video getting arrested, so naturally I thought it would be satisfying to start the 'Please Please Please' video in jail, said the singer. I liked the idea of falling in love with a convict and being shocked and embarrassed every time he commits crimes. In the United Kingdom, with Please Please Please at number one and her previous song Espresso at number two on the UK Singles Chart, Carpenter became the first female artist to hold the top two positions of the chart for five weeks in a row and matched Ed Sheeran as the only artist to hold this feat in general.
$29.99
27.65 €
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Sabrina Carpenter
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Max Stannard
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Please Please Please
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Max Stannard Music
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SheetMusicPlus
REPORTER 2
Piano seul
Piano - Digital Download SKU: A0.1066782 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066782 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 138. THEMIS KOUTRAS #5205611. Published by THEMIS KOUTRAS (A0.1066782). This song is about I hear it all the time on the news crimes, hunger, wars, evil, sickness, diseases, so on and the question is put forth to those in power and money that can change the world over and over for a better place is that I ask when will we planet earth do something forever to solve all the problems? we must for the kingdom of heaven is at hand.
$3.99
3.68 €
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Piano seul
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THEMIS KOUTRAS
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REPORTER 2
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THEMIS KOUTRAS
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SheetMusicPlus
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