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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Hard
Non classifié
728
Piano & claviers
Piano seul
387
Piano, Voix
221
Piano, Voix et Guitare
155
Piano Facile
140
Instruments en Do
43
Accompagnement Piano
21
Orgue
16
2 Pianos, 4 mains
13
Piano (partie séparée)
9
Accordéon
7
Piano Trio: piano, violon, violoncelle
7
1 Piano, 4 mains
7
Piano grosses notes
6
Orgue, Trompette (duo)
5
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Accordéon et Orchestre
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
67
Guitare
49
Ligne De Mélodie, (Paroles) et Accords
37
Ukulele
21
Guitare (partie séparée)
19
Paroles et Accords
13
2 Guitares (duo)
12
Basse electrique
7
Ensemble de guitares
3
4 Guitares (Quatuor)
3
Ensemble de Ukulélés
2
Banjo
2
Mandoline
2
Dulcimer
2
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Basse électrique (partie séparée)
1
+ 12 instrumentations
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Voix
Chorale SATB
184
Chorale 3 parties
50
Chorale TTBB
37
Chorale 2 parties
30
Chorale SSAA
15
Voix Soprano, Piano
14
Chorale Unison
10
Voix duo, Piano
5
Voix haute
4
Voix Tenor, Piano
3
Voix duo
3
Voix seule
2
Voix basse, Piano
2
Chorale
2
Voix Baryton, Piano
2
Voix Alto, Piano
2
Chorale SSATTB
1
Chorale SSAB, Piano
1
+ 13 instrumentations
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Vents
Saxophone (partie séparée)
98
Saxophone Alto
48
Flûte traversière
41
Saxophone Tenor
39
Flûte traversière et Piano
39
Quatuor de Saxophones: 4 saxophones
39
Clarinette
34
Hautbois (partie séparée)
32
Clarinette et Piano
28
Saxophone Alto et Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Saxophone Tenor et Piano
24
Hautbois, Piano (duo)
22
2 Flûtes traversières (duo)
22
Saxophone Soprano et Piano
21
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
19
2 Saxophones (duo)
19
Quintette de Clarinettes: 5 clarinettes
14
Flute (partie séparée)
14
2 Clarinettes (duo)
13
Quatuor de Flûtes : 4 flûtes
12
Saxophone Baryton, Piano
11
Flûte, Clarinette (duo)
10
Clarinette (partie séparée)
9
Ensemble de Clarinettes
8
Cor anglais, Piano
8
Clarinette Basse, Piano
8
Flûte et Guitare
6
Saxophone Soprano
5
Quintette de Saxophone: 5 saxophones
4
Flûte à Bec
4
Quintette de Flûte : 5 flûtes
4
Harmonica
4
2 Hautbois (duo)
3
2 Flûte à bec (duo)
3
Hautbois, Basson (duo)
3
Ensemble de saxophones
3
Ensemble de Flûtes
3
Flûte, Violoncelle
3
Clarinette, Basson (duo)
3
Flûte à bec Soprano
3
Saxophone, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violoncelle (duo)
2
Saxophone et violoncelle
2
Flûte, Violon
2
Ocarina
2
Flûte, Trombone (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Violoncelle
2
Clarinette, Violon (duo)
2
Flûte, Hautbois, Basson
2
Hautbois, trombone (duo)
1
Hautbois, Clarinette (duo)
1
2 Flûtes traversières, Piano
1
Instruments en Mib
1
Clarinette, Trombone (duo)
1
Flûte, Clarinette et Basson
1
2 Clarinettes, Piano
1
Hautbois
1
Clarinette, Trompette (duo)
1
2 Saxophones, Piano
1
3 Clarinettes (trio)
1
Flûte, Basson et Piano
1
Flûte irlandaise
1
Flûte, Hautbois (duo)
1
Flûte, Violon, Piano
1
Flûte, Saxophone (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
+ 67 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Trombone (partie séparée)
57
Trompette
48
Trompette (partie séparée)
46
Trombone
32
Trombone et Piano
31
Trompette, Piano
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Cor
21
Cor et Piano
19
Tuba et Piano
13
Euphonium, Piano (duo)
12
Quatuor de Cuivres
10
Ensemble de Trombones
10
Tuba
9
Cor (partie séparée)
8
Cor anglais, Piano
8
Trompette, Trombone (duo)
6
2 Trombones (duo)
6
2 Cors (duo)
6
2 Trompettes (duo)
5
Tuba (partie séparée)
5
Trompette, Cor (duo)
4
Trio de Cuivres
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium
3
Ensemble de Trompettes
3
Cor et Basson (duo)
2
Cor, Violoncelle (duo)
2
Trombone, Cor (duo)
2
Trombone, Alto (duo)
2
Trombone, Violon (duo)
2
Trompette, Violoncelle (duo)
2
Bass Clef Instruments
2
Quatuor de cuivres: 4 trombones
2
Trompette, Saxophone (duo)
2
Trombone et orchestre
1
2 Trombones, Piano
1
4 Tubas
1
Trompette, Tuba (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 cors
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Trombone, Tuba (duo)
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
120
Violon
61
Violoncelle
51
Violon, Violoncelle (duo)
44
Violon et Piano
43
Violoncelle, Piano
38
Alto, Piano
29
2 Violons (duo)
26
Alto seul
21
2 Violoncelles (duo)
20
Contrebasse (partie séparée)
16
Trio à Cordes: violon, alto, violoncelle
16
Harpe
13
Violon, Alto (duo)
12
2 Altos (duo)
11
Violon (partie séparée)
11
Alto (partie séparée)
11
Trio à Cordes: 2 violons, violoncelle
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contre Basse
6
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
6
Piano Trio: Violon, Alto, Piano
5
Violoncelle (partie séparée)
4
Alto et Basson
3
Violon, Guitare (duo)
2
4 Contrebasses
2
Violon, Basson (duo)
2
2 Harpes (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 3 violoncelles
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
118
Cloches
67
Ensemble de cuivres
59
Orchestre
42
Orchestre à Cordes
42
Ensemble Jazz
37
Fanfare
29
Orchestre de chambre
17
Batterie
10
Batterie (partie séparée)
9
Ensemble de Percussions
7
Percussion (partie séparée)
7
Jazz combo
6
Percussion
3
Xylophone
3
Quintette de Cuivres: autres combinaisons
2
Xylophone, Piano
1
Timbales (partie séparée)
1
Marimba
1
Vibraphone et Marimba
1
Piano et Orchestre
1
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--INSTRUMENTS--
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
#
AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
#
Flute (partie séparée)
#
AVANCÉ
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
(+)
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
#
Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
(+)
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
#
Hautbois (partie séparée)
#
AVANCÉ
#
Contemporain
#
Benjamin Harry Sajo
#
Fugue: "Wear Pearls and S
#
Benjamin Sajo
#
SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
It's Hard to Find a Real Nice Man
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Piano, Voix
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Terry Sherman
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It's Hard to Find a Real Nice
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.6988 Composed by Terry Sherman. Portraits, Couples, Drapery, Parlors, Courtship. Lester S. Levy Collection. 4 pages. Published...
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Piano and voice - SKU: LV.6988 Composed by Terry Sherman. Portraits, Couples, Drapery, Parlors, Courtship. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6988). It's Hard to Find a Real Nice Man. Lyrics by Arthur Gillespie. Music by Terry Sherman. Published 1909 by Gus Edwards Music Pub. Co., 1531 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Drapery, Parlors, Courtship. First line reads I wish that I could find a man that had a little sense.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
It's So Hard To Say Goodbye To Yesterday
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Saxophone (partie séparée)
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DÉBUTANT
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Baritone Saxophone Solo - Level 1 - SKU: A0.609549 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Indivi...
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Baritone Saxophone Solo - Level 1 - SKU: A0.609549 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371621. Published by Kevin Busse (A0.609549). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in the easy key of C for Bari Sax.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Saxophone (partie séparée)
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DÉBUTANT
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Soprano Saxophone Solo - Level 1 - SKU: A0.609550 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individ...
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Soprano Saxophone Solo - Level 1 - SKU: A0.609550 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371623. Published by Kevin Busse (A0.609550). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in the easy key of C for Soprano Sax.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Soprano Saxophone Solo - Level 3 - SKU: A0.609511 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individ...
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Soprano Saxophone Solo - Level 3 - SKU: A0.609511 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371493. Published by Kevin Busse (A0.609511). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in the original key for Soprano Sax.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Saxophone (partie séparée)
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FACILE
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Soprano Saxophone Solo - Level 2 - SKU: A0.609533 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individ...
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Soprano Saxophone Solo - Level 2 - SKU: A0.609533 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371575. Published by Kevin Busse (A0.609533). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in a good range for Soprano Sax.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.609510 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Indivi...
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Baritone Saxophone Solo - Level 3 - SKU: A0.609510 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371491. Published by Kevin Busse (A0.609510). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in the original key for Bari Sax.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Saxophone (partie séparée)
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FACILE
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Baritone Saxophone Solo - Level 2 - SKU: A0.609532 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Indivi...
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Baritone Saxophone Solo - Level 2 - SKU: A0.609532 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371573. Published by Kevin Busse (A0.609532). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in a good range for Bari Sax.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Hautbois (partie séparée)
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DÉBUTANT
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.609543 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 p...
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Oboe Solo - Level 1 - SKU: A0.609543 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371607. Published by Kevin Busse (A0.609543). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in the easy key of C for Oboe.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.609514 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 p...
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Oboe Solo - Level 3 - SKU: A0.609514 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371505. Published by Kevin Busse (A0.609514). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in the original key for Oboe.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Hautbois (partie séparée)
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FACILE
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Oboe Solo - Level 2 - SKU: A0.609526 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 p...
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Oboe Solo - Level 2 - SKU: A0.609526 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371553. Published by Kevin Busse (A0.609526). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in a good range for Oboe.
$4.99
It's So Hard To Say Goodbye To Yesterday
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Alto (partie séparée)
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FACILE
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Contemporain
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Boyz II Men
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Kevin Busse
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It's So Hard To Say Goodbye To
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Kevin Busse
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SheetMusicPlus
Viola Solo - Level 2 - SKU: A0.609540 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 ...
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Viola Solo - Level 2 - SKU: A0.609540 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Kevin Busse. Contemporary. Individual part. 2 pages. Kevin Busse #5371591. Published by Kevin Busse (A0.609540). This is an exact transcription of It's So Hard To Say Goodbye To Yesterday in a good range for viola.
$4.99
It's Hard
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2 Pianos, 4 mains
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Contemporain
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Ezra Furman
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Pedro João DSV
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It's Hard
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João Pedro D.S
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - SKU: A0.1027988 Composed by Ezra Furman. Arranged by Pedro João DSV. Contemporary. Score. 1 pages. João Pedro D.S #5...
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2 Pianos,4 Hands,Piano Duet - SKU: A0.1027988 Composed by Ezra Furman. Arranged by Pedro João DSV. Contemporary. Score. 1 pages. João Pedro D.S #5297895. Published by João Pedro D.S (A0.1027988). Música que toca a alma;Estudantes; Iniciantes;IntermediárioAvançado
$4.99
It's Not Polite to Point: 2nd Trombone
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Trombone (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_TN2 2nd Trombone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-P...
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Jazz Ensemble - SKU: AX.00-PC-0017236_TN2 2nd Trombone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_TN2). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
It's Not Polite to Point: 1st B-flat Trumpet
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Trompette (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: 1st
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_T1 1st B-flat Trumpet. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music ...
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Jazz Ensemble - SKU: AX.00-PC-0017236_T1 1st B-flat Trumpet. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_T1). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
It's Not Polite to Point: Guitar
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Guitare (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: Guit
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_G Guitar. Composed by Gordon Goodwin. Jazz. Part. 5 pages. Alfred Music - Digital Sheet Music #00-PC-001723...
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Jazz Ensemble - SKU: AX.00-PC-0017236_G Guitar. Composed by Gordon Goodwin. Jazz. Part. 5 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_G). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
It's Not Polite to Point: Guitar Chords
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Guitare (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: Guit
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_GC Guitar Chords. Composed by Gordon Goodwin. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-P...
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Jazz Ensemble - SKU: AX.00-PC-0017236_GC Guitar Chords. Composed by Gordon Goodwin. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_GC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_GC). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
It's Not Polite to Point: B-flat Tenor Saxophone
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Saxophone (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: B-fl
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_TX1 B-flat Tenor Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet M...
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Jazz Ensemble - SKU: AX.00-PC-0017236_TX1 B-flat Tenor Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_TX1). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
It's Not Polite to Point: 2nd E-flat Alto Saxophone
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Saxophone (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_AX2 2nd E-flat Alto Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Shee...
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Jazz Ensemble - SKU: AX.00-PC-0017236_AX2 2nd E-flat Alto Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_AX2). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
It's Not Polite to Point: E-flat Baritone Saxophone
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Saxophone (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: E-fl
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_BTX E-flat Baritone Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Shee...
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Jazz Ensemble - SKU: AX.00-PC-0017236_BTX E-flat Baritone Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_BTX). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
It's Not Polite to Point: E-flat Alto Saxophone
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Saxophone (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: E-fl
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_AX1 E-flat Alto Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Mu...
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Jazz Ensemble - SKU: AX.00-PC-0017236_AX1 E-flat Alto Saxophone. Composed by Gordon Goodwin. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_AX1). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
It's Not Polite to Point: Drums
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Batterie (partie séparée)
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017236_D Drums. Composed by Gordon Goodwin. Jazz. Part. 5 pages. Alfred Music - Digital Sheet Music #00-PC-0017236...
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Jazz Ensemble - SKU: AX.00-PC-0017236_D Drums. Composed by Gordon Goodwin. Jazz. Part. 5 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_D). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00
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