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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Italian From New York
Non classifié
2
Piano & claviers
Piano seul
5
Piano Facile
3
Piano, Voix
1
Instruments en Do
1
Guitares
Guitare notes et tablatures
2
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
1
Chorale SSAA
1
Vents
Quintette de Clarinettes: 5 clarinettes
2
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres
1
Cordes
Orchestre & Percussions
Ensemble Jazz
1
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COR ANGLAIS
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EUPHONIUM
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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OLD TIME - EARLY ROC…
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Vous avez sélectionné:
Italian From New York
Partitions à imprimer
23 partitions trouvées
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1
Italian From New York
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Rock
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Chicago
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Patrick Sheehan
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Italian From New York
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747900 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 85 pages. Patrick Sheehan ...
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Small Ensemble - Level 5 - SKU: A0.747900 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 85 pages. Patrick Sheehan #4968681. Published by Patrick Sheehan (A0.747900). INSTRUMENTATION: Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Fender Rhodes, ARP Synthesizer, Electric Guitar, Bass, Cabasa, Sand Block, Conga Drums, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago VII released in 1974. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
Air from 'Rinaldo' (arr. for Clarinet Ensemble 5-Part))
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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George Frideric Handel
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Andrew Lamb
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Air from 'Rinaldo'
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Andrew Lamb
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325953 By George Frideric Handel. By George Frideric Handel. Arran...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325953 By George Frideric Handel. By George Frideric Handel. Arranged by Andrew Lamb. Baroque,Opera. 25 pages. Andrew Lamb #914149. Published by Andrew Lamb (A0.1325953). Presenting Air from Rinaldo by George Frideric Handel, thoughtfully arranged for a 5-part Clarinet Ensemble! 🎼🎵 Instrumentation: 3 Clarinets in Bb 1 Alto Clarinet in Eb 1 Bass Clarinet in Bb 🎶 Substitute parts included for added flexibility: Eb Clarinet Second Alto Clarinet Second Bass Clarinet 🎼 Level of Difficulty: Medium-Easy🎯 Potential Uses: 🎤 This arrangement, crafted for Clarinet Ensemble, is versatile and ideal for: Concerts Recitals Educational settings. 📜 About Air from Rinaldo: Air from Rinaldo captures the essence of Handel's opera composed in 1711, the first Italian language opera for the London stage. This Clarinet Ensemble arrangement brings forth the beauty of Handel's composition, portraying the love, war, and redemption set during the First Crusade. The iconic soprano aria, Lascia ch'io pianga, is a cherished favorite, making this arrangement a delightful addition to your ensemble's repertoire.🎼 Handel's Operatic Triumph: George Frideric Handel swiftly composed Rinaldo, marking a significant moment in operatic history. After dominating the English opera scene for decades, Rinaldo's success endured through numerous revivals. Following a hiatus of over 200 years, the opera regained prominence, captivating audiences worldwide with modernized productions, including a successful run at New York's Metropolitan Opera in 1984.â Why Choose This Arrangement: This Clarinet Ensemble arrangement offers flexibility with substitute parts, allowing you to tailor the performance to your ensemble's strengths. Perfectly suited for various settings, from formal concerts to educational environments, this arrangement enables musicians to explore the depth and brilliance of Handel's musical genius.🎵 Elevate your ensemble's performance with the enchanting Air from Rinaldo. Add this arrangement to your repertoire and experience the magic of Handel's operatic masterpiece.📢 Don't miss the chance to enhance your musical journey! Like and subscribe to stay updated on our latest arrangements and musical offerings. 🎶.
$10.00
Return Of The Blues: from Rhapsody In Blue- for jazz ensemble big band
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Ensemble Jazz
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INTERMÉDIAIRE
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George Gershwin
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John Hoesly
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Return Of The Blues: from Rhap
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.753645 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 58 pages. PRS&B #62...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.753645 Composed by George Gershwin. Arranged by John Hoesly. 20th Century,Folk,Jazz. 58 pages. PRS&B #6202151. Published by PRS&B (A0.753645). Return Of The Blues: from Rhapsody In Blue- for big band/jazz ensemble arranged by John Hoesly. Based on a theme from Rhapsody In Blue by George Gershwin. Rhapsody In Blue is considered an American musical masterpiece. Written by George Gershwin in 1924, right from it’s opening notes it conjures up The Jazz Age, The American Scene, New York City, and as Gershwin himself described, national pep. Return Of The Blues is known as the ritornello (Italian: return) theme as it appears seven times during RIB. It is one of the more famous themes from RIB, being heard right after the clarinet glissando in the beginning of the piece. Here, it is presented as a stand-alone tune. It is written with a trumpet solo, but the solo can be played by any member of the band. Difficulty level is intermediate and certainly playable by most high school jazz ensembles. Lead Tpt Ab5.
$50.00
DIES IRAE from REQUIEM by G. Verdi
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Giuseppe Verdi
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Alessandro Macrì
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DIES IRAE from REQUIEM by G. V
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Fil...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro Macrì. A Cappella,Concert,Film/TV,Romantic Period,Sacred. Score and parts. 20 pages. Music Macri Editions #5771023. Published by Music Macri Editions (A0.931249). La Messa da Requiem di Giuseppe Verdi è un'opera certamente religiosa, ma in un modo tutto suo, scritta cioè da un uomo che non era propriamente praticante: composta ed eseguita (su un precedente progetto per Rossini) nel 1874 per commemorare Alessandro Manzoni a un anno dalla scomparsa, è un lavoro che unisce, alla devozione quasi filiale per i due Grandi, una sensibilità operistica tutta verdiana. E in verità , i cantanti solisti che Verdi aveva in mente nello scrivere la partitura erano certamente voci d’opera.La prima nella chiesa di San Marco a Milano ebbe un tale successo che si tennero altre tre esecuzioni al Teatro alla Scala. Francis Tovey scrive: La Messa era arrivata nella sua vera casa (...) dove il pubblico, che non doveva badare alle convenzioni ecclesiastiche, poté dare sfogo al proprio entusiasmo, con esuberanza tipicamente italiana. Verdi non aveva intenzione di riservare la partitura a rare, solenni commemorazioni. La qualità drammatica e operistica del Requiem mal si adatta all’uso di un servizio regolare in chiesa, né il compositore voleva che funzionasse come liturgia. Fin dall'inizio, Verdi ha concepito il suo Requiem per l’esecuzione, non per la devozione; voleva che il suo lavoro fosse complementare alla popolarità di Manzoni per mostrare al mondo la cultura italiana, tanto che lo portò personalmente in tournée a Parigi, New York, Londra e Vienna.Il Requiem di Verdi, come Ein deutsches Requiem di Johannes Brahms, è l’affermazione di un dolore personale che si serve di un testo preso in prestito dalla liturgia sacra.Neanche Brahms, come Verdi, era particolarmente devoto. Per entrambi, le parole della messa da requiem per i defunti rappresentano il bisogno universale di esprimere le emozioni che ci assalgono quando una persona amata muore: dolore, perdita, tristezza, rabbia, paura del giudizio divino e speranza di pace sia per i defunti che per coloro che sono in lutto.Verdi inizia con i versi Requiem aeternam dona eis, Domine che il coro e l'orchestra intonano in fasi sommesse e raccolte. I quattro solisti si uniscono al coro e all'orchestra per uno stentoreo Kyrie eleison. Il tonitruante boato orchestrale e corale del Dies irae che segue immediatamente il Kyrie è il momento più atteso e memorabile del Requiem. Qui i musicisti, i coristi e i cantanti devono produrre esplosioni sonore continue e inarrestabili. Gli ottoni, le percussioni, i legni e il coro sono tirati al massimo, mentre le voci gridano sgomento e dolore, e gli archi crescono di intensità e impeto. Del resto, il materiale musicale del pauroso Dies irae ritorna di continuo lungo tutta la Messa, dipingendo un quadro da Giorno del Giudizio: non a caso l’opera è stata equiparata all’affresco michelangiolesco della Cappella Sistina. Un lavoro cupamente drammatico, con intermittenti, brevi, violenti lampi di luce.Di volta in volta, Verdi ci fa vivere il terrore dell'inferno (timbri e registri bassi) e la luminosa speranza di salvezza, preparandoci alla gioia del Sanctus, con la tromba che annuncia Santo, santo, santo, Signore degli eserciti! Il cielo e la terra sono pieni della tua gloria!Verdi conclude il suo Requiem con un soprano che intona i primi versi di Libera me (Liberami, o Signore, dalla morte eterna in quel terribile giorno). Tutto il dramma, il terrore, l’angoscia delle sezioni precedenti ritorna, come se il compositore intendesse lasciarci con un senso di incertezza: saremo, alla fine, riscattati? Verdi riprende qui la musica del Dies irae, ma alla fine, il coro e il soprano finiscono in un sussurro quasi impercettibile, con Libera me. Libera me: una speranza, una preghiera, un gemito sommesso.
$9.00
The Ecstasy Of Gold from THE GOOD, THE BAD AND THE UGLY
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Metallica
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Diego Marani
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The Ecstasy Of Gold from THE G
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528389 By Metallica. By Ennio Morricone. Arranged by Diego Marani. Contemporary,Film/TV,In...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528389 By Metallica. By Ennio Morricone. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Rock,Standards. Score and parts. 11 pages. Diego Marani #5954901. Published by Diego Marani (A0.528389). The Ecstasy of Gold (Italian: L'estasi dell'oro) is a musical composition by Ennio Morricone, part of his score for the 1966 Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco (Eli Wallach) is frantically searching a cemetery for the grave that holds $200,000 in gold coins. Sung by Edda Dell'Orso, it stands as one of the most well known of Morricone's themes. American metal band Metallica has used The Ecstasy of Gold as the introductory music for its concerts since 1984. New York City-based punk rock band Ramones used this theme as the outro music for their concerts since 1991. This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for classroom, repertoire and recital.
$19.99
Italian from New York by Chicago - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Chicago
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Italian from New York
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Musicnotes
Performed by: Chicago: Italian From New York Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Instrument/Chords...
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Performed by: Chicago: Italian From New York Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Instrument/Chords, instruments: C Instrument; 1 pages -- Jazz-Rock~~Pop Rock~~Soft Rock
$2.95
Smoke Gets In Your Eyes
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Piano seul
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AVANCÉ
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The Platters
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Timothy Stapay
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Smoke Gets In Your Eyes
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,...
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Piano Solo - Level 5 - SKU: A0.1225761 By The Platters. By Jerome Kern and Otto Harbach. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #821814. Published by Timothy Stapay (A0.1225761). Smoke Gets In Your Eyes is arranged as played by piano artist, Liberace.This version is from the rare early album Liberace At Home. Smoke Gets in Your Eyes is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. The song was sung in the Broadway show by Tamara Drasin. Its first recorded performance was by Gertrude Niesen, who recorded the song with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin,[1] on October 13, 1933. On October 30, 1946, Nat King Cole recorded the song in his trio with Oscar Moore on guitar and Johnny Miller on double bass, during a live broadcast from New York City.[10] Cole performed it on television in 1957 for The Nat King Cole Show. Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics below:They asked me how I knewMy true love was trueI of course repliedSomething here inside cannot be deniedThey said someday you'll find all who love are blindWhen your heart's on fire,You must realize, smoke gets in your eyesSo I chaffed them and I gaily laughedTo think they could doubt my loveYet today my love has flown away,I am without my love (without my love)Now laughing friends derideTears I cannot hideSo I smile and sayWhen a lovely flame dies, smoke gets in your eyes(Smoke gets in your eyes, smoke gets in your eyes)Smoke gets in your eyes
$8.99
To God be the Glory
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Quatuor de Cuivres
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DÉBUTANT
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J
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To God be the Glory
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1288443 By ... By William H. Doane. Arranged by J. Randolph Hall. This edition: Inter...
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Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1288443 By ... By William H. Doane. Arranged by J. Randolph Hall. This edition: Interactive Download. Holiday,Pop,Praise & Worship,Standards. 15 pages. Duration 130. J. Randolph Hall #6FH6uQY2I5IJ24PbjKx6wW. Published by J. Randolph Hall (A0.1288443). Key: F major.Doane was a 19th Century manager, evangelist, and hymnist from Connecticut. Crosby was a 19th Century hymnist and teacher from New York. Despite her being blind, she was able to churn out numerous popular hymns. Section A and C are the verse. Section B and D are the chorus. A modulation to a new key occurs and the end of section B with the help of an Italian augmented sixth chord. A descant by yours truly is then added to the new key.
$4.00
Two Views of Scott Joplin
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Chorale SATB
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INTERMÉDIAIRE
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James Siddons
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Two Views of Scott Joplin
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James Siddons Music and Writings
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings...
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Choral Choir (SATB) - Level 3 - SKU: A0.972650 Composed by James Siddons. Contemporary,Opera,Ragtime. Octavo. 79 pages. James Siddons Music and Writings #4898807. Published by James Siddons Music and Writings (A0.972650). Two Views of Scott Joplin is an exploration of a personal and artistic crisis that Scott Joplin, the King of Ragtime, went through between 1904 and 1906. This crisis was precipitated by the untimely death of Freddie Alexander in September 1904, to whom Joplin had been married only ten weeks. Knowledge of this marriage was lost to history for almost a century until the Joplin scholar Edward A. Berlin discovered the newspaper obituary, which is quoted in the bass solo in Part II, The Obituary of Freddie Alexander. Apparently, Scott Joplin, already inspired by the progressive ideals of Booker T. Washington, saw a path to social and artistic betterment through his love of Freddie, a daughter of a refined family. During this period, Joplin used the title rag less often in his piano-solo works, and nurtured an interest in opera (he had long been active in vaudeville as well as ragtime piano). He seems to have lost his sense of direction in 1905 and 1906, until led by his publisher John Stark to move to New York City in 1907. Once there, apparently growing out of his grief, Joplin studied with an Italian opera singer and composer, composed his folk opera Treemonisha, and composed Wall Street Rag and his other late masterpieces for piano. Joplin died in April 1917 following two years of debilitating illness. Joplin left almost no personal writings, such as letters or diaries. To create an impression of autobiography, Two Views of Scott Joplin consists mostly of words and music written by Scott Joplin, and piano music composed by two close associates, the composer-pianists Louis Chauvin and Scott Hayden. These words come from Treemonisha, from Joplin’s little-remembered vaudeville and parlor songs, and also from text in his sheet-music---copyright notices, publishers’ addresses, titles and subtitles of rags, performance directions. In most cases, selected lyrics are extracted from songs and paired with piano-solo themes. These ingredients are combined in creative ways to express the biographical narrative. Instrumental themes are re-cast as necessary to express their newly-attached lyrics. But in no place can any of the music in Two Views of Scott Joplin be considered an arrangement of a given, intact composition, nor a medley of tunes, nor a theatrical revue. The character development and dialogue found in Scott Joplin’s Struggle with Destiny (Part II, No. 3) is my own biographical interpretation of Joplin, based on known evidence and on his music.The score contains extensive Performance Notes for performing this 16-minute work as a choral work or as a short opera scene.
$9.99
Big Strong Man (My Brother Sylvest)
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Instruments en Do
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DÉBUTANT
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The Wolfe Tones
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Thomas Degan
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Big Strong Man
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Thomas Degan
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1511772 By The Wolfe Tones. By Fred Fisher, Jesse Lasky, and Sam Stern. Arranged by Thomas Degan. 20th Century,Celtic,C...
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C Instrument - Level 1 - SKU: A0.1511772 By The Wolfe Tones. By Fred Fisher, Jesse Lasky, and Sam Stern. Arranged by Thomas Degan. 20th Century,Celtic,Comedy,Folk,Irish,Traditional. Lead Sheet / Fake Book. 2 pages. Thomas Degan #1086922. Published by Thomas Degan (A0.1511772). My Brother Sylvest' also known as Big Strong Man, is an American song, but often performed by English folk singers and Irish bands.My Brudda Sylvest' was written in 1908, words by Jesse Lasky and Sam Stern, music by Fred Fisher.The song is written in an Italian-American dialect about the singer's eponymous brother, described in hyperbolic terms as a man of legendary strength capable of extraordinary feats. The original lyric has him blowing out a house fire, pushing the ocean away to allow him to walk to Italy, killing fifty thousand [native American] Indians, and drinking the ocean dry.Subsequent versions changed the references from the boxer John L. Sullivan to the Jeffries-Johnson fight of 1910, to American boxer Jack Dempsey, who started boxing in 1914, and even to John Conteh of Great Britain, who fought in the 1970s. Other changes have included the saving of the RMS Lusitania, sunk during the first World War, and swimming from New York to Italy, drinking all the water in the sea, playing every instrument in a brass band in a visit to Japan.
$3.99
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert Debbaut
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A Trilogy of Joy, three short
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ROBERT DEBBAUT
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT ...
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Choral Choir (SSAA) - Level 4 - SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403). American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.
$9.95
Once Upon A Time In America
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Piano seul
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FACILE
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Darryl Pittman
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Jhavilah
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Once Upon A Time In America
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Jhavilah
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1433908 Composed by Darryl Pittman. Arranged by Jhavilah. 20th Century,Classical,Film/TV,Spiritual,Traditional. Score. 7 ...
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Piano Solo - Level 2 - SKU: A0.1433908 Composed by Darryl Pittman. Arranged by Jhavilah. 20th Century,Classical,Film/TV,Spiritual,Traditional. Score. 7 pages. Jhavilah #1014135. Published by Jhavilah (A0.1433908). Once Upon a Time in America is not just a film; it's a cinematic masterpiece, and its music is an integral part of its brilliance. Directed by Sergio Leone and released in 1984, this epic crime drama follows the lives of Jewish gangsters in New York City from their childhood in the 1920s through their rise to power in the 1930s and ultimately to their fall in the 1960s.The film's score was composed by the legendary Italian composer Ennio Morricone, who collaborated with Leone on many of his iconic films. Morricone's music for Once Upon a Time in America is hauntingly beautiful and perfectly captures the mood and atmosphere of the film. From the melancholic Deborah's Theme to the sweeping Once Upon a Time in America theme, the score is as epic and unforgettable as the film itself.Morricone's score for Once Upon a Time in America is widely regarded as one of his greatest achievements and is considered one of the greatest film scores of all time. It perfectly complements Leone's epic storytelling and helps to elevate the film to a work of art. The music is an essential part of the film's emotional impact, helping to convey the complex emotions of the characters and the epic sweep of their story.In addition to its critical acclaim, the score for Once Upon a Time in America also achieved commercial success, winning the BAFTA Award for Best Film Music and earning Morricone a nomination for the Academy Award for Best Original Score.Overall, the music of Once Upon a Time in America is a masterpiece in its own right, and it plays an essential role in making the film the timeless classic that it is.
$5.99
Once Upon A Time In America
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Piano Facile
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FACILE
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Darryl Pittman
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Jhavilah
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Once Upon A Time In America
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Jhavilah
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1433939 Composed by Darryl Pittman. Arranged by Jhavilah. Classical,Film/TV,Lent,Multicultural,Standards,World. Score. 7 ...
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Easy Piano - Level 2 - SKU: A0.1433939 Composed by Darryl Pittman. Arranged by Jhavilah. Classical,Film/TV,Lent,Multicultural,Standards,World. Score. 7 pages. Jhavilah #1014152. Published by Jhavilah (A0.1433939). Once Upon a Time in America is not just a film; it's a cinematic masterpiece, and its music is an integral part of its brilliance. Directed by Sergio Leone and released in 1984, this epic crime drama follows the lives of Jewish gangsters in New York City from their childhood in the 1920s through their rise to power in the 1930s and ultimately to their fall in the 1960s.The film's score was composed by the legendary Italian composer Ennio Morricone, who collaborated with Leone on many of his iconic films. Morricone's music for Once Upon a Time in America is hauntingly beautiful and perfectly captures the mood and atmosphere of the film. From the melancholic Deborah's Theme to the sweeping Once Upon a Time in America theme, the score is as epic and unforgettable as the film itself.Morricone's score for Once Upon a Time in America is widely regarded as one of his greatest achievements and is considered one of the greatest film scores of all time. It perfectly complements Leone's epic storytelling and helps to elevate the film to a work of art. The music is an essential part of the film's emotional impact, helping to convey the complex emotions of the characters and the epic sweep of their story.In addition to its critical acclaim, the score for Once Upon a Time in America also achieved commercial success, winning the BAFTA Award for Best Film Music and earning Morricone a nomination for the Academy Award for Best Original Score.Overall, the music of Once Upon a Time in America is a masterpiece in its own right, and it plays an essential role in making the film the timeless classic that it is.
$5.99
Once Upon A Time In America
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Piano Facile
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FACILE
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Darryl Pittman
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Jhavilah
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Once Upon A Time In America
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Jhavilah
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1433951 Composed by Darryl Pittman. Arranged by Jhavilah. 20th Century,Film/TV,Lent,Multicultural,Spiritual,World. Score....
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Easy Piano - Level 2 - SKU: A0.1433951 Composed by Darryl Pittman. Arranged by Jhavilah. 20th Century,Film/TV,Lent,Multicultural,Spiritual,World. Score. 7 pages. Jhavilah #1014181. Published by Jhavilah (A0.1433951). Once Upon a Time in America is not just a film; it's a cinematic masterpiece, and its music is an integral part of its brilliance. Directed by Sergio Leone and released in 1984, this epic crime drama follows the lives of Jewish gangsters in New York City from their childhood in the 1920s through their rise to power in the 1930s and ultimately to their fall in the 1960s.The film's score was composed by the legendary Italian composer Ennio Morricone, who collaborated with Leone on many of his iconic films. Morricone's music for Once Upon a Time in America is hauntingly beautiful and perfectly captures the mood and atmosphere of the film. From the melancholic Deborah's Theme to the sweeping Once Upon a Time in America theme, the score is as epic and unforgettable as the film itself.Morricone's score for Once Upon a Time in America is widely regarded as one of his greatest achievements and is considered one of the greatest film scores of all time. It perfectly complements Leone's epic storytelling and helps to elevate the film to a work of art. The music is an essential part of the film's emotional impact, helping to convey the complex emotions of the characters and the epic sweep of their story.In addition to its critical acclaim, the score for Once Upon a Time in America also achieved commercial success, winning the BAFTA Award for Best Film Music and earning Morricone a nomination for the Academy Award for Best Original Score.Overall, the music of Once Upon a Time in America is a masterpiece in its own right, and it plays an essential role in making the film the timeless classic that it is.
$5.99
Once Upon A Time In America
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Piano seul
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FACILE
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Darryl Pittman
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Jhavilah
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Once Upon A Time In America
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Jhavilah
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1433930 Composed by Darryl Pittman. Arranged by Jhavilah. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show,Standar...
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Piano Solo - Level 2 - SKU: A0.1433930 Composed by Darryl Pittman. Arranged by Jhavilah. 20th Century,Broadway,Contemporary,Film/TV,Musical/Show,Standards. Score. 7 pages. Jhavilah #1014143. Published by Jhavilah (A0.1433930). Once Upon a Time in America is not just a film; it's a cinematic masterpiece, and its music is an integral part of its brilliance. Directed by Sergio Leone and released in 1984, this epic crime drama follows the lives of Jewish gangsters in New York City from their childhood in the 1920s through their rise to power in the 1930s and ultimately to their fall in the 1960s.The film's score was composed by the legendary Italian composer Ennio Morricone, who collaborated with Leone on many of his iconic films. Morricone's music for Once Upon a Time in America is hauntingly beautiful and perfectly captures the mood and atmosphere of the film. From the melancholic Deborah's Theme to the sweeping Once Upon a Time in America theme, the score is as epic and unforgettable as the film itself.Morricone's score for Once Upon a Time in America is widely regarded as one of his greatest achievements and is considered one of the greatest film scores of all time. It perfectly complements Leone's epic storytelling and helps to elevate the film to a work of art. The music is an essential part of the film's emotional impact, helping to convey the complex emotions of the characters and the epic sweep of their story.In addition to its critical acclaim, the score for Once Upon a Time in America also achieved commercial success, winning the BAFTA Award for Best Film Music and earning Morricone a nomination for the Academy Award for Best Original Score.Overall, the music of Once Upon a Time in America is a masterpiece in its own right, and it plays an essential role in making the film the timeless classic that it is.
$5.99
Once Upon A Time In America
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Piano Facile
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FACILE
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Darryl Pittman
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Jhavilah
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Once Upon A Time In America
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Jhavilah
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1433948 Composed by Darryl Pittman. Arranged by Jhavilah. 20th Century,Film/TV,Lent,Multicultural,Standards,World. Score....
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Easy Piano - Level 2 - SKU: A0.1433948 Composed by Darryl Pittman. Arranged by Jhavilah. 20th Century,Film/TV,Lent,Multicultural,Standards,World. Score. 7 pages. Jhavilah #1014176. Published by Jhavilah (A0.1433948). Once Upon a Time in America is not just a film; it's a cinematic masterpiece, and its music is an integral part of its brilliance. Directed by Sergio Leone and released in 1984, this epic crime drama follows the lives of Jewish gangsters in New York City from their childhood in the 1920s through their rise to power in the 1930s and ultimately to their fall in the 1960s.The film's score was composed by the legendary Italian composer Ennio Morricone, who collaborated with Leone on many of his iconic films. Morricone's music for Once Upon a Time in America is hauntingly beautiful and perfectly captures the mood and atmosphere of the film. From the melancholic Deborah's Theme to the sweeping Once Upon a Time in America theme, the score is as epic and unforgettable as the film itself.Morricone's score for Once Upon a Time in America is widely regarded as one of his greatest achievements and is considered one of the greatest film scores of all time. It perfectly complements Leone's epic storytelling and helps to elevate the film to a work of art. The music is an essential part of the film's emotional impact, helping to convey the complex emotions of the characters and the epic sweep of their story.In addition to its critical acclaim, the score for Once Upon a Time in America also achieved commercial success, winning the BAFTA Award for Best Film Music and earning Morricone a nomination for the Academy Award for Best Original Score.Overall, the music of Once Upon a Time in America is a masterpiece in its own right, and it plays an essential role in making the film the timeless classic that it is.
$5.99
The Song of the Drum
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Piano, Voix
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Classique
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Gaetano Donizetti
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The Song of the Drum
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.9164 Composed by Gaetano Donizetti. Celebrities, Singers, Portraits, Soldiers, Military officers, Military life, Contentment. ...
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Piano and voice - SKU: LV.9164 Composed by Gaetano Donizetti. Celebrities, Singers, Portraits, Soldiers, Military officers, Military life, Contentment. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9164). The Song of the Drum. From Il Figlia Del REggimento. [English and Italian]. English Words by C. Jefferys. Music by Donizetti. Published [n.d.] by in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Celebrities, Singers, Portraits, Soldiers, Military officers, Military life, Contentment. First line reads From Life's early morning the camp was my home.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
I Left My Heart In San Francisco
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Piano seul
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AVANCÉ
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Tony Bennett
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Timothy Stapay/Liberace
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I Left My Heart In San Francis
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1168099 By Tony Bennett. By Douglass Cross and George Cory. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Mu...
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Piano Solo - Level 5 - SKU: A0.1168099 By Tony Bennett. By Douglass Cross and George Cory. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #768441. Published by Timothy Stapay (A0.1168099). I Left My Heart In San Francisco is arranged as performed by piano artist, Liberace. This piano solo has all of the beautiful runs and embellishments that made Liberace famous throughout the world.I Left My Heart in San Francisco is a popular song, written in the fall of 1953 in Brooklyn, New York, with music by George Cory (1920–1978) and lyrics by Douglass Cross and best known as the signature song of Tony Bennett.In 1962, the song was released as a single by Bennett on Columbia Records as the b-side to Once Upon a Time, peaked at No. 19 on the U.S. Billboard Hot 100, and was also included on the album I Left My Heart in San Francisco.  It also reached number seven on the Easy Listening chart. The song is one of the official anthems for the city of San Francisco. In 2018, it was selected for preservation in the National Recording Registry by the Library of Congress as being culturally, historically, or artistically significant.On May 15, 1984, the song was adopted by the City and County of San Francisco as one of its two official anthems, the other being the title song from the 1936 film San Francisco.Władziu Valentino Liberace (May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world.
$7.99
Collected Songs, Volume I (1976-1998)
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Contemporain
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William Hawley
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Collected Songs, Volume I
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William Hawley
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SheetMusicPlus
Small Ensemble Harp,Piano,Violin,Voice - Level 5 - SKU: A0.889722 Composed by William Hawley. Contemporary. Score and parts. 220 pages. William Hawley #...
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Small Ensemble Harp,Piano,Violin,Voice - Level 5 - SKU: A0.889722 Composed by William Hawley. Contemporary. Score and parts. 220 pages. William Hawley #4574359. Published by William Hawley (A0.889722). This is Volume I of the collected songs of William Hawley, from the earliest preserved song (the 1976 An Object, on an Ezra Pound poem) to The Bridge of Sighs (Lord Byron), 1998. The collection comprises 23 works: 21 for voice and piano, one set for voice and harp, and one set for voice, piano, and violin. The songs were composed variously for unspecified voice, soprano, mezzo-soprano, alto, or baritone. All of the poetry was set in the original languages (English, German, Italian, Greek, and Japanese). Several of these works remain in manuscript, others have been computer-engraved by the composer in one fully bookmarked PDF file of 220 pages with Table of Contents in hypertext. The audio clip is from a private recording of the Four Keats Songs (Joyce Andrews, Soprano, Neal Goren, Piano, New York, 1985), the score of which is also available separately at SMP Press. ASCAP https://williamhawley.net.
$5.99
Tribute To Eddy Duchin
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Piano seul
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AVANCÉ
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Liberace
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Timothy Stapay/Liberace
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Tribute To Eddy Duchin
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1375997 By Liberace. By Vincent Rose, George Gershwin, Frederick Chopin. Arranged by Timothy Stapay/Liberace. Broadway,Fi...
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Piano Solo - Level 5 - SKU: A0.1375997 By Liberace. By Vincent Rose, George Gershwin, Frederick Chopin. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 14 pages. Timothy Stapay #960550. Published by Timothy Stapay (A0.1375997). This is an arrangement of songs made famous by Eddy Duchin during his career.  As performed by piano artist, Liberace in concerts throughout the world.  The medley includes Whispering by Vincent Rose, Somebody Loves Me by Geroge Gershwin; and Chopin's Nocturne by Frederic Chopin.Eddy Duchin - pianist, bandleader (1910 - 1951)The most famous of the piano showman, Eddy Duchin (his first name sometimes spelled ''Eddie'') began his career in 1928 with Leo Reisman's orchestra at New York's Central Park Casino, the most elegant society nightspot in the city. Though part of a team with fellow pianist Nat Brandywynne, Duchin's flashy style and suave demeanor quickly made him the most popular member of the group, and in 1931 he took over Reisman's place as leader at the Casino. His ten-piece orchestra played seven nights a week to a packed house.Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor.  He was born in Wisconsin to parents of Italian and Polish origin and enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99
Opera Classics for Guitar solo
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Guitare notes et tablatures
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Classique
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Opera
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Geroges Bizet, Vincenzo Belli
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PianoSheetNow
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Opera Classics for Guitar solo
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PianoSheetNow
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SheetMusicPlus
Guitar, Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar Solo - Early Intermediate - Digital Download Composed by Geroges Bizet, Vincenzo Bellini, ...
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Guitar, Guitar Tab, Classical Guitar, Fingerstyle Guitar, Guitar Solo - Early Intermediate - Digital Download Composed by Geroges Bizet, Vincenzo Bellini, Ruggero Leoncavallo, Giacomo Puccini, Eduardo di Capua, George Frideric Handel. Arranged by PianoSheetNow. 21st Century, 20th Century, Romantic Period, Classical Period, Opera. Sheet Music Single, Tablature. 16 pages. Published by PianoSheetNow
Seven selected Opera themes for Guitar solo.
Romance de Nadir is extract of Act I \'Je crois entendre\' (I Hear as in a Dream) from the opera \'Les pcheurs de perles\' (The Pearl Fishers), by the French composer Georges Bizet, first premiered on 30 September 1863. Easy to Early intermediate, 1:45\'min. Two (2) pages.
Rinaldo is an opera by George Frideric Handel (1685-1759), composed in 1711, and was the first Italian language opera written specifically for the London stage. Here is an arrangement of the popular piece Lascia ch\'io pianga (Almirena act 2) for Classical Guitar. Easy to Early Intermediate, 2:09\' min. Three (3) pages.
Casta Diva (Norma - Cavatina) theme by Vincenzo Bellini (1801-1835). Intermediate Guitar, 36 bars. Two (2) pages.
Mattinata (morning), is a well-known work by Ruggero Leoncavallo (23 April 1857 ? 9 August 1919, an Italian opera composer. Early Intermediate. 1:30 min. Two (2) pages.
O mio babbino caro (\"Oh my dear daddy\") is a soprano aria from the opera Gianni Schicchi by Giacomo Puccini. The aria was first performed on 14 December 1918 at the Metropolitan Opera in New York. Early Intermediate. 1:18 min. Two (2) pages.
O Sole Mio is a Neapolitan song written in 1898 by Eduardo di Capua (1865 -1917). O sole mio translates literally as \"my sunshine\". Easy to early Intermediate,1:20 min. Two (2) pages.
Habanera by Georges Bizet from opera comique Carmen.
Guitar in drop D tuning (low E to D). Intermediate. 1:29 min.Two (2) pages.
With Tablature. With downloadable mp3 just for audio help.
Total: 15 pages.
$19.99
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