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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's Nearly Over...
Non classifié
19
Piano & claviers
Piano seul
7
Piano, Voix
2
Piano Facile
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano, Voix et Guitare
1
Guitares
Guitare notes et tablatures
3
Voix
Chorale SATB
7
Chorale SSAA
1
Vents
Flûte traversière et Piano
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor et Piano
3
Hautbois (partie séparée)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Clarinette et Piano
2
Hautbois, Piano (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone (partie séparée)
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Flûtes
1
Saxophone Alto
1
Clarinette Basse, Piano
1
Saxophone Alto et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette, Harpe (duo)
1
Hautbois, Harpe
1
+ 12 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trombone et Piano
2
Cor et Piano
2
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trombones
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
Harpe, Flûte (duo)
3
Alto, Piano
2
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Piano
1
4 Violoncelles
1
Violon et Piano
1
+ 2 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
15
Orchestre à Cordes
2
Quintette de Cuivres: autres combinaisons
1
Orchestre
1
Cloches
1
Batterie
1
+ 1 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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It's Nearly Over...
Partitions à imprimer
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Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.943828 Composed by Dale K. Rodgers. Con…
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Guitar - Level 4 - Digital Download SKU: A0.943828 Composed by Dale K. Rodgers. Concert,Contemporary. Guitar Tab. 6 pages. Dale K. Rodgers #6200433. Published by Dale K. Rodgers (A0.943828). Beautiful guitar composition for classical or finger-style players. Quiet, romantic ballad in 4/4 time with interesting progressions containing Maj7, m7, aug7, 9th chords. Approx. 3 1/2 min. Advanced Intermediate to Advanced level. Two versions provided: one in standard notation with all fingerings, and one also including TAB.
$3.99
3.67 €
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Guitare notes et tablatures
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Dale K
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It's Nearly Over...
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Dale K. Rodgers
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SheetMusicPlus
Orion - Overture for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1005638 Composed by Rudy Volk…
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String Orchestra - Level 4 - Digital Download SKU: A0.1005638 Composed by Rudy Volkmann. 20th Century,Contemporary. Score and parts. 30 pages. Rudy Volkmann #6049181. Published by Rudy Volkmann (A0.1005638). This overture for orchestra is a great introduction to modern music. The piece is much easier than it sounds. Everyone but the first violins is nearly always in first position, double stops include an open string, sixteenth-note passages are all scalular. The harmonies are quartal, and there are changes of meter. Every section but the basses get a turn at the simple melody. And it's sure to be a hit with audiences as well.
$30.00
27.61 €
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Orchestre à Cordes
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Rudy Volkmann
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Orion - Overture for String Orchestra
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Rudy Volkmann
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SheetMusicPlus
Messiah 1.01 Overture (Brass Quintet)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.855416
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.855416 Composed by George Frideric Handel(1685-1759). Arranged by Joseph Pugh. Christmas,Classical,Concert,Easter,Sacred. Score and parts. 19 pages. Joseph Pugh #6719347. Published by Joseph Pugh (A0.855416). This is a Brass Quintet arrangement (with Piccolo Trumpet), by Joseph Pugh of the Overture at the beginning of The Messiah, an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Coverdale Psalter, the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. -Wikipedia. Get all of Joseph's Brass Quintet arrangements of George Frideric Handel's Messiah here on this site.
$19.99
18.4 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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George Frideric Handel(1685-1759)
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Joseph Pugh
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Messiah 1.01 Overture
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Joseph Pugh
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SheetMusicPlus
Hallelujah Chorus from Handel's Messiah
Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George…
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Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00
46.02 €
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel's Messiah
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C Blankenship
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SheetMusicPlus
Messiah's Allelujah
Brass Ensemble Piano - Level 4 - Digital Download SKU: A0.742366 Composed by George…
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Brass Ensemble Piano - Level 4 - Digital Download SKU: A0.742366 Composed by George Frideric Handel. Arranged by Javier MartÃnez Maya. Baroque,Concert,Standards. Score and parts. 29 pages. Arte Nova Music Lab #2119829. Published by Arte Nova Music Lab (A0.742366). Messiah (HWV 56)[1] is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.[n 1] Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Taken from https://en.wikipedia.org/wiki/Messiah_(Handel).
$20.00
18.41 €
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George Frideric Handel
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Javier MartÃnez Maya
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Messiah's Allelujah
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Arte Nova Music Lab
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SheetMusicPlus
Monody
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. …
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Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
55.21 €
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Orchestre d'harmonie
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven (Unv 12 / deest 45) - Reconstructio
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beeth…
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Piano Solo - Level 4 - Digital Download SKU: A0.933520 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Classical. Score. 48 pages. Upstream Music #482215. Published by Upstream Music (A0.933520). There are many more unfinished than completed compositions of Beethoven that have been preserved. ln these fragments one sees ideas for individual works. A large number of sketchbooks and sketches from the composer were preserved and are housed in libraries and private collections all over the globe. Some sketches are no more than brief experiments or short elaborated ideas, but there are also fragments preserved that nearly give us a complete picture of a composition. In the so-called Kafka sketchbook, which was published in 1970 in London, approximately 500 fragments of manuscripts were bundled that stem from 1786 - 1799. The Fantasia Sonata in D (deest 45) for piano forte in three parts, was hidden in the archives since 1792. This sonata of the young Beethoven, with striking similarities to the Moonlight sonata and the Pastorale has never been performed on stage. Young pianotalent Martin Oei played it for the first time in the Concertgebouw Amsterdam, October 21st, 2012. The large, over 1100 bars comprising torso now known as Fantasia Sonata in D from 1792, cannot be called a sketch anymore, although Beethoven has not completed the work and used many ideas in other, later works. The reconstruction of the sketches was done by the Dutch Beethoven musicologist and composer Cees Nieuwenhuizen. The piece was probably written in Bonn, three years before he started to write his first official piano sonata of a series of 32 sonatas. In November 1792 Beethoven went from Bonn to Vienna to study with the famous composer Joseph Haydn (1732–1809). Beethoven rapidly proceeded to make his mark as a brilliant keyboard performer and as a gifted young composer with a number of works to his credit. In 1795 his first mature published works appeared, and his career was officially launched. Striking harmonies The re-using of previously drafted material is quite common in Beethoven's works. Apparently the material wasn't yet ripe enough at the time of its origination, or perhaps Beethoven changed his mind with regards to the new composition. This could very well be so regarding the torso from Kafka’s sketchbook that we now call the Piano Fantasia sonata in D. This piece contains 1100 bars of music, not taking into account the alternative bars. The piece is composed by Beethoven in 1792 - 1793 and was set up as a tripartite sonata in D with remarkable abnormalities in terms of form and content. There are striking harmonies that cannot be found in other works composed in that same period. It’s possible that the composer didn’t have the courage to publish it or that indeed the time was not yet ripe for it. Finally the composer let the draft go and never came back to it. Or did he? Thematic similarities We find phrases in several later works that share similarities with ideas and themes from Fantasia sonata in D. The first part of Fantasia sonata has the same theme as the trio of the third movement of Symphony no. 7 (in A Major Opus 92). Even the key and also the rhythm in 3/4 time are the same. This cannot be a coincidence. Similar mood and thematic parallels can be found in the Pastorale, the Sonata for piano no. 15 (Opus 28): it is striking that this piece is also composed in D and in 3/4 time. We find similar dramatic expression in the Sonata for piano no. I 7 in d minor Opus 31 no. 2. The second movement of the Fantasia sonata nearly has the same theme as the second movement of the Sonata for piano no. 23 in minor (the Appassionato Opus 57). Martin Oei, Daiel Wayenberg, Cees Nieuwenhuizen at The World Premiere in The Concertgebouw Beethoven begins the third movement of the Fantasia sonata with the main theme of the first movement, but now in e minor. lts appearance in minor is an entirely new idea. Nevertheless Beethoven doesn't elaborate the idea any further because it disappears after 29 bars. Now a new agitated theme starts in d minor, which was announced in the first movement, but now reappears in its complete.
$29.00
26.69 €
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Piano seul
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Fantasia Sonata in D Major for piano solo - Ludwig van Beethoven
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Upstream Music
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SheetMusicPlus
Yesterday
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.720830 By Adam Levine &…
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Soprano Saxophone Solo - Level 2 - Digital Download SKU: A0.720830 By Adam Levine & Tony Lucca. By John Lennon and Paul McCartney. Arranged by Leo Silva. Film/TV,Pop. Individual part. 1 pages. MP Sheet Music #329217. Published by MP Sheet Music (A0.720830). Yesterday is a song composed by Paul McCartney (credited to Lennon/McCartney), recorded in 1965 for the album Help!. According to Guinness World Records, Yesterday is the song with the most radio broadcasts worldwide, with more than six million broadcasts in the United States. Yesterday is also the most covered song in popular music history, with over 1,600 different interpretations. BMI claims the song was performed nearly seven million times in the 20th century. This was the first official Beatles composition recorded by just one member, Paul McCartney, accompanied by a string quartet. The composition is notably different from the other previous works of the musical group, which is why the other members did not accept that it was published as a single in the United Kingdom.
$4.99
4.59 €
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Saxophone (partie séparée)
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Adam Levine & Tony Lucca
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Leo Silva
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Yesterday
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MP Sheet Music
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SheetMusicPlus
Monk - Abide with Me (Eventide) in E flat Major - Easy
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1077080 Composed by Willia…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.1077080 Composed by William Henry Monk. Arranged by Piacere Music Sheets. A Cappella,Praise & Worship,Romantic Period,Sacred,Spiritual. Octavo. 10 pages. Piacere Music Sheets #681177. Published by Piacere Music Sheets (A0.1077080). Opus/Catalog Number: IWM 1 Key/Tone: E flat major Movements/Sections: Andante Year/Date of Composition: 1861 Difficulty: Grade 2/12 (Easy) Obs.: This hymn is sung by Christians all over the world in times of sorrow and deep distress. The lyrics were written in 1847 by Henry Francis Lyte, an English pastor, poet and musician, only a few weeks before he died from tuberculosis. He was inspired by Saint Luke's account of Christ's appearance with His two disciples on the way to Emmaus: They urged Him strongly: Stay with us, for it is nearly evening; the day is almost over. (Luke 24:29). The music was composed by William Henry Monk, music editor of the famous Anglican Church hymnal Hymns Ancient and Modern, and it was included in the first edition of that hymnal in 1861. Mrs. Monk has described in her own words the context: This tune was written at a time of great sorrow - when together we watched, as we did daily, the glories of the setting sun. As the last golden ray faded, he took some paper and penciled that tune which has gone all over the earth. This score is the complete version of Abide With Me for choir SATB. Included: Full score and separated parts for each voice.
$2.95
2.71 €
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Chorale SATB
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William Henry Monk
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Piacere Music Sheets
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the day is almost over
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Monk - Abide with Me
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Piacere Music Sheets
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SheetMusicPlus
Eternal Father, Strong to Save — original for SATB Choir
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112596 Composed by John B…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1112596 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 6 pages. Artistic Score Engraving di Galvagno Michele #714605. Published by Artistic Score Engraving di Galvagno Michele (A0.1112596). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$3.50
3.22 €
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Chorale SATB
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — original for SATB Choir
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save — for French Horn Quartet
Quatuor de cuivres: 4 cors
Horn - Level 3 - Digital Download SKU: A0.1112595 Composed by John Bacchus Dykes. A…
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Horn - Level 3 - Digital Download SKU: A0.1112595 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Sacred,Traditional. 14 pages. Artistic Score Engraving di Galvagno Michele #714604. Published by Artistic Score Engraving di Galvagno Michele (A0.1112595). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
5.06 €
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Quatuor de cuivres: 4 cors
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for French Horn Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save - for Brass Quartet
Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1112593 Composed by John…
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Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1112593 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Patriotic,Praise & Worship,Sacred. 18 pages. Artistic Score Engraving di Galvagno Michele #714601. Published by Artistic Score Engraving di Galvagno Michele (A0.1112593). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.14 €
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save - for Brass Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save - for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone - Level 2 - Digital Download SKU: A0.1112600 Composed by John Bacchus Dyke…
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Trombone - Level 2 - Digital Download SKU: A0.1112600 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Sacred,Traditional. 14 pages. Artistic Score Engraving di Galvagno Michele #714610. Published by Artistic Score Engraving di Galvagno Michele (A0.1112600). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
5.06 €
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Quatuor de cuivres: 4 trombones
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save - for Trombone Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save — for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1112597 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Religious,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714606. Published by Artistic Score Engraving di Galvagno Michele (A0.1112597). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.14 €
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Quatuor de Saxophones: 4 saxophones
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for Saxophone Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save - for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1112602 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Religious,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714612. Published by Artistic Score Engraving di Galvagno Michele (A0.1112602). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.14 €
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Flûte, Hautbois, Clarinette, Basson
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save - for Woodwind Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save — for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1112599 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,Christian,Patriotic,Religious,Sacred. 16 pages. Artistic Score Engraving di Galvagno Michele #714609. Published by Artistic Score Engraving di Galvagno Michele (A0.1112599). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
4.14 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for String Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Eternal Father, Strong to Save — for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1112594 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Christian,Patriotic,Sacred. 14 pages. Artistic Score Engraving di Galvagno Michele #714602. Published by Artistic Score Engraving di Galvagno Michele (A0.1112594). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$5.50
5.06 €
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4 Violoncelles
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John Bacchus Dykes
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Michele Galvagno
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Eternal Father, Strong to Save — for Cello Quartet
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2/3 March
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.927168 Composed by George Willson…
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Concert Band - Level 4 - Digital Download SKU: A0.927168 Composed by George Willson. 20th Century,Contemporary. Score and parts. 73 pages. George Willson #3515727. Published by George Willson (A0.927168). The piece is at least a grade 3 due to competing time signatures, contrapuntal melodies, and persistent upper register work across several sections.Written during my time in the Army, this march emerged as a sort of musical joke. The melody and rhythm parts alternate between 6/8 and 2/4 (or 2 over 3) time throughout the piece with the quarter and dotted-quarter keeping the same beat. It incorporates nearly every march convention that my friend and I could think of from the low brass taking over the strain and piccolo obbligato to the baffling euphonium arpeggios in the final strain along with the equally bafflingly obnoxious trombone countermelody. At the same time, it breaks convention by granting the horn players the melodic line in the trio section instead of giving them the back beats they love so much. One of the stranger jokes whose meaning one might miss is the mix up of beats at the key change which was done deliberately to put the generals and first sergeants out of step. It also contains a symphony's worth of stingers at the end (because 19-year-old me was hilarious ... apparently).
$35.00
32.21 €
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Orchestre d'harmonie
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George Willson
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2/3 March
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George Willson
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.83 €
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Guitare notes et tablatures
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Etude No 22 Op 35
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1356984 Composed by Fernando Sor. Arran…
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Guitar - Level 3 - Digital Download SKU: A0.1356984 Composed by Fernando Sor. Arranged by Brian Streckfus. 19th Century,Classical,Instructional,Romantic Period. Guitar Tab. 3 pages. Brian Streckfus #941611. Published by Brian Streckfus (A0.1356984). Pages: 3Key: B minorFeatures:1. Tablature Added2. Blank version for starting from scratch3. Chord Nomenclature added 4. Dynamics added 5. Fingerings Added 6. Slides/Guide fingers added 7. Modern Fonts Tips: 1. Realizing that you are in position two most of the time helps. In the key of B minor, fret 1s aren't supposed to happen as they would be out of key. This piece does have key changes, so some fret 1s do happen.2. Nearly all measures are arpeggios, so it's best to summarize each measure as a chord shape. If you read the music one note at a time, your playing will most likely sound choppy. It is possible to get the entire measure ready on beat one.3. Similiar to the last point, there are a lot of bars in this piece. Realizing when you are barring and not barring will be helpful.4. I try to strategically leave out fingerings. Too many fingerings and the piece look overly intimidating. Often, if I leave out a fingering, it's because it is a counter-intuitive fingering to use, and therefor the student should pencil it in themselves as a strong reminder of a difficult moment. I also leave out fingerings if I strongly sense there are multiple correct ways of playing a passage.
$1.99
1.83 €
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Guitare notes et tablatures
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Fernando Sor
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Brian Streckfus
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Etude No 22 Op 35
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Brian Streckfus
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SheetMusicPlus
Running Up That Hill
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1076773 By Kate Bush. By…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1076773 By Kate Bush. By Kate Bush. Arranged by André Alberto Santos. 20th Century,Film/TV,Pop. Score and part. 11 pages. Soul - Musical Creations #680881. Published by Soul - Musical Creations (A0.1076773). With this sheet music, you can play Kate Bush's Running Up That Hill on saxophone and piano! It is a carefully crafted arrangement of the complete song. The vocal melody is included in the sax and piano parts, so it's a perfect duo cover! Running Up That Hill is a song from Kate Bush's 1985 album Hounds of Love, which is considered her best album, and even one of the greatest albums ever recorded! Running Up That Hill (officially titled Running Up That Hill (A Deal with God)) served as the album's lead single and became one of Kate Bush's most famous hits. Nearly 40 years after its release, the song has once again enjoyed worldwide success after appearing in season 4 of the Netflix series Stranger Things. Running Up That Hill is an iconic hit from the 80s, and it does a fantastic saxophone and piano cover!
$4.99
4.59 €
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Saxophone Tenor et Piano
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Kate Bush
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André Alberto Santos
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Running Up That Hill
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Soul - Musical Creations
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SheetMusicPlus
Origins
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755154 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published by Sy Brandon (A0.755154). Origins musically represents three important recent scientific explorations of space and matter that are designed to give humans a better understanding of the origins of the universe and the origins of life. The first movement, Black Holes and Cyclotrons, represents the quest to understand and reproduce the relationship between gravitation and energy that scientists believe caused the big bang and our ever-expanding universe. The music of this movement represents the danger inherent in these explorations into the unknown. There are sections of the movement that are lighter in nature that depict subatomic particles dancing around in a particle accelerator. The end of the movement increases in tempo reflecting the ever-increasing speeds of particle accelerators and the gravitational pull of black holes. The Surface of Mars is the title of the second movement that depicts NASA’s Mars Exploration Rover Mission. The rovers Spirit and Opportunity have explored the surface of Mars and have revealed the surface as being mostly a barren landscape void of life. The outer sections of this movement reflect this discovery. The middle section of the movement represents the excitement of one of the rovers finding indications of water having existed on Mars and therefore the possibility that life may have also existed. The third movement, Window Into Deep Space, is a tribute to the Hubble Space Telescope. This movement has many uplifting sections as the Hubble Space Telescope has provided views of the universe never before seen from Earth. It also has sections of anxiety as this mission was wrought with several failures that nearly derailed it. The promise of increased understanding of our universe is reflected in the ending of this composition. The score prints on legal size paper and the parts on letter.
$39.95
36.77 €
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Orchestre
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Sy Brandon
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Origins
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Sy Brandon
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SheetMusicPlus
Nearer My God to Thee
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.901542 Composed by Ginger Fairbanks…
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Piano Solo - Level 3 - Digital Download SKU: A0.901542 Composed by Ginger Fairbanks. Arranged by Ginger Fairbanks. Christian,Concert,Contemporary,Sacred. Score. 3 pages. Ginger Fairbanks #3897507. Published by Ginger Fairbanks (A0.901542). Piano solo, arrangement by Ginger Fairbanks. Melody by Lowell Mason; no lyrics included.The text for this beloved Christian hymn by Sarah F. Adams and Lowell Mason is based on Jacob’s ladder or Jacob’s dream in Genesis 28, in which Jacob dreams of a ladder that reaches up to heaven. The hymn’s verses express the longing that Jacob - and Christians everywhere - have to draw nearer to God. Ginger’s arrangement is well-loved, and has nearly 1 million listens on Spotify. Like the text, the arrangement is reflective, hopeful, and ultimately comforting, reminding the listener of the verse, Though like the wanderer, the sun gone down, Darkness be over me, my rest a stone, Yet in my dreams I’d be, nearer, my God, to thee, Nearer, my God, to thee, nearer to thee! Intermediate pianists will want to add this uplifting arrangement to their repertoire, as it’s appropriate for both worship services and funerals.Listen to this piece in its entirety on Spotify at: https://open.spotify.com/artist/68sJ3cgLo60l50ngysdki2Performance Run Time 4:08
$4.95
4.56 €
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Piano seul
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Ginger Fairbanks
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Ginger Fairbanks
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no lyrics included
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Nearer My God to Thee
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Ginger Fairbanks
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SheetMusicPlus
Paganini Op 1 Caprice No 24 Variations For Solo English Horn or Oboe
Hautbois (partie séparée)
Oboe Solo - Level 4 - Digital Download SKU: A0.1302634 By Rainer's Rainbow. By Nicc…
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Oboe Solo - Level 4 - Digital Download SKU: A0.1302634 By Rainer's Rainbow. By Niccolo Paganini 1782-1840. Arranged by R G Roth. 19th Century,Classical,Instructional,Jazz,Romantic Period. Individual part. 12 pages. Rainer's Rainbow #892256. Published by Rainer's Rainbow (A0.1302634). The Paganini Variations from his own Caprice No 24 have been transcribed for nearly all solo instruments since they were composed over 200 years ago. Here for the first time they are arranged in then original key of A minor with suggested chords for Oboe or English Horn. The arrangement includes a Leadsheet with chords making it possible to be played with a jazz piano or jazz guitar. Transpositions are included for C oboe or Cor Anglais in F.
$2.99
2.75 €
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Hautbois (partie séparée)
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Rainer's Rainbow
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R G Roth
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Paganini Op 1 Caprice No 24 Variations For Solo English Horn or Oboe
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Rainer's Rainbow
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SheetMusicPlus
The Cry of Beltane (for solo oboe)
Hautbois (partie séparée)
Oboe Solo - Level 4 - Digital Download SKU: A0.927664 Composed by Joseph Hollings. …
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Oboe Solo - Level 4 - Digital Download SKU: A0.927664 Composed by Joseph Hollings. 20th Century,Contemporary. Individual part. 3 pages. Joseph Hollings Publishing #6683341. Published by Joseph Hollings Publishing (A0.927664). Duration: approx 4:00The Cry of Beltane for solo oboe was written for and premiered by an advanced, young oboe student, Leo Sherwood, and first performed in May 2017 as part of the Cleveland Composers Guild’s Creativity: Learning through Experience program. The piece was the program opener and is ideally suited to open a recital.Beltane is the anglicized name of the Celtic festival held on May Day, a pagan festival signifying the beginning of summer. The piece is intended to evoke a ritualistic, call to summer; a crying out and calling forth of sun and growth. The piece should sound aggressive and the oboe should aim to make the most of its harder-edged timbre, rather than its lyrical qualities. While the notation is precise, the piece should sound as if the performer had improvised it. The bigger the contrast in dynamics the better.Joseph Hollings (ASCAP) is a composer, arranger and music educator, and has taught music to students of all levels for over twenty five years. His arrangements have been performed internationally, including in London's West End, and have been recorded by the Onyx Brass Quintet and members of the Cleveland Orchestra. He studied composition with Harrison Birtwistle at King's College London, worked for the D'Oyly Carte Opera Company, and established Really Nearly Records with the ever-imaginative Tim Ten Yen. Joseph Hollings is a member of ASCAP. Learn more about the composer at www.josephhollings.com Follow on TikTok @TikTokComposerFollow on Instagram @josephhollings
$4.99
4.59 €
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Hautbois (partie séparée)
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Joseph Hollings
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The Cry of Beltane
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Joseph Hollings Publishing
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SheetMusicPlus
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