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It's All About You

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It's All About You #Piano, Voix #INTERMÉDIAIRE #Drew Lane #It's All About You #Andrew Lane #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.1027450 Composed by Drew Lane. Children,Musical/Show,Pop,Rock. Score. 6 pages. Andrew Lane #433161. Published by A...(+)

$3.99

Lord, I Lift Your Name On High #Piano, Voix #INTERMÉDIAIRE #Contemporain #Rick Founds

Arran #Rick Founds #Susan Staples Bell #Lord, I Lift Your Name On High #Susan Staples Mast Bell #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - SKU: A0.749551 Composed by Rick Founds. Arranged by Susan Staples Bell. Contemporary. Score. 9 pages. Susan Staples Mast B...(+)

Piano,Vocal,Voice - Level 3 - SKU: A0.749551 Composed by Rick Founds. Arranged by Susan Staples Bell. Contemporary. Score. 9 pages. Susan Staples Mast Bell #6351495. Published by Susan Staples Mast Bell (A0.749551). Lord, I Lift Your Name on HighPiano Solo for IntermediateBy Rick FoundsArrangement by Susan Staples Bell, ASCAPLord, I Lift Your Name on High is an iconic song in the Praise Music genre. This arrangement is specifically written to be accessible and instructive for the Intermediate Piano Student or the traditional Church Pianist who is asked to transition to a more Contemporary style of playing. Careful thought was given to hand position changes, interval reaches, and easier syncopated rhythms.Included in this Series: -You Gotta Know the Score! an introduction to the elements of Praise Music and concepts included in this arrangement. -a Lead Sheet. The original melody and chord symbols. -Itâ€™s All About the Chords. What are the chords used in this arrangement and how can you use them to create your own version? Also, ideas for improvisation in the Right Hand for fills and vamps. -Put it All Together. Here is the arrangement, specially crafted for you! Time length. (03:00). Piano Solo for Worship or Recital. Intermediate level. Like what you hear? Check out other compositions by Susan Staples Bell available on Sheet Music Plus.Also, selected pieces are now available on JW Pepper for a print option and SuperScore for Ipad. Susan Bell Youtube:https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycg

$6.99

Medallion Girls for Choir from Science Fiction Opera Libertaria #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Sabrina Pena Young #Medallion Girls for Choir from #Sabrina PeÃ±a Young #SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina Pe...(+)

Choral Choir,Choral (SATB) - Level 4 - SKU: A0.976936 Composed by Sabrina Pena Young. Broadway,Film/TV,Halloween,Musical/Show,Opera. 6 pages. Sabrina PeÃ±a Young #3430823. Published by Sabrina PeÃ±a Young (A0.976936). Dramatic science fiction inspired choral work from groundbreaking post-apocalyptic 21st century animated opera Libertaria. Quirky and partially inspired by Dr. Who, this choral work is a fun musical theater piece for choir. The Medallion Girls are part of a futuristic genetic experiment meant to perfect humanity after a radiation permanently mutated humans. Truly a unique work. Award-winning composer and TED Talk Speaker. Award-winning Cuban-American Composer S. PeÃ±a Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The worldâ€™s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. â€“FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing worldâ€¦a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S PeÃ±a Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60Ã—60 and Lee Scottâ€™s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the worldâ€™s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.

$7.99

Triple Threat: Mallets #Orchestre d'harmonie #Methodes #Michael Story #Festival.
#Triple Threat: Mallets #Alfred Music - Digital Sheet Music #SheetMusicPlus

Concert Band - SKU: AX.00-PC-0016797_M1 Mallets. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-...(+)

Concert Band - SKU: AX.00-PC-0016797_M1 Mallets. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016797_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016797_M1). UPC: 038081504650.It's all about the threes! In triple meter, in ABA form with frequent use of three quarter note melodies, this is three times better for your first year band. Musically engaging, this will set them up for a triple play! (2:00)Concert/Contest; Festival.

$3.00

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1 #Flute (partie séparée) #AVANCÉ #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...(+)

Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2 #Flute (partie séparée) #AVANCÉ #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...(+)

Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1 #Hautbois (partie séparée) #AVANCÉ #Contemporain #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...(+)

Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2 #Hautbois (partie séparée) #AVANCÉ #Contemporain #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...(+)

Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethovenâ€“his 250th birthday is this yearâ€“but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally theyâ€™re falling apart. The title is inspired by a quote thatâ€™s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. Iâ€™m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when youâ€™re authentically a hot mess. And whatâ€™s more of a musical hot mess than a fugue?There are two realities to this piece. Iâ€™ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, [â€¦] Itâ€™s as if someone were beating you with a stick and saying, â€˜Your business is rejoicing, your business is rejoicing,â€™ and you rise, shaky, and go marching off, muttering â€˜Our business is rejoicing, our business is rejoicing.â€™ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, Iâ€™ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is inventedâ€“out of a literal need to surviveâ€“pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50

Paul Wehage: To You for baritone, tenor saxophone and piano #Paul Wehage #Paul Wehage: To You for barito #Musik Fabrik Music Publishing #SheetMusicPlus

Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...(+)

Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitmanâ€™s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poeâ€™s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poetâ€™s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.

$29.95

Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star." #Contemporain #Grace Joy Reid #Poe's Evening Carousel Ride, b #Creating Music Joy #SheetMusicPlus

Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creatin...(+)

Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.

$7.95

Finally found in you #Guitare #DÉBUTANT #Classique #Jecil #Finally found in you #Je Cil #SheetMusicPlus

Solo Guitar - Level 1 - SKU: A0.1094286 By Jecil. By Jecil Soligan. Classical,Romantic Period. Individual part. 1 pages. Je Cil #698371. Published by Je...(+)

Solo Guitar - Level 1 - SKU: A0.1094286 By Jecil. By Jecil Soligan. Classical,Romantic Period. Individual part. 1 pages. Je Cil #698371. Published by Je Cil (A0.1094286). It's all about being in love with someone else.

$100.00

About Sex #Piano, Voix et Guitare #INTERMÉDIAIRE #Jazz #Charlie Barnett #About Sex #Big Kahuna Music #SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.987159 Composed by Charlie Barnett. Jazz. Score. 7 pages. Big Kahuna Music #2016813. Published by Big Kahun...(+)

Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.987159 Composed by Charlie Barnett. Jazz. Score. 7 pages. Big Kahuna Music #2016813. Published by Big Kahuna Music (A0.987159). When that call from an old flame comes after midnight, you know what it's really about. From The Early Years, the first album of the popular East Coast jazz band Chaise Lounge.

$4.99

It Is Not Death to Die - Orchestration #Robert Myers # #It Is Not Death to Die - Orche #WheatMyer Music #SheetMusicPlus

Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...(+)

Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham CÃ©sar Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Donâ€™t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the musicâ€™s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings

$75.00

Ballade For An Entablature #Orchestre #INTERMÉDIAIRE/AVANCÉ #All Women's Orchestra, Norwich #Ballade For An Entablature #Geraldine #SheetMusicPlus

Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...(+)

Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration â€“ 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore â€“ a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.

$45.00

Yesterday, When I Was Young (hier Encore) #Piano seul #AVANCÉ #Roy Clark #Timothy Stapay #Yesterday, When I Was Young #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Si...(+)

Piano Solo - Level 5 - SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964.Â The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...

$5.99

Santa's Crazy Reindeer #Chorale SATB #Kirby Shaw #Recorded Acc. Available.
#Santa's Crazy Reindeer #Alfred Music - Digital Sheet Music #SheetMusicPlus

Chorus - SKU: AX.00-PO-0001789 Santa's Crazy Reindeer - SATB. Composed by Kirby Shaw. Secular Choral. 11 pages. Alfred Music - Digital Sheet Musi...(+)

Chorus - SKU: AX.00-PO-0001789 Santa's Crazy Reindeer - SATB. Composed by Kirby Shaw. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0001789. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001789). UPC: 038081466200.A little bit vaudeville, a little bit country, this zany novelty number is a hoot! You know Dasher and Dancer, and Prancer and Vixen? Well, this isn't about those guys, it's actually about their wacky cousins. You'll be laughing well into January!Inst. Parts Available (choral); Recorded Acc. Available.

$1.85

Santa's Crazy Reindeer #Chorale 2 parties #Kirby Shaw #Recorded Acc. Available.
#Santa's Crazy Reindeer #Alfred Music - Digital Sheet Music #SheetMusicPlus

Chorus - SKU: AX.00-PO-0001791 Santa's Crazy Reindeer - 2-Part. Composed by Kirby Shaw. Secular Choral. 11 pages. Alfred Music - Digital Sheet Mu...(+)

Chorus - SKU: AX.00-PO-0001791 Santa's Crazy Reindeer - 2-Part. Composed by Kirby Shaw. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0001791. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0001791). UPC: 038081466224.A little bit vaudeville, a little bit country, this zany novelty number is a hoot! You know Dasher and Dancer, and Prancer and Vixen? Well, this isn't about those guys, it's actually about their wacky cousins. You'll be laughing well into January!Inst. Parts Available (choral); Recorded Acc. Available.

$1.85

Santa's Crazy Reindeer #Methodes #Kirby Shaw #Santa's Crazy Reindeer #Alfred Music - Digital Sheet Music #SheetMusicPlus

SKU: AX.00-PK-0005883 Composed by Kirby Shaw. Instructional. Parent. 21 pages. Alfred Music - Digital Sheet Music #00-PK-0005883. Published by Alfred Mu...(+)

SKU: AX.00-PK-0005883 Composed by Kirby Shaw. Instructional. Parent. 21 pages. Alfred Music - Digital Sheet Music #00-PK-0005883. Published by Alfred Music - Digital Sheet Music (AX.00-PK-0005883). A little bit vaudeville, a little bit country, this zany novelty number is a hoot! You know Dasher and Dancer, and Prancer and Vixen? Well, this isn't about those guys, it's actually about their wacky cousins. You'll be laughing well into January! Instrumental parts available as a digital download.

$35.00

This I Promise You #Violon, Violoncelle (duo) #INTERMÉDIAIRE #Ronan Keating #Homco/Crinion #unwavering devotion #This I Promise You #Homco/Crinion #SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1495359 By Ronan Keating. By Mark Taylor, Paul Barry, and Roman Keating. Arranged by Homco/Crinion. W...(+)

Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1495359 By Ronan Keating. By Mark Taylor, Paul Barry, and Roman Keating. Arranged by Homco/Crinion. Wedding. 3 pages. Homco/Crinion #1071872. Published by Homco/Crinion (A0.1495359). The perfect song for any Wedding Ceremony: Ronan Keating's This I Promise You. The title and the lyrics say it all. The message is simple and the melody is beautiful. It's all about commitment; unwavering devotion; trust; and the willingness to face the challenges of life together. This I promise you.

$9.99

It`s all in you #Contemporain #Oriel Sweet #Oriel Sweet #It`s all in you #Oriel Sweet #SheetMusicPlus

Acoustic Guitar - Level 1 - SKU: A0.1111591 By Oriel Sweet. By Oriel Sweet. Arranged by Oriel Sweet. 20th Century. Full Performance. Duration 147. Oriel...(+)

Acoustic Guitar - Level 1 - SKU: A0.1111591 By Oriel Sweet. By Oriel Sweet. Arranged by Oriel Sweet. 20th Century. Full Performance. Duration 147. Oriel Sweet #713884. Published by Oriel Sweet (A0.1111591). This song is about how the power of life and love is within us all. We all have the answers to life`s questions in our own hearts and within us already.

$1.99

Stronger (What Doesn't Kill You) #Quatuor de Saxophones: 4 saxophones #INTERMÉDIAIRE #Pop musique #Kelly Clarkson #Frank Pugh #Written for #Stronger #Frank Pugh #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.942707 By Kelly Clarkson. By ...(+)

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.942707 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. 24 pages. Frank Pugh #3446223. Published by Frank Pugh (A0.942707). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for saxophone quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have all the saxes needed, then these substitute parts are included: the soprano part may be played on alto, and the alto 2 part may be played on tenor sax. The song comes in at around 3:14 in length.This arrangement is written in the same key as my brass quintet arrangement of Stronger, and so both arrangements are compatible with each other.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!

$15.99

Symphony in A flat Major "Phoenix" - All Parts #An-lun Huang #Symphony in A flat Major "Phoe #DoReMi Edition #SheetMusicPlus

Large Ensemble Choir - SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by Do...(+)

Large Ensemble Choir - SKU: A0.948805 Composed by An-lun Huang. Contemporary,World. Score and parts. 515 pages. DoReMi Edition #6080281. Published by DoReMi Edition (A0.948805). SCORE @ Amazon ï¼?https://amzn.to/34qCMdz The Symphonic Concert No.2, is Huangâ??s second serial symphonic work in a large form. ----- The first part, Op.47a, is The Symphonic Overture No. 2, the second part, Op.47b, is the Violin Concerto in B in three movements. They are all published by Amazon. And the third part, Op.47c, is this Symphony in A flat major 'Phoenix' in 5 movements [62 minutes] The first two parts of the Symphonic Concert No.2 were premiered in Beijing by the China Youth Symphony Orchestra in 1997. However, the composing of the third part has been delayed. The reason is the author's Chinese heart: for thousands of years, the word deep disaster has been following this nation, but, however, the Chinese finally rise in the east of the world from the deadly dark. How can the composer present this symphony in the most appropriate form, and bring blessings to the world? Until the idea of Phoenix sigh inspired the author's rolling music. As a result, the structure of the entire symphony is: a total of five movements, the order is: 1.-ESSENCE ç²¾ Andante con molto 2.-SPIRIT æ°? Allegro assai 3.-DIVINITY ç¥? Larghetto 4.-PEACE å?? Vivo 5.-REVIVAL è?¾é£? Allegro assai con brio The fifth movement of this symphony, Revival, is the end of the entire Symphonic Concert No. 2. Its Phoenixâ??s Flame of Fire symbolizes the composer's powerful belief in the whole composition: Defeat death to obtain the eternal life. This point has a distinct manifestation in this final movement: from the beginning of the world turmoil to the evolution of the huge contrast of the brilliant chorus of the Phoenix; from the disaster making the Phoenix smashes into the fire of hell from the high heaven; its shocking description of self-immolation to the sound of the resurrection and the vitality of the folk instruments which simulate the voice of life from afar; and from the brilliant fire of the phoenix soars to the sky with roar of the organ at the end. The themes of all of the previous music are also interrelated. All of the players join the forces to create the powerful music that The Chinese symphony has never been sounded like this before, and it is all about achieving a brilliant future, the critic said in Peopleâ??s Music, the major music magazine in China, 2009.

$500.00

It's All About The Blame #Ensemble Jazz #INTERMÉDIAIRE #Jazz #Kurt Schulenburg #It's All About The Blame #Kurt Schulenburg #SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.505156 Composed by Kurt Schulenburg. Jazz. Score and parts. 50 pages. Kurt Schulenburg #4609695. Publish...(+)

Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.505156 Composed by Kurt Schulenburg. Jazz. Score and parts. 50 pages. Kurt Schulenburg #4609695. Published by Kurt Schulenburg (A0.505156). Bouncy Big Band Tune based on the chord changes of Don't Blame Me - this original composition features Tenor Sax 1 and Trombone 1 in the solo break. (The recording only has the rhythm section playing - great for developing your own solos.) Trumpet is only up to High A - except for the last lick that has an E above the staff - and can easily be taken down an octave! About a Grade 2.5 - 3, most high school bands can play this - and it sounds great with pros, too!

$49.99

It's All About Love #Piano, Voix #FACILE #Hal Wright, Kim Mitzo Thompson #Hal Wright #It's All About Love #Tyler Hilderbrand #SheetMusicPlus

Piano,Vocal,Voice - Level 2 - SKU: A0.873258 Composed by Hal Wright, Kim Mitzo Thompson. Arranged by Hal Wright. Children,Christian,Instructional. Score...(+)

Piano,Vocal,Voice - Level 2 - SKU: A0.873258 Composed by Hal Wright, Kim Mitzo Thompson. Arranged by Hal Wright. Children,Christian,Instructional. Score. 7 pages. Tyler Hilderbrand #3513157. Published by Tyler Hilderbrand (A0.873258). This original praise and worship song features a single line melody along with the full score for the intermediate piano player. Guitar chords also included. Perfect for kids and adults to sing together for church choir performances. Creative harmony parts for the adults, coupled with a simple melody line, written especially for young children, makes this a great song for any size church choir or worship team. Fun, professional arrangement by Hal Wright.

$2.99

Stronger (What Doesn't Kill You) #Ensemble de cuivres #INTERMÉDIAIRE #Pop musique #Kelly Clarkson #Frank Pugh #Stronger #Frank Pugh #SheetMusicPlus

Brass Ensemble - Level 3 - SKU: A0.942708 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pu...(+)

Brass Ensemble - Level 3 - SKU: A0.942708 By Kelly Clarkson. By Alexandra Tamposi, David Gamson, Greg Kurstin, and Jorgen Elofsson. Arranged by Frank Pugh. Pop. Score and parts. 24 pages. Frank Pugh #3444699. Published by Frank Pugh (A0.942708). This Kelly Clarkson hit is a great choice to connect to a more youthful audience, and it's fun for younger players too! Written for brass quintet, it retains all the energy of the original song. Add a player on the optional drum set part for even more excitement! If you don't have a french horn, substitute parts are included for baritone t.c. and euphonium. The song comes in at around 3:14 in length.You can check out my other titles here at Sheet Music Plus, or visit my Facebook page: Frank Pugh, music , and my LinkeIn page: Frank Pugh composer / arranger , to learn more about me and what I do. Thanks!

$15.99

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