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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Italian Rant
Non classifié
61
Piano & claviers
Piano, Voix
15
Piano seul
11
Instruments en Do
4
Piano Facile
4
Piano Trio: piano, violon, violoncelle
3
Piano, Voix et Guitare
1
+ 1 instrumentations
Retracter
Guitares
2 Guitares (duo)
8
Guitare
5
Mandoline
3
Guitare, Violon, Violoncelle (trio)
2
Guitare notes et tablatures
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
4
Chorale 3 parties
1
Vents
Quatuor de Saxophones: 4 saxophones
20
Quatuor de Flûtes : 4 flûtes
9
Clarinette et Piano
8
Flûte traversière et Piano
8
2 Flûte à bec (duo)
4
Flûte et Guitare
4
Clarinette, Guitare (duo)
3
Flûte à bec, Guitare (duo)
3
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Clarinettes: 4 clarinettes
2
Trio de Flûtes: 3 flûtes
1
Flûte traversière
1
Ensemble de Flûtes
1
Saxophone Alto
1
Saxophone Tenor
1
Saxophone Alto et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais, Piano
1
Flûte, Hautbois, Basson
1
Clarinette
1
Quintette de Saxophone: 5 saxophones
1
Saxophone Soprano et Piano
1
Ensemble de Clarinettes
1
Saxophone (partie séparée)
1
Hautbois, Piano (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle, Piano (trio)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte à bec Soprano, Piano
1
+ 24 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Tuba et Piano
1
Ensemble de Trompettes
1
Cor anglais, Piano
1
Cor et Piano
1
2 Trompettes (duo)
1
+ 7 instrumentations
Retracter
Cordes
Violon et Piano
12
Violon, Guitare (duo)
10
Violoncelle, Piano
9
Alto, Guitare (duo)
8
Quatuor à cordes: 2 violons, alto, violoncelle
8
Alto, Piano
7
Violoncelle , Guitare (duo)
4
Violoncelle
3
Violon
2
Contre Basse
2
4 Violoncelles
2
Piano Trio: Violon, Alto, Piano
1
Violon (partie séparée)
1
Contrebasse, Piano (duo)
1
Violon, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Harpe
1
Contrebasse (partie séparée)
1
Alto seul
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
5
Orchestre de chambre
1
Ensemble de cuivres
1
Orchestre d'harmonie
1
Autres
Instruments
ACCORDEON
ALTO
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BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Italian Rant
Partitions à imprimer
330 partitions trouvées
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326
Corant - trio- flute/clarinet/cello
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- flute/clarinet/
#
Phil Beaman
#
SheetMusicPlus
Cello,Clarinet,Flute - SKU: A0.1393780 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beam...
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Cello,Clarinet,Flute - SKU: A0.1393780 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977252. Published by Phil Beaman (A0.1393780). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - second space Ab to high F above staffClarinet - bottom space F# to high C above staffCello - low C below staff to high E above staffrecording is of Flute-Oboe-Cello version, with Clarinet subbing for the Oboe part.
$7.99
Corant - trio- violin/oboe/cello
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- violin/oboe/cel
#
Phil Beaman
#
SheetMusicPlus
Cello,Oboe,Violin - Level 4 - SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Ph...
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Cello,Oboe,Violin - Level 4 - SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.
$7.99
Corant - trio- xylophone/acoustic guitar/electric bass guitar
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- xylophone/acous
#
Phil Beaman
#
SheetMusicPlus
Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instruct...
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Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977773. Published by Phil Beaman (A0.1394296). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!  And who would expect a 17th century style piece on Xylophone, Acoustic Guitar, and Electric Bass Guitar!6 pages score, 2 pages @ partRanges -Xylophone -  bottom space F# to E above staffAcoustic Guitar - middle C to A above staffElecBass  Guitar - low B below staff to high E above staff.
$7.99
Corant - trio- flute/clarinet/trombone
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- flute/clarinet/
#
Phil Beaman
#
SheetMusicPlus
Bass Trombone,Clarinet,Flute - Level 4 - SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 1...
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Bass Trombone,Clarinet,Flute - Level 4 - SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977597. Published by Phil Beaman (A0.1394137). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â Ab to high F above staffClarinet - bottom space F# to high C above staffTrombone - low C below staff to high F above staff.
$7.99
Corant - trio- flute/clarinet/bass clarinet
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- flute/clarinet/
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Ins...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977700. Published by Phil Beaman (A0.1394226). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â second space A to high A above staffClarinet - second line G# to high D above staffBass Clarinet - low E below staff to high E above staff.
$7.99
Corant - trio- flute/clarinet/bassoon
#
Flûte, Clarinette et Basson
#
INTERMÉDIAIRE/AVANCÉ
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- flute/clarinet/
#
Phil Beaman
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - SKU: A0.1394139 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute - Level 4 - SKU: A0.1394139 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977600. Published by Phil Beaman (A0.1394139). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â second space A# to high E above staffClarinet - bottom line E# to high B above staffBassoon - low B below staff to high E above staff.
$7.99
Corant - trio- violin/clarinet/trombone
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- violin/clarinet
#
Phil Beaman
#
SheetMusicPlus
Bass Trombone,Clarinet,Violin - Level 4 - SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. ...
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Bass Trombone,Clarinet,Violin - Level 4 - SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977651. Published by Phil Beaman (A0.1394166). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffClarinet - bottom line E# to high B above staffTrombone - low C below staff to high E above staffrecording is of Violin/Trumpet/Trombone, clarinet would substitute for the trumpet part.
$7.99
Corant - trio- violin/trumpet/trombone
#
Jean-Baptiste Loeillet
#
Phil Beaman
#
Corant - trio- violin/trumpet/
#
Phil Beaman
#
SheetMusicPlus
Bass Trombone,Trumpet,Violin - Level 4 - SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 1...
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Bass Trombone,Trumpet,Violin - Level 4 - SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977658. Published by Phil Beaman (A0.1394185). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffTrumpet - bottom line E# to high B above staffTrombone - low C below staff to high E above staff.
$7.99
Corant - Trio-2 Violins-Cello
#
Trio à Cordes: 2 violons, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Jean Loeillet
#
Phil Beaman
#
Corant - Trio-2 Violins-Cello
#
Phil Beaman
#
SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 4 - SKU: A0.844430 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,St...
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String Ensemble,String Trio Cello,Violin - Level 4 - SKU: A0.844430 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260051. Published by Phil Beaman (A0.844430). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4. with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. I wrote a highly ornamented continuo for each part when not playing melody. In true Baroque style I have created a tight interplay between parts. Each part also has a rather wide range. (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting. It is very accessible and thus a concert crowd pleaser. Great for student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Most of all, this piece is just Pure Fun!
$7.99
Corant - Trio-Violin-Oboe-Bassoon
#
Jean Loeillet
#
Phil Beaman
#
Corant - Trio-Violin-Oboe-Bass
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844426 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standard...
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Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844426 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260019. Published by Phil Beaman (A0.844426). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. I wrote a highly ornamented continuo for each part when not playing melody. In true Baroque style I have created a tight interplay between parts. Each part also has a rather wide range. (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting. It is very accessible and thus a concert crowd pleaser. Great for student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Most of all, this piece is just Pure Fun!
$7.99
Corant - Trio-Flute-Oboe-Cello
#
Jean Loeillet
#
Phil Beaman
#
Corant - Trio-Flute-Oboe-Cello
#
Phil Beaman
#
SheetMusicPlus
Small Ensemble Cello,Flute,Oboe - Level 4 - SKU: A0.844429 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. ...
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Small Ensemble Cello,Flute,Oboe - Level 4 - SKU: A0.844429 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260035. Published by Phil Beaman (A0.844429). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4. with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. I wrote a highly ornamented continuo for each part when not playing melody. In true Baroque style I have created a tight interplay between the parts. Each part also has a rather wide range. (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting. It is very accessible and thus a concert crowd pleaser. Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Most of all, this piece is just Pure Fun!
$7.99
Corant - Trio-Flute-Oboe-Bassoon
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Flûte, Hautbois, Basson
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INTERMÉDIAIRE/AVANCÉ
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Jean Loeillet
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Phil Beaman
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Corant - Trio-Flute-Oboe-Basso
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 4 - SKU: A0.844425 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instru...
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute,Oboe - Level 4 - SKU: A0.844425 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. 12 pages. Phil Beaman #3260013. Published by Phil Beaman (A0.844425). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three parts. I wrote a highly ornamented continuo for each part when not playing the melody. In true Baroque style I have created a tight interplay between parts. Each part also has a rather wide range. (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting. It is very accessible and thus a concert crowd pleaser. Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Most of all, this piece is just Pure Fun!
$7.99
Il Canto degli Italiani - Inno di Mameli
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Alessandro Macrì
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Alessandro Macrì
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Il Canto degli Italiani - Inno
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Music Macri Editions
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1389750 By Alessandro Macrì. By G. Mameli and M. Novaro. Arranged by Alessandro Macrì...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1389750 By Alessandro Macrì. By G. Mameli and M. Novaro. Arranged by Alessandro Macrì. Film/TV,Historic,March,Patriotic. 11 pages. Music Macri Editions #973346. Published by Music Macri Editions (A0.1389750). Il Canto degli Italiani, conosciuto anche come Fratelli d'Italia, Inno di Mameli, Canto nazionale o Inno d'Italia, è un canto risorgimentale scritto da Goffredo Mameli e musicato da Michele Novaro nel 1847, inno nazionale della Repubblica Italiana. Il testo si compone di sei strofe e un ritornello, che si alterna alle stesse; l'inno è musicato in tempo di 4/4 nella tonalità di si bemolle maggiore. La sesta strofa riprende, con poche variazioni, il testo della prima.Il canto fu molto popolare durante il Risorgimento e nei decenni seguenti, sebbene dopo l'unità d'Italia (1861) come inno del Regno d'Italia fosse stata scelta la Marcia reale, brano ufficiale di Casa Savoia. Il Canto degli Italiani era infatti considerato inadatto alla situazione politica dell'epoca: Fratelli d'Italia, di chiara connotazione repubblicana e giacobina, mal si conciliava con l'esito del Risorgimento, che fu di stampo monarchico.Dopo la seconda guerra mondiale l'Italia diventò una repubblica e il Canto degli Italiani fu scelto, il 12 ottobre 1946, come inno nazionale provvisorio, ruolo che ha conservato anche in seguito rimanendo inno de facto della Repubblica Italiana. Nei decenni si sono susseguite varie iniziative parlamentari per renderlo inno nazionale ufficiale, fino a giungere alla legge nº 181 del 4 dicembre 2017, che ha dato al Canto degli Italiani lo status di inno nazionale de iure.
$9.00
Italian Girl in Algiers for Chamber Orchestra/Nonet
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Opera
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Classique
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Gioachino Rossini
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Grant Gilman
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Italian Girl in Algiers for Ch
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Dr. Grant Gilman
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SheetMusicPlus
Large Ensemble,Strings Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.799752 Composed by Gioachino Rossini. Arranged by Grant Gilman. Opera,Romantic Pe...
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Large Ensemble,Strings Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.799752 Composed by Gioachino Rossini. Arranged by Grant Gilman. Opera,Romantic Period. Score and parts. 62 pages. Dr. Grant Gilman #5309925. Published by Dr. Grant Gilman (A0.799752). Italian Girl in Algiers for Chamber Orchestra/NonetThis classic overture by Rossini has been arranged for single woodwinds and strings. The strings can be played as full sections or solo parts as well. The arrangement covers the full original overture with all its delight and joy!Score and parts included.I am here to specialize! Please let me know if you would like something changed or adapted to your needs: conductor@grantgilman.com www.grantgilman.com.
$19.99
Italian Rant (Grade 2, A2, from the ABRSM Cello Syllabus from 2024)
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Violoncelle
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FACILE
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Classique
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Anon
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Italian Rant
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ABRSM
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SheetMusicPlus
Cello Solo - Level 2 - SKU: HX.1246427 Composed by Anon. Arranged by Catherine Black and Paul Harris. This edition: scorch. Classical. Individual part. ...
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Cello Solo - Level 2 - SKU: HX.1246427 Composed by Anon. Arranged by Catherine Black and Paul Harris. This edition: scorch. Classical. Individual part. 3 pages. ABRSM (Associated Board of the Royal Schools of Music) #CEPs_G2_A2. Published by ABRSM (Associated Board of the Royal Schools of Music) (HX.1246427).
$2.99
Danza, Danza (Dance, Dance) by Durante (Baroque) - String Quartet - Lively Melody - Intermediate Lev
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Francesco Durante
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Clyde Grabski
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Danza, Danza
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Diamond Forest Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.943938 Composed by Francesco Durante. Arranged by Clyde Grabski. Baroque,Classical,Concert,World. Scor...
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String Quartet String Quartet - Level 3 - SKU: A0.943938 Composed by Francesco Durante. Arranged by Clyde Grabski. Baroque,Classical,Concert,World. Score and parts. 9 pages. Diamond Forest Publishing #4804005. Published by Diamond Forest Publishing (A0.943938). Danza, Danza (Dance, Dance) is a popular vigorous melody written by the successful Italian composer Francesco Durante in the early 1700’s. He was a beloved teacher and music master at several Italian conservatories. Danza, Danza’s popularity was so great and lasted so long that one hundred years later words were added so that it could be sung. This intermediate level string quartet arrangement by Clyde Grabski is a delight to play - especially for the cellist. Listen to the recording.
$14.99
Kyrie (Durante) (Trombone Quartet)
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble,Trombone Quartet Trombone - Level 3 - SKU: A0.1092487 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sa...
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Brass Ensemble,Trombone Quartet Trombone - Level 3 - SKU: A0.1092487 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696578. Published by Regis Bookshar (A0.1092487). Kyrie - by Francesco Durante; Trombone Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Trombone Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Trombone Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Bassoon Quartet)
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Ensemble de Bassons
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - SKU: A0.1092442 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. ...
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Woodwind Ensemble Bassoon - Level 3 - SKU: A0.1092442 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696534. Published by Regis Bookshar (A0.1092442). Kyrie - by Francesco Durante; Bassoon Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Bassoon Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Bassoon Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Flute Quartet)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Re...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696547. Published by Regis Bookshar (A0.1092455). Kyrie - by Francesco Durante; Flute Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Flute Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Flute Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Euphonium Quartet - Treble Clef)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.1092454 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and ...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.1092454 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696546. Published by Regis Bookshar (A0.1092454). Kyrie - by Francesco Durante; Euphonium Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Euphonium Quartet, written in Treble Clef. There is also a version written in Bass Clef, if you would prefer. This would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Euphonium Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Brass Quartet - 1 Trp, 1 Hrn, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,S...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1092443 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696535. Published by Regis Bookshar (A0.1092443). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 1 Bb Trumpet, 1 French Horn, 1 Trombone and 1 Tuba. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Euphonium Quartet - Bass Clef)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.1092452 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and ...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.1092452 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 7 pages. Regis Bookshar #696544. Published by Regis Bookshar (A0.1092452). Kyrie - by Francesco Durante; Euphonium Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Euphonium Quartet, written in Bass Clef. There is also a version written in Treble Clef, if you would prefer. This would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Euphonium Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Brass Quartet - 2 Trp, 1 Hrn, 1 Trb)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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INTERMÉDIAIRE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.1092445 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696537. Published by Regis Bookshar (A0.1092445). Kyrie - by Francesco Durante; Brass Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Brass Quartet, consisting of 2 Bb Trumpets, 1 French Horn and 1 Trombone. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Brass Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
Kyrie (Durante) (Trumpet Quartet)
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble,Trumpet Quartet Trumpet - Level 3 - SKU: A0.1092489 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacr...
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Brass Ensemble,Trumpet Quartet Trumpet - Level 3 - SKU: A0.1092489 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696580. Published by Regis Bookshar (A0.1092489). Kyrie - by Francesco Durante; Trumpet Quartet – Intermediate – . “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Trumpet Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed this Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Trumpet Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
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