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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's All Over
Non classifié
1 477
Piano & claviers
Piano seul
755
Piano, Voix
306
Piano Facile
261
Piano, Voix et Guitare
202
Piano grosses notes
115
Instruments en Do
79
Orgue
69
Piano Trio: piano, violon, violoncelle
19
1 Piano, 4 mains
11
Piano (partie séparée)
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accompagnement Piano
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
2 Pianos, 8 mains
2
Accordéon
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Ensemble d'Accordéons
1
+ 14 instrumentations
Retracter
Guitares
Guitare
83
Guitare notes et tablatures
62
Ligne De Mélodie, (Paroles) et Accords
33
Ukulele
31
Basse electrique
18
2 Guitares (duo)
18
Guitare (partie séparée)
12
Paroles et Accords
9
Banjo
8
4 Guitares (Quatuor)
7
Mandoline
5
Dulcimer
4
Piano, Guitare (duo)
3
3 Guitares (trio)
3
2 Ukuleles
1
Guitare, Violon, Violoncelle (trio)
1
+ 11 instrumentations
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Voix
Chorale SATB
243
Chorale 3 parties
78
Chorale 2 parties
48
Chorale SSAA
46
Chorale TTBB
40
Chorale Unison
31
Voix Alto, Piano
27
Voix Soprano, Piano
26
Voix Tenor, Piano
18
Voix Baryton, Piano
17
Voix seule
10
Voix haute
8
Voix duo, Piano
7
Voix Tenor
2
Voix moyenne, Piano
2
Voix basse, Piano
1
Soli, choeur mixte et accompagnement
1
+ 12 instrumentations
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Vents
Clarinette et Piano
141
Flûte traversière et Piano
136
2 Saxophones (duo)
130
Quatuor de Saxophones: 4 saxophones
127
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
117
Clarinette
95
Hautbois, Piano (duo)
94
Saxophone Alto et Piano
89
Flûte traversière
85
Saxophone (partie séparée)
81
Saxophone Tenor et Piano
79
Flûte, Hautbois, Clarinette, Basson
78
Saxophone Alto
73
2 Flûtes traversières (duo)
68
Quintette de Saxophone: 5 saxophones
68
Saxophone Soprano et Piano
64
Saxophone Baryton, Piano
62
Hautbois (partie séparée)
59
Ensemble de saxophones
59
Saxophone Tenor
57
Quatuor de Clarinettes: 4 clarinettes
49
2 Clarinettes (duo)
48
Saxophone, Clarinette (duo)
36
2 Hautbois (duo)
34
Flûte, Clarinette (duo)
31
Cor anglais, Piano
29
Clarinette Basse, Piano
27
Hautbois
26
Clarinette, Violon (duo)
25
Ensemble de Clarinettes
22
Quatuor de Flûtes : 4 flûtes
22
Hautbois, Clarinette (duo)
21
Saxophone Soprano
20
Hautbois, Basson (duo)
19
Ensemble de Flûtes
18
Clarinette, Trompette (duo)
17
Flûte, Violon
16
Flûte à bec Soprano
15
Saxophone Baryton
14
3 Saxophones (trio)
13
Flute (partie séparée)
13
Hautbois, Flûte
12
Clarinette et Alto
12
Flûte, Trompette (duo)
11
3 Clarinettes (trio)
11
Flûte, Trombone (duo)
10
Flûte et Guitare
10
Flûte, Alto (duo)
10
Clarinette, Basson (duo)
9
Harmonica
8
Trio de Flûtes: 3 flûtes
8
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Saxophone (duo)
7
Clarinette (partie séparée)
6
Clarinette, Guitare (duo)
6
Flûte à Bec
6
Quintette de Flûte : 5 flûtes
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Hautbois (duo)
4
Flûte à bec Alto
3
Hautbois, Violoncelle
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette, Violoncelle (duo)
3
2 Flûte à bec (duo)
3
Piccolo, Piano
3
Flûte, Violon, Piano
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano, Piano
2
2 Saxophones, Piano
2
Cor Anglais
2
Ocarina
2
Hautbois, violon (duo)
2
Flûte, Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte traversière, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Orgue
1
Flûte, Hautbois, Piano (trio)
1
Cor anglais et Harpe (duo)
1
5 Flûtes à bec
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
3 Flûtes à bec (trio)
1
Flûte, Basson et Piano
1
Piccolo
1
Ensemble De Flûte à bec
1
2 Hautbois, Piano
1
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Flûte et Trio à cordes
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Clarinette, Harpe (duo)
1
Cornemuse
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 94 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
144
Trombone et Piano
96
Trompette
91
Cor et Piano
73
Trombone
68
Tuba
67
Quatuor de Cuivres: 2 trompettes, Cor, trombone
67
Trompette, Piano
61
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Cor
52
Tuba et Piano
41
Euphonium, Piano (duo)
40
Trombone (partie séparée)
35
Quatuor de Cuivres
32
2 Trompettes (duo)
32
2 Trombones (duo)
32
Trompette (partie séparée)
30
Cor anglais, Piano
29
Trompette, Saxophone (duo)
25
Trompette, Trombone (duo)
21
2 Cors (duo)
19
Quatuor de cuivres: 4 trombones
17
Ensemble de Trombones
13
Ensemble de Trompettes
10
2 Tubas (duo)
10
Cor (partie séparée)
9
Tuba (partie séparée)
6
Trompette, Cor (duo)
5
Ensemble de Cors
4
Quatuor de cuivres: 4 cors
4
Trombone, Cor (duo)
3
Trompette, Tuba (duo)
3
3 Trombones (trio)
3
Cor, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
2
Trompette, Basson (duo)
2
Cor Anglais
2
2 Euphoniums et 2 Tubas
1
Cor et Orgue
1
Trio de Cuivres
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Violoncelle (duo)
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
2 Cors, Piano
1
3 Trompettes (trio)
1
4 Tubas
1
Tuba et Orgue
1
Bass Clef Instruments
1
Trompette, Euphonium (duo)
1
3 Tubas (trio)
1
2 Euphoniums (duo)
1
3 Euphoniums
1
+ 49 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
330
Violoncelle
132
Violon, Violoncelle (duo)
125
Violon
124
Alto, Piano
102
Violon et Piano
101
Violoncelle, Piano
94
Trio à Cordes: 2 violons, violoncelle
69
2 Violons (duo)
55
Alto seul
46
Violon, Alto (duo)
44
Quintette à cordes: 2 violons, alto, violoncelle, basse
44
Contrebasse, Piano (duo)
43
Contre Basse
42
2 Violoncelles (duo)
41
Trio à Cordes: violon, alto, violoncelle
37
2 Altos (duo)
35
Harpe
28
Alto (partie séparée)
12
Violon (partie séparée)
9
Contrebasse (partie séparée)
8
2 Harpes (duo)
7
2 Contrebasses (duo)
7
4 Violoncelles
6
Alto, Violoncelle (duo)
6
Harpe, Flûte (duo)
6
Trio à Cordes: 3 violoncelles
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle (partie séparée)
3
Ensemble d'Altos
3
Ensemble de Violons
3
Violon, Basson (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
2 Altos, Piano
2
Quatuor à cordes : 4 altos
2
Violon, Guitare (duo)
2
Quatuor à cordes: 4 violons
1
4 Contrebasses
1
Harpe, Voix
1
Harpe et Piano
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orgue
1
Violoncelle, Contrebasse (duo)
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
341
Orchestre
149
Orchestre à Cordes
89
Ensemble Jazz
54
Ensemble de cuivres
54
Orchestre de chambre
46
Fanfare
33
Jazz combo
18
Cloches
14
Ensemble de Percussions
10
Batterie (partie séparée)
5
Batterie
4
Percussion (partie séparée)
4
Ensemble d'École
3
Marimba
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
+ 13 instrumentations
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Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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LUTH, THEOR…
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OUD
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PERCU. ORCH…
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SAXOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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Vous avez sélectionné:
It's All Over
Partitions à imprimer
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9976
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
It was a lover and his lass (a modern madrigal) for SATB choir
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Chorale SATB
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David Warin Solomons
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It was a lover and his lass
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49...
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Choral Choir (SATB) - SKU: A0.576648 Composed by David Warin Solomons. 20th Century,Contemporary,Holiday,Love. Octavo. 6 pages. David Warin Solomons #49135. Published by David Warin Solomons (A0.576648). A jolly parody of Shakespeare's song by the same name but using my Bell Dance as the melody to represent mobile phones (or cell phones as they say in the USA). A version for men's voices is also available on this site. The sound sample here was performed by the Composer's Choir under Dan Shaw. ring ding dong ding dong ring ding dong ding dong It was a lover and his lass in the spring time that through the city streets did pass in this ring time calling each other every minute or two and texting in case they couldn't get through oh hearken to the lovers in the spring time! Between the supermarket aisles while they're shopping these pretty city folk would chat without stopping vainly the birds are welcoming spring with their song they'll wear themselves out e'er very long while lads and lasses never tire of ringing! Then one day when Romeo must text his Julietta just to say I luv ya yeah I luv ya so much but then she rings back to tell him that it's all over she's met a nicer lad from Folkestone or Dover (It's all over it's all over lad from Dover) so he just rings to all of his pals and calls her a slag! and all the people on the tram hear the show while our pretty city folk live all on their mobile then suddenly the battery's flat as a skate and Romeo can not ring his mate he's sorry that he called her slag in spring time he can't ring her he can't ring his Julietta sorry now in spring.
$3.99
Let It Rain
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Piano, Voix et Guitare
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Jazz
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Diana Krall
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Let It Rain
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015536 By Diana Krall. By Hal Dyson and James Kendis. Jazz. 5 pages. Alfred Music - Digital Sheet Music #00-PS-00155...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015536 By Diana Krall. By Hal Dyson and James Kendis. Jazz. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015536. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015536). ISBN 9780739093771. UPC: 038081452937.This official piano sheet music companion folio to Diana Krall's 11th studio album will delight any pianist who loves jazz and blues. The melodic 1920s- and '30s-era songs are naturally enjoyable at the keys, as are the songs from later eras, like Lonely Avenue and Wide River to Cross. Vocal melodies, complete lyrics, and chords are included. Titles: We Just Couldn't Say Goodbye * There Ain't No Sweet Man That's Worth the Salt of My Tears * Just Like a Butterfly That's Caught in the Rain * You KnowF--I Know Ev'rything's Made for Love * Glad Rag Doll * I'm a Little Mixed Up * Prairie Lullaby * Here Lies Love * I Used to Love You but It's All Over Now * Let It Rain * Lonely Avenue * Wide River to Cross * When the Curtain Comes Down.
$3.99
alt.Callahans Reel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
I USED TO LOVE YOU, BUT IT'S ALL OVER NOW
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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Lew Brown Albert Von Tilzer
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Walter Latzko
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I USED TO LOVE YOU, BUT IT'S A
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Latzko Muzic
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.871678 Composed by Lew Brown Albert Von Tilzer. Arranged by Walter Latzko. Traditional. Octavo. 6 pages. Latzko ...
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Choral Choir (TTBB) - Level 2 - SKU: A0.871678 Composed by Lew Brown Albert Von Tilzer. Arranged by Walter Latzko. Traditional. Octavo. 6 pages. Latzko Muzic #5317489. Published by Latzko Muzic (A0.871678). BARBERSHOP ARRANGEMENT OF A 1920 LOVE BALLAD.
$6.99
It's Not Over Yet
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Ben Glover, Joel Smallbone, Ky
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Matthew Udland
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It's Not Over Yet
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Midwest A Cappella
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1380687 Composed by Ben Glover, Joel Smallbone, Kyle Rictor, Luke Smallbone, and Tedd Tjornhom. Ar...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1380687 Composed by Ben Glover, Joel Smallbone, Kyle Rictor, Luke Smallbone, and Tedd Tjornhom. Arranged by Matthew Udland. 21st Century,A Cappella,Christian,Contemporary,Praise & Worship. 7 pages. Midwest A Cappella #965468. Published by Midwest A Cappella (A0.1380687). Made popular by for King + COUNTRY SSAATBB plus duet Arrangement by Matthew Udland This song has a great message and with a fast tempo, it makes a great set closer or opener!*Though scored for an ensemble of 10 voices, more could easily double lines and the harmonies on the S2 line could be removed.*The Vocal Percussion line is optional and intended for the performer to expand upon as appropriate. *This arrangement intentionally shortened the song to 1 minute and 45 seconds to make it more manageable for an ensemble to put together. The original second verse fit nicely with the harmonies and a repeat could be added by the performing group to include the removed section.*All recordings were produced via Sibelius and Synthezier V AI tools.
$2.99
It's All Over Now, Baby Blue
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Rock
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Bob Dylan
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Daryl McKenzie
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It's All Over Now, Baby Blue
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Daryl McKenzie
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SheetMusicPlus
Small Ensemble Double Bass,Drums,Guitar,Piano,Saxophone,Trumpet - Level 3 - SKU: A0.717843 By Bob Dylan. By Bob Dylan. Arranged by Daryl McKenzie. Rock....
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Small Ensemble Double Bass,Drums,Guitar,Piano,Saxophone,Trumpet - Level 3 - SKU: A0.717843 By Bob Dylan. By Bob Dylan. Arranged by Daryl McKenzie. Rock. Score and parts. 45 pages. Daryl McKenzie #3820329. Published by Daryl McKenzie (A0.717843). Based on the Russell Morris version (https://youtu.be/__94J_lSPic) Arranged for Male Vocal (no voice part included) and Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums) Key of E major. More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$59.99
It's All Over
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Youngblood Brass Band
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Nat McIntosh
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It's All Over
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Layered Music
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SheetMusicPlus
Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1394092 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat McInto...
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Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1394092 By Youngblood Brass Band. By Nat McIntosh. Arranged by Nat McIntosh. Funk,Hip-Hop,Jazz,R & B,Soul. 57 pages. Layered Music #977550. Published by Layered Music (A0.1394092). Full score and parts for the Youngblood Brass Band song 'It's All Over', by Nat McIntosh, taken from the Unlearn album recordings. This is the official, verbatim transcription from the record, i.e. 3 trumpet parts, 2 trombones, 1 tenor sax, 1 snare drum/cymbal, 1 bass drum/cymbal, and sousaphone. Transcribed and approved by the author. This is the only YBB-sanctioned sheet music in existence for this original tune.YBB members are also available for online lessons, commissions, bespoke arrangements, and custom studio work. Contact us for details and check out our entire catalog of music, merch, and arrangements (including options to purchase the actual software notation files for sheet music) at youngbloodbrassbandofficial.bandcamp.comAll links to YBB social media/music/info: linktr.ee/youngbloodbrassbandThanks for listening.
$65.00
All I Really Want is Peace on Earth - SSA with Soloist(s), Lead Sheet
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Chorale 3 parties
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DÉBUTANT
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449530 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Ch...
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Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449530 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 5 pages. Lytingale Music #1029286. Published by Lytingale Music (A0.1449530). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
All I Really Want is Peace on Earth - SSA with soloist(s) + Piano
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Chorale 3 parties
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DÉBUTANT
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449529 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Ch...
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Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449529 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 8 pages. Lytingale Music #1029285. Published by Lytingale Music (A0.1449529). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
All I Really Want is Peace on Earth - SSA (w/piano, no soloist)
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Chorale 3 parties
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DÉBUTANT
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449532 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Ch...
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Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449532 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 5 pages. Lytingale Music #1029288. Published by Lytingale Music (A0.1449532). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
All I Really Want is Peace on Earth - Violin or Flute part w/vocal Lead Sheet
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Instruments en Do
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FACILE
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1449537 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holid...
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C Instrument - Level 2 - SKU: A0.1449537 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 3 pages. Lytingale Music #1029293. Published by Lytingale Music (A0.1449537). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for optional Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
All I Really Want is Peace on Earth - SSA Lead Sheet (no soloist)
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Chorale 3 parties
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DÉBUTANT
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449535 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Ch...
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Choral Choir,Choral,SSA Chorus - Level 1 - SKU: A0.1449535 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Holiday,Singer/Songwriter,Spiritual. 4 pages. Lytingale Music #1029290. Published by Lytingale Music (A0.1449535). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$2.22
All I Really Want is Peace on Earth - Solo Lead Sheet
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Instruments en Do
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FACILE
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Lytingale
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1449523 By Lytingale. By Lois J Henrickson (Lytingale). Christmas,Folk,Praise & Worship,Singer/Songwriter,Spiritual. Le...
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C Instrument - Level 2 - SKU: A0.1449523 By Lytingale. By Lois J Henrickson (Lytingale). Christmas,Folk,Praise & Worship,Singer/Songwriter,Spiritual. Lead Sheet / Fake Book. 2 pages. Lytingale Music #1029274. Published by Lytingale Music (A0.1449523). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$3.33
All I Really Want is Peace on Earth - Solo with Piano
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Piano, Voix et Guitare
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FACILE
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Lytingale
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Lois J Henrickson (Lytingale)
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All I Really Want is Peace on
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Lytingale Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christma...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1449528 By Lytingale. By Lois J Henrickson (Lytingale). Arranged by Lois J Henrickson (Lytingale). Christmas,Folk,Pop,Singer/Songwriter,Spiritual. Score. 4 pages. Lytingale Music #1029284. Published by Lytingale Music (A0.1449528). A non-exclusive song for the winter holidays that expresses the giving spirit of the season without referencing any specific religion. (OK, there's a musical nod to Silent Night.) My challenge to myself was to write a spiritual holiday song without ever mentioning Christmas... to celebrate EVERY baby's birth and the season of giving.The song is available for Solo voice, SSA choir with solos, SSA (no solos), and optional Violin or Flute part. Formats: with written piano part (simple - please embellish!) or Lead Sheet (melody, words, chord names - less pages to print!), lead sheet for Violin or Flute. Whew!Lyrics:All I Really Want is Peace on Earth(c)2017 Lois J Henrickson (Lytingale) When they ask me what I wish forOn this holy holiday,I can only think of all the waysThe world has lost its way.And I hope that we will see the LightIn every baby’s birth,And expand our love to everyone.All I really want is peace on earth, peace on earth.Yesterday I saw an angel.She was teaching kids to read.And another one gave up his coatFor somebody in need.Oh, it’s all around the cityAnd in every single town,Lots of people helping people.All they really want is peace on earth, peace on earth.And if you search the whole world over,This is what you’ll see:People just want to take care of their family.And when we realize our differences areReally very small,Every person is a part of us all. Everybody has a purpose,Their place is guaranteed.Doesn’t matter what they look like,Or what holy books they read.Oh, we all belong togetherIn one caring family.We are here to love each other.All we really want is peace on earth,Peace on earth,Sweet peace on earth,Peace.
$3.33
Bambino dalle stelle (Child of the Stars)
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Chorale SATB
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Alfonso Maria de' Liguori
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Sandra Milliken
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Bambino dalle stelle
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.774720 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. Octavo. 1...
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Choral Choir (SATB) - SKU: A0.774720 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. Octavo. 15 pages. Sandra Milliken #3676507. Published by Sandra Milliken (A0.774720). Bambino dalle stelle (Child of the Stars )is a choral arrangement based on the traditional Italian Christmas carol Tu scendi dalla stelle (From Starry Skies Descending).Tu scendi dalla stelle is amongst the oldest of Christmas songs in Italy. The original version was written in the mid-1700s in Naples by the Catholic Bishop of Sant'Agata dei Goti, Alfonso Maria de’ Ligouri. At that time it was called Quanno nascette Ninno and was written in the Neapolitan dialect in the style of a pastorale.The song was later re-written in Italian by Pope Pius IX and thereafter it became famous as a Christmas carol all over the world.Originally containing seven verses, today’s performances of the carol in Italy generally include only the first two verses. Notable recordings and performances of the carol include those by Sergio Franchi, Andrea Bocelli and Luciano Pavarotti.This English language arrangement has been extended to four verses. Verse 1 and 2 are adaptations of the first two verses of the original; the third verse tells of the adoration of the shepherds and the wise men; and the fourth is based on some ideas inspired by the remaining verses of the original version.Instrumental accompanimentAvailable separately is an instrumental accompaniment scored for string quintet and glockenspiel. (S0.923433)
$2.20
I Used To Love You But It's All Over
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Chorale TTBB
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Contemporain
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Lew Brown, Albert Von Tilzer
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Jim Shubert
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I Used To Love You But It's Al
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - SKU: A0.971244 Composed by Lew Brown, Albert Von Tilzer. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James W. Shubert ...
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Choral Choir (TTBB) - SKU: A0.971244 Composed by Lew Brown, Albert Von Tilzer. Arranged by Jim Shubert. Contemporary. Octavo. 4 pages. James W. Shubert #6069703. Published by James W. Shubert (A0.971244). 4 part Male Barbershop Arrangement (TTBB) Circa 1920Learning Tracks available for all four parts, Tenor, Lead, Baritone, Bass. Item# S0.878383, S0.878381, S0.878379, S0.878375.
$1.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Tu scendi dalle stelle (From starry skies descending)
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Chorale 3 parties
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DÉBUTANT
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Alfonso Maria de' Liguori
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Sandra Milliken
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Tu scendi dalle stelle
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.774719 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. ...
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Choral Choir (SSA) - Level 1 - SKU: A0.774719 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. Octavo. 12 pages. Sandra Milliken #3676503. Published by Sandra Milliken (A0.774719). Tu scendi dalla stelle is amongst the oldest of Christmas songs in Italy. The original version was written in the mid-1700s in Naples by the Catholic Bishop of Sant'Agata dei Goti, Alfonso Maria de’ Liguori. At that time it was called Quanno nascette Ninno and was written in the Neapolitan dialect in the style of a pastorale.The song was later re-written in Italian by Pope Pius IX and thereafter it became famous as a Christmas carol all over the world.Originally containing seven verses, today’s performances of the carol in Italy generally include only the first two verses. Notable recordings and performances of the carol include those by Sergio Franchi, Andrea Bocelli and Luciano Pavarotti.This arrangement features both Italian and English lyrics, with the English version being a very close adaptation of the original Italian. The carol may therefore be sung in either Italian or English, or a combination of both.Available in 2 Part and SSA, both with piano and optional descant/flute.Also available separately is an instrumental accompaniment for the SSA version, scored for String quintet and glockenspiel, with conductor's score. (S0.937945)
$2.20
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Tu scendi dalle stelle (From starry skies descending)
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Chorale 2 parties
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DÉBUTANT
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Alfonso Maria de' Liguori
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Sandra Milliken
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Tu scendi dalle stelle
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SA) - Level 1 - SKU: A0.774718 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. O...
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Choral Choir (SA) - Level 1 - SKU: A0.774718 Composed by Alfonso Maria de' Liguori. Arranged by Sandra Milliken. Christian,Christmas,Classical,Sacred. Octavo. 10 pages. Sandra Milliken #3676501. Published by Sandra Milliken (A0.774718). Tu scendi dalla stelle is amongst the oldest of Christmas songs in Italy. The original version was written in the mid-1700s in Naples by the Catholic Bishop of Sant'Agata dei Goti, Alfonso Maria de’ Liguori. At that time it was called Quanno nascette Ninno and was written in the Neapolitan dialect in the style of a pastorale.The song was later re-written in Italian by Pope Pius IX and thereafter it became famous as a Christmas carol all over the world. Originally containing seven verses, today’s performances of the carol in Italy generally include only the first two verses. Notable recordings and performances of the carol include those by Sergio Franchi, Andrea Bocelli and Luciano Pavarotti. This arrangement features both Italian and English lyrics, with the English version being a very close adaptation of the original Italian. The carol may therefore be sung in either Italian or English, or a combination of both. Available in 2 Part and SSA, both with piano and optional descant/flute.
$2.20
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!'
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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Bad Hombres Jumping Over my Wa
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare...
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Piano Solo - Level 4 - SKU: A0.596525 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Latin. Score. 7 pages. Juan Maria Solare #3621769. Published by Juan Maria Solare (A0.596525). The piano piece Bad Hombres Jumping Over my Wall While Yelling '¡Arriba!, ¡Arriba!' was composed in Bremen, Germany, in August 2018, for the project 45miniatures by pianist Nick Phillips. The overall character of this piece responds vaguely to Nicholas Phillips' suggestion: playful/childish outbursts, in the form of heckler chords or bad hombre-like non-chord tones. The title depicts a surrealistic, clownesque, ridiculous situation; a dream for some and a nightmare for others.For those totally unaware: the expression Bad Hombres was used by president Donald Trump during the third 2016 United States Presidential Debate. While answering a question about his immigration policy, Donald Trump stated that there were a lot of drug lords in the United States and that they needed to be removed. He concluded his comment by saying we have some bad hombres here and we have to get them out. (thus implying that the responsible of US' drug problems are Latinos)Character and moods: happy, merry, mysterious. About the performance All the piece consists of mini clusters (two minor seconds). The notation can be sometimes obscure (due to the many unavoidable accidentals). To facilitate the reading (deciphering) of the score, the easiest is to follow the highest note of each cluster: they usually form a simple chord. For instance, bar 17 is (melodically speaking) a F7 chord. Got it? L = Left Hand R = Right Hand The verbal comments along the music are not meant to be actually read aloud, but alla mente (like in some Satie's music). However, if you want to recite them at concert, go ahead.Juan MarÃa Solare (http://www.JuanMariaSolare.com)
$2.00
Brass Sextet - Allegro Spiritoso
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Contemporain
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Mike Lyons
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Brass Sextet - Allegro Spirito
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Lyons Music Services
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Servic...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767547 Composed by Mike Lyons. Contemporary. Score and parts. 32 pages. Lyons Music Services #5743867. Published by Lyons Music Services (A0.767547). Allegro Spiritoso came about in response to the Covid-19 lockdown. I had been looking for inspiration for a new brass piece and these ideas finally gelled into this single movement work. The opening requires controlled flutter tonguing from the trumpets and glissandos from both the horns and the trombone. This first set of ideas are angry and frustrated, coming in sharp and bitter contrasts between the fluttering of the trumpets and the repetitive semitone on the tuba. Although in F (concert) this section really doesn't have a key centre. Each outburst instead uses a set of pitches ultimately derived from the Gregorian chant of the Dies Irae which appears later in the piece.I imagined how it must feel to be trapped in the house for weeks on end by the lockdown and the fear of catching the virus, combined with the lack of any real leadership from the British government. The interlocking tuba, trombone and horn rhythms (occasionally passed to 2nd. trumpet) drive the music forward and represent, in a way, the mutating virus which underlies all the troubled emotions caused by the lockdown itself and the feelings of isolation and, indeed, abandonment which many people feel.Half way between letters B and C, the trombone plays a kind of distorted motif reminiscent of a Chorale melody which leads us into a section devoted to those who have died (and continue to die) because of the disease. From letter C to the end, the main melodic motifs come from the Dies Irae, part of the Catholic Mass for the Dead (Requiem). Stated first in the Trumpets, the Tuba takes over the melody in augmentation with fragments passed around the ensemble with interjections from the angry motifs of the first section.Finally, the music begins to quieten and work towards the finish. The Dies Irae melody is reduced to a kind of skeleton of itself (all repeated notes removed) which ends the piece over the tuba/horn ostinato. The whole piece is 2 minutes and 57 seconds long and is - though quite by accident - an exact multiple of 19 bars long (114).It's a very dramatic and angry piece and therefore is quite dissonant. Maybe not to everyone's taste, but well worth a listen.
$25.00
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