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J'me tire
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Maître Gims: J'me tire
Guitare notes et tablatures
4.99 €
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Guitare notes et tablatures
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Maître Gims: J'me tire
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J'me tire
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Quickpartitions
Maître Gims: J'me tire
Piano, Voix et Guitare
4.99 €
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Piano, Voix et Guitare
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Maître Gims: J'me tire
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J'me tire
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Quickpartitions
Draw Me Nearer
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.697711 Composed b…
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.697711 Composed by W. H. Doane. Arranged by Sandy McIntire. Christian,Easter,Praise & Worship,Sacred,Traditional. 7 pages. Sandy McIntire #6480067. Published by Sandy McIntire (A0.697711). Draw Me Nearer (I Am Thine, O Lord) is a much loved American hymn with lyrics by Fanny J. Crosby and tune by W. H. Doane. Published after the Civil War, it continues to be popular with congregations today. This arrangement is an Early Intermediate Soprano-Alto Duet with a piano accompaniment in the key of A major. Other SA Duets arranged by McIntire are In My Heart There Rings a Melody, Make Me a Blessing, and Open My Eyes that I May See, also available at this web site.
$5.50
5.06 €
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Voix duo, Piano
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W
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Sandy McIntire
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Draw Me Nearer
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Sandy McIntire
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SheetMusicPlus
Pass Me Not, O Gentle Savior
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1099569 Composed by William…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1099569 Composed by William Al Doane, Fannie J. Crosby. Arranged by Sandy McIntire. 19th Century,Christian,Praise & Worship,Religious,Traditional. Octavo. 8 pages. Sandy McIntire #703458. Published by Sandy McIntire (A0.1099569). PASS ME NOT, O GENTLE SAVIOR has been a favorite of congregations for over 150 years. This gospel favorite is a moving devotional hymn particularly appropriate for silent prayer, altar calls, Holy Communion, and memorial or funeral services. This arrangement is for an INTERMEDIATE SAB (soprano, alto, baritone) CHOIR with a piano accompaniment in the keys of G and C major. Prompts at the beginning of verse and chorus are provided for singers by the piano accompaniment. Other similar arrangements by McIntire for SAB choir include And Could It Be That I Should Gain and Mary, Did You Know? also available at this web site.
$2.00
1.84 €
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Chorale 3 parties
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William Al Doane, Fannie J
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Sandy McIntire
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Pass Me Not, O Gentle Savior
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Sandy McIntire
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SheetMusicPlus
Jesus, Savior, Pilot Me
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1111833 Composed by J. H. G…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1111833 Composed by J. H. Gould. Arranged by Sandy McIntire. 19th Century,Christian,Instructional,Praise & Worship,Sacred. Octavo. 15 pages. Sandy McIntire #714043. Published by Sandy McIntire (A0.1111833). JESUS, SAVIOR, PILOT ME is a late 19th Century hymn with lyrics by Edward Hopper that is often associated with seagoing and maritime activities. Its quiet and delicate melody with lyrics that reflect the perils of the sea are particularly appropriate for prayer and memorial services as well as any worship service or program. This arrangement is an EASY INTERMEDIATE arrangement for SAB (soprano, alto, baritone) CHOIR with a piano accompaniment. A separate solo sheet is provided for voices only and the arrangement provides opportunities for solo and duet performances. Prompts are provided for singers by the piano accompaniment. Other similar arrangements by McIntire for SAB choir include And Could It Be That I Should Gain and Mary, Did You Know? also available at this web site.
$2.25
2.07 €
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Chorale 3 parties
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J
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Sandy McIntire
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Jesus, Savior, Pilot Me
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Sandy McIntire
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SheetMusicPlus
Lead Me to Calvary
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.805205 Composed by William J. Kirkp…
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Piano Solo - Level 3 - Digital Download SKU: A0.805205 Composed by William J. Kirkpatrick. Arranged by Sandy McIntire. Contemporary,Easter,Holiday,Sacred,Traditional. Score. 6 pages. Sandy McIntire #412241. Published by Sandy McIntire (A0.805205). Lead Me to Calvary is well-know gospel hymn popular year round, but particularly appropriate for Lent and Easter holidays as well as Communion services and altar calls. This arrangement is for Intermediate Piano in the keys of D and A major. It is included in McIntire's series, Gospel Piano Classics. Other hymns in the series include When I Survey the Wondrous Cross and The Way of the Cross Leads Home, available at this web site.
$4.99
4.59 €
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Piano seul
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William J
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Sandy McIntire
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Lead Me to Calvary
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Sandy McIntire
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SheetMusicPlus
Jesus, Savior, Pilot Me
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1110112 Composed by J. H. Gould. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1110112 Composed by J. H. Gould. Arranged by Sandy McIntire. 19th Century,Christian,Instructional,Praise & Worship,Traditional. Score. 5 pages. Sandy McIntire #712442. Published by Sandy McIntire (A0.1110112). JESUS, SAVIOR, PILOT ME is a late 19th Century hymn often associated with seagoing and maritime activities that has remained popular for over 150 years. This arrangement is an INTERMEDIATE PIANO SOLO in the key of C major. Its quiet and delicate melody is particularly appropriate for prayer and memorial services although also relevant for any worship service or program. It is included in McIntire's series, Gospel Piano Classics. Other hymns in the series include Ivory Palaces and When I Survey the Wondrous Cross, all available at this web site.
$5.50
5.06 €
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Piano seul
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J
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Sandy McIntire
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Jesus, Savior, Pilot Me
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Sandy McIntire
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SheetMusicPlus
AIR ON G STRING by J.S. Bach-arranged for guitar duo by Sergio Vettore
2 Guitares (duo)
Instrumental Duet Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.934292
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Instrumental Duet Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.934292 Composed by Johann Sebastian Bach. Arranged by Sergio Vettore. Classical. Score and parts. 9 pages. Sergio Vettore #5902615. Published by Sergio Vettore (A0.934292). The famous song air on g string has been arranged in many ways and with various instruments. My arrangement presented here is for two guitars. I tried to be faithful to the original system, moving some voices to the second guitar for greater smoothness and ease of execution. I preferred to write the piece entirely, avoiding repetitions, even for some variations - see bars 4 and 16. The performance is facilitated by an accurate fingering of the left hand, present throughout the piece. The performer of the first guitar, pay particular attention to bars 46-47 and 7071, where there is a particular rhythm, also with the help of listening to the recording of the attached song. Below, the link to listen to the song recorded by me.
$5.49
5.05 €
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2 Guitares (duo)
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Johann Sebastian Bach
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Sergio Vettore
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AIR ON G STRING by J.S. Bach-arranged for guitar duo by Sergio Vettore
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Sergio Vettore
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SheetMusicPlus
O Pardon Me
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1031204 Composed by Forster …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1031204 Composed by Forster Sallah, S.J. Christian,Contemporary,Easter,Film/TV,Gospel. Score. 2 pages. Forster Sallah #3420589. Published by Forster Sallah (A0.1031204). O Pardon Me is an alternating duet piece intended for rendering apologies and receiving response. It is composed in F major with common time. There are 27 bars (with an entire repeat for the response). There is a duet voice part and a piano/keyboard part. How to Use the piece: It is made to be used as a tool for reconciliation between friends and enemies, couples, groups, communities, nations, etc. A pleader sings the plea while the forgiving partner follows with the response. The responding partner should sing the response if and only if s/he is ready to forgive after singing. Else, the apology is considered not granted and postponed. The piece is suitable for both individuals and groups.
$2.50
2.3 €
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Piano, Voix
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Forster Sallah, S
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O Pardon Me
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Forster Sallah
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SheetMusicPlus
Blessed Assurance
Voix duo
Voice Duet Voice - Level 2 - Digital Download SKU: A0.697717 Composed by J. F. Knap…
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Voice Duet Voice - Level 2 - Digital Download SKU: A0.697717 Composed by J. F. Knapp. Arranged by Sandy McIntire. Easter,Praise & Worship,Sacred,Standards,Traditional. 9 pages. Sandy McIntire #6508393. Published by Sandy McIntire (A0.697717). Blessed Assurance is a well known gospel hymn with lyrics by Fanny J. Crosby set to the music of J. F. Knapp. Published in the late 19th century, its beautiful tune and lyrics have provided comfort and inspiration to Christian congregations ever since.This arrangement is an Early Intermediate duet for soprano and alto voices with a piano accompaniment. A separate sheet for the voices containing the lyrics is provided in addition to the score. Other duets arranged by McIntire and available at sheetmusicplus are: Make Me a Blessing, Open My Eyes That I May See, and The Old Rugged Cross.
$5.50
5.06 €
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Voix duo
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J
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Sandy McIntire
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Blessed Assurance
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Sandy McIntire
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SheetMusicPlus
The Comforter Has Come
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1038865 Composed by William J. Kirk…
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Piano Solo - Level 3 - Digital Download SKU: A0.1038865 Composed by William J. Kirkpatrick. Arranged by Sandy McIntire. Contemporary,Instructional,Praise & Worship,Sacred,Traditional. Score. 8 pages. Sandy McIntire #643838. Published by Sandy McIntire (A0.1038865). THE COMFORTER HAS COME is a popular late 19th Century hymn composed by William J. Kirkpatrick. It is arranged here as an INTERMEDIATE PIANO SOLO in the keys of C and F major. Appropriate for funeral or memorial services as well as Sunday worship services, it is a gospel hymn drawn from McIntire's Gospel Piano Classics series, which also includes Whispering Hope, The Church in the Wildwood, In My Heart There Rings a Melody, and Make Me a Blessing, all available at this web site.
$4.99
4.59 €
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Piano seul
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William J
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Sandy McIntire
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The Comforter Has Come
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Sandy McIntire
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SheetMusicPlus
Jacques Leguerney: Élégie for medium voice and piano
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fab…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. Musik Fabrik Music Publishing #2343119. Published by Musik Fabrik Music Publishing (A0.533321). A setting by Leguerney of a poem by Marceline Desbordes-Valmore. The range is Csharp3-Fsharp4Peut-être un jour sa voix tendre et voilée M'appellera sous de jeunes cyprès : Cachée alors au fond de la vallée, Plus heureuse que lui, j'entendrai ses regrets. Lentement, des coteaux je le verrai descendre ; Quand il croira ses pas et ses vœux superflus, Il pleurera ! ses pleurs rafraîchiront ma cendre; Enchaînée à ses pieds, je ne le fuirai plus. Je ne le fuirai plus ! je l'entendrai; mon âme, Brûlante autour de lui, voudra sécher ses pleurs ; Et ce timide accent, qui trahissait ma flamme, Il le reconnaîtra dans le doux bruit des fleurs. Oh ! qu'il trouve un rosier mourant et solitaire ! Qu'il y cherche mon souffle et l'attire en son sein ! Qu'il dise : « C'est pour moi qu'il a quitté la terre ; « Ses parfums sont à moi, ce n'est plus un larcin. » Qu'il dise : « Un jour à peine il a bordé la rive ; « Son vert tendre égayait le limpide miroir; « Et ses feuilles déjà , dans l'onde fugitive, « Tombent. Faible rosier, tu n'as pas vu le soir ! » Alors, peut-être, alors l'hirondelle endormie, À la voix d'un amant qui pleure son amie, S'échappera du sein des parfums précieux, Emportant sa prière et ses larmes aux cieux. Alors, rêvant aux biens que ce monde nous donne, il laissera tomber sur le froid monument Les rameaux affligés dont la gloire environne Son front triste et charmant. Alors je resterai seule, mais consolée, Les vents respecteront l'empreinte de ses pas. Déjà je voudrais être au fond de la vallée; Déjà je l'attendrais... Dieu ! s'il n'y venait pas !
$9.10
8.38 €
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Piano, Voix
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Musik Fabrik Music Publishing
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Jacques Leguerney: Élégie for medium voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
'Tis So Sweet to Trust in Jesus
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.697604 Composed by William J. Kirkp…
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Piano Solo - Level 3 - Digital Download SKU: A0.697604 Composed by William J. Kirkpatrick. Arranged by Sandy McIntire. Country,Instructional,Praise & Worship,Sacred,Traditional. Score. 5 pages. Sandy McIntire #6026455. Published by Sandy McIntire (A0.697604). 'Tis So Sweet to Trust in Jesus has been a well-loved Christian hymn for 135 years. It is arranged here as an intermediate piano solo in F major and is in McIntire's Gospel Piano Classics series. Other hymns in the series include Whispering Hope, The Church in the Wildwood, When We All Get to Heaven, and Make Me a Blessing.
$4.99
4.59 €
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Piano seul
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William J
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Sandy McIntire
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'Tis So Sweet to Trust in Jesus
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Sandy McIntire
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SheetMusicPlus
Monody
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. …
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Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
55.21 €
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Orchestre d'harmonie
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Hallelujah
Chorale 3 parties
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard C…
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1389486 By Leonard Cohen. By Leonard Cohen. Arranged by Justin Matthew Starr. Contemporary,Pop,Rock,Standards. 16 pages. J M Starr Music #973074. Published by J M Starr Music (A0.1389486). “Hallelujah†was originally released by Canadian singer/songwriter Leonard Cohen in 1984 on his album Various Positions. This composition, however, is one of the few in history that may be more well-known due to covers of the song than the original version. In 1991, John Cale did a cover of the song that removed the synthesizers, gospel choir, full band, and low, borderline-talking bass voice from Cohen’s original; and replaced it all with a bare-bones piano and tenor voice. It is not difficult to argue that this arrangement of the composition became the definitive version that all future covers would be based on: from Jeff Buckley’s stripped-down guitar and voice 1994 version, to Rufus Wainright’s piano and voice 2001 cover for the soundtrack to the motion picture Shrek, to k.d. lang, the a cappella group Pentatonix, and many, many more.When I first arranged this song in 2010 for my 8th grade SAB choir, I did not know the John Cale version existed; rather, I started by transcribing the Rufus Wainright recording and then made it my own from there. My arrangement is melodically akin to the Wainright, but I added harmonies in various places throughout. Lyric selection was also a choice I had to me, as each version of the song contains a different number of verses. Cohen’s 1984 original had four, and then in 1988 he sang a live version with seven (supposedly he drafted over 80 different verses!). I decided to go with five. This allowed me to structure the song in a way that got feature and give the melody to: a Soloist(s) (verse 1), the Baritones (verse 2), the Altos (verse 3), the Sopranos (verse 4) and then the entire choir (verse 5). Over the years that I have performed this with my students, I couldn’t help myself from rocking out with little bluesy fills and licks in the final choruses, so I decided to write it in. I hope you, your students, and accompanist have fun with that!
$2.50
2.3 €
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Chorale 3 parties
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Leonard Cohen
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Justin Matthew Starr
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Hallelujah
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J M Starr Music
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.32 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
JINGLE THOSE BELLS! (beginner concert band - Winter concert - super easy - score, parts, & license)
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1428591 Composed by J. Pierpoint.…
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Concert Band - Level 1 - Digital Download SKU: A0.1428591 Composed by J. Pierpoint. Arranged by Callie Mae / Brian Harris. Christmas,Holiday,Instructional. 33 pages. HMS Music #1009365. Published by HMS Music (A0.1428591). _____________________________________________________________________________As a middle school band director, I was always happy when all my beginners were able to play Jingle Bells in unison and with a decent sound.. But I also had a number of players who could move faster and play more challenging rhythms and notes than others. What to do? How about a simple arrangement with flexible part assignments?JINGLE THOSE BELLS! is a super-easy setting of Jingle Bells. The work opens with the traditional unison rendition of the melody, as found in almost every beginner band method book ever written. But then, after a brief pause, the melody is repeated, but now faster and with the addition of a bass line and rhythmic accompaniment. The rhythmic accompaniment is provided by several of your best clarinet, sax, and trumpet players who play the Advanced Part. And if you are short on bass voice instruments, you can utilize the optional bass parts for Alto Sax. Super flexible and a bit humorous, it takes a little score study to realize how adaptable this piece is. Guaranteed to work with your beginners! (PS: the printed music shows Callie May, our cat, as arranger. I gave her credit so my wife could play more than one piece by me at her holiday concerts without looking too biased! Consider pairing this work with another one of my super-easy beginner band works - JOY TO THE KING – also available online here).NOTE: this Digital Download is assembled with the Advanced Clarinet parts appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (33 pages, total), the first page to print will be the Clarinet part, followed by the FULL SCORE, then the remaining PARTS. Also included is permission for a band director to make as many copies as needed for their school. This permission is not extended to individuals . . . only to schools. Now you can let the kids keep their music - and just print (legally!) new parts each year! (BcP-YB) - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -COMPOSER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years at both the public school and college level. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners)Jingle Those Bells! (for beginners)HouseTop March (for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________________________________________.
$31.99
29.44 €
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Orchestre d'harmonie
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J
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Callie Mae / Brian Harris
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JINGLE THOSE BELLS!
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HMS Music
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SheetMusicPlus
Transfigured Life - Still Life
Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Br…
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Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
11.92 €
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
La Folia in D Minor
Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose …
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Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
4.6 €
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Tokuno Toccata (2010) for solo piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.869117 Composed by Thomas Oboe Lee.…
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Piano Solo - Level 4 - Digital Download SKU: A0.869117 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio … molto cantabile! 3). 18 pages. Thomas Oboe Lee #3871. Published by Thomas Oboe Lee (A0.869117). Program note: I met Mana Tokuno last spring at a concert in Montpelier, Vermont. The Montpelier Chamber Orchestra, under the direction of Victor Rosenbaum, did the Beethoven Piano Concerto No. 3 with Mana as soloist. My work, Seven Steps To Heaven, for string orchestra was also on the program. After the concert we all went to a local restaurant for a bite to eat, and Mana asked me if I would be interested in writing her a piano piece. I said, Sure!!! For years I have been a fan of Glenn Gould’s recordings of the music by J.S. Bach. I am also a fan of the keyboard sonatas of Bach’s son, Carl Philipp Emanuel Bach. To prepare myself for this work for Mana, I delved into the scores and recordings of these two awe-inspiring musicians/composers, in particular the Toccatas and Partitas of J.S. Bach. I wrote the entire work during a three-week stay at the American Academy in Rome, 2009-10. Tokuno Toccata is in five sections. 1) Prelude … Fantasia!!! 2) Adagio … molto cantabile! 3) Allegro molto … 4) Largo … molto cantabile!!! 5) Allegro … Fuga a tre voci. Enjoy!!!Audio link. Copy and paste the URL link to your browser.https://thomasoboelee.bandcamp.com/album/tokuno-toccata-2010Video link: https://youtu.be/avzu0m_4bqs
$9.99
9.19 €
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Piano seul
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Thomas Oboe Lee
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Tokuno Toccata
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Thomas Oboe Lee
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SheetMusicPlus
Tokuno Toccata (2010) for solo piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.869205 Composed by Thomas Oboe Lee.…
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Piano Solo - Level 4 - Digital Download SKU: A0.869205 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio … molto cantabile! 3). 18 pages. Thomas Oboe Lee #3903. Published by Thomas Oboe Lee (A0.869205). Program note: I met Mana Tokuno last spring at a concert in Montpelier, Vermont. The Montpelier Chamber Orchestra, under the direction of Victor Rosenbaum, did the Beethoven Piano Concerto No. 3 with Mana as soloist. My work, Seven Steps To Heaven, for string orchestra was also on the program. After the concert we all went to a local restaurant for a bite to eat, and Mana asked me if I would be interested in writing her a piano piece. I said, Sure!!! For years I have been a fan of Glenn Gould’s recordings of the music by J.S. Bach. I am also a fan of the keyboard sonatas of Bach’s son, Carl Philipp Emanuel Bach. To prepare myself for this work for Mana, I delved into the scores and recordings of these two awe-inspiring musicians/composers, in particular the Toccatas and Partitas of J.S. Bach. I wrote the entire work during a three-week stay at the American Academy in Rome, 2009-10. Tokuno Toccata is in five sections. 1) Prelude … Fantasia!!! 2) Adagio … molto cantabile! 3) Allegro molto … 4) Largo … molto cantabile!!! 5) Allegro … Fuga a tre voci. Enjoy!!!Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/tokuno-toccata-2010Video link: https://youtu.be/avzu0m_4bqs
$9.99
9.19 €
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Piano seul
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Thomas Oboe Lee
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Tokuno Toccata
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Thomas Oboe Lee
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SheetMusicPlus
How Tedious and Tasteless the Hours (SSA trio)
Chorale 3 parties
Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.915697 Composed by Early Am…
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Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.915697 Composed by Early American Tune. Arranged by Richard Joseph Barber. Christian,Contemporary,Sacred,Spiritual. Octavo. 7 pages. Barber Music Company #3879693. Published by Barber Music Company (A0.915697). This piece lasts two minutes and nineteen seconds. John Newton, 1725 - 1807, author of Amazing Grace, also wrote, How Tedious and Tasteless the Hours. The hymn tune is GREEN FIELDS, and depending on the hymnal or other source in which you find it, opinions vary about who originally composed it. Most, I believe, will call it an Early American Melody, but some attribute it to J. S. Bach, and say that it is found in his Peasant Cantata. However, I listened to the entire Peasant Cantata recently to see if that true, and, although I did hear fragments in one aria that sounded reminiscent of GREEN FIELDS, it seems a bit of a stretch to me to say that the hymn tune has its original version in Bach's cantata. If someone can point me to the portion of the cantata where Bach gives us a clearly identifiable early version, I would be very appreciative. Bach is essentially my favorite composer, and I wouldn't mind attributing the origin of this and many other great melodies to him. -Richard Barber
$3.50
3.22 €
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Chorale 3 parties
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Early American Tune
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Richard Joseph Barber
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How Tedious and Tasteless the Hours
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Barber Music Company
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SheetMusicPlus
Cappuccino Concertino
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1387444 Composed by David Ru…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1387444 Composed by David Rubinstein. Baroque,Broadway,Musical/Show,Opera. 281 pages. David Rubinstein #971294. Published by David Rubinstein (A0.1387444). This baroque operetta (composed 2000) was inspired by the “Coffee Cantata†by J.S. Bach, wherein the father tells his daughter to stop drinking coffee. In this work the roles are reversed: the daughter tells her father to quit cappuccino. Text in English. Premiered October, 2001 at Church of the Lighted Window, La Canada, California. The entire score and parts are available here on one pdf. To obtain them as separate files contact me here: rubinsteinway@gmail.com.
$39.00
35.9 €
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David Rubinstein
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Cappuccino Concertino
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David Rubinstein
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SheetMusicPlus
Stefano Maria Torchio: En Arche en o Logos - Full score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
17.95 €
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Orchestre de chambre
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arche en o Logos - Full score
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Stefano Torchio
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SheetMusicPlus
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