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It Came Out Of The Sky
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Vous avez sélectionné:
It Came Out Of The Sky
Partitions à imprimer
88 partitions trouvées
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It Came Out Of The Sky
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Basse electrique
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INTERMÉDIAIRE
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Creedence Clearwater Revival
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Jared Plane
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It Came Out Of The Sky
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Jared Plane
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SheetMusicPlus
Bass Guitar TAB - Level 3 - SKU: A0.1460973 By Creedence Clearwater Revival. By John Fogerty. Arranged by Jared Plane. Blues. Score. 3 pages. Jared Plan...
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Bass Guitar TAB - Level 3 - SKU: A0.1460973 By Creedence Clearwater Revival. By John Fogerty. Arranged by Jared Plane. Blues. Score. 3 pages. Jared Plane #1039882. Published by Jared Plane (A0.1460973). Stu Cook's original bass line as played to the Creedence Clearwater Revival song, It Came Out of the Sky released on the 1969 album, Willy and the Poor Boys. This is a very catchy bass line, perfect for intermediate-level bass players and students. This transcription comes with Standard Notation and bass TABs.
$5.00
Škoda lásky (Rosamunde, Beer Barrel Polka)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Jaromir Vejvoda
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F
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Škoda lásky
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Sco...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Score and parts. 41 pages. Sweetwater Brass Press #639202. Published by Sweetwater Brass Press (A0.1033890). Jaromir Vejvoda, born in 1902 in the Czech city of Zbraslav, was a fiddler and flugelhorn player. As a young man, he began writing music while working as a bartender. In 1927 he composed a particularly rollicking, toe-tapping tune. He persuaded the Czech-American composer Eduard Ingriš to write an arrangement for the piece, and the result was titled "ModÅ™anská polka" (ModÅ™any being the Prague suburb in which it was first performed). In 1934 Václav Zeman added lyrics, and the title changed to "Škoda lásky," Czech for “Wasted Love.” It also became known as “Rosamunde.” The public loved it. It was so successful that Vejvoda was able to quit tending bar and turn full time to music. The polka soon spread to other countries. Lew Brown and Wladimir Timm added English lyrics, and when the Andrews Sisters recorded it in 1939 as “Beer Barrel Polka,” it became one of their biggest hits. During World War II it was the favorite song of the Western Allies and has since been played and recorded by literally dozens of artists. Suggested tempo for this brass quintet “Škoda lásky” is 120 BPM. It opens in C major, changes to F major, then back to C. All five instruments get a chance to shine. There are no really tricky rhythmic patterns, and the notes are, for the most part, within the normal playing range of each instrument. Some possible exceptions: Trombone’s highest notes are F above the staff; it’s lowest, G at the bottom; Tuba’s highest notes are F in the staff; Trumpet 2’s highest are its G at the top of its staff. Completed in 2022, performance time runs about 3 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
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Noël
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #9125...
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Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #912539. Published by Connie Boss (A0.1324340). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge or can cut out some of the verses. This is for Strings quintet and piano. Parts are included with purchase.This can be played without the piano accompaniment if desired.This could be played while a choir sings - you can purchase SATB on here as wellemail cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:.
$7.99
Six Songs of the Holocaust, - string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Various
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Yoel Epstein
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Six Songs of the Holocaust, -
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Yoel Epstein
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.773330 Composed by Various. Arranged by Yoel Epstein. Christian,Contemporary,Jewish,World. Score and p...
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String Quartet String Quartet - Level 4 - SKU: A0.773330 Composed by Various. Arranged by Yoel Epstein. Christian,Contemporary,Jewish,World. Score and parts. 37 pages. Yoel Epstein #4285845. Published by Yoel Epstein (A0.773330). These six songs have become icons of remembrance of the six million Jews who died in the Holocaust. They are traditionally played on Holocaust Day, which is on the 28th day of the Hebrew month of Nissan in Israel, or January 27th in the rest of the world. Unter Dyne Vyse Shteren (Under the Starry Sky) was written by Avraham Sutskover, a leading Yiddish poet, while trapped in the ghetto of Vilna, in July 1943. Days before the ghetto was destroyed and all the Jews murdered, Sutskover escaped to the forest with his wife. He reached Russia, and in 1947 moved to Palestine. He died in Israel in 2010 at the age of 96. The poem was set to music by Avraham Brodna, a simple laborer in the Vilna ghetto who died in a concentration camp. Ani Maamin (I Believe): The words to this simple song are of the Jewish prayer I believe with perfect faith in the coming of the Messiah. The tune is attributed to Azriel David Festig, a leading Warsaw hazzan (cantor) who died in the Holocaust. The song was performed after the war by Rabbi Shaul Yedidia Eliezer Taub, the Admor (Rabbinical leader) of the Modzitz Hassidic sect, and has become the iconic song of the remembrance in the Hassidic community. Shtiller Shtiller (Hush Hush) was written by Alexander Volkovitzky, then a 12-year-old boy, in the Vilna Ghetto in the spring of 1943. Volkovitzky, who wrote the melody for a song contest organized to encourage the cultural life of the ghetto, eventually came to Israel where he (under the name Alexander Tamir) became a leading pianist and music educator. The words are by Shmerke Kacserginsky, a leading poet of Vilna, who later escaped the Holocaust and migrated to South America. Papirossen (Cigarettes) actually predates the Holocaust by 15 years. It was written by Yiddish actor and composer Herman Yablokoff in 1922 in Grodno, Poland. Yablokoff later immigrated to America, where he produced a musical Papirossen that incorporated the song. It was later made famous by the Barry Sisters, a Yiddish popular music group. Donna Donna was written by Shalom Secunda, with words by Aaron Zeitlin for the Yiddish musical Esterke in 1940. Though the song originally related to the 600-year-old legend of a Polish king who married a Jewess, it quickly became associated with the Holocaust because of its haunting message. The song has entered the popular folk repertoire, with canonical renditions by Joan Baez, Theodore Bikel, and many others. Hatikva (the Hope) is Israel's national anthem. The words are by Naftali Zvi Imber, and the tune is a traditional eastern European tune. You are welcome to try some of my other arrangements. In addition to the songs offered on this site (you can see them at http://www.sheetmusicplus.com/search?Ntt=Yoel+Epstein ), I have arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me, and I will try to accommodate. Write me at yoelepst@gmail.com. Hope you enjoy.
$1.99
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
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Noël
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Ch...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miu...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99
Pantheon for Horn, Violin and Piano
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Contemporain
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Elizabeth Raum
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Pantheon for Horn, Violin and
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Go...
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Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
Skye Boat Song (Outlander) - Fingerstyle Guitar (DADGAD)
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Guitare
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FACILE
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Traditional Scottish Song
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Yuri Federsoni
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Skye Boat Song
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Yuri Federsoni
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1097589 Composed by Traditional Scottish Song. Arranged by Yuri Federsoni. Celtic,Children,Film/TV,Irish,New Age,Traditi...
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Solo Guitar - Level 2 - SKU: A0.1097589 Composed by Traditional Scottish Song. Arranged by Yuri Federsoni. Celtic,Children,Film/TV,Irish,New Age,Traditional. Individual part. 3 pages. Yuri Federsoni #701270. Published by Yuri Federsoni (A0.1097589). Beatiful arrangement for fingersrtyle guitar of the Skye Boat Song ; a traditional scottish song that became well known with the Outlander series main theme. This arrangement it's meant to be played with DADGAD tuning, and has two main easy sections, perfect for the beginner and intermediate guitarrist who wants to develop their fingerstyle skills, this piece contains easy chord patterns and it is very fluid to play; everything is writen with TABs, to show you the exact place to put yout fingers on the fretboard, as well it contains the normal music notation with the exact notations for your picking hand and fretboard hand. Have a great time with this piece!
$5.00
Hear the Angels Sing medley - SATB, cello with parts included
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Connie Boss
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Hear the Angels Sing medley -
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Connie Boss
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SheetMusicPlus
Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. 22 pages. Published by Connie Boss...
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Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. 22 pages. Published by Connie Boss
This is a medley of It Came Upon a Midnight Clear, Angels from the Realms of Glory, While Shepherds Watched Their Flocks by Night, Infant Holy. Some of the lyrics are changed and it is in SATB choir cello with parts included and piano. There is optional narration before each song change that can be sung with the intro. cdboss@cvalley.net See Lyrics below:
Hear the Angels Sing
?God sent the angels from heaven down to earth to proclaim the message of His son?s birth?
*It came upon the midnight clear
That glorious song of old
From angels bending near the earth
To touch their harps of god
Peace on the earth, good will to men
From heaven?s all gracious king
The world in solemn stillness lay
To hear the angels sing
?The angels proclaimed - Come and worship, Christ the newborn King!?
*Angels from the realms of glory
Wing your flight o?er all the earth
You who sang creations story
Now proclaim Messiah?s birth
Come and worship, come and worship
Worship Christ the newborn King
?The angels spread God?s message all around; In the country and in the town. The sight of the angels sent fear in some of the people?
*While shepherds watched their flocks by night
All seated on the ground
The angel of the Lord came down
And glory shown around, and glory shown around
?The angels and all of the people in the area followed a bright star. It shown it?s great light upon a stable. There they found Mary, Joseph and the newborn King?
*Star is shining, in the night sky
Lighting up the stable walls
Baby?s lying in a manger
Where His bed?s a cattle stall
Mary?s rocking, Joseph?s walking
Angels singing, Bells are ringing
For the babe, was born for all.
?You could hear the angels beautiful voices all over the land. Proclaiming songs about His birth?
*Still through the cloven skies they come
With peaceful wings unfurled
And still their heav?nly music floats
O?er all the weary world
Peace on the earth good will to men
From heaven?s all gracious King
The world in solemn stillness lay
To hear the angels sing???.
$5.50
His Memory
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published...
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Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
$24.00
John Fogerty: It Came Out Of The Sky for guitar
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Paroles et Accords
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INTERMÉDIAIRE
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Rock
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John Fogerty
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Virtualsheetmusic
Instantly printable sheet music by Creedence Clearwater Revival for guitar (chords) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Creedence Clearwater Revival for guitar (chords) of MEDIUM skill level. / pop,rock
$3.97
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Dust In The Wind
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kansas
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Timothy Stapay
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Dust In The Wind
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1515695 By Kansas. By Kerry Livgren. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwrite...
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Piano Solo - Level 4 - SKU: A0.1515695 By Kansas. By Kerry Livgren. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 6 pages. Timothy Stapay #1090049. Published by Timothy Stapay (A0.1515695). Kansas’s acoustic hit “Dust In The Wind” is a reflective song about the inevitability of mortality and the insignificant role every person plays in the bigger picture. It was written by guitarist Kerry Livgren, who was inspired by a Native American poem containing the line “For all we are is dust in the wind”.The music came from a picking exercise he was doing that his wife suggested he make a song out of. It was the last addition to the album. “Dust In The Wind” was a top 10 hit in the US and Canada in the spring of 1977 and remains the biggest hit of their career. Lyrics: I close my eyes Only for a moment, and the moment's gone All my dreams Pass before my eyes, a curiosity Dust in the wind All they are is dust in the wind Same old song Just a drop of water in an endless sea All we do Crumbles to the ground, though we refuse to see Dust in the wind All we are is dust in the wind Oh Now, don't hang on Nothin' lasts forever but the earth and sky It slips away And all your money won't another minute buy Dust in the wind All we are is dust in the wind (All we are is dust in the wind) Dust in the wind (Everything is dust in the wind) Everything is dust in the wind.
$8.99
The House Of The Rising Sun
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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The Animals
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Thomas Graf
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The House Of The Rising Sun
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.567963 By The Animals. By Alan Price. Arranged by Thomas Graf. Folk,Pop. 25 pages. Thoma...
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Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.567963 By The Animals. By Alan Price. Arranged by Thomas Graf. Folk,Pop. 25 pages. Thomas Graf - the-hit-factory.com #2076111. Published by Thomas Graf - the-hit-factory.com (A0.567963). The famous American folk song became a hit in 1964 in the version of the British band The Animals. In this arrangement every player is either imitating a part of the guitar pattern or is faking the vocals – it’s big fun to play on a campfire! Instrumentation: Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/y5zskySCpM8
$14.99
"Songs of December, Volume 1" for solo classical fingerstyle guitar (+TAB)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Keith Gehle
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Keith W
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"Songs of December, Volum
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Keith Gehle
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1364845 By Keith Gehle. By Keith W. Gehle. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Guitar Tab. 39 pag...
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Guitar - Level 3 - SKU: A0.1364845 By Keith Gehle. By Keith W. Gehle. Arranged by Keith W. Gehle. Christmas,Holiday,Religious,Sacred. Guitar Tab. 39 pages. Keith Gehle #949141. Published by Keith Gehle (A0.1364845). The 11 compositions and arrangements in this collection for the Christmas season in standard notation and TAB were recorded as part of Keith’s 2006 album entitled Songs of December. The intermediate level pieces in this folio feature detailed fingerings and are perfect for the professional performer or amateur player looking for thoughtful renderings of Christmas/seasonal tunes for gigs, church services or sharing at home with family and friends. For those who prefer reading music without tablature, there’s a standard notation only version of this collection available on this site. Additionally, all of the pieces presented in this folio are available for individual purchase and the accompanying full length MP3’s on this site will help players get a feel for the flow of the music prior to purchase. While the individual titles are reasonably priced, buyers will save substantially when purchasing the Songs of December, Volume 1 folio. Thank you so much for your interest and consideration and please check back soon for additional volumes of the Songs of December series.Songs of December, Volume 1 includes the following 11 pieces:- Prelude/Thanksgiving Day - Keith Gehle- Jesu, Joy of Man’s Desiring - J. S. Bach- What Child is This?- O Little Town of Bethlehem- It Came Upon a Midnight Clear- Lavender Sky - Keith Gehle- O Holy Night- We Three Kings- O Come, O Come Emmanuel- God Rest Ye Merry Gentlemen- Silent Night.
$14.95
Skylla & Charybdis
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Roger Müller
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Skylla & Charybdis
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althorn-music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1213051 Composed by Roger Müller. 20th Century,Baroque,Contemporary,Contest,Festival. Brass Band. 148 pages. Althorn-music #810225. Published by althorn-music (A0.1213051). For Brass BandPreview ScoreScylla and Charybdis are sea monsters from Greek mythology that lived in the Strait of Messina, each occupying one side of the strait. Scylla had six heads with a triple row of teeth in each mouth and ate anyone who came near her. Charybdis sucked in the sea water three times a day, then expelled it again with a roar. Ships caught in the maelstrom were doomed. In the Odyssey by the Greek poet Homer, Odysseus lost 6 companions while passing through the strait. This part of the adventure was translated into music.
$79.99
It Came Upon the Midnight Clear
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Piano seul
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INTERMÉDIAIRE
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Noël
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Rafael Griffin
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Rafael Griffin
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It Came Upon the Midnight Clea
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Rafael Griffin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.900347 By Rafael Griffin. By Richard Storrs Willis. Arranged by Rafael Griffin. Advent,Christian,Christmas,Holiday,Sacred...
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Piano Solo - Level 3 - SKU: A0.900347 By Rafael Griffin. By Richard Storrs Willis. Arranged by Rafael Griffin. Advent,Christian,Christmas,Holiday,Sacred. Score. 6 pages. Rafael Griffin #6509767. Published by Rafael Griffin (A0.900347). This familiar carol for solo piano is arranged to evoke the peaceful setting of the night that Christ was born. As you play, listen for the sparkling harmonies depicting the twinkle of the star in Bethlehem's sky. Click here to follow me on Facebook.Click here to subscribe to my YouTube channel for more Christian piano music. Â
$6.99
It Came Upon the Midnight Clear
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Piano seul
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Noël
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Rafael Griffin
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Rafael Griffin
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It Came Upon the Midnight Clea
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Rafael Griffin
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SheetMusicPlus
Piano - SKU: A0.1071536 By Rafael Griffin. By Richard Storrs Willis. Arranged by Rafael Griffin. Advent,Christian,Christmas,Holiday,Sacred. Full Perform...
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Piano - SKU: A0.1071536 By Rafael Griffin. By Richard Storrs Willis. Arranged by Rafael Griffin. Advent,Christian,Christmas,Holiday,Sacred. Full Performance. Duration 133. Rafael Griffin #6534431. Published by Rafael Griffin (A0.1071536). This familiar carol is arranged to evoke the peaceful setting of the night that Christ was born. Listen for the sparkling harmonies depicting the twinkle of the star in Bethlehem's sky. Click here to follow me on Facebook.Click here to subscribe to my YouTube channel for more Christian piano music. Â
$2.99
Once Upon a Twinkle
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Piano seul
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FACILE
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Contemporain
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Elizabeth Borowsky
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Once Upon a Twinkle
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Piano Prodigies
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1212686 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 6 pages. Piano Prodigies #810006. Pub...
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Piano Solo - Level 2 - SKU: A0.1212686 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 6 pages. Piano Prodigies #810006. Published by Piano Prodigies (A0.1212686). Once upon a time there was a much-loved melody that everyone knew and sang. One day, it traveled to a new dimension and when it came out on the other side, it was different: magical, mysterious, and even... mystical! Elves and fairies danced around and beckoned for it to join them, but in the end, it slowly made its way back home. (Note: be sure to listen to Edvard Grieg’s In the Hall of the Mountain King - the middle section is inspired by this piece!).
$7.00
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It Came Out Of The Sky
