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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
James Nat
Non classifié
712
Piano & claviers
Piano seul
384
Piano, Voix
142
Orgue
91
Piano, Voix et Guitare
72
Piano Facile
69
Instruments en Do
37
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
8
Accompagnement Piano
6
1 Piano, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano (partie séparée)
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Ligne De Mélodie, Piano
1
Clavecin
1
+ 13 instrumentations
Retracter
Guitares
Basse electrique
28
Guitare notes et tablatures
20
Guitare
16
Piano, Guitare (duo)
9
Ligne De Mélodie, (Paroles) et Accords
8
Ukulele
4
Basse électrique (partie séparée)
2
Guitare (partie séparée)
2
Mandoline
1
3 Guitares (trio)
1
2 Guitares (duo)
1
Dulcimer
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
198
Chorale TTBB
65
Chorale 3 parties
42
Voix Tenor, Piano
22
Voix Soprano, Piano
22
Chorale SSAA
20
Voix Alto, Piano
18
Chorale 2 parties
13
Voix Baryton, Piano
13
Voix duo
9
Pack Instrumental pour Chorale
9
Voix duo, Piano
7
Voix Tenor
6
Voix haute
6
Voix Mezzo-Soprano, Piano
4
Chorale Unison
4
Voix seule
3
Chorale
2
Voix Baryton
2
Voix basse
2
Voix basse, Piano
1
Voix moyenne, Piano
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
98
2 Saxophones (duo)
81
Clarinette et Piano
69
Quatuor de Saxophones: 4 saxophones
68
2 Flûtes traversières (duo)
63
Saxophone Alto et Piano
57
Saxophone Soprano et Piano
52
Hautbois, Piano (duo)
51
Saxophone Tenor et Piano
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
48
Saxophone Baryton, Piano
46
Flûte traversière
46
Clarinette
41
2 Clarinettes (duo)
39
Saxophone (partie séparée)
38
Clarinette Basse, Piano
32
Saxophone
28
2 Hautbois (duo)
27
Ensemble de Clarinettes
25
Clarinette (partie séparée)
24
Cor anglais, Piano
24
Saxophone Tenor
22
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Alto
19
Quintette de Saxophone: 5 saxophones
18
Quatuor de Clarinettes: 4 clarinettes
16
3 Saxophones (trio)
14
Hautbois (partie séparée)
13
Quintette de Clarinettes: 5 clarinettes
10
3 Clarinettes (trio)
9
Flute (partie séparée)
8
Trio de Flûtes: 3 flûtes
7
2 Cors Anglais Et Pianoforte
6
Ensemble de Flûtes
6
Quatuor de Flûtes : 4 flûtes
5
Piccolo, Piano
5
Flûte, Violon et Violoncelle
4
Flûte à bec Alto, Piano
4
Flûte à Bec
3
Ensemble de saxophones
3
Flûte à bec Alto
3
Flûte à bec Soprano
3
Flûte, Violon
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
Quatuor de Flûtes à bec
2
Flûte à bec Soprano, Piano
2
Saxophone Soprano
1
Hautbois, Harpe
1
Saxophone et Guitare
1
Hautbois
1
2 Flûte à bec (duo)
1
Clarinette, Harpe (duo)
1
Instruments en Mib
1
5 Flûtes à bec
1
Clarinette Basse
1
Flûte à bec Tenor
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette (duo)
1
Cor anglais et Harpe (duo)
1
Flûte à Bec, Piano
1
Ensemble De Flûte à bec
1
Flûte, Clarinette et Basson
1
+ 58 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
86
Trompette
52
Trombone et Piano
46
Euphonium, Piano (duo)
43
Cor et Piano
42
Trompette, Piano
34
2 Cors (duo)
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
2 Trompettes (duo)
27
Ensemble de Trompettes
26
Trombone (partie séparée)
25
Cor anglais, Piano
24
Trombone
23
Trompette (partie séparée)
23
2 Trombones (duo)
23
2 Euphoniums (duo)
17
Tuba et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
2 Tubas (duo)
11
Cor
11
Cor (partie séparée)
11
Tuba
9
Ensemble de Trombones
9
Tuba (partie séparée)
7
Quatuor de cuivres: 4 trombones
7
2 Cors Anglais Et Pianoforte
6
Ensemble de Cors
4
Trio de Cuivres
4
Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres
4
Trompette, Trombone (duo)
3
Trombone basse et Piano
3
Trombone, Tuba (duo)
2
Bass Clef Instruments
2
Trompette, Saxophone (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
Instruments en Sib
1
Trompette, Cor (duo)
1
3 Trombones (trio)
1
Tuba ou Euphonium ou Saxhorn
1
Tuba et Orgue
1
Euphonium
1
Cor anglais et Harpe (duo)
1
2 Euphoniums et 2 Tubas
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
141
Violon et Piano
73
Alto, Piano
53
Violoncelle, Piano
52
Trio à Cordes: violon, alto, violoncelle
39
2 Violons (duo)
34
2 Violoncelles (duo)
31
2 Altos (duo)
29
Violoncelle
26
Violon
20
Violon, Violoncelle (duo)
17
Harpe
16
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Alto seul
12
2 Contrebasses (duo)
11
Violon (partie séparée)
9
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
7
Contre Basse
7
Harpe, Flûte (duo)
6
Contrebasse (partie séparée)
5
Violoncelle (partie séparée)
5
Contrebasse, Piano (duo)
5
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon (duo)
2
Harpe (partie séparée)
2
Harpe, Violoncelle (duo)
2
4 Violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
Alto et Harpe
1
Trio à cordes: 3 violins
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
196
Orchestre
128
Orchestre à Cordes
58
Ensemble de cuivres
44
Ensemble Jazz
37
Batterie
36
Orchestre de chambre
26
Fanfare
22
Percussion (partie séparée)
11
Marimba
7
Percussion
6
Jazz combo
5
Cloches
3
Batterie (partie séparée)
3
Ensemble de Percussions
3
Timbales (partie séparée)
3
Piano et Orchestre
2
Xylophone
1
Vibraphone
1
+ 14 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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Vous avez sélectionné:
James Nat
Partitions à imprimer
5 339 partitions trouvées
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Symphony No. 1, "The Dawning of 2012" For Large Orchestra, Full Score and Individual Parts, James Na
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Symphony No. 1, "The Dawn
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730463 Composed by James Nathaniel Holland. Contemporary. Score and parts. 464 pages. James Nathaniel Holland #362087...
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Full Orchestra - Level 5 - SKU: A0.730463 Composed by James Nathaniel Holland. Contemporary. Score and parts. 464 pages. James Nathaniel Holland #3620879. Published by James Nathaniel Holland (A0.730463). 2012. The end of the world. How much did we have to suffer through all those articles, movies, and events that never happened? But I still like the idea of it. Some sort of awakening.
$79.95
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Stelle di Natale (Christmas stars) 6 tunes for Brass Quintet (score & parts)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Noël
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Felix Bartholdy Mendelssohn,
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Francesco Leone
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Stelle di Natale
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SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn, George Frideric Handel, James Pierpont, and Traditionals. Arranged by Francesco Leone. Christmas. 60 pages. G...
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Composed by Felix Bartholdy Mendelssohn, George Frideric Handel, James Pierpont, and Traditionals. Arranged by Francesco Leone. Christmas. 60 pages. Glissato Edizioni Musicali #6626559. Published by Glissato Edizioni
Stelle di Natale (Christmas stars) 6 tunes for Brass Quintet (score & parts). Duration 6. (+-)
Bb Trumpets 1-2, F Horn, Trombone and Tuba. Titles: Adeste Fideles, Joy to The World, Deck the Halls, Jingle Bell, We Wish you a Merry Christmas, Hark! The Herald Angels Sing.
$17.99
Stelle di Natale (Christmas stars) 6 tunes for Saxophone Quartet satb/aatb (score & parts)
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Noël
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Felix Bartholdy Mendelssohn,
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Francesco Leone
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Stelle di Natale
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Glissato Edizioni Musicali
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SheetMusicPlus
Composed by Felix Bartholdy Mendelssohn, George Frideric Handel, James Pierpont, and Traditionals. Arranged by Francesco Leone. Christmas,Standards. 5...
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Composed by Felix Bartholdy Mendelssohn, George Frideric Handel, James Pierpont, and Traditionals. Arranged by Francesco Leone. Christmas,Standards. 58 pages. Glissato Edizioni Musicali #6632473. Published by Glissato Edizioni Musicali
Stelle di Natale (Christmas stars) 6 tunes for Saxophone Quartet satb or aatb (score & parts). Duration 6. (+-)
Titles: Adeste Fideles, Joy to The World, Deck the Halls, Jingle Bell, We Wish you a Merry Christmas, Hark! The Herald Angels Sing.
$17.99
Naturae, Reflective Choral Pieces
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James W
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Naturae, Reflective Choral Pie
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James Knox
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.499186 Composed by James W. Knox. 20th Century,Contemporary. Octavo. 52 pages. James Knox #112657. Publis...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.499186 Composed by James W. Knox. 20th Century,Contemporary. Octavo. 52 pages. James Knox #112657. Published by James Knox (A0.499186). Nature, in the broadest sense, is the natural, physical, material world and the universe. The word nature derived from the Latin word natura or naturae, and dates to ancient times and literally means “birthâ€. When describing nature, we often think of words such as breathtaking, majestic, beautiful, or inherent objects can leave the impression of complexion, oddly peculiar with emotions. The thoughts and images associated with nature events inspired me to create reflective choral pieces called Naturae (wild by nature). Each movement provides the listener with different moods and thoughts of isolated musical examples of untamed elements of our natural world on earth.
$12.00
Telemann: Sonata Op. 2 No. 2 for Violin Duo
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2 Violons (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 2 f
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jmsgu3
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,W...
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String Ensemble - Level 3 - SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 31 pages. Jmsgu3 #6327363. Published by jmsgu3 (A0.552333). I. Largo II. Allegro III. Affettuoso IV. VivaceGeorg Philipp Telemann's Sonatas Op. 2, also known as the Six Sonatas for two flutes (or violins), are significant for several reasons. First, they are dedicated to two young music lovers, explicitly appealing to a circle of pupils and music enthusiasts. The pieces foster the ability of musical expression and are characterized by a combination of expansive baroque thematic material and charming galant features in the slow and fast movements, respectively. Telemann was considered one of the leading German composers of his time, and his works, including the Sonatas Op. 2, reflect his significant contribution to the Baroque music era. The Methodical nature of these sonatas, as described when they were published in 1732, is also noteworthy, as they included a second, ornamented version of the simple melodies, showcasing Telemann's innovative approach to composition.Furthermore, Telemann's music, which incorporates French, Italian, and German national styles, remained highly regarded by colleagues and critics alike during his lifetime and the latter half of the 18th century. Numerous theorists and prominent composers cited his works as models, and he influenced pupils of J.S. Bach in Leipzig, such as Wilhelm Friedemann Bach. Therefore, Telemann's Sonatas Op. 2 contributed to the expansion of domestic music-making and influenced other composers and musicians of his time and beyond.
$24.95
Telemann: Sonata Op. 2 No. 3 for Clarinet Duo
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 3 f
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jmsgu3
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - SKU: A0.552347 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Stan...
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Clarinet Duet Clarinet - Level 3 - SKU: A0.552347 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 2 scores. 21 pages. Jmsgu3 #6329817. Published by jmsgu3 (A0.552347). I. Dolce II. Allegro III. Largo IV. VivaceGeorg Philipp Telemann's Sonatas Op. 2, also known as the Six Sonatas for two flutes (or violins), are significant for several reasons. First, they are dedicated to two young music lovers, explicitly appealing to a circle of pupils and music enthusiasts. The pieces foster the ability of musical expression and are characterized by a combination of expansive baroque thematic material and charming galant features in the slow and fast movements, respectively. Telemann was considered one of the leading German composers of his time, and his works, including the Sonatas Op. 2, reflect his significant contribution to the Baroque music era. The Methodical nature of these sonatas, as described when they were published in 1732, is also noteworthy, as they included a second, ornamented version of the simple melodies, showcasing Telemann's innovative approach to composition.  Furthermore, Telemann's music, which incorporates French, Italian, and German national styles, remained highly regarded by colleagues and critics alike during his lifetime and the latter half of the 18th century. Numerous theorists and prominent composers cited his works as models, and he influenced pupils of J.S. Bach in Leipzig, such as Wilhelm Friedemann Bach. Therefore, Telemann's Sonatas Op. 2 contributed to the expansion of domestic music-making and influenced other composers and musicians of his time and beyond.
$32.95
Nathan Hale Trilogy (29-Piece Digital Pack)
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Orchestre d'harmonie
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FACILE
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Contemporain
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James Curnow
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Nathan Hale Trilogy
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Hal Leonard - Digital
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SheetMusicPlus
Concert band Timpani - Level 2-3 - SKU: HX.272500 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Duration 375. Hal Leonard - Di...
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Concert band Timpani - Level 2-3 - SKU: HX.272500 Composed by James Curnow. Concert. Individual instrument part. 2 pages. Duration 375. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.272500).
Digital Pack includes
:
Nathan Hale Trilogy - Conductor Score (Full Score)
Nathan Hale Trilogy - Pt.1 - Flute
Nathan Hale Trilogy - Pt.1 - Oboe
Nathan Hale Trilogy - Pt.1 - Bb Clarinet/Bb Trumpet
Nathan Hale Trilogy - Pt.1 - Violin
Nathan Hale Trilogy - Pt.2 - Bb Clarinet/Bb Trumpet
Nathan Hale Trilogy - Pt.2 - Eb Alto Saxophone
Nathan Hale Trilogy - Pt.2 - Violin
Nathan Hale Trilogy - Pt.3 - Bb Clarinet
Nathan Hale Trilogy - Pt.3 - Bb Tenor Saxophone
Nathan Hale Trilogy - Pt.3 - Eb Alto Sax/Alto Clar.
Nathan Hale Trilogy - Pt.3 - F Horn
Nathan Hale Trilogy - Pt.3 - Violin
Nathan Hale Trilogy - Pt.3 - Viola
Nathan Hale Trilogy - Pt.4 - Bb Tenor Sax/Bar. T.C.
Nathan Hale Trilogy - Pt.4 - F Horn
Nathan Hale Trilogy - Pt.4 - Trombone/Bar. B.C./Bsn.
Nathan Hale Trilogy - Pt.4 - Cello
Nathan Hale Trilogy - Pt.5 - Bb Bass Clarinet
Nathan Hale Trilogy - Pt.5 - Trombone/Bar. B.C./Bsn.
Nathan Hale Trilogy - Pt.5 - Baritone T.C.
Nathan Hale Trilogy - Pt.5 - Cello
Nathan Hale Trilogy - Pt.5 - Eb Baritone Saxophone
Nathan Hale Trilogy - Pt.5 - Tuba
Nathan Hale Trilogy - Pt.5 - String/Electric Bass
Nathan Hale Trilogy - Percussion 1
Nathan Hale Trilogy - Percussion 2
Nathan Hale Trilogy - Mallet Percussion
Nathan Hale Trilogy - Timpani
$75.00
Sonatina Opus 36, Number 4 (PNT)
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Piano seul
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Classique
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Muzio Clementi
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Sonatina Opus 36, Number 4
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James Gilbert Music
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SheetMusicPlus
Piano Solo - Composed by Muzio Clementi (1752-1832). Classical Period, Repertoire, General Instructional. 13 pages. Published by James Gilbert Music...
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Piano Solo - Composed by Muzio Clementi (1752-1832). Classical Period, Repertoire, General Instructional. 13 pages. Published by James Gilbert Music
Solo Piano.
Sonatina in F Major by Muzio Clementi.
Newly typeset and adapted for viewing on tablets and when printed
$4.99
Supplemental Practice Alternatives for Trumpet
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Charles Decker
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Supplemental Practice Alternat
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Charles Decker Music Press
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SheetMusicPlus
Trumpet - Level 4 - SKU: A0.817143 Composed by Charles Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Educational Exercises. 42 pages...
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Trumpet - Level 4 - SKU: A0.817143 Composed by Charles Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Educational Exercises. 42 pages. Charles Decker Music Press #4303103. Published by Charles Decker Music Press (A0.817143). Supplemental Practice Alternatives is a thirty-page compilation of alternative practice approaches designed to improve and stabilize essential trumpet performance skills that was developed over four decades of teaching ambitious trumpeters at all levels. These alternative practice approaches provide practical variations and suggestions on how to apply them to the myriad of etude and study books with the objective of advancing and mastering crucial aspects of trumpet performance. Supplemental Practice Alternatives include study approaches for First and Third-Valve Slide Intonation Control; Single and Multiple-Tonguing Consistency Development; Range Expansion Tone Control; Lip Trill and Shake Development; Long-Tone Studies Using Basic Triad and 7th Chord Modes; Developing Quick Modal Transitioning Capability Between Basic Scales (major, minors, whole tone, chromatic); Review of Supplemental Scales Frequently Encountered (whole tone, blues, pentatonic); Advancing Fingering Coordination with emphasis on third-finger control; and two helpful supplements - a review of Common Italian terms Categorized into Meaningful Genres and 25 Practice Suggestions passed on by generations of successful musicians..For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) as well as my First Technical Studies for Trumpet for young students with Charles Decker Music Press at Sheet Music Plus. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$9.95
Allegro from Sonata Sancti Polycarpi for Trumpet Ensemble
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Ensemble de Trompettes
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Biber
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Charles Decker
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Allegro from Sonata Sancti Pol
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Charles Decker Music Press
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SheetMusicPlus
Piccolo Trumpet - Level 4 - SKU: A0.817113 Composed by Heinrich Biber. Arranged by Charles Decker. Baroque,Chamber,Historic,Instructional. 26 pages. Cha...
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Piccolo Trumpet - Level 4 - SKU: A0.817113 Composed by Heinrich Biber. Arranged by Charles Decker. Baroque,Chamber,Historic,Instructional. 26 pages. Charles Decker Music Press #3542437. Published by Charles Decker Music Press (A0.817113). Want to feature two piccolo trumpeter soloists with your trumpet ensemble on an accessible work for students? This movement from the famous baroque sonata will impress audiences with its two antiphonal quartets, each led impressively by solo piccolo trumpeters exchanging increasingly complex ornamented phrases as musical and technical challenges. Â The two solo parts are very playable on mezzo-soprano B-flat trumpets but using B-flat piccolo trumpets creates extra sparkle. The audio file is an actual performance by a trumpet ensemble and not a computer playback of the score.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Â Use this link to Kendor Music for more Charles Decker trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$7.95
BACH: Sonata BWV 1034 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata BWV 1034 for Flut
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jmsgu3
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SheetMusicPlus
Flute & Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque ...
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Flute & Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts, Solo Part. 45 pages. Published by jmsgu3
J. S. BACH: Sonata BWV 1034
Duration: ca. 15:00 Score: 26 pages
I. Adagio ma non tanto
II. Allegro
III. Andante
IV. Allegro
Originally scored for transverse flute & cembalo
Arrangement and figured bass realization by James M. Guthrie
$26.95
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,S...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com
$49.95
Handel: Six Sonatas Complete for Baritone Horn Duo
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Classique
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George Frideric Handel
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James M
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Handel: Six Sonatas Complete f
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jmsgu3
#
SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 156 pages. Jmsgu3 #6362473. Published by jmsgu3 (A0.552880). G. F. Handel: Six Sonatas Complete (K. 555) Sonata No. II. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pages Sonata No. II I. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pages Sonata No. III I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pages Sonata No. IV I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 Pages Sonata No. V I. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12 Sonata No. VI I. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period. Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$59.95
BACH: Sonata in Eb BWV 1031 for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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James Guthrie, ASCAP
#
BACH: Sonata in Eb BWV 1031 fo
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jmsgu3
#
SheetMusicPlus
Flute and Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque Period,...
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Flute and Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 38 pages. Published by jmsgu3
BACH: Sonata in Eb BWV 1031, Score: 20 pages, Duration ca. 9:45
in three movements:
1. Allegro moderato
2. Siciliano
3. Allegro
Originally scored for flute and harpsichord
$32.95
Beethoven: Sonata Op. 49 No. 2 for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
#
Classique
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Ludwig van Beethoven
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James M
#
Beethoven: Sonata Op. 49 No. 2
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jmsgu3
#
SheetMusicPlus
Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed b...
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Flute choir: 1piccolo, 4 concert flutes, 1 alto, 1 bass, 1 contrabass (optional) and 1 cello (optional). - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Baroque Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 103 pages. Published by jmsgu3
Beethoven Sonata Op. 49 No. 2 arranged for flute choir. Duration: ca: 10:15 Score: 60 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute choir.
$49.95
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
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James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
#
Ludwig van Beethoven
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James M
#
piano concertos 1-5
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Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
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