Arirang is arguably the most popular and best-known Korean folk song, both inside and outside Korea. Arirang is anancient native Korean word with no direct modern meaning. 'Ari' means "beautiful" (For example the native Korean word???? means "beautiful", "lovely", "charming") 'Rang' can mean "dear".Origin of the titleMany versions of the song open by describing the travails the subject of the song encounters while crossing amountain pass. "Arirang" is one name for the pass and hence the title of the song. Some versions of Arirangmention Mungyeong Saejae, which is the main mountain pass on the ancient Joseon Dynasty road betweenSeoul and southeastern Gyeongsang Province.Duration 3:55contact me at james.pybus@rogers.com.

The Great Escape is a 1963 American film about an escape by Allied prisoners of war from a German POW camp during World War II, starring Steve McQueen, James Garner and Richard Attenborough. The film is based on the book of the same name by Paul Brickhill, a non-fiction first-hand account of the mass escape from Stalag Luft III in Sagan (now Żagań, Poland), in the province of Lower Silesia, Nazi Germany. The story was adapted by James Clavell, W. R. Burnett, and Walter Newman from Paul Brickhill's book The Great Escape. Brickhill had been a prisoner at Stalag Luft III during World War II. This arrangement of the main title theme music from the film is playable by either SSAB or SSSB Clarinet Quartet. It can be included in a variety of concert programs. Duration is 2:10. Contact me at james.pybus@rogers.com.

Woody Herman recorded this song with his second Herd on December 27,1947 for Columbia records. Jimmy Giuffre wrote it and arranged it based on the chord changes of Jeepers Creepers. It originally featured the reedsection: three tenors and one baritone saxophone. The order of solos was ZootSims, Serge Chaloff, Herbie Steward, and Stan Getz. All four played in thelight vibrato style of their idol, Lester Young. This arrangement is playable by either SATB or AATB Saxophone Quartet. Each voice gets a chance to solo. This would be a good way to feature your saxophone section on a band concert program. Duration is 2:57. Contact me at james.pybus@rogers.com.

Linus and Lucy is a popular jazz pianocomposition written by Vince Guaraldi, appearing in many of the Peanutsanimated television specials. Named for the fictional siblings Linus and Lucyvan Pelt, it was released in 1964 on the Vince Guaraldi Trio's album Jazz Impressions of a Boy Named CharlieBrown. A Charlie Brown Christmas introduced thesong to a television audience of millions of children beginningin 1965. Since that special, the piece has introduced most of the Peanuts TVcartoons, with the exceptions of the specials and other TV programs producedbetween 1979 and 1992. It is one of the most recognizable pieces by Vince Guaraldi, and hasgained status as the de facto theme song of the Peanuts franchise. This arrangement in the original key is playable by either SSSB or SSAB Clarinet Quartet. Performance time is 3:10. Contact me at james.pybus@rogers.com.

Linus and Lucy is a popular jazz pianocomposition written by Vince Guaraldi, appearing in many of the Peanutsanimated television specials. Named for the fictional siblings Linus and Lucyvan Pelt, it was released in 1964 on the Vince Guaraldi Trio's album Jazz Impressions of a Boy Named CharlieBrown. A Charlie Brown Christmas introduced thesong to a television audience of millions of children beginningin 1965. Since that special, the piece has introduced most of the Peanuts TVcartoons, with the exceptions of the specials and other TV programs producedbetween 1979 and 1992. It is one of the most recognizable pieces by Vince Guaraldi, and hasgained status as the de facto theme song of the Peanuts franchise. This arrangement in the original key is playable by either SATB or AATB Saxophone Quartet. Duration is 3:10. Contact me at james.pybus@rogers.com.

Sakura Sakura ("Cherry blossoms, cherry blossoms"), also known as Sakura, is a traditional Japanese folk song depicting spring, the season of cherry blossoms. Contrary to popular belief, the song did not originate in ancient times; it was a popular, urban melody of the Edo period and was adopted as a piece for beginning koto students in the Tokyo Academy of Music Collection of Japanese Koto Music issued in 1888 (in English) by the Department of Education. The song has been popular since the Meiji period, and the lyrics in their present form were attached then. It is often sung in international settings as a song representative of Japan. This setting for SATB or AATB Saxophone Quartet serves as a relaxing, contrasting recital piece. The duration is 4:38. Please contact me at james.pybus@rogers.com.