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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Is Not Death to Die - Orchestration
Non classifié
61
Piano & claviers
Piano, Voix
44
Piano seul
19
Orgue
4
Piano, Voix et Guitare
4
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Guitare
3
Ligne De Mélodie, (Paroles) et Accords
3
Basse electrique
2
Voix
Chorale SATB
11
Chorale 3 parties
2
Chorale TTBB
2
Chorale SSAA
1
Chorale 2 parties
1
Voix haute
1
Voix Tenor
1
Voix Baryton, Piano
1
+ 3 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
22
Quatuor de Clarinettes: 4 clarinettes
14
Quatuor de Flûtes : 4 flûtes
14
Hautbois, Piano (duo)
6
Flûte, Hautbois, Clarinette, Basson
5
3 Saxophones (trio)
4
Flûte traversière et Piano
4
2 Saxophones (duo)
4
Quintette de Saxophone: 5 saxophones
4
Clarinette et Piano
4
2 Flûte à bec (duo)
3
Cor anglais, Piano
3
Saxophone Tenor et Piano
3
Saxophone Alto et Piano
3
Saxophone Baryton, Piano
3
Hautbois (partie séparée)
2
Clarinette
2
Flute (partie séparée)
2
Saxophone Soprano et Piano
2
2 Flûtes traversières (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
3 Clarinettes (trio)
1
5 Flûtes à bec
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette (duo)
1
Flûte à Bec
1
3 Flûtes à bec (trio)
1
Flûte irlandaise
1
Quintette de Flûte : 5 flûtes
1
2 Clarinettes (duo)
1
Hautbois, Guitare (duo)
1
Flûte et Guitare
1
Flûte à bec Soprano
1
Cor Anglais
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Piccolo
1
+ 34 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Quatuor de Cuivres
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor
4
Cor anglais, Piano
3
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor et Piano
2
Tuba et Piano
1
Ensemble de Cors
1
Trompette
1
4 Tubas
1
Ensemble de Trompettes
1
Tuba
1
Trombone
1
Trompette, Piano
1
Euphonium, Piano (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone (partie séparée)
1
Trombone et Piano
1
Cor Anglais
1
Trompette (partie séparée)
1
+ 17 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Harpe
9
Violon et Piano
7
Alto, Piano
4
4 Violoncelles
4
Violoncelle, Piano
3
Quatuor à cordes : 4 altos
2
Quatuor à cordes: 4 violons
2
2 Violons (duo)
2
Violon
2
Violoncelle
1
Contre Basse
1
Trio à cordes: 3 altos
1
Violon, Alto (duo)
1
Trio à cordes: 3 violins
1
Alto seul
1
Harpe, Voix
1
Violoncelle , Guitare (duo)
1
Violon, Violoncelle (duo)
1
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
2 Violoncelles (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre
5
Orchestre d'harmonie
5
Ensemble de cuivres
3
Orchestre de chambre
2
Autres
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
It Is Not Death to Die - Orchestration
Partitions à imprimer
436 partitions trouvées
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426
It Is Not Death to Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music...
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Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
It Is Not Death To Die by Sovereign Grace Music - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Gospel Spirituel
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Christian contemporain
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Sovereign Grace Music
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It Is Not Death To Die
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Musicnotes
Performed by: Sovereign Grace Music: It Is Not Death To Die Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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Performed by: Sovereign Grace Music: It Is Not Death To Die Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 7 pages -- Gospel~~CCM~~Christian~~Religious~~Praise & Worship
$5.50
It Is Not Death To Die by Sovereign Grace Music - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Gospel Spirituel
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Christian contemporain
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Sovereign Grace Music
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It Is Not Death To Die
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Musicnotes
Performed by: Sovereign Grace Music: It Is Not Death To Die Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sh...
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Performed by: Sovereign Grace Music: It Is Not Death To Die Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Guitar, instruments: Voice;C Instrument;Guitar; 2 pages -- Gospel~~CCM~~Christian~~Religious~~Praise & Worship
$3.95
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
#
Luis Anjos Teixeira
#
edited by Wilhelm Rust.
#
Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contem...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
Op. 1, No. 3: Adieu from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 3: Adieu from Songs
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-27E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-27E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-27E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Ases Death (from Peer Gynt Suite) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Phil Rawle
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Ases Death
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Phillip Rawle
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1466454 Composed by Edvard Grieg. Arranged by Phil Rawle. Classical. 7 pages. Phill...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1466454 Composed by Edvard Grieg. Arranged by Phil Rawle. Classical. 7 pages. Phillip Rawle #1045036. Published by Phillip Rawle (A0.1466454). Ases Death.Having run off with the bride, Ingrid, Peer has incurred a heavy fine from the villagers. Because he is in hiding, it is his mother Ase who must pay this fine. She does so, but it leaves her with nothing, and she becomes ill from destitution. She dies, but not before Peer has an opportunity to visit her again. Like Solveig, the farmer's daughter, she is forgiving of Peer and happy to see him before she passes.This slow movement from Peer Gynt Suite is arranged for Clarinet Quartet - Three Clarinets in Bb and a Bass Clarinet.
$5.00
Ases Death (from Peer Gynt Suite) - Wind Quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Classique
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Edvard Grieg
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Phil Rawle
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Ases Death
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Phillip Rawle
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1467018 Composed by Edvard Grieg. Arranged by Phil Rawle. Classical. ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1467018 Composed by Edvard Grieg. Arranged by Phil Rawle. Classical. 6 pages. Phillip Rawle #1045583. Published by Phillip Rawle (A0.1467018). Ases Death.Having run off with the bride, Ingrid, Peer has incurred a heavy fine from the villagers. Because he is in hiding, it is his mother Ase who must pay this fine. She does so, but it leaves her with nothing, and she becomes ill from destitution. She dies, but not before Peer has an opportunity to visit her again. Like Solveig, the farmer's daughter, she is forgiving of Peer and happy to see him before she passes.This slow movement from Peer Gynt Suite is arranged for Flute, Oboe, Clarinet in Bb and Bassoon.
$5.00
Death Is Not an Unwelcome Stranger
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Chorale SATB
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Richard Nathan Shorten
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Death Is Not an Unwelcome Stra
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Shorten Studio Utah
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.980854 Composed by Richard Nathan Shorten. Christian. Octavo. 11 pages. Shorten Studio Utah #3570611. Published by Shorten...
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Choral Choir (SATB) - SKU: A0.980854 Composed by Richard Nathan Shorten. Christian. Octavo. 11 pages. Shorten Studio Utah #3570611. Published by Shorten Studio Utah (A0.980854). SATB (SSATBB) with cello. 4 min. + 40 sec. For community choir, perhaps also school or church choir. Of course, death is usually sad to those of us left behind but not for those good souls who die. This is a song for those who think that there is a better place we go to after this life, according to how we lived. It has a strong folk or traditional feel to it.
$2.50
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
Here's To You
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Orchestre d'harmonie
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FACILE
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Film/TV
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Joan Baez
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Joan Baez, Ennio Morricone
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Lorenzo Bocci
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Here's To You
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #89...
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Concert Band - Level 2 - SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #899595. Published by Lorenzo Bocci (A0.1310533). For Concert Band - Grade 2,5 -  Composed by Joan Baez, Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (SATB) (not present in the score). Score and parts. Duration 3'42''. Published by Lorenzo Bocci.Here's to You is a song by Ennio Morricone and Joan Baez, released in 1971 as part of the soundtrack of the film Sacco & Vanzetti, directed by Giuliano Montaldo. The song is a tribute to two anarchists of Italian origin, Nicola Sacco and Bartolomeo Vanzetti who were sentenced to death by a United States court in the 1920s. The lyrics for Here's to You make use of a statement attributed to Vanzetti by Philip D. Strong, a reporter for the North American Newspaper Alliance, who visited Vanzetti in prison in May 1927, three months before his execution.  «If it had not been for these things, I might have lived out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life we could have hoped to do such work for tolerance, for justice, for man's understanding of man as we now do by accident. Our words—our lives—our pains—nothing! The taking of our lives—lives of a good shoemaker and a poor fish peddler—all! That last moment belongs to us—that agony is our triumph!.»Here's to you, Nicola and BartRest forever here in our heartsThe last and final moment is yoursThat agony is your triumph..
$89.00
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik M...
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Small Ensemble - Level 4 - SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
In My End is My Beginning Guitar Vocal Performance
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Basse electrique
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dying he was living the life H
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Steven H
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In My End is My Beginning Guit
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Boothe Publishing
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SheetMusicPlus
Bass Guitar - SKU: A0.1069985 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 234. Boothe Publishing #4737083. Published ...
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Bass Guitar - SKU: A0.1069985 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 234. Boothe Publishing #4737083. Published by Boothe Publishing (A0.1069985). The death of Jesus Christ was not the end of the son of God. Having passed the test of His mortal probation here on earth, and giving His life to pay the price of our sins, He then entered the world of spirits. There He would organize His servants to preach His gospel to those who had died without a knowledge of it. It was the beginning of His role as the first fruit of the resurrection. Jesus Christ is the Savior and Redeemer of all mankind. When the Jews crucified Him they thought that they were putting an end to He who would be God. They thought that by killing Him they would be in control of the people. They had no idea that they were fulfilling the prophecy that they would kill their own God. They gave Him the opportunity to use His power over death to redeem all mankind. His end truly was His beginning. By dying he was living the life He had planned.
$1.99
In My End is My Beginning PVG
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Piano, Voix
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INTERMÉDIAIRE
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dying he was living the life H
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Steven H
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In My End is My Beginning PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.984025 Composed by Steven H. Boothe. Christian,Pop. Score. 7 pages. Boothe Publishing #5984093. Published by Booth...
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Piano,Vocal,Voice - Level 3 - SKU: A0.984025 Composed by Steven H. Boothe. Christian,Pop. Score. 7 pages. Boothe Publishing #5984093. Published by Boothe Publishing (A0.984025). The death of Jesus Christ was not the end of the son of God. Having passed the test of His mortal probation here on earth, and giving His life to pay the price of our sins, He then entered the world of spirits. There He would organize His servants to preach His gospel to those who had died without a knowledge of it. It was the beginning of His role as the first fruit of the resurrection. Jesus Christ is the Savior and Redeemer of all mankind. When the Jews crucified Him they thought that they were putting an end to He who would be God. They thought that by killing Him they would be in control of the people. They had no idea that they were fulfilling the prophecy that they would kill their own God. They gave Him the opportunity to use His power over death to redeem all mankind. His end truly was His beginning. By dying he was living the life He had planned.
$4.99
In My End is My Beginning Piano Vocal Performance
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Piano, Voix
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dying he was living the life H
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Steven H
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Ashley Ivers
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In My End is My Beginning Pian
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069984 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 223. Boothe Publi...
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Piano,Voice - SKU: A0.1069984 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 223. Boothe Publishing #4737077. Published by Boothe Publishing (A0.1069984). The death of Jesus Christ was not the end of the son of God. Having passed the test of His mortal probation here on earth, and giving His life to pay the price of our sins, He then entered the world of spirits. There He would organize His servants to preach His gospel to those who had died without a knowledge of it. It was the beginning of His role as the first fruit of the resurrection. Jesus Christ is the Savior and Redeemer of all mankind. When the Jews crucified Him they thought that they were putting an end to He who would be God. They thought that by killing Him they would be in control of the people. They had no idea that they were fulfilling the prophecy that they would kill their own God. They gave Him the opportunity to use His power over death to redeem all mankind. His end truly was His beginning. By dying he was living the life He had planned.
$1.99
Death On Two Legs
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Queen
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Dirk Radloff
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Death On Two Legs
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Dirk Radloff
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1459110 By Queen. By Freddie Mercury. Arranged by Dirk Radloff. Classical,Rock. 21 pages. Dirk Radloff...
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String Quartet String Quartet - Level 5 - SKU: A0.1459110 By Queen. By Freddie Mercury. Arranged by Dirk Radloff. Classical,Rock. 21 pages. Dirk Radloff #1038080. Published by Dirk Radloff (A0.1459110). This is the famous opener of the A night at the opera-album by QUEEN, it might be the angriest song ever. My arrangement is written for a professional, experienced ensemble. I always try to bring up the strengths of the string quartet instrumentation and I am not afraid to alter the original as an arranger, because every instrumentation is calling for a different approach. Second a string quartet can not copy the power of a full Rock-band, so you have to substitute that power with rafinesse.
$19.99
Ten Studies for Trombone
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Trombone
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Cherry, Gordon
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Ten Studies for Trombone
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.792139 Composed by Johannes Brahms. Arranged by Cherry, Gordon. Instructional,Romantic Period. Individual part. 12 pag...
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Trombone Solo - Level 3 - SKU: A0.792139 Composed by Johannes Brahms. Arranged by Cherry, Gordon. Instructional,Romantic Period. Individual part. 12 pages. Gordon Cherry #3667999. Published by Gordon Cherry (A0.792139). The Brahms Ten Studies were originally written for Horn or Trumpet and were first published soon after his death in 1897. Unfortunately there is not much written about the origins of the Studies. There are questions as to whether they are original or manufactured by an enterprising musician. In my opinion, a few of the studies, especially the slower ones have the stamp of the Master on them. Mr. Cherry believes that the Studies are authentic. It is fairly certain that Brahms’s father did play some horn and there is a good chance that Johannes performed in a horn club as well. The Studies were all originally written in the key of C treble clef. Mr. Cherry has taken the liberty to transpose many of them into different keys for musical variety and technique. This is a common practice for many Trumpet and Horn study books. He has also added some breath marks and alternate slide positions. Many thanks to friend & colleague, Ralph Sauer, who helped with the editing of these studies. These studies are all in bass clef and appropriate for performers of intermediate level and higher.
$10.00
Fanfare on the Hymn Christ, the Lord is Risen Today. For Organ, Choir or Congregation
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Orgue
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INTERMÉDIAIRE
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Jacob Hershberger
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Jacob Hershberger
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Fanfare on the Hymn Christ, th
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Jasberger Music
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1487533 By Jacob Hershberger. By Jacob Hershberger. Arranged by Jacob Hershberger. Children,Christian,Easter,Religious,Spiritu...
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Organ - Level 3 - SKU: A0.1487533 By Jacob Hershberger. By Jacob Hershberger. Arranged by Jacob Hershberger. Children,Christian,Easter,Religious,Spiritual. Score. 6 pages. Jasberger Music #1063748. Published by Jasberger Music (A0.1487533). Celebrate Easter with the uplifting and joyous Fanfare on the Hymn Christ the Lord is Risen Today. This organ fanfare is perfect for opening your Easter worship service, whether you're leading a choir or inviting the congregation to sing along.A Joyous Celebration of the Resurrection:The Fanfare on the Hymn Christ the Lord is Risen Today beautifully captures the spirit of Easter, celebrating Jesus Christ's resurrection on the third day after His atoning sacrifice. This piece is designed to elevate your worship experience, helping everyone feel the joy and triumph of Christ's victory over death.Perfect for Worship Services: Ideal Opener: Start your Easter service with this powerful fanfare. Imagine the majestic sounds filling the church as the procession begins or just before the opening prayer, welcoming everyone to celebrate the risen Lord. Versatile and Flexible: This fanfare can be easily adapted to fit your service. Whether performed with a choir or sung by the congregation, the arrangement is flexible, allowing you to extend it based on the number of verses you wish to sing. Easy for Congregations: The melody is simple and accessible, making it easy for everyone to join in and sing along, enhancing the communal worship experience. Why Choose This Fanfare: Rich and Full Harmonies: Experience the depth and beauty of rich harmonies that bring the hymn to life, adding a special resonance to your worship. Emotional and Moving: The stirring melodies and powerful chords evoke a sense of awe and reverence, perfectly capturing the essence of Easter. Bring the joy of Easter to your worship service with the Fanfare on the Hymn Christ the Lord is Risen Today. This organ fanfare is not just a musical masterpiece but a heartfelt expression of faith and celebration. Its flexibility, ease of use, and emotional impact make it a wonderful addition to your Easter service. Order your copy today and let the spirit of Easter fill your church.
$7.95
Overture (from Dionísio to Koré)
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Bisdré Santos
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Overture
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Soul - Musical Creations
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SheetMusicPlus
Cello,Clarinet,Drums,Flute,Guitar - Level 2 - SKU: A0.948989 By Bisdré Santos. By Bisdre Santos. 20th Century,Contemporary,Early Music,Instructional,...
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Cello,Clarinet,Drums,Flute,Guitar - Level 2 - SKU: A0.948989 By Bisdré Santos. By Bisdre Santos. 20th Century,Contemporary,Early Music,Instructional,Standards. 10 pages. Soul - Musical Creations #6425291. Published by Soul - Musical Creations (A0.948989). De Dionsio para Koré is a theatrical adaptation of the poetry book of the same name, which reveals the uncontrolled love of the god Dionsio for the mortal Koré. They constantly change roles in a cycle of death and rebirth. I wrote this soundtrack in a simple way. Some actors in the cast played some instruments in a beginner way, so I wrote a simple track inspired by ancient Greek music so that everyone could act and play the soundtrack with me live. In the instrumental formation, we have guitar, flute, clarinet, cello, and drums. This is piece 1 of 6 that integrates the soundtrack. The writing of the drums must be followed rhythmically as it is written, but the pitches of the notes can vary. The most important thing is that the drums are played according to the relative height (high, medium, and low). The songs are excellent for a group of beginning students to play together and practice chamber music, as they are a repertoire of easy execution and very impressive sonority. Good studies! Bisdré Santos Book with the complete soundtrack: https://www.sheetmusicplus.com/title/from-dionysus-to-kor-complete-soundtrack-6-pieces-digital-sheet...
$5.00
Dionysus Gagged (from Dionysus to Koré)
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Bisdré Santos
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Dionysus Gagged
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Soul - Musical Creations
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SheetMusicPlus
Cello,Clarinet,Drum Set,Drums,Flute,Guitar - Level 2 - SKU: A0.948990 By Bisdré Santos. By Bisdre Santos. Contemporary,Early Music,Film/TV,Spiritual,...
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Cello,Clarinet,Drum Set,Drums,Flute,Guitar - Level 2 - SKU: A0.948990 By Bisdré Santos. By Bisdre Santos. Contemporary,Early Music,Film/TV,Spiritual,Standards. 9 pages. Soul - Musical Creations #6425303. Published by Soul - Musical Creations (A0.948990). De DionÃsio para Koré is a theatrical adaptation of the poetry book of the same name, which reveals the uncontrolled love of the god DionÃsio for the mortal Koré. They constantly change roles, in a cycle of death and rebirth. I wrote this soundtrack in a simple way. Some actors in the cast played some instrument in a beginner way, so I wrote a simple track inspired by ancient Greek music so that everyone could act and play the soundtrack with me live. In the instrumental formation we have guitar, flute, clarinet, cello and drums. This is piece 3 of 6 that integrates the soundtrack. The writing of the drums must be followed rhythmically as it is written, however the pitches of the notes can vary. The most important thing is that the drums are played according to the relative height (High, medium and low). The songs are excellent for a group of beginning students to play together and practice chamber music, being a repertoire of easy execution and very impressive sonority. Good studies! Bisdré Santos Book with the complete soundtrack: https://www.sheetmusicplus.com/title/from-dionysus-to-kor-complete-soundtrack-6-pieces-digital-sheet...
$5.00
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It Is Not Death to Die - Orchestration
