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--INSTRUMENTS--
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ALTO
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It Better End Soon
Non classifié
19
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4
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4
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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1
Clarinette, Basson (duo)
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Cuivres
2 Trompettes (duo)
1
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Violon
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
4 Violoncelles
1
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2 Violoncelles (duo)
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Trio à Cordes: violon, alto, violoncelle
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+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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MANDOLINE
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OCARINA
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Vous avez sélectionné:
It Better End Soon
Partitions à imprimer
87 partitions trouvées
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76
It Better End Soon
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Rock
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Chicago
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Patrick Sheehan
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rock selections.
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It Better End Soon
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747859 By Chicago. By Robert William Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 190 pages. Patrick...
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Small Ensemble - Level 5 - SKU: A0.747859 By Chicago. By Robert William Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 190 pages. Patrick Sheehan #4968561. Published by Patrick Sheehan (A0.747859). *This title is priced at $75 because of its clock time (over 10:00). Keep in mind that *all* parts (vocals, horns, rhythm parts) are included in this transcription, and you cannot find it published in full score format anywhere else in the world.*INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Flute, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Hammond B-3 Organ, Electric Guitar, Bass, Tambourine, Cowbell, Drumset. All parts transcribed by ear from the original recording from Chicago II released in 1970. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$75.00
Moonlight Sonata by Beethoven for Bassoon Quartet
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4 Bassons
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FACILE
#
Classique
#
Ludwig van Beethoven
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Ander
#
Moonlight Sonata by Beethoven
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Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 2 - SKU: A0.1138456 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instruct...
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 2 - SKU: A0.1138456 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #738792. Published by Woods Only, Arrangements (A0.1138456). This arrangement adapted for bassoon quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
Moonlight Sonata by Beethoven for Bassoon Trio
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3 Bassons
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Moonlight Sonata by Beethoven
#
Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.1147499 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instruction...
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - SKU: A0.1147499 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 9 pages. Woods Only, Arrangements #747737. Published by Woods Only, Arrangements (A0.1147499). This arrangement adapted for bassoon trio was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$5.99
Moonlight Sonata by Beethoven for Bassoon Duet
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2 Bassons (duo)
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Moonlight Sonata by Beethoven
#
Woods Only, Arrangements
#
SheetMusicPlus
Bassoon,Instrumental Duet - Level 2 - SKU: A0.1151938 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Roman...
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Bassoon,Instrumental Duet - Level 2 - SKU: A0.1151938 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #752141. Published by Woods Only, Arrangements (A0.1151938). This arrangement adapted for bassoon duo was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$3.99
Moonlight Sonata by Beethoven for Bassoon Quintet
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5 Bassons
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INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
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Ander
#
Moonlight Sonata by Beethoven
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Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon - Level 3 - SKU: A0.1129497 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instruct...
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Woodwind Ensemble,Woodwind Quintet Bassoon - Level 3 - SKU: A0.1129497 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 16 pages. Woods Only, Arrangements #729945. Published by Woods Only, Arrangements (A0.1129497). This arrangement adapted for bassoon quintet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$9.99
Nobody Does It Better from THE SPY WHO LOVED ME
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Ensemble Jazz
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INTERMÉDIAIRE
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Carly Simon
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Brad Esbensen
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Nobody Does It Better from THE
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774346 By Carly Simon. By Marvin Hamlisch. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop. Score an...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774346 By Carly Simon. By Marvin Hamlisch. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop. Score and Parts. 55 pages. Brad Esbensen Music Services #3626575. Published by Brad Esbensen Music Services (A0.774346). This arrangement for vocalist and big band is written in the key of F major, and follows the form as sung on the sound track of the James Bond film, The Spy Who Loved Me, by Carly Simon. All brass parts are written mostly in a comfortable range (D5 required towards the end of the chart) and fully notated rhythm section parts are provided. The sax section requires doubles (clarinet with baritone sax doubling bassoon) but optional parts for saxes only are also included. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
Moonlight Sonata by Beethoven for Flute and Bassoon
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Flûte, Basson (duo)
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Moonlight Sonata by Beethoven
#
Woods Only, Arrangements
#
SheetMusicPlus
Bassoon,Flute,Instrumental Duet - Level 2 - SKU: A0.1151924 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March...
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Bassoon,Flute,Instrumental Duet - Level 2 - SKU: A0.1151924 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #752130. Published by Woods Only, Arrangements (A0.1151924). This arrangement adapted for flute and bassoon duet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$3.99
Moonlight Sonata by Beethoven for Clarinet and Bassoon
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Clarinette, Basson (duo)
#
FACILE
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Moonlight Sonata by Beethoven
#
Woods Only, Arrangements
#
SheetMusicPlus
Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1151932 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,Ma...
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Bassoon,Clarinet,Instrumental Duet - Level 2 - SKU: A0.1151932 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #752137. Published by Woods Only, Arrangements (A0.1151932). This arrangement adapted for clarinet and bassoon duet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$3.99
It Better End Soon: 3rd Movement by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Chicago
#
It Better End Soon: 3rd Moveme
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Musicnotes
Performed by: Chicago: It Better End Soon - 3rd Movement Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contain...
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Performed by: Chicago: It Better End Soon - 3rd Movement Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 3 pages -- Jazz-Rock~~Pop Rock~~AM Pop
$3.25
It Better End Soon: 4th Movement by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
#
Chicago
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It Better End Soon: 4th Moveme
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Musicnotes
Performed by: Chicago: It Better End Soon - 4th Moevement Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contai...
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Performed by: Chicago: It Better End Soon - 4th Moevement Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 1 pages -- Jazz-Rock~~Classic Rock
$2.95
It Better End Soon: 1st Movement by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
#
Chicago
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It Better End Soon: 1st Moveme
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Musicnotes
Performed by: Chicago: It Better End Soon - 1st Movement Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contain...
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Performed by: Chicago: It Better End Soon - 1st Movement Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 1 pages -- Jazz-Rock~~Pop Rock~~AM Pop
$2.95
It Better End Soon: 2nd Movement by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
#
Chicago
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It Better End Soon: 2nd Moveme
#
Musicnotes
Performed by: Chicago: It Better End Soon - 2nd Movement Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Instr...
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Performed by: Chicago: It Better End Soon - 2nd Movement Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Instrument/Chords, instruments: C Instrument; 2 pages -- Jazz-Rock~~Pop Rock~~AM Pop
$2.95
It Had Better Be Tonight (from The Pink Panther): Bassoon
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Orchestre
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Methodes
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Michael Bublé
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Roy Phillippe
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It Had Better Be Tonight
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014486_B1 Bassoon. By Michael Bublé. By Henry Mancini. Arranged by Roy Phillippe. Instructional. Part. 1 p...
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Full Orchestra - SKU: AX.00-PC-0014486_B1 Bassoon. By Michael Bublé. By Henry Mancini. Arranged by Roy Phillippe. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014486_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014486_B1). UPC: 038081377049.This exciting up-tempo samba will make a great opener. Sung recently by vocalist Michael BublA(c), and enjoying renewed popularity, the piece was composed for the first Pink Panther film. Somehow the Pink Panther is one of those enduring characters loved by kids of all ages!Opener.
$3.00
Medioevo By Jannes Jacobs
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Orchestre d'harmonie
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Contemporain
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Jannes Jacobs
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Medioevo By Jannes Jacobs
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Jannes Jacobs
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SheetMusicPlus
Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (...
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Concert Band - SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
$15.00
Weep And Smile [piano solo]
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Piano seul
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FACILE
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the way, these words are somet
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Juan MarÃa Solare
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Weep And Smile [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.596592 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5...
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Easy Piano - Level 2 - SKU: A0.596592 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Sacred,Standards. Score. 8 pages. Juan Maria Solare #5799759. Published by Juan Maria Solare (A0.596592). About the music Both pieces of this diptych are miniatures with a structure quite similar to each of the pieces of the Album für die Jugend Opus 68 by Robert Schumann. The melodies are strongly rooted in Japanese music (particularly obvious in the second piece). Aesthetically, this is neoclassical music (a quite broad concept nowadays). Fans of Erik Satie, Ludovico Einaudi or Joep Beving will possibly feel at home. Both pieces were composed on 6 June 2020 (the first one with my daughter Laura sleeping on my breast). Find this music soon on Spotify, Apple Music, YouTube or any other streaming platform (either under my name or performed by other pianists, possibly Iannis Eralos). Total duration: ca. 5:15.https://open.spotify.com/album/27MbJnfPjcolbQZAmNs8tKWeep Because Its Over: https://www.youtube.com/watch?v=SWflYuEoLy8Smile Because It Happened: https://www.youtube.com/watch?v=7SQFUlb7lFgAbout the titlesIn a poem by the German Romantic poet Ludwig Jacobowski titled Leuchtende Tage (Radiant Days) and published in August 1899, he writes:Nicht weinen, weil sie vorüber!Lächeln, weil sie gewesen!Literally:Don't cry because they are over (they: the radiant days)Smile because they happened.Usually it is quoted this way:Don't cry because it’s overSmile because it happened. For my piece, I adapted this idea und -not quite humbly- think that is better now: Do weep because it’s overBut also smile because it happened Why is it better now? Because… where is the issue with weeping? The first step is to accept that pain exists. Nobody has the moral authority to deny you the possibility of crying. Weeping is not a shame or a disgrace. Besides, only he who weeps is credible when he laughs. By the way, these words are sometimes attributed to Confucius. I leave to you the task of determining whether Jacobowski borrowed this thought from him.
$3.33
Industry Baby
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Soul/R&B
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Lil Nas X & Jack Harlow
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Ander
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Industry Baby
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1088968 By Lil Nas X & Jack Harlow. By David Biral, Denzel Michael-Akil Baptiste, Jack Harlow, Ka...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1088968 By Lil Nas X & Jack Harlow. By David Biral, Denzel Michael-Akil Baptiste, Jack Harlow, Kanye Omari West, Mark Carl Stolinski Williams, Montero Lamar Hill, Nicholas Lee, Raul Ignacio Cubina, and Rosario Peter Lenzo Iv. Arranged by Ander. Hip-Hop,Pop,R & B. 18 pages. Woods Only, Arrangements #693179. Published by Woods Only, Arrangements (A0.1088968). Very popular, especially in trends in tiktok and finals, this arrangement contains a tonal adaptation to be better suited. Besides the facilitation for woodwind quintet, it features melodic originality for better execution of the arrangement for the given purpose. Industry Baby is a song by American rappers Lil Nas X and Jack Harlow, through Columbia Records. It is the third single from Lil Nas X's debut studio album, Montero, following up the international success of lead single Montero (Call Me by Your Name). The song debuted at number 2 on the Billboard Hot 100 for the week of August 7, 2021, and became Lil Nas X's third and Harlow's first number-one single on the chart on the week of October 23, 2021. On October 9, 2021, an extended version was released that features a short verse from Lil Nas X during the outro.
$12.99
Bubbles, Floating Bubbles (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃa Solare
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Bubbles, Floating Bubbles
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1134936 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pag...
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Piano Solo - Level 4 - SKU: A0.1134936 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan MarÃa Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan MarÃa Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
$3.00
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
This Is Me
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Basson, Piano (duo)
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INTERMÉDIAIRE
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Benj Pasek and Justin Paul
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Robert Newth
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This Is Me
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Robert Newth
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.845620 Composed by Benj Pasek and Justin Paul. Arranged by Robert Newth. Broadway,Contemporary,Film/TV,Musical/Show. S...
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Bassoon,Piano - Level 3 - SKU: A0.845620 Composed by Benj Pasek and Justin Paul. Arranged by Robert Newth. Broadway,Contemporary,Film/TV,Musical/Show. Score and part. 9 pages. Robert Newth #3590715. Published by Robert Newth (A0.845620). This fantastic song from The Greatest Showman is presented here in an arrangement for Bassoon and Piano. It has been transposed into the key of C to suit the bassoon better. Towards the end of the arrangement, the bassoon plays the solo vocal riff.This arrangement would be perfect for a recital, concert, or for any fan of the musical to play through.The PDF download includes both a solo bassoon part and a piano score.
$4.99
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00
Prelude 1 & Fugue 22 From 'The Well-Tempered Clavier Book 2' For Wind Quartet (Flt, Ob, Clt, Bsn)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Prelude 1 & Fugue 22 From
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.891942 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 33 pages...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.891942 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque,Standards. 33 pages. Stephen Davies #5720039. Published by Stephen Davies (A0.891942). From The Well-Tempered Clavier Book 2 BWV 870-893In Bach's own words ..... for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study....., we are literally invited by the great man himself, to enjoy playing his music in virtually any combination we like! The Wind Quartet is a fitting vehicle for these two pieces from The Well-Tempered Clavier Book 2, namely the Prelude No.1 and the Fugue No.22. The Prelude Completely different from the Prelude that opens Book 1, which is mainly broken chords, this opening Prelude to Book 2 features a continuously flowing sequence of melodic ideas. According to Levinson, few pieces of traditional music are more purely processive as this. It develops without a break or pause, without arrivals of significance, from beginning to end Good to play as well!! The Fugue Of course this Fugue should be in the key of Bb Minor, but to avoid all those nasty Fb's and E#'s etc the key has been altered just to make the music flow a little better in this instrumental combination (imho!), coupled with the time signature of 3/2, this Fugue should prove interesting in rehearsal! The four voices are distributed throughout the parts, and at 101 bars, it is certainly one of Bach's longest, and definitely one of the most enjoyable to play, especially in a generous acoustic.Also available here in Clarinet Quartet and Saxophone Quartet flavours!!
$14.99
Wedding March by Mendelssohn for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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DÉBUTANT
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Classique
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Felix Bartholdy Mendelssohn
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Langanho
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Wedding March by Mendelssohn f
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Avery Lynn Jordan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.1183427 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Roma...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.1183427 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #783099. Published by Avery Lynn Jordan (A0.1183427). This is a reduction for woodwind quartet, with the intention of giving better practicity to groups that intend to play at weddings, and not only that, it can be used in several occasions, both by professionals and beginners, because it was adapted to be easy to perform. The Wedding March by Felix Mendelssohn was composed in 1842 to set the music for the play A Midsummer Night's Dream (Musik zu Ein Sommernachtstraum). It is a piece of music played during wedding ceremonies, at the moment of the bride's entrance, usually preceded by notes of Triumphal Clarins that emphasize the importance of this moment. Originally the piece is instrumental, having been performed at weddings in the version.
$9.99
Wedding March by Mendelssohn for Woodwind Quartet with Chords
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Flûte, Hautbois, Clarinette, Basson
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DÉBUTANT
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Classique
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Felix Bartholdy Mendelssohn
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Langanho
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Wedding March by Mendelssohn f
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Avery Lynn Jordan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.1183443 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Roma...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.1183443 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #783100. Published by Avery Lynn Jordan (A0.1183443). This is a reduction for woodwind quartet with chords, with the intention of giving better practicity to groups that intend to play at weddings, and not only that, it can be used in several occasions, both by professionals and beginners, because it was adapted to be easy to perform. The Wedding March by Felix Mendelssohn was composed in 1842 to set the music for the play A Midsummer Night's Dream (Musik zu Ein Sommernachtstraum). It is a piece of music played during wedding ceremonies, at the moment of the bride's entrance, usually preceded by notes of Triumphal Clarins that emphasize the importance of this moment. Originally the piece is instrumental, having been performed at weddings in the version.
$9.99
Wedding March by Mendelssohn for Woodwind Quartet and Piano with Chords
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Flûte, Hautbois, Clarinette, Basson
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DÉBUTANT
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Classique
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Felix Bartholdy Mendelssohn
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Langanho
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Wedding March by Mendelssohn f
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Avery Lynn Jordan
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.1183447 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Roma...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.1183447 Composed by Felix Bartholdy Mendelssohn. Arranged by Langanho. Classical,March,Opera,Romantic Period,Wedding. 6 pages. Avery Lynn Jordan #783106. Published by Avery Lynn Jordan (A0.1183447). This is a reduction for woodwind quartet and piano with chords, with the intention of giving better practicity to groups that intend to play at weddings, and not only that, it can be used in several occasions, both by professionals and beginners, because it was adapted to be easy to perform. The Wedding March by Felix Mendelssohn was composed in 1842 to set the music for the play A Midsummer Night's Dream (Musik zu Ein Sommernachtstraum). It is a piece of music played during wedding ceremonies, at the moment of the bride's entrance, usually preceded by notes of Triumphal Clarins that emphasize the importance of this moment. Originally the piece is instrumental, having been performed at weddings in the version.
$12.99
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It Better End Soon
