Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Is it too late?
Sheetmusicplus
Non classifié
79
Piano & claviers
Piano seul
51
Piano, Voix
12
Piano, Voix et Guitare
8
Instruments en Do
7
Orgue
4
Piano Facile
3
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
Retracter
Guitares
Guitare notes et tablatures
3
Guitare
3
3 Guitares (trio)
1
Dobro
1
Voix
Chorale SATB
14
Chorale TTBB
4
Chorale SSAA
3
Chorale 2 parties
2
Chorale Unison
1
Voix Alto, Piano
1
Voix haute
1
Voix seule
1
+ 3 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Quintette de Clarinettes: 5 clarinettes
4
Quatuor de Saxophones: 4 saxophones
4
Flûte traversière et Piano
4
Hautbois, Piano (duo)
4
Ensemble de Flûtes
3
Ensemble de Clarinettes
3
Saxophone Alto et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Clarinette et Piano
3
Quatuor de Flûtes : 4 flûtes
3
Flûte et Guitare
2
Cor anglais, Guitare (duo)
2
Clarinette, Guitare (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
3 Saxophones (trio)
1
Hautbois (partie séparée)
1
2 Saxophones (duo)
1
Saxophone Tenor et Piano
1
Saxophone Soprano et Piano
1
2 Clarinettes (duo)
1
Quintette de Saxophone: 5 saxophones
1
Ensemble De Flûte à bec
1
2 Flûtes traversières (duo)
1
Saxophone et Guitare
1
Saxophone et Orgue
1
+ 21 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba
3
Trombone et Piano
3
Trompette, Trombone (duo)
2
Cor anglais, Guitare (duo)
2
Cor et Piano
2
Trompette
2
Quatuor de cuivres: 4 trombones
1
Trombone
1
2 Trompettes (duo)
1
+ 7 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violon et Piano
8
Violoncelle, Piano
4
2 Violons (duo)
3
Alto, Piano
3
Violon, Guitare (duo)
2
Violoncelle
2
Harpe
1
Violon, Violoncelle (duo)
1
Violon
1
2 Violoncelles (duo)
1
Harpe et Piano
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
15
Orchestre à Cordes
11
Orchestre
9
Jazz combo
6
Ensemble de cuivres
3
Orchestre de chambre
2
Ensemble Jazz
2
Ensemble de Percussions
1
Piano et Orchestre
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
845
Partitions Numériques
384
Librairie Musicale
0
Matériel de Musique
5
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Is it too late?
SheetMusicPlus
Partitions à imprimer
384 partitions trouvées
<
1
26
51
....
376
Too Early For Christmas
#
Orchestre
#
INTERMÉDIAIRE
#
Noël
#
Jimmy Fallon With Dolly Parton
#
Marek Czekala
#
Too Early For Christmas
#
Marek Czekala
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged...
(+)
Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00
Why Don't You Do Right (get Me Some Money, Too!)
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Peggy Lee
#
Michael Thomas Coull
#
Why Don't You Do Right
#
MTC Publishing
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1267134 By Peggy Lee. By Joe McCoy. Arranged by Michael Thomas Coull. 20th Century,Blues,Contemporary,Jaz...
(+)
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1267134 By Peggy Lee. By Joe McCoy. Arranged by Michael Thomas Coull. 20th Century,Blues,Contemporary,Jazz,Standards. 10 pages. MTC Publishing #859768. Published by MTC Publishing (A0.1267134). Why Don't You Do Right (Get Me Some Money, Too) - Choral Arrangement for SATB and Piano arranged by Michael Thomas CoullWhy Don't You Do Right (Get Me Some Money Too!) was originally recorded as Weed Smoker's Dream and is an American blues and jazz-influenced pop song written by ‘Kansas Joe’ McCoy and Herb Morand in 1936.  Both men are given composer credits on the original 78 record label, although Morand’s name is misspelled. In 1936, the Harlem Hamfats recorded the Weed Smoker’s Dream.  Band member Joe McCoy later rewrote the song, refining both the composition and lyrics.  The new tune, titled Why Don't You Do Right (Get Me Some Money Too!), was recorded by Lil Green in 1941, with guitar by William ‘Big Bill’ Broonzy.  The minor key twelve-bar blues song, with a few chord substitutions, proved popular and quickly became a jazz standard. With its roots in blues music, the song originally dealt with a marijuana smoker reminiscing about lost financial opportunities.  After it was rewritten, it took on the perspective of the female partner, chastising her man for his irresponsible ways:  ‘Why don't you do right, like some other men do? Get out of here and get me some money too!’A wonderful bluesy arrangement for full SATB choir with piano accompaniment, not just fun for the choir to sing, but also one the audience will really enjoy too.
$3.99
Toot, Toot, Tootsie!
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Gus Kahn, Ernie Erdman and Dan
#
F
#
Toot, Toot, Tootsie!
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
LATER (Is Better Than Never)
#
Jazz combo
#
INTERMÉDIAIRE/AVANCÉ
#
Christopher Burnett
#
Christopher Burnett
#
LATER
#
Christopher Burnett
#
SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201514 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
(+)
Jazz Combo - Level 4 - SKU: A0.1201514 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 24 pages. Christopher Burnett #800135. Published by Christopher Burnett (A0.1201514). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
MAYBE (It Is or Is Not…)
#
Jazz combo
#
INTERMÉDIAIRE/AVANCÉ
#
Christopher Burnett
#
Christopher Burnett
#
MAYBE
#
Christopher Burnett
#
SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201507 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
(+)
Jazz Combo - Level 4 - SKU: A0.1201507 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 3 pages. Christopher Burnett #800128. Published by Christopher Burnett (A0.1201507). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
INFINITY (Is The Reality)
#
Jazz combo
#
INTERMÉDIAIRE/AVANCÉ
#
Christopher Burnett
#
Christopher Burnett
#
INFINITY
#
Christopher Burnett
#
SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201511 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
(+)
Jazz Combo - Level 4 - SKU: A0.1201511 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 29 pages. Christopher Burnett #800132. Published by Christopher Burnett (A0.1201511). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
FINALLY (Is Never Permanent)
#
Jazz combo
#
INTERMÉDIAIRE/AVANCÉ
#
Christopher Burnett
#
Christopher Burnett
#
FINALLY
#
Christopher Burnett
#
SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201465 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
(+)
Jazz Combo - Level 4 - SKU: A0.1201465 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 25 pages. Christopher Burnett #800085. Published by Christopher Burnett (A0.1201465). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
ALWAYS (Is Never Giving Up)
#
Jazz combo
#
INTERMÉDIAIRE/AVANCÉ
#
Christopher Burnett
#
Christopher Burnett
#
ALWAYS
#
Christopher Burnett
#
SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201492 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
(+)
Jazz Combo - Level 4 - SKU: A0.1201492 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 11 pages. Christopher Burnett #800111. Published by Christopher Burnett (A0.1201492). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
Sharktooth Frenzy
#
Christine Southworth
#
Sharktooth Frenzy
#
Airplane Ears Music
#
SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and ...
(+)
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
I Didn't Know What Time It Was
#
Piano, Voix
#
INTERMÉDIAIRE
#
Jazz
#
Charlie Parker
#
Dave Gingras and John E
#
I Didn't Know What Time It Was
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1352816 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadw...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1352816 By Charlie Parker. By Lorenz Hart and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #937629. Published by DAVID LEE GINGRAS (A0.1352816). I Didn't Know What Time It Was is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman (vocal by Louise Tobin) and by Jimmy Dorsey (vocal by Bob Eberly). The song was later interpolated into the score of the 1957 film Pal Joey, sung by Frank Sinatra, and has become a jazz standard. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills just for fun! We hope you like what we've done with this grand old tune!
$4.99
Plateau of Dances with a Scottish Flavour
#
Alexandra Lehmann
#
Plateau of Dances with a Scott
#
Forton Music - Digital
#
SheetMusicPlus
Fl. Afl. (guit/kbd) - Intermediate-Advanced - SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages...
(+)
Fl. Afl. (guit/kbd) - Intermediate-Advanced - SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
Three words too many for cor anglais and guitar
#
Cor anglais, Guitare (duo)
#
FACILE
#
David Warin Solomons
#
Three words too many for cor a
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 2 - SKU: A0.575955 Composed by David Warin Solomons. 20th Century,Contemporary,Instructi...
(+)
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 2 - SKU: A0.575955 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. Score and parts. 9 pages. David Warin Solomons #431307. Published by David Warin Solomons (A0.575955). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore also provided versions on this site for guitar with: flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for flute and guitar
#
Flûte et Guitare
#
INTERMÉDIAIRE
#
David Warin Solomons
#
Three words too many for flute
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.576045 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score...
(+)
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.576045 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 9 pages. David Warin Solomons #2030185. Published by David Warin Solomons (A0.576045). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for violin and guitar
#
Violon, Guitare (duo)
#
FACILE
#
David Warin Solomons
#
Three words too many for violi
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 2 - SKU: A0.575960 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,S...
(+)
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 2 - SKU: A0.575960 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. Score and parts. 9 pages. David Warin Solomons #431609. Published by David Warin Solomons (A0.575960). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore also provided versions on this site for guitar with: flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for flute and guitar
#
Flûte et Guitare
#
FACILE
#
David Warin Solomons
#
Three words too many for flute
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.575957 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,St...
(+)
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.575957 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. Score and parts. 9 pages. David Warin Solomons #431225. Published by David Warin Solomons (A0.575957). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore also provided versions on this site for guitar with: flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for cor anglais and guitar
#
Cor anglais, Guitare (duo)
#
INTERMÉDIAIRE
#
David Warin Solomons
#
Three words too many for cor a
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - SKU: A0.576047 Composed by David Warin Solomons. 20th Century,Contemporary,Standards...
(+)
Instrumental Duet English Horn,Guitar,Instrumental Duet - Level 3 - SKU: A0.576047 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 9 pages. David Warin Solomons #2030187. Published by David Warin Solomons (A0.576047). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for clarinet and guitar
#
Clarinette, Guitare (duo)
#
FACILE
#
David Warin Solomons
#
Three words too many for clari
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 2 - SKU: A0.575956 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional...
(+)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 2 - SKU: A0.575956 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. Score and parts. 9 pages. David Warin Solomons #431467. Published by David Warin Solomons (A0.575956). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore also provided versions on this site for guitar with: flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for clarinet and guitar
#
Clarinette, Guitare (duo)
#
INTERMÉDIAIRE
#
David Warin Solomons
#
Three words too many for clari
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.576046 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Sc...
(+)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.576046 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 9 pages. David Warin Solomons #2030183. Published by David Warin Solomons (A0.576046). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for violin and guitar
#
Violon, Guitare (duo)
#
INTERMÉDIAIRE
#
David Warin Solomons
#
Three words too many for violi
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - SKU: A0.576042 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Scor...
(+)
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - SKU: A0.576042 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 9 pages. David Warin Solomons #2030175. Published by David Warin Solomons (A0.576042). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for alto and guitar
#
Voix seule
#
FACILE
#
David Warin Solomons
#
Three words too many for alto
#
David Warin Solomons
#
SheetMusicPlus
Vocal Solo,Voice - Level 2 - SKU: A0.575953 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. 8 pages. David Warin So...
(+)
Vocal Solo,Voice - Level 2 - SKU: A0.575953 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. 8 pages. David Warin Solomons #431377. Published by David Warin Solomons (A0.575953). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years, but it also works as an instrumental piece. I have therefore also provided versions on this site for guitar with: flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is performed by the composer.
$7.00
Three words too many for horn and guitar
#
David Warin Solomons
#
Three words too many for horn
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Guitar,Horn,Instrumental Duet - Level 2 - SKU: A0.575958 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Sta...
(+)
Instrumental Duet Guitar,Horn,Instrumental Duet - Level 2 - SKU: A0.575958 Composed by David Warin Solomons. 20th Century,Contemporary,Instructional,Standards. Score and parts. 9 pages. David Warin Solomons #431497. Published by David Warin Solomons (A0.575958). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore also provided versions on this site for guitar with: flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
Three words too many for alto saxophone and guitar
#
Saxophone et Guitare
#
INTERMÉDIAIRE
#
David Warin Solomons
#
Three words too many for alto
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Saxophone - Level 3 - SKU: A0.576048 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. S...
(+)
Instrumental Duet Guitar,Instrumental Duet,Saxophone - Level 3 - SKU: A0.576048 Composed by David Warin Solomons. 20th Century,Contemporary,Standards. Score and parts. 9 pages. David Warin Solomons #2030193. Published by David Warin Solomons (A0.576048). Three words too many (say it in words and you cheat, you cheat the indefinable). This was originally a song, which I wrote back in my tender years (also available on this site for alto and guitar), but it also works equally well as an instrumental piece. I have therefore provided versions on this site for guitar with: voice flute alto saxophone French horn English horn (cor anglais) clarinet oboe violin. After a gentle introductory major chord arpeggio, the tension of the piece comes into play from the third bar where the melody line holds and repeats an augmented 4th suspension above the guitar. This note then returns as the arpeggio chords change underneath to reveal it as a minor third of a chord related by three degrees of separation from the original - C major to E flat minor. The harmonies and melody continue to sway in their relations in a curious and yet logical progression. I have provided score and parts and also a separate version of the guitar part which provides chord names and fretboard symbols; this would make it useful for educational purposes. The sound sample is an electronic preview.
$7.00
It's Too Late
#
Contemporain
#
Gloria Estefan
#
Joseph Pugh
#
It's Too Late
#
Joseph Pugh
#
SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - SKU: A0.855318 By Gloria Estefan. By Carole King and Toni Stern. Arranged by Joseph Pugh. Contempo...
(+)
Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - SKU: A0.855318 By Gloria Estefan. By Carole King and Toni Stern. Arranged by Joseph Pugh. Contemporary. Score and parts. 8 pages. Joseph Pugh #6610465. Published by Joseph Pugh (A0.855318). Copyright © 1971 Colgems-EMI Music Inc. Copyright RenewedIt's Too Late is a song from Carole King's 1971 album Tapestry. Toni Stern wrote the lyrics and King wrote the music. It was released as a single in April 1971 and reached number 1 on the Billboard Hot 100 and Adult Contemporary charts. Sales were later gold-certified by the RIAA. Billboard ranked It's Too Late and its fellow A-side, I Feel the Earth Move, as the No. 3 record for 1971.This is a shortened jazz flute solo version of the song by, Joseph Pugh.
$7.99
Blue Art, Too
#
Guitare notes et tablatures
#
Contemporain
#
Tal Farlow
#
Tal Farlow
#
Blue Art, Too
#
Vladimir Polyakov
#
SheetMusicPlus
Guitar - SKU: A0.1015749 By Tal Farlow. By Tal Farlow. Arranged by Tal Farlow. Contemporary. Guitar Tab. 10 pages. Vladimir Polyakov #4888955. Published...
(+)
Guitar - SKU: A0.1015749 By Tal Farlow. By Tal Farlow. Arranged by Tal Farlow. Contemporary. Guitar Tab. 10 pages. Vladimir Polyakov #4888955. Published by Vladimir Polyakov (A0.1015749). Sheets music of the composition Yardbird Suite, as it is played by Tal Farlow. The PDF includes sheet music and tab for guitar. It consist of theme and 3 choruses of guitar improvisation. GP5 file is also related.
$4.99
Let It Be
#
Noël
#
The Beatles
#
Jeremy Nafziger
#
Let It Be
#
Jeremy Nafziger
#
SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
(+)
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
<
1
26
51
....
376
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Is it too late?
