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James Domine
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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Vous avez sélectionné:
James Domine
Partitions à imprimer
36 partitions trouvées
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Libera me, Domine for Trombone Quintet
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William Byrd
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James Haynor
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Libera me, Domine for Trombone
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone - SKU: A0.782236 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and pa...
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Brass Ensemble Trombone - SKU: A0.782236 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 27 pages. James Haynor #3882899. Published by James Haynor (A0.782236). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for trombone quintet. ( Duration 6:30 )
$10.00
Libera me, Domine for Clarinet Quintet
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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William Byrd
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James Haynor
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Libera me, Domine for Clarinet
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782237 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual....
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782237 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. 27 pages. James Haynor #3885545. Published by James Haynor (A0.782237). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for clarinet quintet. ( Duration 6:30 )
$10.00
Libera me, Domine for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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William Byrd
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James Haynor
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Libera me, Domine for Brass Qu
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782235 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sa...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782235 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 32 pages. James Haynor #3882793. Published by James Haynor (A0.782235). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for brass quintet. ( Duration 6:30 )
$10.00
Libera me, Domine for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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William Byrd
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James Haynor
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Libera me, Domine for Woodwind
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James Haynor
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.782238 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.782238 Composed by William Byrd. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 32 pages. James Haynor #3886455. Published by James Haynor (A0.782238). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Libera me, Domine written for five voices is a great example of his work and transcribes well for woodwind quintet. ( Duration 6:30 )
$10.00
Da pacem Domine
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Chorale SATB
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INTERMÉDIAIRE
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David Rain
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David Rain
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Da pacem Domine
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David Rain, Choral Composer
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1092804 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Sacred. ...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1092804 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Sacred. 6 pages. David Rain, Choral Composer #696911. Published by David Rain, Choral Composer (A0.1092804). “Da pacem Domine†is a musical search for peace. It explores the basic question whether we humans can find peace on our own, or whether we need guidance from some higher power or energy force. Dedicated to two dear relatives named James: my grandfather Jimmy Rain (1895-1974), a World War I vet, who showed me such love as a boy and a young man growing up; and my cousin Jamie Shaw (1959-2019) whose courage, good spirit and humour throughout his terminal illness was an inspiration to all who knew him.
$2.00
Atende Domine
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James Bicigo
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Atende Domine
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Polar Publications
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SheetMusicPlus
Small Ensemble Organ,Trombone,Trumpet - Level 4 - SKU: A0.757614 Composed by James Bicigo. Concert,Contemporary,Easter,Sacred. Score and parts. 21 pages...
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Small Ensemble Organ,Trombone,Trumpet - Level 4 - SKU: A0.757614 Composed by James Bicigo. Concert,Contemporary,Easter,Sacred. Score and parts. 21 pages. Polar Publications #3379751. Published by Polar Publications (A0.757614). This wonderful work for trumpet, trombone and organ, is perfect for lent. It quotes the plain chant and follows with original music ultimately turning the plain chant into a chorale at the end. Recorded by James Bicigo-trombone, Karen Gustafson-trumpet, and Deborah Protsak-organ, on the album Pacific Crossings.
$30.00
Attende Domine
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Orchestre d'harmonie
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INTERMÉDIAIRE
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James Bicigo
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Attende Domine
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Polar Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.757679 Composed by James Bicigo. Classical,Contemporary,Easter,Sacred. Score and parts. 74 pages. Polar Publications #3...
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Concert Band - Level 3 - SKU: A0.757679 Composed by James Bicigo. Classical,Contemporary,Easter,Sacred. Score and parts. 74 pages. Polar Publications #3505239. Published by Polar Publications (A0.757679). An excellent work for concert or contest.
$50.00
Sonata #1 in C major (Commedia dell’arte all’improvviso)
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Piano seul
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Contemporain
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James Domine
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Sonata #1 in C major
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - SKU: A0.976503 Composed by James Domine. 20th Century,Contemporary. Score. 16 pages. Earth Music, Ltd. #2081575. Published by Earth Music, ...
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Piano Solo - SKU: A0.976503 Composed by James Domine. 20th Century,Contemporary. Score. 16 pages. Earth Music, Ltd. #2081575. Published by Earth Music, Ltd. (A0.976503). The piano sonatas by James Domine are cast in one movement and follow the traditional sonata-allegro form. The first of these, Piano Sonata #1 in C major opens with a lively theme in C major sweetened by the interpolation of a recurring f# that is marked with the tempo indication of Animato. The principal theme is followed by a contrastingly sentimental cantabile melody that has something of a jazz-ballad flavor set in the dominant key. These two themes are cunningly entwined through the development in an harmonic sequence that emerges into a playful recapitulation. The sonata ends with an open-spaced quartal figuration that implies the tonic key of C major but without implicitly spelling it out in its common triadic form. The subtitle Commedia dell’arte all’improvviso comes from the light-hearted comedic character of the principal theme that is treated throughout in a quasi-improvisational manner reminiscent of the sixteenth-century Italian theatrical style. This sonata, although begun at an earlier date, was completed in 2005 at the request of Joanna Ezrin, pianist and pedagogue as a vehicle for her students.
$8.95
Sonata #4 in B minor
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Piano seul
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Contemporain
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James Domine
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Sonata #4 in B minor
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - SKU: A0.976505 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 24 pages. Earth Music, Ltd. #2081739. Published by Earth...
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Piano Solo - SKU: A0.976505 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 24 pages. Earth Music, Ltd. #2081739. Published by Earth Music, Ltd. (A0.976505). Composed in 2008, the Piano Sonata #4 in B minor is a somewhat lengthier and more extended work than its predecessors in the genre. The principal theme is a march-like Pesante with an upward motion that reaches its zenith in a chromatic passage that swells up from the depths, subsiding into the flowing tranquillo of the transitional episode. The gentle warmth of the subordinate theme grows into a romantic rhapsody that fades away like a dream. The first section of the development is a sequence built upon the Pesante theme that erupts into an arpeggiated fantasia using the tranquillo episodic motive. The recapitulation is reached after a frenzied cadenza, and the sonata concludes in a dramatic if tragic mode. This sonata in orchestral garb serves as the foundation for the first movement of Domine’s Symphony #4.
$8.95
Sonata #5 in B-flat minor
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Piano seul
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AVANCÉ
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Contemporain
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James Domine
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Sonata #5 in B-flat minor
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Publishe...
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Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Published by Earth Music, Ltd. (A0.976507). This sonata is a solo transcription of the first movement of Domine’s Piano Concerto #1 in B-flat minor. The sonata begins with a slow introduction that juxtaposes two opposite harmonic realms represented by the interval of a diminished fifth. As the opening sequence drifts aimlessly through a cloud of amorphous sonorities, the principal theme is suddenly and aggressively thrust center stage by an angry theme marked Agitato. This theme wends its torturous way to the contrastingly quiet subordinate theme. An episode of melancholic discourse ensues, creating an air of confidential intimacy. The exposition ends with an elided dominant cadence which is left unresolved and that leads directly to the development section. Chord clusters built on hexachords provide a serialized variation on the principal theme. This tripartite antiphonal sequence works toward a culmination as the theme is expanded in rhythmic layers, finally reaching a cacophonic explosion. A retransition based on the slow introduction leads to the recapitulation, this time with alternating variations on the principal theme. After the lyrical restatement of the subordinate theme, the coda confronts us with a starkly bleak musical atmosphere that concludes with a fiery flourish. This transcription was made at the request of piano pedagogue Joanna Ezrin for Vera Weber, who has played it to great acclaim in numerous competitions and recitals.
$8.95
Eulogy for Piano Solo
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Piano seul
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James Domine
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Eulogy for Piano Solo
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Earth Music, Ltd.
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SheetMusicPlus
Composed by James Domine. 21st Century, Contemporary Classical, Neo-Classical, Jazz, Recital. 10 pages. Published by Earth Music, Ltd. (S0.128581). - - 21st Ce...
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Composed by James Domine. 21st Century, Contemporary Classical, Neo-Classical, Jazz, Recital. 10 pages. Published by Earth Music, Ltd. (S0.128581). - - 21st Century,Contemporary Classical,Neo-Classical,Jazz,Recital - Earth Music, Ltd.
$8.95
Piano Suite #2 (The Doll's Dream)
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Piano seul
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James Domine
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Piano Suite #2
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Earth Music, Ltd.
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SheetMusicPlus
Composed by James Domine. 21st Century, Contemporary Classical, Neo-Classical, Recital. 52 pages. Published by Earth Music, Ltd. (S0.128569). - - 21st Century,...
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Composed by James Domine. 21st Century, Contemporary Classical, Neo-Classical, Recital. 52 pages. Published by Earth Music, Ltd. (S0.128569). - - 21st Century,Contemporary Classical,Neo-Classical,Recital - Earth Music, Ltd.
$14.99
Sonata #2 in D-flat major (Tribute to Scarlatti)
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Piano seul
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James Domine
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Sonata #2 in D-flat major
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Earth Music, Ltd.
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SheetMusicPlus
Composed by James Domine. 21st Century, Contemporary Classical, Neo-Classical, Recital. 14 pages. Published by Earth Music, Ltd. (S0.128347). - - 21st Century,...
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Composed by James Domine. 21st Century, Contemporary Classical, Neo-Classical, Recital. 14 pages. Published by Earth Music, Ltd. (S0.128347). - - 21st Century,Contemporary Classical,Neo-Classical,Recital - Earth Music, Ltd.
$8.95
Nocturne for Piano Solo
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Piano seul
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AVANCÉ
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James Domine
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Nocturne for Piano Solo
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976510 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 18 pages. Earth Music, Ltd. #2081777. Publishe...
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Piano Solo - Level 5 - SKU: A0.976510 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 18 pages. Earth Music, Ltd. #2081777. Published by Earth Music, Ltd. (A0.976510). The Nocturne is an expedition into almost forgotten memories with overtones of hope as well as resignation and melancholia. It has been described as the feeling one has on a cold winters’ day when the sun almost shines for a brief moment, then is gone forever into the frozen darkness of night, never to return. Originally written with orchestral accompaniment as the second movement of the Piano Concerto #2 in C minor, this arrangement for solo piano was made at the request of Joanna Ezrin, pianist and pedagogue, and has been recognized at the MTAC annual convention in 2007.
$8.95
Soliloquy for Piano Solo
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Piano seul
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AVANCÉ
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Contemporain
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James Domine
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Soliloquy for Piano Solo
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976512 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 13 pages. Earth Music, Ltd. #2081785. Publishe...
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Piano Solo - Level 5 - SKU: A0.976512 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 13 pages. Earth Music, Ltd. #2081785. Published by Earth Music, Ltd. (A0.976512). The Soliloquy begins with a tranquil melody that sets up the romantic principal theme. This rhapsodic passage with Spanish overtones leads to a post-impressionist fantasy with a feeling of uncomplicated, childlike simplicity. The dream unfolds, leading us back eventually to a restatement of the main theme, presented in its final form, ending with a calm quietude. Originally written with orchestral accompaniment as the second movement of the Piano Concerto #1 in Bb minor, this arrangement for solo piano was made at the request of Joanna Ezrin, pianist and pedagogue, and has been recognized at the MTAC annual convention.
$8.95
Rondo Scherzando for Piano Solo
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Piano seul
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AVANCÉ
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Contemporain
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James Domine
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Rondo Scherzando for Piano Sol
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976513 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 22 pages. Earth Music, Ltd. #2081805. Publishe...
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Piano Solo - Level 5 - SKU: A0.976513 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 22 pages. Earth Music, Ltd. #2081805. Published by Earth Music, Ltd. (A0.976513). The Rondo Scherzando opens with a fanfare that leads directly to principal theme. This somewhat unruly passage with cinematographic overtones leads to a post-modern fantasy that feels like latter-day jazz meditation. The reverie unfolds, leading us to a quasi-humorous semi-bizarre circus-like rendering of the scherzando theme, presented as an episode in a pantheon of unlikely, unexpected and unanticipated circumstances, that dwindles away quietly into a deceptively calm serenity. Subsequent passages turn the main theme over in a variety of different permutations until finally it returns in full regalia to the opening fanfare, this time presented as a final coda that concludes the piece. Originally written with orchestral accompaniment as the third movement of the Piano Concerto #1 in Bb minor, this arrangement for solo piano was made at the request of Joanna Ezrin, pianist and pedagogue, and has been recognized at the MTAC annual convention.
$8.95
Sonata #3 in A minor (Wind of Time)
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Piano seul
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Contemporain
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James Domine
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Sonata #3 in A minor
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - SKU: A0.976504 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 19 pages. Earth Music, Ltd. #2081589. Published by Earth...
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Piano Solo - SKU: A0.976504 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 19 pages. Earth Music, Ltd. #2081589. Published by Earth Music, Ltd. (A0.976504). The Piano Sonata #3 in A minor was written as an expansion of a rock song entitled Wind of Time, composed in 1973 when the composer was the lead guitarist with the Molay Band, a group that regaled the bars and frat parties of Westwood during those tumultuous years. The composer returned to the song in order to develop the harmonic peculiarities and improvisational qualities the Wind of Time theme offers. The tempo of the sonata is Allegro strepitoso, and is cast in one movement following the traditional sonata-allegro form. The opening theme is characterized by a sustained rhythmic ostinato that is elaborated with unresolved suspended 2nd and 4th harmonies. This is followed by a contrastingly lyrical passage that unfolds through a series of sequential gyrations. The development is a fantasia that employs improvisational techniques associated with rock music, and lends the piece a sense of freshness and spontaneity. The sonata returns in the recapitulation to the athleticism of the principal theme, concluding in a powerful unresolved suspension that seems to ask an unanswered question, the answer to which may someday be found in blowing on the Wind of Time. This sonata was first performed by fifteen-year old pianist Sarah Knauer in a contemporary music competition sponsored by the Music Teachers’ Association of California West San Fernando Valley Branch, in which she took first place. Ms. Knauer subsequently performed the piece in recital at Pierce College on April 13, 2008.
$8.95
Piano Suite #3 (Gothic)
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Piano seul
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AVANCÉ
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Contemporain
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James Domine
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Piano Suite #3
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976509 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 53 pages. Earth Music, Ltd. #2081771. Publishe...
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Piano Solo - Level 5 - SKU: A0.976509 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 53 pages. Earth Music, Ltd. #2081771. Published by Earth Music, Ltd. (A0.976509). Composed in 2011 from earlier sketches, the Piano Suite #3 (Gothic) is comprised of three movements: Toccata, Passacaglia & Thema Fugatum that reflect a Baroque concept of form and performance practice combined with a modern sense of tonality and harmonic language. All three movements are based on a single enigmatically chromatic theme that is loosely centered on the tonality of B minor. This single theme is used in various permutations throughout the suite and has a gravitas reminiscent of Gothic architecture.
$14.99
Piano Suite #1 (Ancient Scenes)
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Piano seul
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AVANCÉ
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Contemporain
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James Domine
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Piano Suite #1
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2081751. Publishe...
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Piano Solo - Level 5 - SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2081751. Published by Earth Music, Ltd. (A0.976506). Based on the myth of Taliesin, the Ancient Scenes concert suite is made up of five piano solo arrangements extracted from the Legend complete ballet. These are the Invocation, Processional March, Fire Dance, Snake Dance (The Oracular Serpent) and Bacchanal. The music of the Invocation prepares for the reenactment of the myth of the Sun King, whose life and subsequent sacrifice is executed to placate the wrath of the Moon Goddess. According to legendary accounts, King Maelgwynhad determined to offer Taliesin as the sacrificial victim, and led him off in chains to the cadence of the Processional March to the dungeon at Dyganwy where along with Prince Elphin he was imprisoned. The King caused a great sacrificial funeral pyre to be built, stacked high with wood and stoked by burning embers taken from a fir tree, still smoldering from a winter’s storm lightning strike. The people of Gwynedd leapt in a furious sacrificial Fire Dance as Taliesin was brought enmeshed in a wicker cage to the edge of the pyre. A great snake appeared before the fire, coiling threateningly, and rearing up with a fearful hiss, spoke to Taliesin as the Snake Dance unfolds: Can you answer the riddle of the oracular serpent? As soon as Taliesin answered the correct mysterious formula in secret words only audible to the snake, the flames of the pyre roared back into life, and the serpent disappeared into fire to the sound of drums pounding an inexorable rhythm. King Maelgwyn was seized by his own soldiers and thrown without ceremony on the burning maelstrom, and led by the High Priest and the Council of Elders, Taliesin was proclaimed Sun King, who will reign for a period of seven years. All join in a great Bacchanal in celebration of the preservation of order in the universe.
$14.99
Domine exaudi orationem
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Ensemble de Trompettes
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Gabrieli
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James Klages
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Domine exaudi orationem
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BrassWorks4 - Digital
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SheetMusicPlus
Composed by Gabrieli. Arranged by James Klages. Score and parts. Published by BrassWorks4 - Digital (BX.BW301). - score and parts - - BrassWorks4 - Digital...
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Composed by Gabrieli. Arranged by James Klages. Score and parts. Published by BrassWorks4 - Digital (BX.BW301). - score and parts - - BrassWorks4 - Digital
$15.00
When Morning Guilds the Skies
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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When Morning Guilds the Skies
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1240741 By James Michael Stevens. By Joseph Barnby. Arranged by James Michael Stevens. Christian,Classical,New Age,Sacred...
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Piano Solo - Level 3 - SKU: A0.1240741 By James Michael Stevens. By Joseph Barnby. Arranged by James Michael Stevens. Christian,Classical,New Age,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #836130. Published by James M Stevens Music ASCAP (A0.1240741). Written May 29, 2023, this is an original piano arrangement the devotional hymn melody (LAUDES DOMINE) by Joseph Barnby. James Michael Stevens is a prolific composer residing in Nashville, TN and the Music Dean of Welch College. Follow Dr. Stevens' music on streaming services worldwide including Spotify, Pandora, Amazon, Apple, and others.
$4.99
Josquin: 22 Duets for French Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for French H
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jmsgu3
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SheetMusicPlus
Bass Trombone,Horn,Instrumental Duet - Level 3 - SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructio...
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Bass Trombone,Horn,Instrumental Duet - Level 3 - SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Trombone & Tuba
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructi...
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Clarinet & Bass Clarinet
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2 Clarinettes (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Duet Bass Clarinet - Level 2 - SKU: A0.1074017 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renai...
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Clarinet Duet Bass Clarinet - Level 2 - SKU: A0.1074017 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 2 scores. 50 pages. Jmsgu3 #678286. Published by jmsgu3 (A0.1074017). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Josquin: 22 Duets for Bassoon & Contrabassoon
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,R...
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Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
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James Domine
