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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It's all you A: I play all
Non classifié
958
Piano & claviers
Piano seul
368
Piano, Voix
143
Piano Facile
130
Piano, Voix et Guitare
69
Instruments en Do
30
Orgue
22
Piano grosses notes
14
Accompagnement Piano
9
1 Piano, 4 mains
7
2 Pianos, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
3
Accordéon
2
Clavier
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Orgue, Trompette (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare
75
Guitare notes et tablatures
60
2 Guitares (duo)
22
4 Guitares (Quatuor)
16
3 Guitares (trio)
9
Guitare (partie séparée)
8
Ukulele
8
Basse electrique
7
Ligne De Mélodie, (Paroles) et Accords
7
Piano, Guitare (duo)
3
Banjo
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline
2
Paroles et Accords
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Dulcimer
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
45
Chorale 2 parties
9
Chorale 3 parties
8
Chorale TTBB
7
Chorale Unison
7
Voix duo
5
Voix Alto, Piano
5
Chorale SSAA
3
Voix haute
1
Voix duo, Piano
1
Voix Tenor
1
Voix Soprano, Piano
1
+ 7 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
174
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
153
Ensemble de saxophones
72
Quatuor de Saxophones: 4 saxophones
66
Flûte, Hautbois, Clarinette, Basson
61
Hautbois (partie séparée)
55
Clarinette
47
Ensemble de Clarinettes
42
Saxophone (partie séparée)
41
Flûte traversière
40
Flûte traversière et Piano
37
2 Saxophones (duo)
34
2 Flûtes traversières (duo)
29
Hautbois, Piano (duo)
28
Saxophone Alto et Piano
27
Saxophone Alto
27
Saxophone Tenor
25
Flûte et Guitare
24
Saxophone Tenor et Piano
24
Clarinette et Piano
22
Ensemble de Flûtes
20
Quintette de Flûte : 5 flûtes
20
Quatuor de Clarinettes: 4 clarinettes
19
2 Clarinettes (duo)
13
Saxophone Soprano et Piano
12
Quintette de Clarinettes: 5 clarinettes
10
Saxophone Baryton, Piano
9
Flûte à Bec
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flute (partie séparée)
8
2 Hautbois (duo)
7
Saxophone, Clarinette (duo)
6
Quatuor de Flûtes : 4 flûtes
6
Clarinette (partie séparée)
6
Cor Anglais
4
Clarinette, Guitare (duo)
4
Hautbois
4
Hautbois, Guitare (duo)
4
Flûte à bec Soprano
3
Clarinette, Violon (duo)
3
3 Clarinettes (trio)
3
Clarinette et Alto
3
Cor anglais, Piano
3
Saxophone
2
Hautbois, Basson (duo)
2
Clarinette Basse
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Flûte
2
Saxophone Soprano
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette (duo)
2
Saxophone Baryton
2
Clarinette, Basson (duo)
2
Flûte, Saxophone (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûte à bec (duo)
1
Saxophone et Orgue
1
Ocarina
1
Flûte à bec Alto
1
Flûte irlandaise
1
2 Flûtes traversières, Piano
1
Clarinette Basse, Piano
1
Flûte et Trio à cordes
1
Quatuor de Flûtes à bec
1
Flûte, Violon
1
2 Clarinettes, Piano
1
3 Saxophones (trio)
1
+ 62 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
130
Quatuor de Cuivres : 2 trompettes, trombone, tuba
94
Quatuor de Cuivres
79
Trompette
45
Ensemble de Trombones
35
Ensemble de Trompettes
29
Trombone et Piano
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Trompette, Piano
21
Trombone
20
Trombone (partie séparée)
17
Tuba
17
Tuba et Piano
14
Trompette (partie séparée)
14
Cor et Piano
14
Cor
14
2 Trompettes (duo)
12
2 Trombones (duo)
9
2 Cors (duo)
6
Cor (partie séparée)
6
Tuba (partie séparée)
5
Ensemble de Cors
5
Trompette, Saxophone (duo)
4
Cor Anglais
4
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trombones
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
2 Euphoniums et 2 Tubas
2
Bass Clef Instruments
2
2 Tubas (duo)
2
Tuba et Orgue
2
Quatuor de cuivres: 4 cors
2
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
196
Quintette à cordes: 2 violons, alto, violoncelle, basse
76
Violon
66
Violoncelle
50
Violon et Piano
43
Violon, Violoncelle (duo)
32
Harpe
26
Alto seul
26
2 Violons (duo)
24
Trio à Cordes: 2 violons, violoncelle
23
Trio à Cordes: violon, alto, violoncelle
22
Ensemble de Violons
21
Alto, Piano
21
Violoncelle, Piano
21
Ensemble d'Altos
20
Contre Basse
19
Contrebasse, Piano (duo)
13
2 Violoncelles (duo)
13
2 Altos (duo)
10
Contrebasse (partie séparée)
4
Harpe, Voix
4
2 Harpes (duo)
4
Violoncelle , Guitare (duo)
3
Alto (partie séparée)
3
4 Violoncelles
3
Violon, Alto (duo)
3
Trio à Cordes: 2 violons, alto
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Trio à Cordes: 3 violoncelles
2
2 Contrebasses (duo)
2
4 Contrebasses
1
2 Violons, Piano
1
Violon (partie séparée)
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Ensemble Jazz
46
Orchestre à Cordes
35
Orchestre
35
Orchestre de chambre
22
Ensemble de cuivres
22
Fanfare
8
Jazz combo
7
Cloches
5
Marimba
5
Batterie
5
Ensemble de Percussions
4
Batterie (partie séparée)
4
Xylophone, Piano
2
Percussion (partie séparée)
2
Xylophone
2
Vibraphone
1
Percussion
1
+ 13 instrumentations
Retracter
Autres
Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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ORGUE
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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It's all you A: I play all
Partitions à imprimer
5 149 partitions trouvées
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5126
A Marshmallow World
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Pop musique
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Peter De Rose
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A Marshmallow World
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.874247 Composed by Peter De Rose. Arranged by Ray-Michael Kauffman a do Ray me flute studio pro...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.874247 Composed by Peter De Rose. Arranged by Ray-Michael Kauffman a do Ray me flute studio production. Pop. 20 pages. As do Ray meflute studio production #3685843. Published by as do Ray meflute studio production (A0.874247). https://www.youtube.com/watch?v=w6K4WtwfMac&feature=youtu.be2018 Holiday Contest EntryWhether it's sledding, making a snowman, snow ball fights ,a lovely winter walk, or making the Holidays merry, one of the best things about the Holidays and winter is spending time with love ones and gather by a fireplace with some delicious hot cocoa with LOTS of marshmallows !! And let's not forget all those special holiday deserts , and a lot of those great treats are made with Marshmallows. Even outside is magically transformed into a beautiful Marshmallow World with snow. I think imagine a better song choice then my arrangement of (it's a ) Marshmallow World. arranged for intermediate to intermediate advanced for flute ensemble / flute choir with optional bells/ glockenspiel. This little gem of a piece is in a jazzy, swing ( swingin ) Yuletide good fun. Packed with lot's of fun and wimsey, this piece will be a sure favorite with your group and audience members a like. May be played for school concerts, Holiday performances,seasonal/ winter concerts, community homes settings, for small children even to us grown up big kids. Everyone will love this !! this piece is up for 2018 Holiday Contest Entry.. I hope you all love this as I do. thank you for interest, and please fell free to visit my website at doRaymeflute.comholiday holiday music christmas music winter music holiday song s christmas songs seasonal songs winter songs
$13.99
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
It's all you A: I play all
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Piano seul
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INTERMÉDIAIRE
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Brendon G
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Brendon G
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It's all you A: I play all
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Brendon Holden
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1103445 By Brendon G.M.C. Holden. By Brendon G.M.C. Holden. Arranged by Brendon G.M.C. Holden. Broadway,Multicultural,Mus...
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Piano Solo - Level 3 - SKU: A0.1103445 By Brendon G.M.C. Holden. By Brendon G.M.C. Holden. Arranged by Brendon G.M.C. Holden. Broadway,Multicultural,Musical/Show,World. Score. 8 pages. Brendon Holden #706714. Published by Brendon Holden (A0.1103445). One of the 12 songs of The Game Musical.
$1.99
In Your Slumber
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Orchestre d'harmonie
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DÉBUTANT
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971....
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Concert Band - Level 1 - SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Bach's Air & co - music for funeral ceremony & Auferstehungsmesse
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Classique
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Johann Sebastian Bach
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Sophia Johanna
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Bach's Air & co - music fo
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Sophia Transistor
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - SKU: A0.851116 Composed by...
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Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - SKU: A0.851116 Composed by Johann Sebastian Bach. Arranged by Sophia Johanna. Christian,Classical,Contemporary,World. Score and parts. 13 pages. Sophia Transistor #3511437. Published by Sophia Transistor (A0.851116). English description:Originally I played this arrangement on trombone together with my little brother who played violin at the funeral ceremony of our grandma Ruth (see live recording).Core-theme is from the orchestral suite #3 in D Major, BWV 1068 Air by Johann Sebastian Bach. This arrangement is presented as a duet between two solo instruments. Both instruments have leading parts.3 different movements are included in this arrangement.They can be combined ad lib and can also played as stand alone pieces.Total playtime with all movements and all repetitions: 5 min 33 sMovement 1 as stand alone: 42 secondsMovement 2 as stand alone: 1 min 14 secondsAir Movement as stand alone: 3 min 37 secIncluded Key Notations of the piece:- treble clef and bass clef in C- both voices as treble clef in C- both voices as treble clef in Bb- treble clef in Bb and treble clef in C- treble clef in Bb and bass clef in C- both voices as bass clef in CFollowing Instruments can be covered by this:Violin, Cello, Trombone, Trumpet, Clarinet, Vocal, Flute, Tenorsaxophone, Tenorhorn, BassWhen playing the notes as if it was written in Eb or F, both players should have the same instrument with the same clef tune notation.Playalong Youtube-Video can be watched here:https://youtu.be/Iiy48Yik2FwGerman description:Dieses Arrangement habe ich zusammen mit meinem kleinen Bruder auf der Auferstehungsmesse für unsere Oma Ruth gespielt. Er spielte Geige und ich die Posaune.Kernmelodie ist die berühmte Suite Air, Aria oder Ayre von Johann Sebastian Bach. Dieses Arrangement ist ein Duett für zwei Soloinstrumente. Beide Instrumente haben Melodiestellen.Dieses Stück umfasst 3 verschiedene Einheiten.Die können alle hintereinander oder alleine für sich gespielt werden oder frei kombiniert werden.Spielzeit insgesamt mit allen 3 Movements mit allen Wiederholungen: 5 Minuten 33 SekundenMovement 1 als Einzelstück: 41 SekundenMovement 2 als Einzelstück: 1 Minute 14 SekundenMovement 3 als Einzelstück: 3 Minuten 37 SekundenFolgende Notationsformen und Schlüssel sind in den Noten mit enthalten:- Violinschlüssel und Bassschlüssel in C- Beide Stimmen als Violinschlüssel in C- Beide Stimmen als Violinschlüssel in Bb- Violinschlüssel in Bb und Violinschlüssel in C- Violinschlüssel in Bb und Bassschlüssel in C- Beide Stimmen als Bassschlüssel in CDamit können folgende Instrumente abgedeckt werden:Geige, Cello, Posaune, Trompete, Klarinette, Querflöte, Tenorsaxofon, Tenorhorn, BassRein theoretisch könnten auch F und Eb-Instumente das spielen, dann sollten bloß beide Spieler ein Instrument der selben Stimmung spielen.####Have fun and leave a comment, so that I can improve!Visit my publisher page: https://www.sheetmusicplus.com/publishers/sophia-johanna/7814My YouTube Channel with contact information: https://www.youtube.com/channel/UCm10wB_bmSJHgf4cEnHNtQQ/about
$5.00
Rocket Man (i Think It's Gonna Be A Long Long Time)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Piano Tribute Players
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Kevin P
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Rocket Man
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Kevin P. Holtg
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.866023 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Kevin P. Holt. Contemporary. Score. 4 pages...
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Piano Solo - Level 4 - SKU: A0.866023 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Kevin P. Holt. Contemporary. Score. 4 pages. Kevin P. Holtg #5325609. Published by Kevin P. Holtg (A0.866023). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.This version took it's inspiration from the Elton John Biopic 'Rocketman', released in 2019 and impressively portrayed by Taron Edgerton. I've tried to capture the essence of Elton's rhythmic playing, which was a challenge as he sings the melody while we as solo pianists have to spread all features of the song between our two hands. I'm pleased with the result and for anyone that has played my arrangements of Your Song and Tiny Dancer I think you will find this an equally nice addition to your library. Dynamic and phrasing are left to the performers discretion but have added a few to get you started. Have Fun.
$4.99
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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J.S. Bach: Goldberg Variations
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 4 - SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954867. Published by Flavio Regis Cunha (A0.1370523). J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by VÃkingur Ólafsson) for pianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 3 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎹 Unlock the Soul of Bach's Masterpiece! 🎶Calling all piano enthusiasts and maestros alike! 🌟 Immerse yourself in the timeless beauty of J.S. Bach's Goldberg Variations, BWV 988: Var. 15, as played by the virtuoso VÃkingur Ólafsson. 🎵✨ Why You'll Love This Sheet Music:1ï¸âƒ£ **Masterful Interpretation:** VÃkingur Ólafsson's emotive rendition captured on sheet music for your piano pleasure.2ï¸âƒ£ **Precision in Every Note:** Meticulously transcribed to ensure an authentic and enriching musical experience.3ï¸âƒ£ **Express Your Artistry:** Whether you're a seasoned pianist or a budding artist, this sheet music lets you express your musical soul.🌈 Unleash Your Passion for Music:Transform your playing into a breathtaking journey. Feel the resonance of each note as you bring Bach's genius to life on your piano. 🚀🎠Limited-Time Offer:Order now and receive exclusive access to a video tutorial by VÃkingur Ólafsson himself, offering insights into the nuances of this captivating variation.👉 Don't miss out on this opportunity to elevate your musicality! Order your sheet music now and let the Goldberg Variations become a masterpiece under your fingertips. 🎹✨🌟 Elevate your artistry – Bach's Goldberg Variations, BWV 988: Var. 15 awaits you! 🌟Celebrated for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,†says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.†comments VÃkingur Ólafsson.
$6.99
Open Strings Holidays: A Song for Every US Holiday for Beginning String Orchestra Parts
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Orchestre à Cordes
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DÉBUTANT
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Yoel Epstein
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Yoel Epstein
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Hope you enjoy.
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Open Strings Holidays: A Song
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.773315 Composed by Yoel Epstein. Arranged by Yoel Epstein. Holiday,Patriotic,Standards. Score and parts. 39 pages. ...
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String Orchestra - Level 1 - SKU: A0.773315 Composed by Yoel Epstein. Arranged by Yoel Epstein. Holiday,Patriotic,Standards. Score and parts. 39 pages. Yoel Epstein #3686423. Published by Yoel Epstein (A0.773315). This volume contains parts for songs for every national US holiday. The songs are arranged for beginning string orchestra (all first position), with additional parts for violin, viola and cello using open strings only. You can purchase the score and one set of parts at https://www.sheetmusicplus.com/title/20826942 . An accompaniment track is available at https://youtu.be/SlkbjfKBdjc . So you can play this with the accompaniment and any combination of parts. If there are no violists, or if the cello part is too hard for your students, you can play the songs with the accompaniment, and it will sound fine. In fact, I have performed this piece with the violin open string parts only, along with the accompaniment. Please do not make copies of this. I know your project is underbudgeted and you are underpaid, and the photocopier is right down the hall. But this is my livelihood. So please, please, please, buy as many copies as you need. It's really cheap!This is one of the Open String Symphony series of music for string players of mixed skill levels. You can see all the books of the series at http://www.sheetmusicplus.com/search?Ntt=Open+String+Symphony These pieces are part of a more complete program for teaching strings in classes. You can read the entire first-year program in the books Playing Together Student Workbook and Playing Together: Teacher's Guide, both available on Amazon: Teacher's Guide: https://www.amazon.com/Playing-Together-Teachers-Guide-teaching/dp/1534974598 Student Workbook: https://www.amazon.com/Playing-Together-Student-Workbook-2/dp/1535336617 If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), In particular, you might be interested in my music flash cards (here). If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$2.99
Ballad Of Casey Jones
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Eddie Newton and Jill Gallina
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Derek Hasted
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Ballad Of Casey Jones
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and p...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5206431. Published by Derek Hasted (A0.797763). CASEY JONES - 6 GUITARS or LARGE ENSEMBLEThe Ballad of Casey Jones - most famously used as the Theme Music to the TV series Casey Jones.Derek Hasted writes This is a great piece for six or more guitars, especially for those with limited experience of playing in ensemble.Schoolteachers - this is ideal for a school ensemble of mixed ability players, as there are parts from 'very much a novice' up to intermediate (which the teacher can help support).My arrangement sets out to make classical guitars sound like a steam locomotive - I hope you find that it works better than you imagined!The slow introduction and the gathering speed doesn’t require a collective accelerando, it’s all done in the writing - the metronome mark stays the same.Be sure to accent the beats where shown, and keep that pulsing accent rippling through the entire piece.Guitar 6 requires the bottom string tuned down to D - as this is the line suited to those with the least experience, you might want to mark up the fret numbers for the bass notes below the open A - they are all two frets higher than they normally are.This piece has featured in concerts played by The Hampshire Guitar Orchestra, and it’s always gone down well.I hope you enjoy playing this piece!
$4.99
Funeral For A Tree
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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John Powell
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Funeral For A Tree
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as do Ray meflute studio production
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contem...
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Choral Choir (Mixed) - Level 3 - SKU: A0.874246 Composed by John Powell. Arranged by a do Ray me flute studio production , Ray-Michael Kauffman. Contemporary. Octavo. 31 pages. As do Ray meflute studio production #3885051. Published by as do Ray meflute studio production (A0.874246). Https://www.youtube.com/watch?v=PqIQfHGxLEg&feature=youtu.be With thoughts leaning and reflecting on the end on Fall, and November, I can’t help but notice the beauty of fall and the trees and foliage. This wonderous little musical piece , from the motion picture The Lorax from the Dr. Seuss movie, depicts of the main character the Lorax speaking for the trees and in many ways advocating for all things, people and groups that can not speak for themselves. And even in the times that we live in, this story still rings true today. And beauty can still be found in sadness, or endings whether the be falling leaves in the park, or even with the events that are said , we grow and learn, being grateful for what we have , and learn to find our voices to speak out for the things that truly matter in life. This music, which is much like a hymnal, especially in the beginning of the piece, is perfect for this message. A message of peace, reflectiveness and hope and courage. As a side note , this piece should be played with lots of thoughtful rubato, and when the meter changes for 4/4(5/4) to 12/8, the beat does not change from quarter to dotted quarter .In the middle, minor section, I really added and improvised my musical skills per chord and melody of the song which makes my arrangement very distinctive, individual and unique. This would be great for a movie themed concert, all by it's self, for a funeral, for Arbor Bay/ Tree ceremony , for fall or autumn music/ themed programs, recitals, etc. Sure to be a well used piece in your collection. Scored for piccolo, flute 1, 2, 3 4, alto and bass flute. This pieces suites smaller groups , such as 1 per part, or doubling up with discretion. please visit my website at doraymeflute.com , too!I hope you enjoy this as much as I do, thank you for your support.#movie music #arborday#holidaymusic #fallmusic #holiday #fall #autumn #season #flutechoir #movieflute #autumnmusic
$14.99
20 Really Easy Christmas Carols for Oboe
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Hautbois (partie séparée)
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DÉBUTANT
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Musique Sacrée
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Various
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David McKeown
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20 Really Easy Christmas Carol
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David McKeown
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.587801 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8...
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Oboe Solo - Level 1 - SKU: A0.587801 Composed by Various. Arranged by David McKeown. Christmas,Instructional,Praise & Worship,Sacred. Individual part. 8 pages. David McKeown #4978273. Published by David McKeown (A0.587801). 20 Really Easy Christmas Carols for Oboe is a collection of your favourite carols arranged simply in the easiest keys and range for early stage players.We all know that tricky period when beginner oboe players have mastered basic technique and can play a range of around an octave and a half. At this point, I find lots of simple material is ideal to consolidate early successes. Playing simple Christmas carols is usually a big motivation to students. Now, with this collection of carols, students can join in with Christmas music-making and develop those reading skills at the same time.These 20 carols are arranged in easy keys, going no lower than DThe carols are in alphabetical order and are as follows;· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.99
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
All I Want For Christmas Is You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Justin Bieber Duet With Mariah
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasie...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary. 39 pages. Helen Marple-Horvat #6196305. Published by Helen Marple-Horvat (A0.749239). https://www.youtube.com/watch?v=GSx1esb0D0wMariah Carey released this critically acclaimed song in 1994 and it has remained a popular snowy-season Christmas standard ever since. I originally arranged it for Voice with Quartet accompaniment in F, with my daughter, Alice Rose Wild, who sings on the live recording. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. More recently I have created this version for String Quartet in the key of G. At the moment I have only the Sibelius computer score, and hope to record it with Capriccio Quartet once the covid pandemic is at an end. Suspend your disbelief!Why choose my Arrangement?The arrangement is in a great key for strings and most of the double stopping includes an open string. In one or two places the double stopping is a bit more tricky, so for younger players it would be better perhaps to miss out one of the notes, or to play them consecutively.The Intro.For the first violinist I include two versions of the intro and recommend that the quartet listen to the original, or to Alice’s recording for speed and performance tips. It is quite difficult to get the computer to do it musically, so the video intro is only intended as a rough guide. One of the enclosed options is intended as a rehearsal version, and has the lyrics to help. I have bowed it to include lots of downbows, and recovery of bows, which will help the other members to follow. The tricky sextuplet and triplet ornament at bar 10 can be omitted altogether. Simply pause on the ‘C’ and then recover the downbow for the next bar.I also include two versions of the violin two and viola parts. One is on two pages as a smaller font, and one on three pages with a larger font.For cellists who are a bit daunted by the solo at letter A , simply play the fourth position semi breve Gs at bar 12 and at bars 13 and 14 too, and revert to the original score at bar 15. ie Six semibreve Gs. Perhaps a harmonic D at bar 15 would be easier than a shift at this point, and then join in unison with the rest of the band.The song moves between a straight crotchet pulse and lots of syncopated lines. This will be difficult to read on paper, but I always recommend listening to the song many times and then doing it by ear, using the notes on the page as a guide. Try not to play them too literally.PrintoutsPages 1 - 10 are for Look Inside Options only.Pages 11 - 28 includes all PartsPage 29 onwards is the optional Score for rehearsals. The vocal version is proving popular, but for a standard quartet Wedding and Events repertoire I hope that people will enjoy this arrangement. Send me recordings on facebook, even if they are phone rehearsals. I love to hear them, and to make contact with quartets around the world!
$20.00
I Can Do It With A Broken Heart
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Piano Facile
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DÉBUTANT
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Taylor Swift
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Annabelle Ayl
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I Can Do It With A Broken Hear
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PianoTutorialsInCMajor
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1487467 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Annabelle Ayl. 21st Century,Country,Folk,Pop,Soul...
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Easy Piano - Level 1 - SKU: A0.1487467 By Taylor Swift. By Jack Antonoff and Taylor Swift. Arranged by Annabelle Ayl. 21st Century,Country,Folk,Pop,Soul. Score. 6 pages. PianoTutorialsInCMajor #1064416. Published by PianoTutorialsInCMajor (A0.1487467). Whether you are preparing for Taylor Swift's Eras Tour, or have already attended it, enhance your musical experience with this printable sheet music for Taylor Swift's Delicate.! Performed, written and produced by TAYLOR SWIFT and JACK ANTONOFF. Ideal for piano players, musicians, and Swifties, this digital download provides the full music piano score, allowing you to enjoy playing this captivating song at home or with friends and family.**Key Features:**- High-quality PDF format- Suitable for piano players- Transposed to C major making it easy for beginners- Clear, easy-to-read notation- Instant download for immediate accessEnrich your music collection with Taylor Swift's new hit I Can Do It With a Broken Heart Print it, play it, and share the joy with other music lovers. Perfect for both beginners and experienced musicians, this sheet music is an essential addition to your repertoire.**YouTube Link for Song:** [I Can Do It With a Broken Heart - Taylor Swift] (https://youtu.be/XjlSBN82hfo?si=uzbUe3EgQYWK1joq)This digital and printable sheet music in PDF format spans six (6) pages. The high-quality 300 dpi PDF file ensures excellent print quality on common international paper sizes, such as A4 and US Letter.Please note, this product is a digital PDF that you will receive instantly upon purchase and can print at your convenience. Downloads are not available through the Etsy app and must be done via an internet browser. Due to the nature of digital products, no refunds or exchanges are accepted.**All Rights Reserved**Enjoy learning and practicing this new piece with friends and family, or in preparation of Taylor Swift's Eras Tour! <3.
$4.99
The Beethoven Duets For Oboe Complete Collection (All 9 Scherzi)
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Hautbois (partie séparée)
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AVANCÉ
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Classique
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Joe Procopio The Beethoven Due
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Ludwig van Beethoven
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Joe Procopio
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The Beethoven Duets For Oboe C
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JoeCopio Music LLC
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.876506 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 173 pages. ...
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Oboe Solo - Level 5 - SKU: A0.876506 Composed by Ludwig van Beethoven. Arranged by Joe Procopio. Classical,Romantic Period. Individual part. 173 pages. JoeCopio Music LLC #1910727. Published by JoeCopio Music LLC (A0.876506). THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven’s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Oboe but also for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD. Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6. Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9. The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi. What’s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2. To be sure, The Beethoven Scherzi Duets for Oboe are a marvel of Beethoven’s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction. Joe Procopio AN INTRODUCTION TO THE BEETHOVEN DUETS By Joe Procopio Because of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven’s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master’s great musical creations which have no equal. In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven’s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world’s most valuable, breathtaking and beautiful music. In truth, Beethoven’s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years. In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven’s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God’s creation. What comes to mind immediately is Beethoven’s Pastoral Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God’s creation but also the radiance of God the Creator himself. In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.
$49.95
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Pub...
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Flute Solo - Level 5 - SKU: A0.1018923 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072949. Published by Benjamin Sajo (A0.1018923). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018926 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072953. Published by Benjamin Sajo (A0.1018926). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018925 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072955. Published by Benjamin Sajo (A0.1018925). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Prelude on "Nun Danket Alle Gott" (Now Thank We All Our God) for Trombone and Organ, Phil Lehenbauer
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Orgue
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INTERMÉDIAIRE
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Phil Lehenbauer
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Phil Lehenbauer
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Prelude on "Nun Danket Al
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Phil Lehenbauer
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1117893 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Classical,Contemporary,Holiday,Sacred,Traditional. Score. 8 ...
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Organ - Level 3 - SKU: A0.1117893 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Classical,Contemporary,Holiday,Sacred,Traditional. Score. 8 pages. Phil Lehenbauer #719400. Published by Phil Lehenbauer (A0.1117893). Nun Danket Alle Gott is usually known as the hymn Now Thank We All Our God, sung at many times throughout the church year. This is another in a series of works for the younger or less experienced instrumentalist, with a limited range, easy rhythms, and an easily playable organ part that provides great support to the young player. In addition to the trombone and organ parts, there is a treble clef part provided that can be used by a trumpet, baritone, or tenor sax player. It was written and recorded on a two manual instrument, with the composer playing both parts (thanks to the organ's MIDI recorder). I hope you will feature the younger players in your church!
$3.50
TAPS A Rembrance
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...
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Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
I Do
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Rotimi
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Sarah Cellobat Chaffee
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I Do
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1262781 By Rotimi. By Aaron Rogers, Louise Gold, Miguel Louis Jimenez, Mike Jay, Mike Jaye, Nathan Ma...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1262781 By Rotimi. By Aaron Rogers, Louise Gold, Miguel Louis Jimenez, Mike Jay, Mike Jaye, Nathan Marrow, Nigel Sparkes, Nigel Sparks, Olurotimi Akinosho, Omari Massenburg, Rashad Johnson, and Sheldon Marquis Rachad Grant. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #855787. Published by Sarah Cellobat Chaffee (A0.1262781). Born in New Jersey in a Nigerian family, Rotimi is truly a renaissance man. A varsity basketball player in high school, he went on to earn his bachelor's degree in Communications and Business at Northwestern University, and soon began a successful acting career -- and now he's made a major impact on the music world as well! His ethereally beautiful ballad I Do, released in 2021, has achieved massive success, with over 8.5 million views on Youtube; it seems like it will soon become a staple in the wedding music catalog. So you really can't go wrong adding this one to your gig books! This Cellobat arrangement for violin and cello duet captures the soaring melodies, beautiful harmonies, and romantic vibe of the original for a chart your audience is sure to love. Originally written for a wedding ceremony, this will also be perfect for receptions, cocktail hour, proposals, parties, and more! Rated advanced-intermediate mainly for some complex rhythms; this will still be sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$9.99
Someone You Loved
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Trompette
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DÉBUTANT
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Lewis Capaldi
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Josiel Oliveira
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Someone You Loved
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M das Melodias
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arran...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.505838 By Lewis Capaldi. By Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Samuel Roman, and Thomas Barnes. Arranged by Josiel Oliveira. Multicultural,Pop,World. Individual part. 1 pages. M das Melodias #117500. Published by M das Melodias (A0.505838). Sheet music of the song Someone You Loved for trumpet in Bb. Singer Lewis Capaldi. Sheet music on the easy-to-play level. #trumpet #Bbtrumpet #someoneyouloved #lewiscapaldi I'm going under and this time I fear there's no one to save me This all or nothing really got a way of driving me crazy I need somebody to heal Somebody to know Somebody to have Somebody to hold It's easy to say But it's never the same I guess I kinda liked the way you numbed all the pain Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I'm going under and this time I fear there's no one to turn to This all or nothing way of loving got me sleeping without you Now, I need somebody to know Somebody to heal Somebody to have Just to know how it feels It's easy to say but it's never the same I guess I kinda liked the way you helped me escape Now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved And I tend to close my eyes when it hurts sometimes I fall into your arms I'll be safe in your sound 'til I come back around For now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved But now the day bleeds Into nightfall And you're not here To get me through it all I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved I let my guard down And then you pulled the rug I was getting kinda used to being someone you loved.
$4.99
Powder Your Face With Sunshine
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Piano, Voix et Guitare
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Guy Lombardo
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Powder Your Face With Sunshine
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Musi...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000010. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000010). ISBN 9780739068540. UPC: 038081386140.This songbook contains more than 50 of the biggest hits of the 1940s. Each song is sure to spark a memory or create a new one for pianists and vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: The Anniversary Waltz (Vera Lynn) * As Time Goes By (Dooley Wilson) * At Last (Glenn Miller) * Ballerina (Vaughn Monroe) * Blues in the Night (Woody Herman) * Chattanooga Choo Choo (Glenn Miller) * Don't Fence Me In (Bing Crosby and The Andrews Sisters) * Don't Sit Under the Apple Tree (The Andrews Sisters) * Elmer's Tune (Glenn Miller) * Enjoy Yourself (Guy Lombardo) * Fools Rush In (Glenn Miller) * A Gal in Calico (Johnny Mercer) * How About You? (Tommy Dorsey) * How Are Things in Glocca Morra? (Buddy Clark) * How High the Moon (Benny Goodman) * I Fall in Love Too Easily (Frank Sinatra) * I'll Walk Alone (Dinah Shore) * I'm in Love (Doris Day) * Imagination (Glenn Miller) * It's Magic (Doris Day) * I've Heard That Song Before (Harry James) * La Vie en Rose (Edith Piaf) * Laura (Woody Herman) * Mam'selle (Art Lund) * The More I See You (Dick Haymes) * Near You (Francis Craig) * New York, New York (Gene Kelly, Frank Sinatra, & Jules Munshin) * Oh! What It Seemed to Be (Frank Sinatra) * The Old Lamp-Lighter (Sammy Kaye) * Only Forever (Bing Crosby) * Paper Doll (The Mills Brothers) * Powder Your Face with Sunshine (Guy Lombardo) * Red Roses for a Blue Lady (Vaughn Monroe) * Serenade in Blue (Glenn Miller) * Speak Low (Guy Lombardo) * Straighten Up and Fly Right (Nat King Cole) * Swinging on a Star (Bing Crosby) * Take the A Train (Duke Ellington) * Taking a Chance on Love (Benny Goodman) * That Lucky Old Sun (Frankie Laine) * Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) (Bing Crosby) * The Trolley Song (Judy Garland) * You'd Be So Nice to Come Home To (Dinah Shore) * You'll Never Know (Dick Haymes) * Zip-a-Dee-Doo-Dah (James Baskett).
$3.99
Also Sprach Zarathustra (2001 A Space Odyssey) also Happy Birthday
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The Candlelight Guitarist
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Bradley Powell
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Also Sprach Zarathustra
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Fil...
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Guitar - Level 3 - SKU: A0.1452366 By The Candlelight Guitarist. By Richard Strauss. Arranged by Bradley Powell. 19th Century,20th Century,Classical,Film/TV,Holiday. Guitar Tab. 4 pages. Geofonica Artistworks #1031691. Published by Geofonica Artistworks (A0.1452366). This is a solo classical guitar 'mashup'/medley of Also Sprach Zarathustra (widely known from film 2001: A Space Odyssey) by Richard Strauss with the traditional Happy Birthday song. It begins with Also Sprach Zarathustra (the portion from 2001: A Space Odyssey)--then at the penultimate dominant chord, switches to Happy Birthday in a similar style, then at the Happy Birthday penultimate dominant chord, returns to the final three melody chords of Also Sprach Zarathustra. The playing level is intermediate classical guitar... even playable by a good early intermediate player. This arrangement is in standard notation with TAB. Arranged by Bradley Powell, who records as The Candlelight Guitarist...the entire arrangement can be seen and heard at the video link provided. If a player ONLY wants to play Also Sprach Zarathustra, they can skip from the end of measure 14 to the beginning of measure 24). YouTube link: https://www.youtube.com/shorts/QgzHaRrtftQABOUT the arranger: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.
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