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Vous avez sélectionné:
It's Never Too Late
SheetMusicPlus
Partitions à imprimer
58 partitions trouvées
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It's Never too late
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.1023695 Composed by Pelumi Ojo y. Ch…
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Choral Choir (SATB) - Digital Download SKU: A0.1023695 Composed by Pelumi Ojo y. Christian,Spiritual. Octavo. 1 pages. Pelumi Ojo Peter #6275047. Published by Pelumi Ojo Peter (A0.1023695). It's never too late too late for God tosatisfyt your desires.
$3.50
3.23 €
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Chorale SATB
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Pelumi Ojo y
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It's Never too late
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Pelumi Ojo Peter
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SheetMusicPlus
It's Never Too Late
Guitare notes et tablatures
Digital Download SKU: HX.390116 By Tommy Emmanuel. Jazz,Pop. Guitar TAB. 7 pages. P…
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Digital Download SKU: HX.390116 By Tommy Emmanuel. Jazz,Pop. Guitar TAB. 7 pages. Published by Hal Leonard - Digital (HX.390116).
$4.99
4.61 €
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Guitare notes et tablatures
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Tommy Emmanuel
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It's Never Too Late
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Hal Leonard - Digital
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SheetMusicPlus
Adult Pianist 3
Piano seul
Piano - Level 3 - Digital Download SKU: LX.KM19 Piano Basics for the Older Begin…
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Piano - Level 3 - Digital Download SKU: LX.KM19 Piano Basics for the Older Beginner. Composed by Walter and Carol Noona. Piano Method. 52 pages. Heritage Music Press #eKM19. Published by Heritage Music Press (LX.KM19). UPC: 000308026863.The Adult Pianist Series proceeds quickly but thoroughly through the basics of learning to play the piano using intervals and guideposts as the primary tools. This approach ensures that all concepts are transferable to the more ambitious repertoire adult pianists aspire to conquer. It's never too late to learn piano!
$8.95
8.27 €
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Piano seul
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Walter and Carol Noona
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Adult Pianist 3
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Heritage Music Press
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SheetMusicPlus
It's Never Too Late To Be Sorry
Piano, Voix
Composed by Jos. A. Burke. Celebrities, Portraits, Friendship, Love, Sadness, Religion, Re…
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Composed by Jos. A. Burke. Celebrities, Portraits, Friendship, Love, Sadness, Religion, Regrets. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9080). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.53 €
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Piano, Voix
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Jos
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It's Never Too Late To Be Sorry
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Do You Remember Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 150. Boothe Publishing #4633709. Published by Boothe Publishing (A0.1069971). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
1.84 €
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Steven H
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Ashley Ivers
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Do You Remember Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Do You Remember Guitar Minus Vocal
Guitar - Digital Download SKU: A0.1069952 Composed by Steven H. Boothe. Christian,P…
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Guitar - Digital Download SKU: A0.1069952 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 153. Boothe Publishing #4633637. Published by Boothe Publishing (A0.1069952). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
1.84 €
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Steven H
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Do You Remember Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Do You Remember Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069970 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069970 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 153. Boothe Publishing #4633707. Published by Boothe Publishing (A0.1069970). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
1.84 €
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Steven H
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Do You Remember Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Do You Remember TAB
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.983991 Composed by Steven H. Boothe. Ch…
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Guitar - Level 3 - Digital Download SKU: A0.983991 Composed by Steven H. Boothe. Christian,Pop. Guitar Tab. 10 pages. Boothe Publishing #4360821. Published by Boothe Publishing (A0.983991). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular one picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them... do you? It's never too late to start the tradition of reading and talking together.
$3.99
3.68 €
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Guitare notes et tablatures
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Steven H
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Do You Remember TAB
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Boothe Publishing
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SheetMusicPlus
Do You Remember Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069953 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069953 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 150. Boothe Publishing #4633641. Published by Boothe Publishing (A0.1069953). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
1.84 €
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Piano seul
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Steven H
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Ashley Ivers
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Do You Remember Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
THREE TEXTS BY GEORGE ELIOT, for SATB choir ang strings
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887062 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887062 Composed by Marilena Zlatanou. Contemporary. 94 pages. Marilena Zlatanou #3033173. Published by Marilena Zlatanou (A0.887062). A Composition for SATB choir and strings (2 vl., 1 vl. 1 vlc), on Three texts by George EliotThe texts used are: COUNT THAT DAY LOSTSWEET ENDINGS COME AND GO, LOVE,IT IS NEVER TOO LATEDuration 13 and a half minutes.The string parts may be performed by a string orchestra or by a quartet. The style of writing is contemporary but melodious and tonal. The file includes conductor's score, choir score, parts, vocal score and piano part. The composition has been performed and well received in Norway in Oktober 2017. The attached mp3 file is a converted sibelius file.Please visit website www.zlatanou.net for more information.(Member of TONO, the Norwegian copyright org.)
$25.00
23.09 €
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Chorale SATB
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Marilena Zlatanou
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THREE TEXTS BY GEORGE ELIOT, for SATB choir ang strings
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Marilena Zlatanou
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SheetMusicPlus
Adult Reader 3
Piano seul
Piano - Level 3 - Digital Download Repertoire for the Older Beginner. Composed by Wal…
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Piano - Level 3 - Digital Download Repertoire for the Older Beginner. Composed by Walter and Carol Noona. Piano Method. 52 pages. Heritage Music Press #KM42. Published by Heritage Music Press
The Adult Pianist Series proceeds quickly but thoroughly through the basics of learning to play the piano using intervals and guideposts as the primary tools. This approach ensures that all concepts are transferable to the more ambitious repertoire adult pianists aspire to conquer. It's never too late to learn piano!
$4.95
4.57 €
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Piano seul
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Walter and Carol Noona
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Adult Reader 3
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SheetMusicPlus
Adult Pianist 2
Piano Facile
Piano - Level 2 - Digital Download Piano Basics for the Older Beginner. Composed by W…
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Piano - Level 2 - Digital Download Piano Basics for the Older Beginner. Composed by Walter and Carol Noona. Piano Method. 52 pages. Heritage Music Press #KM18. Published by Heritage Music Press
The Adult Pianist Series proceeds quickly but thoroughly through the basics of learning to play the piano using intervals and guideposts as the primary tools. This approach ensures that all concepts are transferable to the more ambitious repertoire adult pianists aspire to conquer. It's never too late to learn piano!
$7.95
7.34 €
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Piano Facile
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Walter and Carol Noona
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Adult Pianist 2
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SheetMusicPlus
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Harpe et Piano
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
$40.00
36.94 €
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Harpe et Piano
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Australian neo-classical composer, Mr
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Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
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Mr. Phillip Anthony Russo
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SheetMusicPlus
Whenever I Call You "Friend"
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465672
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465672 By Kenny Loggins. By Kenny Loggins and Melissa Manchester. Arranged by Will Corbin. Pop. 20 pages. Will Corbin #1044284. Published by Will Corbin (A0.1465672). Here's another don't-do-it chart, built from the sappy 1978 hit Kenny Loggins co-wrote with Melissa Manchester and sang with Stevie Nicks (and later with Dutch singer Kimm.This arrangement casts the trumpets in the co-singer roles, with horn and trombone solos thrown in so that they have something to look forward to. Sorry, tuba: You were too important as the heart of the rhythm section.If you need alternative instrumentation, please contact me at wilcor@aol.com.
$15.00
13.85 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Kenny Loggins
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Will Corbin
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Whenever I Call You "Friend"
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Will Corbin
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SheetMusicPlus
It's Never Too Late to Fall in Love
Piano, Voix et Guitare
By Sandy Wilson. For Piano/Vocal/Chords. Movie, Movies, and Broadway. 4 pages. Published b…
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By Sandy Wilson. For Piano/Vocal/Chords. Movie, Movies, and Broadway. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.99
3.68 €
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Piano, Voix et Guitare
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Sandy Wilson
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It's Never Too Late to Fall in Love
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
It's Never Too Late To Be Alone
Piano, Voix et Guitare
By Del Amitri. For piano, voice, and guitar (chords only). Pop; Rock. 8 pages. Published b…
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By Del Amitri. For piano, voice, and guitar (chords only). Pop; Rock. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano, Voix et Guitare
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Del Amitri
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Rock
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It's Never Too Late To Be Alone
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
You Wanted To Love Me
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841993 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841993 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3480461. Published by Andrew Mc Donald (Macka Records) (A0.841993). You Wanted To Love Me is a song about reaching heaven's gates and it being too late cause God said to you I never knew you.You could have been saved you wanted to be and you wanted to love Jesus but you never took the time to choose Him when you had the chance.
$4.99
4.61 €
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Piano, Voix
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Andrew Mc Donald
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You Wanted To Love Me
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Andrew Mc Donald
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.23 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
If Not Now, When?
Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Downloa…
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Large Ensemble Cello,Clarinet,Flute,Piano,Piccolo,Viola,Violin - Level 3 - Digital Download SKU: A0.841258 Composed by Chris Gordon. 20th Century. Score and parts. 39 pages. Cool Wind Music Digital #3056419. Published by Cool Wind Music Digital (A0.841258). Full set of parts: Please contact Chris Gordon at the email address on the first page of music for details.IF NOT NOW, WHEN? If Not Now, When? gets its title from the novel by Primo Levi, the Italian author who both survived life in Auschwitz and fought the continued German military presence in Italy with the Resistance after the Italian surrender to the Allies in September 1943. Levi meant that revolution and the overthrow of tyranny should never be 'put off until tomorrow'. If you believe you are on the side of right, then 'seize the day'- tomorrow may be too late. The inspiration for INNW? grew from research I was doing into an early song by Alban Berg called An Leukon which Berg wrote in 1907 while a student of Arnold Schoenberg. In delving into the kind of world which Berg inhabited in the Vienna of 100 years ago, I was fascinated by the café culture* which played a pivotal role in the lives of most artists: not only composers, but also writers, painters, architects and journalists. They swirled around the fashionable 'watering holes' sucking up current thoughts and ideas, high on Viennese coffee, cigar smoke and idealism! I envisaged a play which tried to encapsulate all this and wrote a few scenes with characters such as Schoenberg, Berg, Webern, Steuermann, Pisk, Kraus, Gropius and Altenberg heatedly discussing music, art and poetry over large cups of milky coffee. This grew into the framework for INNW? which, to paraphrase Pirandello's play about characters seeking an author, is a 'play without words in several scenes'. The piece is organised into 8 short movements or 'scenes' showing the 'Schoenberg cirle' sharing their radical and daring ideas and the shock or delight (or both simultaneously) with which those ideas are greeted. The first, which happens to be the longest, is rooted in conventional tonality. It begins with a fanfare in D flat major ('aux armes, citoyens!'), then seeks a 'freer' tonality by means of the 'emancipation of the semitone' only to capitulate in the central section and, finally, to 'fall back to earth' by winding down in G sharp minor. These 'scenes' are not meant to represent particular composers. They are, however, meant to represent the kinds of directions in which music could progress, given the 'breakdown' or 'stretching to its limits' of traditional harmony which had occurred in the previous 10 to 20 years. So many ways forward were promulgated, with one after another extraordinary, and often unexpected, futuristic musical panoramas glimpsed momentarily. My aim is to demonstrate which directions they decided they could head in having cleared the 'overgrown' path before them. * I even discovered that, around this time, in the Café Central, a certain Leon (Lev) Bronstein, otherwise known as Leon Trotsky, banished by the Okhrana (Imperial secrect police) from his native Russia, would spend all day in a back room playing chess. How delicious, I thought, if Schoenberg had ever brushed passed Trotsky or, indeed, had ever spoken to him: the one planning political and the other musical revolution!
$25.00
23.09 €
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Chris Gordon
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If Not Now, When?
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Cool Wind Music Digital
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SheetMusicPlus
All My Trials
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.918259 Arranged by Dillon's Music G…
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Piano Solo - Level 3 - Digital Download SKU: A0.918259 Arranged by Dillon's Music Group. African. Score. 3 pages. Dillon's Music Group #6013045. Published by Dillon's Music Group (A0.918259). All My Trials is a folk song which became popular during the social protest movements of the 1950s and 1960s. It's classified as a spiritual because of its biblical and religious imagery. Joan Baez suggested it began as a pre-Civil War era Southern American gospel song. It tells the story of a mother on her death bed, comforting her children. No matter how bleak the situation seemed, the struggle would soon end: Hush little baby, don't you cry, You know your mama's bound to die. Too late my brothers, too late, but never mind, All my trials Lord, soon be over. (included in Brenda Dillon's African American Collection)About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred listed on her website (www.brendadillon.com).
$3.00
2.77 €
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Piano seul
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Dillon's Music Group
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All My Trials
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Dillon's Music Group
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
Trombone et Piano
B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keik…
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B-Flat trombone,Piano - Level 5 - Digital Download SKU: A0.1431109 Composed by Keiko Takashima. Classical. Score and part. 35 pages. FOSTERMUSIC.JP Digital Publishing #1011578. Published by FOSTERMUSIC.JP Digital Publishing (A0.1431109). INTRODUCTION Breeze in The Hearts, Bloom in The World is a sonata for trombone and piano commissioned by trombonist Takenori Yoshikawa that premiered at Mr. Yoshikawa's recital in July 2010 with Iku Miwa on piano. Mr. Yoshikawa had requested me to compose a bold and spirited piece, which prompted me to write this sonata with four movements after much deliberation.In the original edition, the burden of the performance was a little too focused on the trombone due to the trombonist's heightened interest in the piece, and as a result, the piece became difficult to play. In this revised edition, I have reworked the balance between the trombone and the piano while preserving the length of the piece so that the music can be performed more effectively.<Performance notes>I. The repetitions of the gentle melody in the introduction should be played in a way that allows it to be heard from far away, while the theme that appears after that should sound majestic and brave.II. Nostalgia - Although this movement is in a minor key, the music seeks to depict a sense of nostalgia instead of sorrow. Despite its slow, triple-time rhythm, please ensure that the music progresses quietly without coming to a halt.III. Serenade - In this movement, the trombone's melody should have a smooth and lively rhythm like the cello in a string ensemble. Articulate the melody beautifully with grace and movement and never allow it to become too heavy.IV. The theme in this movement has a similar feel to that in the first movement, but lighter. Maintain a tempo that is not too fast and keep the music moving. In the coda section from F, the opening section of the first theme makes an appearance from time to time as the piece heads toward the end. Please maintain a constant tempo while articulating the notes in a loud and resonant manner.The piano part contains many sections throughout the entire piece that call for a deep, orchestral sound. The pianist should read these parts carefully from the score while supporting the trombone as much as possible.The word fuka in the Japanese title Fuka Sanrei refer to the flowers that bloom when the wind blows between two people and brings about various encounters between them. I hope that this piece will allow colorful flowers to bloom in the hearts of everyone who performs it and listens to it.March 2023, Keiko TakashimaClick here for other Takashima's works
$49.99
46.17 €
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Trombone et Piano
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Keiko Takashima
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Breeze in The Hearts, Bloom in The World - Sonata for Trombone and Piano
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Parallel Tracks
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.46 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
Mon Homme
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.546809 By Edith Piaf.…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.546809 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Alpin Smart (transcription for voice and guitar). 20th Century,Blues,Film/TV,Jazz,Standards. Score. 3 pages. SmartWorks Publications #156743. Published by SmartWorks Publications (A0.546809). The arrangement of this classic jazz/blues/cabaret song is based on the earliest (1937) of (at least?) three recordings by the late, great Billie Holliday, and is closer in feel to the original French version, as sung by cabaret and movie star, Mistinguett. Of course, the most famous version (and most closely associated with Holliday) is the one recorded by Billie in the '50s; but, I like to think that this uptempo version is a truer reflection of this great singer - in happier times - when she loved to sing uptempo jazz (she never regarded herself as a blues singer, although she could sing the blues with the best of them! And, it's important to reflect that her most famous interpretation of this song was made when she was - tragically - at death's door, and blues was better suited to her mood, and a deeply-felt despair, at this time of her all too brief, and, ultimately tragic, life). Besides, the uptempo rhythms, I feel, lend the words more of a 'Brechtian' sense of irony and impact.
$4.99
4.61 €
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Piano, Voix et Guitare
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Edith Piaf
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Mon Homme
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SmartWorks Publications
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SheetMusicPlus
The Great Healer (lead sheet)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893858 Composed by Da…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893858 Composed by David Kai. Christian,Gospel,Pop. Score. 4 pages. David Kai #5986435. Published by David Kai (A0.893858). This song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone and later by the Sellwoods gospel group. Both versions can be found on Youtube.The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife, he’s the great healer, and he can mend a broken life And though your hurts be too much to bear, he can heal your wounds with loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live, good and bad look the same And you’re walking around more dead than alive, life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus: I’ve had a heart transplant with a bit of a difference...
$2.00
1.85 €
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Piano, Voix et Guitare
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David Kai
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Chorus:
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The Great Healer
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David Kai
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SheetMusicPlus
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