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Isabelle M
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Vous avez sélectionné:
Isabelle M
Partitions à imprimer
5 partitions trouvées
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Le Long De La Route
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Chanson Française
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Zaz
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Benoit BARRAIL
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Le Long De La Route
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Benoît Barrail
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SheetMusicPlus
By Zaz. By Isabelle Geffroy and Mikael Geraud. Arranged by Benoit BARRAIL. 20th Century, Contemporary, Folk, Jazz, Pop. Score. 12 pages. Benoît ...
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By Zaz. By Isabelle Geffroy and Mikael Geraud. Arranged by Benoit BARRAIL. 20th Century, Contemporary, Folk, Jazz, Pop. Score. 12 pages. Benoît Barrail #678768. Published by Benoît Barrail
Arranged for Piano, Voice and Guitar (chords only).The song Le long de la route (Along the road) was recorded in 2010 by Zaz, on the album Zaz. Zaz (Isabelle Geffroy) is a French singer mixing folk, jazz, soul music and French song. Le long de la route is a very dynamic song inviting everyone to open up more to others.La chanson Le long de la route a t enregistre en 2010 par Zaz sur l'album Zaz. Zaz (Isabelle Geffroy) est une chanteuse franaise qui mlange la musique folk, le jazz, la soul music et la chanson franaise. Le long de la route est une chanson trs dynamique qui invite chacun s'ouvrir aux autres.
$4.99
Moonsong
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Flûte, Clarinette (duo)
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INTERMÉDIAIRE
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Isabelle M
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Moonsong
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IMPMusicProductions
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.1032920 Composed by Isabelle M. Pearson. Concert,Contemporary,Holiday,New Age,Wed...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - SKU: A0.1032920 Composed by Isabelle M. Pearson. Concert,Contemporary,Holiday,New Age,Wedding. Score and parts. 2 pages. IMPMusicProductions #5795203. Published by IMPMusicProductions (A0.1032920). Flute and Clarinet DuetAppropriate for Students -district festival and onwards Pleasant Performance/Showcase PieceThe tempo is variable based on preference, usually between 80-100 BPMMoonsong is a piece of music that evokes an image of nature. The lines of flute and clarinet rise and fall like water or a breeze, and the warm, held notes between instruments are the moonlight coming through the branches. This is a very interpretive and expressional piece of music, designed to project imagery into the audience's heads and paint a picture of a moment in time. Enjoy!Contact the composer at IMPMusicProductions@gmail.com.
$8.99
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Piano seul
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INTERMÉDIAIRE
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL F
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Pu...
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Piano Solo - Level 3 - SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
Guthrie: Bring a Torch, Jeanette, Isabella for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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James M
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Guthrie: Bring a Torch, Jeanet
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1489096 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Ho...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1489096 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Holiday,Standards,Traditional. 22 pages. Jmsgu3 #1065943. Published by jmsgu3 (A0.1489096). Bring a Torch, Jeanette, Isabella (French: Un flambeau, Jeannette, Isabelle) is a traditional Christmas carol originating from the Provence region of France. The carol dates back to the 17th century. It is associated with the tradition of children in Provence dressing as shepherds and milkmaids, carrying torches and candles to Midnight Mass on Christmas Eve while singing the carol. The Carol tells the story of two milkmaids, Jeannette and Isabella, who discover the baby Jesus in a stable and run to inform the villagers, urging them to come quietly not to disturb the sleeping child. The song's melody is believed to have originated as a lively dance tune from as early as the 14th century, and French composer Marc-Antoine Charpentier later adapted it for a drinking song. The lyrics were first associated with this melody in a collection of French carols in 1901, transcribed by Julien Tiersot. Edward Cuthbert Nunn made the most popular English adaptation in the late 19th century. Despite its historical roots and charming melody, Bring a Torch, Jeanette, Isabella is considered one of the lesser-known carols outside of France. Still, it remains a beloved part of Christmas celebrations in the Provence region.
$34.95
Un, Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella)
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Michelle Willis
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Un, Flambeau, Jeanette Isabell
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Teton Music
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4...
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Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4 pages. Teton Music #3138323. Published by Teton Music (A0.887268). Lucious harmonies make this familiar, 15th century Christmas carol fresh again. The piece begins with percussive 'dings' and 'dongs' as they mimic the ringing of church bells. The remainder of the piece splits into four part women's harmony with flowing, moving lines in each vocal part. Excellent selection for church, school or professional ensembles. May be sung in English or French.Duration: 2 minutes, 45 secondsEnglish LyricsBring a torch, Jeanette, Isabella!Bring a torch, to Bethlehem come!Christ is born. Tell the folk of the villageMary has laid him in a manger.Ah! Ah! beautiful is the Mother!Ah! Ah! beautiful is her child!Who is that, knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Knock! Open the door for us!Knock! Knock! Knock! Let's celebrate!It is wrong when the Baby is sleeping,It is wrong to speak so loud.Silence, now as you gather around,Lest your noise should waken Jesus.Hush! Hush! see how the Baby slumbers;Hush! Hush! see how the Baby sleeps!Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at him there, His cheeks are rosy!Hush! Hush! see how the Child is sleeping;Hush! Hush! see how he smiles in dreams!French LyricsUn flambeau, Jeannette, IsabelleUn flambeau, courons au berceau.C’est Jésus, bonnes gens du hameau,Le Christ est né, Marie appelleAh! Ah! Que la mère est belleAh! Ah! Que l’Enfant est beau.Qui vient là frappant de la sorteQui vient là frappant comme ça.Ouvrez donc j’ai posé sur un platDe bons gâteaux qu’ici j’apporte.Toc! Toc! Ouvrez-nous la porteToc! Toc! Faisons grand gala.C’est un tort quand l’Enfant sommeilleC’est un tort de crier si fort.Taisez-vous l’un et l’autre d’abord,Au moindre bruit Jésus s’éveilleChut! Chut! Il dort à merveilleChut! Chut! Voyez comme Il dort.Doucement dans l’étable closeDoucement venez un momentApprochez! Que Jésus est charmant,Comme Il est blanc, comme Il est roseDo! Do! Que l’Enfant reposeDo! Do! Qu’Il rie en dormant.
$2.49
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Isabelle M
