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It Had to Be You: Drums
Partitions à imprimer
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It Had to Be You (arr. Rick Stitzel) (20-Piece Digital Pack)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3-4 - Digital Download SKU: HX.458426 Arranged …
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Jazz Ensemble Jazz Ensemble - Level 3-4 - Digital Download SKU: HX.458426 Arranged by Rick Stitzel. This edition: scorch. Jazz. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.458426).
Digital Pack includes:It Had to Be You (arr. Rick Stitzel) - Vocal SoloIt Had to Be You (arr. Rick Stitzel) - Alto Sax 2It Had to Be You (arr. Rick Stitzel) - Baritone SaxIt Had to Be You (arr. Rick Stitzel) - Conductor Score (Full Score)It Had to Be You (arr. Rick Stitzel) - Trombone 3It Had to Be You (arr. Rick Stitzel) - Trombone 1It Had to Be You (arr. Rick Stitzel) - Alto Sax 1It Had to Be You (arr. Rick Stitzel) - Trombone 2It Had to Be You (arr. Rick Stitzel) - Tenor Sax 2It Had to Be You (arr. Rick Stitzel) - Trombone 4It Had to Be You (arr. Rick Stitzel) - GuitarIt Had to Be You (arr. Rick Stitzel) - Trumpet 1It Had to Be You (arr. Rick Stitzel) - Tenor Sax 1It Had to Be You (arr. Rick Stitzel) - DrumsIt Had to Be You (arr. Rick Stitzel) - Trumpet 3It Had to Be You (arr. Rick Stitzel) - Trumpet 4It Had to Be You (arr. Rick Stitzel) - Trumpet 2It Had to Be You (arr. Rick Stitzel) - BassIt Had to Be You (arr. Rick Stitzel) - Piano/VocalIt Had to Be You (arr. Rick Stitzel) - Tenor Sax Solo (Vocal Alt)
Digital Pack includes
:
It Had to Be You (arr. Rick Stitzel) - Vocal Solo
It Had to Be You (arr. Rick Stitzel) - Alto Sax 2
It Had to Be You (arr. Rick Stitzel) - Baritone Sax
It Had to Be You (arr. Rick Stitzel) - Conductor Score (Full Score)
It Had to Be You (arr. Rick Stitzel) - Trombone 3
It Had to Be You (arr. Rick Stitzel) - Trombone 1
It Had to Be You (arr. Rick Stitzel) - Alto Sax 1
It Had to Be You (arr. Rick Stitzel) - Trombone 2
It Had to Be You (arr. Rick Stitzel) - Tenor Sax 2
It Had to Be You (arr. Rick Stitzel) - Trombone 4
It Had to Be You (arr. Rick Stitzel) - Guitar
It Had to Be You (arr. Rick Stitzel) - Trumpet 1
It Had to Be You (arr. Rick Stitzel) - Tenor Sax 1
It Had to Be You (arr. Rick Stitzel) - Drums
It Had to Be You (arr. Rick Stitzel) - Trumpet 3
It Had to Be You (arr. Rick Stitzel) - Trumpet 4
It Had to Be You (arr. Rick Stitzel) - Trumpet 2
It Had to Be You (arr. Rick Stitzel) - Bass
It Had to Be You (arr. Rick Stitzel) - Piano/Vocal
It Had to Be You (arr. Rick Stitzel) - Tenor Sax Solo (Vocal Alt)
$55.00
50.44 €
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Ensemble Jazz
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Rick Stitzel
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It Had to Be You
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Hal Leonard - Digital
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SheetMusicPlus
It Had to Be You (arr. Mark Taylor) (19-Piece Digital Pack)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: HX.458128 Arranged by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: HX.458128 Arranged by Mark Taylor. This edition: scorch. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.458128).
Digital Pack includes:It Had to Be You (arr. Mark Taylor) - Alto Sax 2It Had to Be You (arr. Mark Taylor) - Conductor Score (Full Score)It Had to Be You (arr. Mark Taylor) - Alto Sax 1It Had to Be You (arr. Mark Taylor) - Trombone 1It Had to Be You (arr. Mark Taylor) - Tenor Sax 2It Had to Be You (arr. Mark Taylor) - Trumpet 3It Had to Be You (arr. Mark Taylor) - Tenor Sax 1It Had to Be You (arr. Mark Taylor) - Trombone 3It Had to Be You (arr. Mark Taylor) - Trumpet 1It Had to Be You (arr. Mark Taylor) - Trumpet 4It Had to Be You (arr. Mark Taylor) - Trombone 2It Had to Be You (arr. Mark Taylor) - Trombone 4It Had to Be You (arr. Mark Taylor) - BassIt Had to Be You (arr. Mark Taylor) - DrumsIt Had to Be You (arr. Mark Taylor) - Trumpet 2It Had to Be You (arr. Mark Taylor) - Baritone SaxIt Had to Be You (arr. Mark Taylor) - PianoIt Had to Be You (arr. Mark Taylor) - GuitarIt Had to Be You (arr. Mark Taylor) - Vibes
Digital Pack includes
:
It Had to Be You (arr. Mark Taylor) - Alto Sax 2
It Had to Be You (arr. Mark Taylor) - Conductor Score (Full Score)
It Had to Be You (arr. Mark Taylor) - Alto Sax 1
It Had to Be You (arr. Mark Taylor) - Trombone 1
It Had to Be You (arr. Mark Taylor) - Tenor Sax 2
It Had to Be You (arr. Mark Taylor) - Trumpet 3
It Had to Be You (arr. Mark Taylor) - Tenor Sax 1
It Had to Be You (arr. Mark Taylor) - Trombone 3
It Had to Be You (arr. Mark Taylor) - Trumpet 1
It Had to Be You (arr. Mark Taylor) - Trumpet 4
It Had to Be You (arr. Mark Taylor) - Trombone 2
It Had to Be You (arr. Mark Taylor) - Trombone 4
It Had to Be You (arr. Mark Taylor) - Bass
It Had to Be You (arr. Mark Taylor) - Drums
It Had to Be You (arr. Mark Taylor) - Trumpet 2
It Had to Be You (arr. Mark Taylor) - Baritone Sax
It Had to Be You (arr. Mark Taylor) - Piano
It Had to Be You (arr. Mark Taylor) - Guitar
It Had to Be You (arr. Mark Taylor) - Vibes
$45.00
41.27 €
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Ensemble Jazz
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Mark Taylor
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It Had to Be You
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Hal Leonard - Digital
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SheetMusicPlus
It Had to Be You: Drums
Choir Accompaniment - Digital Download SKU: AX.00-PC-0017784_D Great American Songb…
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Choir Accompaniment - Digital Download SKU: AX.00-PC-0017784_D Great American Songbook; Secular. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017784_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017784_D). UPC: 038081532639.
$3.00
2.75 €
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Secular
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It Had to Be You: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
It Had to Be You: Drums
Batterie (partie séparée)
By Isham Jones. Arranged by Mike Lewis. For Jazz Ensemble. Instructional. Part. 2 pages. P…
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By Isham Jones. Arranged by Mike Lewis. For Jazz Ensemble. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.75 €
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Batterie (partie séparée)
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Isham Jones
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Mike Lewis
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It Had to Be You: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
It Had to Be You (arr. Rick Stitzel) - Drums
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3-4 - Digital Download SKU: HX.458425 Arranged …
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Jazz Ensemble Jazz Ensemble - Level 3-4 - Digital Download SKU: HX.458425 Arranged by Rick Stitzel. This edition: scorch. Jazz. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.458425).
$6.00
5.5 €
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Ensemble Jazz
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Rick Stitzel
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It Had to Be You
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Hal Leonard - Digital
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SheetMusicPlus
It Had to Be You (arr. Mark Taylor) - Drums
Batterie (partie séparée)
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: HX.458127 Arranged by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: HX.458127 Arranged by Mark Taylor. This edition: scorch. Jazz. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.458127).
$6.00
5.5 €
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Batterie (partie séparée)
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Mark Taylor
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It Had to Be You
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Hal Leonard - Digital
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SheetMusicPlus
Roar: Drums
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0016503_D Drums. By Katy Perr…
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Marching Band - Digital Download SKU: AX.00-PC-0016503_D Drums. By Katy Perry. By Bonnie McKee, Henry Walter, Katy Perry, Lukasz Gottwald, and Max Martin. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016503_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016503_D). UPC: 038081479279.Katy Perry had a huge #1 hit with this one, and now it will be a huge hit with your band! Ralph Ford's solid arrangement captures the unique style and catchy groove of the original. This is certain to be a crowd favorite this fall! (1:50).
$3.00
2.75 €
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Fanfare
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Katy Perry
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Roar: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Dark Horse: Drums
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0016979_D Drums. Composed by …
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Marching Band - Digital Download SKU: AX.00-PC-0016979_D Drums. Composed by Henry Walter, Katy Perry, Lukasz Gottwald, Max Martin, and Sarah Hudson. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016979_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016979_D). UPC: 038081498676.Katy Perry had a huge #1 hit with this one in 2014, and now it will be a huge hit with your band! This solid arrangement from veteran writer Victor LA3pez captures the unique style and catchy groove of the original. This is certain to be a crowd favorite this fall! (1:55).
$3.00
2.75 €
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Fanfare
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Henry Walter, Katy Perry, Lukasz Gottwald, Max Martin, and Sarah Hudson
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Dark Horse: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Locked Out of Heaven: Drums
Fanfare
Marching Band - Digital Download SKU: AX.00-PC-0017571_D Drums. Composed by …
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Marching Band - Digital Download SKU: AX.00-PC-0017571_D Drums. Composed by Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Victor Lopez. Funk. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017571_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017571_D). UPC: 038081459400.Bruno Mars had a huge #1 hit with this one, and now it will be a huge hit with your band! Victor LA3pez's solid arrangement features driving rhythms and a catchy groove. This is certain to be a crowd favorite this fall! (1:40).
$3.00
2.75 €
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Fanfare
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Ari Levine, Bruno Mars, and Philip Lawrence
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Victor Lopez
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Locked Out of Heaven: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
What Kind Of Man Would I Be?
Small Ensemble - Level 5 - Digital Download SKU: A0.748027 By Chicago. By Chas Sand…
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Small Ensemble - Level 5 - Digital Download SKU: A0.748027 By Chicago. By Chas Sandford, Jason Scheff, and Robert Caldwell. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 61 pages. Patrick Sheehan #5196111. Published by Patrick Sheehan (A0.748027). *This title is priced at $50 because of its overall popularity, and because it had charted as #5 in November of 1989. Keep in mind that *all* parts (vocals, horns, rhythm parts) are included in this transcription, and you cannot find it published in full score format anywhere else in the world.*INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Electric Guitar I, Electric Guitar II, Bass, Drumset. All parts transcribed by ear from the original recording from CHICAGO 19, released in 1988. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
45.86 €
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Chicago
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Patrick Sheehan
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What Kind Of Man Would I Be?
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Patrick Sheehan
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SheetMusicPlus
Knowing Me, Knowing You
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.865960 By ABBA. By Benny Andersson,…
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Piano Solo - Level 4 - Digital Download SKU: A0.865960 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Kevin P. Holt. Contemporary. Score. 3 pages. Kevin P. Holtg #4600803. Published by Kevin P. Holtg (A0.865960). Have you ever been to a really nice restaurant and had the pleasure of listening to a pianist playing while you eat? Ever wished you could play in a similar way? This arrangement might be able to help. If you are around grade 5 – 6, give some of these individually arranged pieces by Kevin P. Holt a try and you could soon be entertaining your own dinner guests.This version of Knowing Me, Knowing You is for Solo Piano with careful arranging to give it a rhythmic feel close to the original track. Dynamics and Expression are left to the performers discretion. Have fun!To show the versatility of this arrangement the audio demo was made using a combination of piano and synth. It starts with just a piano then you will hear the drums and synth fade in with different sounds being used for the left and right hand parts. It then fades back to piano. Note: the only notes you hear are the ones written in the score showing how a piano arrangement can sound fuller with a little work. Try it for yourself!
$4.99
4.58 €
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Piano seul
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ABBA
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Kevin P
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Knowing Me, Knowing You
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Kevin P. Holtg
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SheetMusicPlus
It Had to Be You: Drums
Batterie (partie séparée)
By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Pu…
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By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.75 €
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Batterie (partie séparée)
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Isham Jones
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Tom Davis
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It Had to Be You: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
18.34 €
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Orchestre à Cordes
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
Twentieth Century Fox Trademark (Newman) - String Quartet (with optional Percussion)
Quatuor à cordes: 2 violons, alto, violoncelle
Violin, Viola, Cello, String Quartet, Drums - Early Intermediate - Digital Download …
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Violin, Viola, Cello, String Quartet, Drums - Early Intermediate - Digital Download By Alfred Newman. Arranged by Rob Bushnell. Score, Set of Parts. 11 pages. Published by RBMusic
“The Twentieth CenturyFox Trademark” fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.<br> <br> John Williams hassaid that Star Wars’s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman’s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).<br> <br> Thisarrangement includes an optional drum kit part. It is a greatnumber to open any concert. Here is a recording of the original fanfare fromYouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.<br> <br> <br> <br> Othersearchable terms: 20th Century Fox, 20th Century Fanfare,20th Century Fox Fanfare, 20th Century Fox Trademark, 20thCentury Fox Trademark Fanfare, 20 Century Fox“The Twentieth CenturyFox Trademark” fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.<br> <br> John Williams hassaid that Star Wars’s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman’s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).<br> <br> Thisarrangement includes an optional drum kit part. It is a greatnumber to open any concert. Here is a recording of the original fanfare fromYouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.<br> <br> <br> <br> Othersearchable terms: 20th Century Fox, 20th Century Fanfare,20th Century Fox Fanfare, 20th Century Fox Trademark, 20thCentury Fox Trademark Fanfare, 20 Century Fox
$12.99
11.91 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Alfred Newman
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Rob Bushnell
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Twentieth Century Fox Trademark
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RBMusic
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SheetMusicPlus
Twentieth Century Fox Trademark (Newman) - Wind Quintet (with optional Percussion)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F, Drums, Drum Kit, Snare …
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F, Drums, Drum Kit, Snare Drum, Bass Drum, Cymbal - Early Intermediate - Digital Download By Alfred Newman. Arranged by Rob Bushnell. Score, Set of Parts. 12 pages. Published by RBMusic
“The Twentieth CenturyFox Trademark” fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.<br> <br> John Williams hassaid that Star Wars’s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman’s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).<br> <br> Thisarrangement includes an optional drum kit part. It is a great number to open any concert. Here isa recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.<br> <br> Other searchable terms: 20th CenturyFox, 20th Century Fanfare, 20th Century Fox Fanfare, 20thCentury Fox Trademark, 20th Century Fox Trademark Fanfare, 20Century Fox“The Twentieth CenturyFox Trademark” fanfare was written in 1933 by Alfred Newman, who was the headof Fox's music department (1940 to 1960). By the 1970s, the fanfare (as well asthe Twentieth Century Fox logo) had been phased out of their films. However,George Lucas liked it so much that he insisted it be used for his Star Warsfilms, making the logo and fanfare a staple of the cinematic experience.<br> <br> John Williams hassaid that Star Wars’s Main Title music was meant to be an extension of thisfanfare, writing it in the same key as Newman’s fanfare and becoming part andparcel of the scores to Star Wars (with Sony including it on each of the soundtracks).<br> <br> Thisarrangement includes an optional drum kit part. It is a great number to open any concert. Here isa recording of the original fanfare from YouTube: https://www.youtube.com/watch?v=QoWp1jluo6c.<br> <br> Other searchable terms: 20th CenturyFox, 20th Century Fanfare, 20th Century Fox Fanfare, 20thCentury Fox Trademark, 20th Century Fox Trademark Fanfare, 20Century Fox
$12.99
11.91 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Alfred Newman
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Rob Bushnell
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Twentieth Century Fox Trademark
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RBMusic
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SheetMusicPlus
Barnacle Bill the Sailor (for German Band)
Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Dow…
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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
$11.99
11 €
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Traditional
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Joseph Hasper
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Barnacle Bill the Sailor
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Joseph Hasper
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SheetMusicPlus
Man In The Mirror / Gospel (Score and All Part)
Chorale SATB
Piano Accompaniment, Organ, Drums, Guitar, Guitar Tab, Bass Guitar, Choir, SATB - Inter…
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Piano Accompaniment, Organ, Drums, Guitar, Guitar Tab, Bass Guitar, Choir, SATB - Intermediate - Digital Download By Glee Cast, Michael Jackson. Arranged by Hiroshi Yasuda. Individual Part, Score, Set of Parts. 33 pages. Published by SoulandFunk StandardLibrary
Performed by Michael Jackson Chorus arrangement by Hiroshi Yasuda The Man in the Mirror from the movie Joyful Noise. https://youtu.be/ytZsndEc830 I'm not sure if this is a good idea or not. I've had actual students sing it for me, and I've worked hard to make sure it has a comfortable range, easy to catch notes, and beautiful harmonies. We have also adjusted the difficulty level to make it easy to sing. The size and placement of the notes are as per the sound source. Solo, soprano, alto, and tenor chorus parts, piano, organ, electric guitar, bass, and drums. Lyrics are included in the score. There is no separate lyric card. Total 12 pagesPerformed by Michael Jackson
Chorus arrangement by Hiroshi Yasuda
The Man in the Mirror from the movie Joyful Noise.
https://youtu.be/ytZsndEc830
I'm not sure if this is a good idea or not. I've had actual students sing it for me, and I've worked hard to make sure it has a comfortable range, easy to catch notes, and beautiful harmonies. We have also adjusted the difficulty level to make it easy to sing.
The size and placement of the notes are as per the sound source.
Solo, soprano, alto, and tenor chorus parts, piano, organ, electric guitar, bass, and drums.
Lyrics are included in the score. There is no separate lyric card.
Total 12 pages
$84.99
77.95 €
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Chorale SATB
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Glee Cast, Michael Jackson
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Hiroshi Yasuda
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Man In The Mirror / Gospel
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SoulandFunk StandardLibrary
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SheetMusicPlus
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
27.52 €
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Chorale SATB
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Stuart Brown
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An Omani Dance Suite - COMPLETE BUNDLE
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Stuart Brown Music
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SheetMusicPlus
A Whole New World (from 'Aladdin')
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.1023975 By Peabo Bryson And Regina …
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Jazz Combo - Level 4 - Digital Download SKU: A0.1023975 By Peabo Bryson And Regina Belle. By Alan Menken. Arranged by Odd Helge Hveding. Film/TV. Score and parts. 27 pages. Oh2Musikk #3056155. Published by oh2Musikk (A0.1023975). How can your trombone quartet gain more audience? By playing with other people. You want your concerts to be well visited and to help you with that, I make arrangements (and compositions) for trombonequartet with guitar, piano, bass and drums. They also contain an optional bass-trombone/ tuba part and sometimes a solo part. This one contains a trombone solo part. This arrangement of A Whole New World, is scored for Solo Trombone in front of the ensemble mentioned above. There are two solo parts in the set. One high and and one low. You can combine those two if that makes you more comfortable. Durata: 3,5 minutes (approx.) The song itself is about Alladin taking Jasmine on a ride on the magic carpet. The lyrics are all about discovering what you didn’t know about and be grateful for all the adventures life gives. This makes it a perfect piece to play in a variety of places, like weddings, celebrations of any kind, graduations, not to mention many types of concerts. With a few adjustments you can also use parts of this arrangement and make it work. It’s most powerful when you use the whole band, but it still makes a lot of sense if you have to skip some of the parts. There are so many times I have had to skip a piece in a concert, using a not as good substitute, because we didn’t have the people to play it. In this series I have made it easier to still be able to play it, even if you don’t manage to cover every part. Check it out and you’ll understand. Do you want to know more about me and my music? Please feel free to contact me on facebook, google+, twitter or visit my website marketingmusicians.org
$13.99
12.83 €
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Jazz combo
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Peabo Bryson And Regina Belle
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Odd Helge Hveding
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A Whole New World
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oh2Musikk
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SheetMusicPlus
And I Love Her
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Bea…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
64.2 €
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Ensemble Jazz
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Animals
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1235675 By Martin Garrix. By Mart…
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Concert Band - Level 2 - Digital Download SKU: A0.1235675 By Martin Garrix. By Martijn Garritsen. Arranged by Scaver. 21st Century,Disco,Pop,Video Game. Score and Parts. 41 pages. Scaver #831187. Published by Scaver (A0.1235675). Scaver Music, a renowned concert band arranger, has recently unveiled their latest project: a concert band version of the hit song Animals by Martin Garrix. Originally released as a digital download on iTunes on June 17, 2013, Animals quickly gained popularity within the electronic dance music (EDM) culture, propelling Martin Garrix to become the youngest producer to ever have a song reach number one on Beatport, a prominent electronic music store.The track's infectious beats and energetic melodies captivated listeners, leading it to achieve remarkable success on various music charts. It climbed into the top ten and secured the number one spot on numerous electronic music charts, as well as some mainstream ones. Notably, Animals topped the singles charts in the United Kingdom, French-speaking Switzerland, and Belgium. In the United States, it reached number 21 on the Billboard Hot 100 and claimed the number one position on the Dance chart.Before its official release, Animals generated significant buzz as it was played anonymously, causing speculation to grow about the artist behind the track. Dutch record label Spinnin' Records fueled the anticipation by sharing a teaser clip of the song online, titled Animals (Teaser). This led to increased speculation, with a Vine video featuring Agnes from the animated film Despicable Me further stoking curiosity. The track was mistakenly attributed to other artists such as Hardwell, GTA, Sidney Samson, and Bassjackers before Martin Garrix's true identity as the producer was revealed.Martin Garrix shared insights into the composition of Animals, explaining that the melody was based on a previous track he had composed two years prior but never released. The drop, characterized by its ruthlessly minimalist and rhythmic sound, is inspired by Busta Rhymes' What It Is. Additionally, the opening section of the song draws inspiration from a track called D.A.T.A. by Aura Qualic. While Animals is predominantly instrumental, it features a spoken verse by a friend of Martin Garrix with the lyrics We're the fucking animals, delivered in a low pitch and repeated twice throughout the song.Now, Scaver Music has taken up the exciting challenge of arranging Animals for a concert band, bringing a fresh interpretation of this electronic dance anthem to a new musical realm. With their expertise in creating captivating arrangements, Scaver Music aims to capture the essence of the original track while adding the rich harmonies, dynamic textures, and powerful brass and woodwind sections that define the concert band sound.Fans of Animals and concert band enthusiasts alike can look forward to experiencing this new rendition, which promises to be a thrilling and unforgettable musical journey. Scaver Music's concert band version of Animals will undoubtedly provide a unique and exhilarating performance, blending the infectious energy of electronic dance music with the grandeur and depth of a full concert band. Instrument list: PiccoloFlute 1,2OboeBassoonClarinet Bb 1,2,3Bass ClarinetAlto Saxophone 1,2Tenor SaxophoneBaritone SaxophoneTrumpet Bb 1,2,3Horn F 1-2,3-4Trombone 1,2,3Euphonium BbTuba BbTuba EbDouble BassTimpaniXylophoneDrumsetPercussion 1,2
$49.99
45.85 €
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Orchestre d'harmonie
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Martin Garrix
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Scaver
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Animals
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Scaver
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SheetMusicPlus
Wir bauen eine Stadt
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. …
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99
14.67 €
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
Great is Thy Faithfulness - Accompaniment track with no piano & no saxophone
Bass Voice,Drums,Guitar - Level 3 - Digital Download SKU: A0.1378447 Composed by Th…
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Bass Voice,Drums,Guitar - Level 3 - Digital Download SKU: A0.1378447 Composed by Thomas Chisholm & William Runyan. Arranged by Deborah Johnson. Christian,Easter,Praise & Worship,Religious,Spiritual. Accompaniment. Duration 192. Deborah Johnson #963070. Published by Deborah Johnson (A0.1378447). This is an MP3 accompaniment track that begins at measure 16 of this beautiful classic hymn Great is Thy Faithfulness, arranged by Deborah Johnson. The first 15 measures can be performed with a pianist and there is a drum lead-in to measure 16 with the swing style and the tempo change where saxophone or other instrument can double the piano I melody. It's sure to become a favorite with a timeless message as well as upbeat and inspiring arrangement. The song had its beginnings as a poem written by Thomas Chisholm (1923), who sent to his friend William Runyan, then putting it to music. It soon became an unofficial theme song for the Moody Bible Institute. It became even more popular when sung by George Beverly Shea and the choirs at the Billy Graham Crusades. The arrangement begins in a straightforward style with a simple piano theme then bursts into an easy swing arrangement with a solo vocal. In the sheet music, optional saxophone can double the piano melody line. There are also 2 short 4-measure sections for a Piano 2 part which can also be performed on a variety of C instruments and with or without saxophone. It is arranged for piano I and II with vocal solo and rhythm chords. It’s a contemporary arrangement of a timeless favorite! Medium difficulty. Can be performed with or without vocals with a solo instrument performiing the vocal solo. The full sheet music and other MP3 accompaniment tracks are also available in multiple combinations, without piano or vocals. On the album up for a GRAMMY Award, My Father’s Favorite Hymns album is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here:https://www.amazon.com/music/player/albums/B008O86FQII There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on Amazon or direct from here: https://goalsforyourlife.com/gods-music-hymns/ or https://DJWorksMusic.com/products/ YouTube link: https://youtu.be/yZK0tSw_wj8
$8.99
8.25 €
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Thomas Chisholm & William Runyan
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Deborah Johnson
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Great is Thy Faithfulness - Accompaniment track with no piano & no saxophone
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Deborah Johnson
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SheetMusicPlus
C Jam Blues for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
11.91 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.92 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
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