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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Jacques Charles
Non classifié
8
Piano & claviers
Piano seul
7
Piano, Voix et Guitare
3
Orgue
2
Instruments en Do
1
Piano, Voix
1
Guitares
Voix
Chorale SATB
1
Voix duo, Piano
1
Vents
2 Saxophones (duo)
5
Saxophone, Clarinette (duo)
3
2 Clarinettes (duo)
3
Flûte traversière et Piano
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
2 Flûtes traversières (duo)
2
Saxophone Tenor et Piano
2
Hautbois, Piano (duo)
2
Saxophone Alto et Piano
2
Clarinette et Piano
2
Flûte, Alto (duo)
1
Clarinette et Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte, Trompette (duo)
1
2 Hautbois (duo)
1
Hautbois, Basson (duo)
1
Saxophone Soprano et Piano
1
Hautbois, Flûte
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
+ 18 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
2
Trompette, Piano
2
Trombone et Piano
1
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
+ 3 instrumentations
Retracter
Cordes
Alto, Piano
1
2 Violoncelles (duo)
1
Violoncelle, Piano
1
Violon, Violoncelle (duo)
1
Violon, Alto (duo)
1
Violon et Piano
1
2 Violons (duo)
1
2 Altos (duo)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2
Orchestre
2
Autres
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
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METHODE : TECHNIQUES
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Vous avez sélectionné:
Jacques Charles
Partitions à imprimer
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jacques Leguerney
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Jacques Leguerney: De L'Ab&ici
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik ...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano. Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
$12.95
Jean-Yves Malmasson: Trois Poèmes de Charles Baudelaire for medium voice and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Jean-Yves Malmasson
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Jean-Yves Malmasson: Trois Po&
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.533488 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contemporary,Standards. Score. 17 pages. Musik Fabrik...
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Piano,Vocal,Voice - Level 4 - SKU: A0.533488 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contemporary,Standards. Score. 17 pages. Musik Fabrik Music Publishing #2999957. Published by Musik Fabrik Music Publishing (A0.533488). 1. Hymne 2. Tristesse de la Lune 3. Recueillement Jean-Yves MALMASSON was born in 1963 at Saint-Cloud (Hauts-de-Seine), near Paris. He began his musical studies at the National Regional Conservatory of Boulogne-Billancourt (solfege, piano, theory, composition, organ and ondes Martenot) et and then at the Paris Conservatory where he won a First Prize in Orchestration. His principal teachers included Alain LOUVIER, Pierre GROUVEL, Serge NIGG and Jacques CHARPENTIER for theory and composition, and Jean-Claude HARTEMANN and Jean-Sébastien BEREAU for Orchestral Conducting. His work Le Chant de Dahut, poème symphonique for Ondes Martenot and orchestra inspired by the legend of the sunken city of Y won the SACEM prize in the Festival Les Tombées de la Nuit in Rennes, France.
$19.95
Jean-Yves Malmasson: Trois Poèmes de Charles Baudelaire for medium voice, violoncello and piano
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Jean-Yves Malmasson
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Jean-Yves Malmasson: Trois Po&
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,High Voice,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.533489 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contem...
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Small Ensemble Cello,High Voice,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.533489 Composed by Jean-Yves Malmasson. 20th Century,Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #2999959. Published by Musik Fabrik Music Publishing (A0.533489). 1. Hymne 2. Tristesse de la Lune 3. Recueillement Jean-Yves MALMASSON was born in 1963 at Saint-Cloud (Hauts-de-Seine), near Paris. He began his musical studies at the National Regional Conservatory of Boulogne-Billancourt (solfege, piano, theory, composition, organ and ondes Martenot) et and then at the Paris Conservatory where he won a First Prize in Orchestration. His principal teachers included Alain LOUVIER, Pierre GROUVEL, Serge NIGG and Jacques CHARPENTIER for theory and composition, and Jean-Claude HARTEMANN and Jean-Sébastien BEREAU for Orchestral Conducting. His work Le Chant de Dahut, poème symphonique for Ondes Martenot and orchestra inspired by the legend of the sunken city of Y won the SACEM prize in the Festival Les Tombées de la Nuit in Rennes, France.The set includes the vocal score and the cello part.
$22.10
Mon Homme
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Piano seul
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AVANCÉ
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Edith Piaf
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Timothy Stapay/Liberace
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Mon Homme
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broa...
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Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broadway,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1014454. Published by Timothy Stapay (A0.1434239). Mon Homme (My Man) is the famous song sung by Barbra Streisand in the movie Funny Girl It is arranged as performed by Barbra's good friend, Liberace. Liberace helped give Barbra Streisand her start in the early days of Las Vegas and he recognized her talent very early.My Man, is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. Funny Girl is a 1968 American biographical-musical film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of comedienne Fanny Brice.A major critical and commercial success, Funny Girl became the highest-grossing film of 1968 in the United States and received eight Academy Award nominations. Streisand won Best Actress, tying with Katharine Hepburn (The Lion in Winter). In 2006, the American Film Institute ranked the film No. 16 on its list commemorating AFI's Greatest Movie Musicals.[FANNY]Oh, my man, I love him so[FANNY, spoken]He'll never knowAll my life is just despairBut I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am his[FANNY]Forever moreIt cost me a lot but that's one thing that I've gotIt's my manCold and wet tired you betBut all that I soon forget, with my manHe's not much for looksAnd no hero out of books, he's my manTwo or three girls has heThat he likes as well as me but I love himOh my man I love him so, he'll never knowAll my life is just despair but I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am hisForever more.
$8.99
All Me - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Drake Feat
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Steve Hackman
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All Me - Score Only
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Steve Hackman Productions
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1461180 By Drake Feat. 2 Chainz And Big Sean. By Albert Willemetz, Alphonso Henderson, Anthony Palman, Billy Squier, ...
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Full Orchestra - Level 4 - SKU: A0.1461180 By Drake Feat. 2 Chainz And Big Sean. By Albert Willemetz, Alphonso Henderson, Anthony Palman, Billy Squier, Felix Pappalardi, George Clinton, Jacques Charles, John Ventura, Leslie Weinstein, Leslie West, Maurice Yvain, Norman Landsberg, Sean Anderson, Tauheed Epps, Tracy Marrow, and etc. Arranged by Steve Hackman. 19th Century,21st Century,Classical,Hip-Hop. 6 pages. Steve Hackman Productions #1040038. Published by Steve Hackman Productions (A0.1461180).
$49.99
Mon Homme
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Piano seul
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AVANCÉ
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Edith Piaf
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Steve Katz
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Mon Homme
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Steve Katz
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1447507 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Steve Katz. 20th Century,Blue...
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Piano Solo - Level 5 - SKU: A0.1447507 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Steve Katz. 20th Century,Blues,Film/TV,Standards. Score. 4 pages. Steve Katz #1027290. Published by Steve Katz (A0.1447507). Intense torch song made famous by Barbra Streisand, Edith Piaf, Fanny Brice. Advanced piano solo arrangement.
$4.99
My Man
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Piano, Voix et Guitare
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Maurice Yvain
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Jacques Charles
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My Man
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015566 Composed by Maurice Yvain. Standards. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015566. Published b...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015566 Composed by Maurice Yvain. Standards. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015566. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015566). ISBN 9780739094198. UPC: 038081455174. Albert Willemetz; Jacques Charles; Channing Pollock.The crowd-pleasing standards in this sheet music collection belong in every musician's repertoire. This songbook contains 20 piano/vocal arrangements of classic songs that are guaranteed to delight audiences of all ages. Complete lyrics and chord symbols are included. Titles: Ain't Misbehavin' * At Last * Blue Moon * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * I Put a Spell on You * I'm in the Mood for Love * Laura * Misty * Moonlight Serenade * My Man * Theme from New York, New York * Orange Colored Sky * Over the Rainbow * The Pink Panther * The Shadow of Your Smile * Straighten Up and Fly Right * Take Five * What a Wonderful World * Whatever Lola Wants.
$3.99
Mon Homme
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Piano, Voix et Guitare
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FACILE
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Edith Piaf
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Mon Homme
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SmartWorks Publications
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.546809 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Alpin Smart (tra...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.546809 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Alpin Smart (transcription for voice and guitar). 20th Century,Blues,Film/TV,Jazz,Standards. Score. 3 pages. SmartWorks Publications #156743. Published by SmartWorks Publications (A0.546809). The arrangement of this classic jazz/blues/cabaret song is based on the earliest (1937) of (at least?) three recordings by the late, great Billie Holliday, and is closer in feel to the original French version, as sung by cabaret and movie star, Mistinguett. Of course, the most famous version (and most closely associated with Holliday) is the one recorded by Billie in the '50s; but, I like to think that this uptempo version is a truer reflection of this great singer - in happier times - when she loved to sing uptempo jazz (she never regarded herself as a blues singer, although she could sing the blues with the best of them! And, it's important to reflect that her most famous interpretation of this song was made when she was - tragically - at death's door, and blues was better suited to her mood, and a deeply-felt despair, at this time of her all too brief, and, ultimately tragic, life). Besides, the uptempo rhythms, I feel, lend the words more of a 'Brechtian' sense of irony and impact.
$4.99
Valencia
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Orchestre d'harmonie
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FACILE
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Contemporain
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Clifford Grey, Jacques Charles
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Mark Armstrong
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Valencia
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Seolta Music Limited
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1308906 Composed by Clifford Grey, Jacques Charles, Jose Andres Prada Delgado, Jose Padilla, and Lucien Jean Boyer. Arr...
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Concert Band - Level 2 - SKU: A0.1308906 Composed by Clifford Grey, Jacques Charles, Jose Andres Prada Delgado, Jose Padilla, and Lucien Jean Boyer. Arranged by Mark Armstrong. 20th Century. Score and Parts. 60 pages. Seolta Music Limited #898163. Published by Seolta Music Limited (A0.1308906). Valencia, a paso doble song, evokes all the sunlight and warmth of the Spanish summer. Composed by José Padilla, it became one of the biggest hits of 1926. In more recent times it was made popular once again through its inclusion in the repertoire of the famous group The Three Tenors during the 1990s. It is arranged here for high voice and concert band.To explore all voice and band titles from Seolta Music please click here.
$65.00
5 Classical Wedding Music for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Charles Gonoud, Edward Elgar,
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Woods Only
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5 Classical Wedding Music for
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaik...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
Armed Forces Service Songs
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Edmund L
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Joe Martellaro
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Armed Forces Service Songs
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Joe Martellaro
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SheetMusicPlus
Composed by Edmund L. Gruber, Charles A. Zimmerman, Jacques Offenbach. Arranged by Joe Martellaro. Score, Set of Parts. 17 pages. Published by Joe Martellaro (S...
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Composed by Edmund L. Gruber, Charles A. Zimmerman, Jacques Offenbach. Arranged by Joe Martellaro. Score, Set of Parts. 17 pages. Published by Joe Martellaro (S0.170583). - Score,Set of Parts - - Joe Martellaro
Brass Quintet medley of the Army Song (Caissons Go Rolling Along), Anchors Aweigh, and Marines Hymn. This is a good way to salute members of the military that are serving or has served in the Armed Forces. Contains score and parts.
$15.00
United States Armed Forces Medley
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Orchestre d'harmonie
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INTERMÉDIAIRE
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J
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Laura Taylor
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United States Armed Forces Med
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Sound by Laura LLC
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1429369 Composed by J.P. Sousa, Alan Scott, Keith Textor, Jacques Offenbach, Charles A. Zimmerman. Arranged by Laura Ta...
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Concert Band - Level 3 - SKU: A0.1429369 Composed by J.P. Sousa, Alan Scott, Keith Textor, Jacques Offenbach, Charles A. Zimmerman. Arranged by Laura Taylor. Broadway,Historic,March,Musical/Show,Patriotic,Standards. 14 pages. Sound by Laura LLC #1010082. Published by Sound by Laura LLC (A0.1429369). Includes:The Army Goes Rolling Along a.k.a. The Cassions Go Rolling AlongAnchors AweighThe U.S. Air Force Blue as a alternative to Wide Blue Yonder, which is not in the public domain.Marine HymnEach branch's song is a self-contained module that can be repeated on its own, combined with other branches, and moved into any order, and they will fit together perfectly. The entire piece can also loop, or there is an ending written that will work for any branch.
$34.99
Armed Forces Medley
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Amy J
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Amy J
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Armed Forces Medley
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1430734 By Amy J. Snyder. By Offenach, Van Boskerck, Gruber, and Zimmerman. Arranged by Amy J. Snyder. Holiday,Patriotic....
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Piano Solo - Level 4 - SKU: A0.1430734 By Amy J. Snyder. By Offenach, Van Boskerck, Gruber, and Zimmerman. Arranged by Amy J. Snyder. Holiday,Patriotic. Score. 6 pages. Amy J. Snyder #1011230. Published by Amy J. Snyder (A0.1430734). This arrangement of the Armed Forces Medley is written for piano solo, but includes the lyrics and is in a singable key. It iincludes: The Marines Hymn (by Jacques Offenbach), Semper Paratus (Coast Guard, by Capt. Francis Saltus Van Boskerck), The Caissons Go Rolling Along (Army, by Edmund Gruber), and Anchors Aweigh (Navy, by Charles Zimmermann). The first three are in the key of C Major, and the last in key of G Major for easy singing. The grand finale borrows the last line from our National Anthem. (My sincere apologies to the Air Force. I am not able to include Wild Blue Yonder due to copyright laws.) This arrangement is for advanced intermediate piano level. If you enjoy this arrangement, check out Amy's other Patriotic arrangements such as: America the Beautiful, O Say Can You See, God Bless America, God Bless the USA, Yankee Doodle Dandy, You're a Grand Old Flag, The Battle Hymn, The Star Spangled Banner, The Stars and Stripes Forever, If My People, This Land Is Your Land, This Is My COuntry, If My People, and American Trilogy.Visit Amy At https://www.facebook.com/amyjsnyder7
$5.99
Coup De Vieux
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Big Flo & Oli Feat
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Antoine Krattinger
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Coup De Vieux
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Antoine Krattinger
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1407181 By Big Flo & Oli Feat. Julien Dore. By Charles Aznaourian, Chris Ryan, Clement Libes, Dan Ba...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1407181 By Big Flo & Oli Feat. Julien Dore. By Charles Aznaourian, Chris Ryan, Clement Libes, Dan Balan, Florian Ordonez, Jacques Plante, Jesse Singer, Julian Dore, Olivio Ordonez, and Sylvain Richard. Arranged by Antoine Krattinger. 21st Century,A Cappella,Pop. 16 pages. Antoine Krattinger #989882. Published by Antoine Krattinger (A0.1407181). Arrangement a cappella + solo  www.antoinekrattinger.com
$20.00
Y.m.c.a.
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The Village People
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Charles Semowich
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Y.m.c.a.
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de Laetsburg Press
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1401461 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Charles Se...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1401461 By The Village People. By Henri Belolo, Jacques Morali, and Victor Willis. Arranged by Charles Semowich. Contemporary,Disco,Pop. Individual part. 4 pages. De Laetsburg Press #984657. Published by de Laetsburg Press (A0.1401461). Arranged for carillon, four octaves.
$4.99
Communion
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Musique Sacrée
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Jacques-Nicolas Lemmens
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Charles Semowich
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Communion
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de Laetsburg Press
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SheetMusicPlus
Instrumental Solo - Level 3 - SKU: A0.1122108 Composed by Jacques-Nicolas Lemmens. Arranged by Charles Semowich. Christian,Praise & Worship,Religious,Ro...
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Instrumental Solo - Level 3 - SKU: A0.1122108 Composed by Jacques-Nicolas Lemmens. Arranged by Charles Semowich. Christian,Praise & Worship,Religious,Romantic Period,Sacred. Individual part. 5 pages. De Laetsburg Press #723259. Published by de Laetsburg Press (A0.1122108). Arranged for carillon, 4 or 4/12 octaves.
$2.30
Coleção: Piano Musical II
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Orchestre
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FACILE
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Charles Francois Gounod, E di
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Marcelo Torca
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Coleção: Piano M
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Marcelo Torca
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.896911 Composed by Charles Francois Gounod, E di Cápua, Edward Elgar, Franz von Suppe, Frederic Chopin, George Fri...
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Full Orchestra - Level 2 - SKU: A0.896911 Composed by Charles Francois Gounod, E di Cápua, Edward Elgar, Franz von Suppe, Frederic Chopin, George Frideric Handel, Giuseppe Verdi, Jacques Offenbach, Johannes Brahms, and Pyotr Tchaikowsky. Arranged by Marcelo Torca. Children,Instructional,Romantic Period. Score and parts. 373 pages. Marcelo Torca #2548819. Published by Marcelo Torca (A0.896911). Piano Musical – Projeto Projeto de música onde tem por objetivo ensinar música lendo partitura, formar conjuntos e inserir o piano nos conjuntos formados. O repertório utilizado contém músicas: Barroca; Clássica; Romântica; Moderna; Contemporânea; Brasileira. Os instrumentos que fazem parte do conjunto formado são: Piano; Teclado; Bandolim; Flauta-Doce; Cavaquinho; Bateria; Baixo elétrico; Guitarra; Violão; Viola Caipira; Percussão. Os arranjos são organizados em três nÃveis: *Primeiro NÃvel consiste em fazer acompanhamento simples utilizando notas musicais de ritmo simples de acordo com o instrumento a ser aprendido; *Segundo NÃvel consiste em fazer acompanhamento e partes do solo da música, o ritmo já é mais elaborado; *Terceiro NÃvel consiste em fazer solo da música, com um ritmo elaborado. As aulas para o primeiro nÃvel e segundo são em grupo de até cinco pessoas, a do terceiro nÃvel são individuais tendo a duração de uma hora por semana. Os três nÃveis fazem ensaios semanais juntos, formando conjuntos, a duração do ensaio é de uma hora. O repertório tem a função de introduzir o som do piano em conjunto, levar o conhecimento de um repertório pianÃstico ao conhecimento do público, dar uma noção de música de todos os tempos e valorizar músicas brasileiras, composta por autores brasileiros podendo ser erudita ou popular.
$18.00
I Will Follow Him (i Will Follow You)
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Contemporain
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Nicole Johnson
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Charles Beale
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I Will Follow Him
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charliebmusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.865882 By Nicole Johnson. By Arthur Altman, Del Roma, Franck Marius Louis Pourcel, J.W. Stole, Jacqu...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.865882 By Nicole Johnson. By Arthur Altman, Del Roma, Franck Marius Louis Pourcel, J.W. Stole, Jacques Plante, Norman Gimbel, and Paul Mauriat. Arranged by Charles Beale. Contemporary. Score and parts. 12 pages. Charliebmusic #6257303. Published by charliebmusic (A0.865882). This piano duet version of the classic 'I Will Follow Him' is designed to take the song to a new and slightly theatrical place, which shows off the talents of the players. Suitable to close a church service on a lighter note, or perhaps for a concert where you want to take a light and more familiar item in an unexpected direction, it opens with a slow and free introduction, which leads into a crisply upbeat opening statement. The repeats are more fully voiced, and become increasingly groovy, with some jazz and gospel touches, and it finishes loud and emphatic.
$4.99
Edward Elgar - Salut d'Amour (Liebesgruss) - lead sheet
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Instruments en Do
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Classique
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Edward Elgar
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Andre Maaker
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Edward Elgar - Salut d'Amour
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SheetMusicHub
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SheetMusicPlus
C Instrument - SKU: A0.662483 Composed by Edward Elgar. Arranged by Andre Maaker. Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. Sh...
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C Instrument - SKU: A0.662483 Composed by Edward Elgar. Arranged by Andre Maaker. Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #271549. Published by SheetMusicHub (A0.662483). This is a lead sheet style (melody/chords/form) notation of Salute d'Amour (Liebesgruß) Op. 12 by Edward Elgar. From Wikipedia: Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German. On their engagement she had already presented him with a poem The Wind at Dawn which he set to music and, when he returned home to London on 22 September from a holiday at the house of his friend Dr. Charles Buck in Settle, he gave her Salut d'Amour as an engagement present. The dedication was in French: à Carice. Carice was a combination of his wife's names Caroline Alice, and was the name to be given to their daughter born two years later. It was published a year later by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels. The first published editions were for violin and piano, piano solo, cello and piano, and for small orchestra. Few copies were sold until Schott changed the title to Salut d'Amour with Liebesgruss as a sub-title, and the composer's name as 'Ed. Elgar'. The French title, Elgar realised, would help the work to be sold not only in France but in other European countries. The first public performance was of the orchestral version, at a Crystal Palace concert on 11 November 1889, conducted by August Manns. The first recording of that version was made in 1915 for The Gramophone Company with an orchestra conducted by the composer. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. Auguste van Biene recorded a cello transcription in 1907..
$4.00
Ave Maria for Two Solo Instruments - Bassoon 1
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Bach-Gounod
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Matthew C
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Ave Maria for Two Solo Instrum
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Matthew C Weiss
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.799579 Composed by Bach-Gounod. Arranged by Matthew C. Weiss. Baroque,Christmas,Classical,Romantic Period,Sacred. Indiv...
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Bassoon Solo - Level 4 - SKU: A0.799579 Composed by Bach-Gounod. Arranged by Matthew C. Weiss. Baroque,Christmas,Classical,Romantic Period,Sacred. Individual part. 2 pages. Matthew C Weiss #2016455. Published by Matthew C Weiss (A0.799579). In 1722 J.S. Bach published his Prelude in C major to begin a collection of works now commonly known as the Well-Tempered Clavier Book I. Over a century later, the French Romantic composer Charles Gounod composed a melody to go with Bach's prelude, and in 1859 Jacques Léopold Heugel published a version of this melody to be sung with the familiar Latin text for Ave Maria. Matthew C. Weiss continues this tradition by adding another independent line that beautifully intertwines around Gounod's timeless melody, creating a wonderful duet for two solo instruments and piano.
$4.99
L'Amour, Clarinet and Trumpet Duet for Valentines
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Clarinette, Trompette (duo)
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INTERMÉDIAIRE
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David McKeown
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L'Amour, Clarinet and Trumpet
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.590407 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. ...
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.590407 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6210717. Published by David McKeown (A0.590407). L’Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Trumpet. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L’Amour is just what’s needed when love is in the air.L’Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L’Amour has a performance time of around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
L'Amour, Flute and Trumpet Duet for Valentines
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Flûte, Trompette (duo)
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INTERMÉDIAIRE
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David McKeown
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L'Amour, Flute and Trumpet Due
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.590415 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 p...
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.590415 Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6210733. Published by David McKeown (A0.590415). L’Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for one Flute and one Trumpet. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L’Amour is just what’s needed when love is in the air.L’Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L’Amour has a performance time of around three minutes. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Ave Maria for Two Solo Instruments - Bassoon 2
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Bach-Gounod
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Matthew C
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Ave Maria for Two Solo Instrum
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Matthew C Weiss
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.799581 Composed by Bach-Gounod. Arranged by Matthew C. Weiss. Baroque,Christmas,Classical,Romantic Period,Sacred. Indiv...
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Bassoon Solo - Level 4 - SKU: A0.799581 Composed by Bach-Gounod. Arranged by Matthew C. Weiss. Baroque,Christmas,Classical,Romantic Period,Sacred. Individual part. 1 pages. Matthew C Weiss #2016453. Published by Matthew C Weiss (A0.799581). In 1722 J.S. Bach published his Prelude in C major to begin a collection of works now commonly known as the Well-Tempered Clavier Book I. Over a century later, the French Romantic composer Charles Gounod composed a melody to go with Bach's prelude, and in 1859 Jacques Léopold Heugel published a version of this melody to be sung with the familiar Latin text for Ave Maria. Matthew C. Weiss continues this tradition by adding another independent line that beautifully intertwines around Gounod's timeless melody, creating a wonderful duet for two solo instruments and piano.
$4.99
Bach-Gounod: Ave Maria for Trumpet (or Cornet) and Piano
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Trompette, Piano
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tru
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Sco...
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B-Flat Trumpet,Piano - Level 2 - SKU: A0.1310493 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Praise & Worship,Wedding. Score and part. 6 pages. Colin Kirkpatrick Publications #899556. Published by Colin Kirkpatrick Publications (A0.1310493). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate trumpet or cornet player. It is in concert C and the transposed trumpet range is from A below the treble staff to F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
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