Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Jean-Louis Tulou
Non classifié
1
Piano & claviers
Guitares
Voix
Vents
Flûte traversière et Piano
5
Quatuor de Clarinettes: 4 clarinettes
1
2 Saxophones, Piano
1
Quatuor de Saxophones: 4 saxophones
1
Saxophone Alto et Piano
1
Hautbois, Piano (duo)
1
2 Flûtes traversières (duo)
1
+ 2 instrumentations
Retracter
Cuivres
Cordes
Orchestre & Percussions
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
32
Partitions Numériques
12
Librairie Musicale
102
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Jean-Louis Tulou
Partitions à imprimer
12 partitions trouvées
<
1
Jean-Louis Tulou: Air varie brillant, Op. 98 - flute & piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Jean-Louis Tulou
#
Virtualsheetmusic
Instantly printable sheet music by Jean-Louis Tulou for flute & piano of MEDIUM/HIGH skill level. Contents: Joy of Music, Virtuoso and Entertaining Pieces for Flute and Piano / classical...
(+)
Instantly printable sheet music by Jean-Louis Tulou for flute & piano of MEDIUM/HIGH skill level. Contents: Joy of Music, Virtuoso and Entertaining Pieces for Flute and Piano / classical
$4.99
Air varie brillant
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Jean- Louis Tulou
#
Co
#
Air varie brillant
#
Schott Music - Digital
#
SheetMusicPlus
Flute and piano - intermediate to advanced - Op. 98. Composed by Jean- Louis Tulou (1786-1865). Edited by Edmund Wachter and Elisabeth Weinzierl. Thi...
(+)
Flute and piano - intermediate to advanced - Op. 98. Composed by Jean- Louis Tulou (1786-1865). Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 19 pages. Schott Music - Digital #Q53376. Published by Schott Music - Digital
Jean-Louis Tulou, a pupil of Johann Georg Wunderlich, was one of the leading flautists of his time: he was principal flautist at the opera and a professor at the Conservatoire. His pupils included legendary flautists such as Henri Altes, Jules Demersseman and Eugene Walckiers. He composed over 130 flute pieces and wrote a flute tutorial method. He forbade his students to play the newly constructed flute designed by Theobald Bohm and even made a few adaptations to the traditional flute himself. Only after his retirement in 1856 could the Bohm flute that is familiar today come in to use under his successor Dorus. This Air varie brillant op. 98 was published in collaboration by Brandus &. Cie, Paris and Schott, Mainz. An alternative setting of the accompaniment for chamber ensemble (two violins, viola, cello, double bass, two oboes, two horns and two bassoons) is only listed by Brandus. .
Plate no. 8873 / published in 1851.
$4.99
Boléro, de l‘Opéra “Ne touchez pas à la reine”
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Xavier Boisselot
#
Jean Remusat
#
Boléro, de l‘Op&e
#
Schott Music - Digital
#
SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53380 Composed by Xavier Boisselot. Edited by Edmund Wachter and Elisabeth Weinzierl. Arranged by ...
(+)
Flute and piano - intermediate to advanced - SKU: S9.Q53380 Composed by Xavier Boisselot. Edited by Edmund Wachter and Elisabeth Weinzierl. Arranged by Jean Remusat. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q53380. Published by Schott Music - Digital (S9.Q53380). English • German.Xavier Boisselot studied composition at the Paris Conservatoire. In 1836 he won the 1er Grand prix de Rome with his cantata Velléda. His opera Ne touchez pas à la reine was first performed in 1847, followed by Mosquita la sorcière. Despite growing success, after 1850 he spent less time working on composition as he took over the management of his father’s piano factory Boisselot & Fils in Marseille. Flautist Jean Rémusat came from Bordeaux. In 1832 he won the 1er prix at the Paris Conservatoire, where he studied with Jean-Louis Tulou. He worked as principal flautist at the Queen’s Theatre in London until its closure in 1853. After a few more years working at the Théâtre Lyrique in Paris he went to work as a conductor in Shanghai, where he died at the age of 65. Rémusat – generally referred to without his first name – is often encountered by flautists as the arranger of well-known pieces from that time. Plate no. 12099 / published in 1853.
$3.99
Fantaisie sur de motifs de l’opéra Guillaume Tell de Rossini
#
Flûte traversière et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Eugene Walckiers
#
Fantaisie sur de motifs de l&r
#
Schott Music - Digital
#
SheetMusicPlus
Flute and piano - intermediate to advanced - SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzier...
(+)
Flute and piano - intermediate to advanced - SKU: S9.Q53377 Op. 34. Composed by Eugene Walckiers. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 34. 27 pages. Schott Music - Digital #Q53377. Published by Schott Music - Digital (S9.Q53377). English • German.As a pupil of Antonin Reicha at the Paris Conservatoire Eugène Walckiers, originally from the French part of Flanders, joined the ranks of illustrious French composers such as Hector Berlioz, Charles Gounod and César Franck. He studied the flute with Jean-Louis Tulou and was one of the few celebrated flute virtuosos of the time whose reputation has survived to this day, thanks to their compositions for and including the flute. He himself played regularly in a legendary quartet with the best flautists of his day: Jean Firmin Brossa, Johannes Donjon and Paul Taffanel. This Fantaisie sur des Motifs de l’Opera “Guillaume Tell†was published in the year following the first performance of the opera both by Schott in Mainz and, with insignificant discrepancies, by Troupenas in Paris (Plate number 374), the original publisher of Rossini’s last four operas. Plate no. 3289 / published in 1830.
$4.99
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
#
Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Jules Demersseman
#
Paul Wehage
#
Jules Demersseman : Deuxi&egra
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual p...
(+)
Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
Jules Demersseman : Ave Maria for 3 Bb clarinets and bass clarinet (or medium voice, 2 Bb clarinets
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Jules Demersseman
#
Paul Wehage
#
Jules Demersseman : Ave Maria
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Clarinet quartet Clarinet - Level 3 - SKU: A0.532820 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacr...
(+)
Clarinet quartet Clarinet - Level 3 - SKU: A0.532820 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred,Wedding. 24 pages. Musik Fabrik Music Publishing #38025. Published by Musik Fabrik Music Publishing (A0.532820). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for Clarinet Quartet, as a work with Voice and Clarinet Trio, or as a work with Voice and clarinet quartet, with Clarinet 1 doubling the voice. A voical part (in C) is included with the set.
$12.95
Jules Demersseman : Ave Maria for medium voice, alto saxophone, valve trombone and Bb bass saxhorn
#
Jules Demersseman
#
Jules Demersseman : Ave Maria
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Medium Voice,Trombone - Level 3 - SKU: A0.534813 Composed by Jules Demersseman. Christian,Contemporary,Romantic Period,Sac...
(+)
Small Ensemble Alto Saxophone,Medium Voice,Trombone - Level 3 - SKU: A0.534813 Composed by Jules Demersseman. Christian,Contemporary,Romantic Period,Sacred,Wedding. Score and parts. 21 pages. Musik Fabrik Music Publishing #38023. Published by Musik Fabrik Music Publishing (A0.534813). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax publishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. This is the original version as pubished by Sax.
$12.95
Jules Deersseman: Sérénade, Opus 33 for alto saxophone and piano
#
Saxophone Alto et Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jules Demersseman
#
Paul Wehage
#
to the main melody
#
Jules Deersseman: Sér&e
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and par...
(+)
Alto Saxophone,Piano - Level 4 - SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3493579. Published by Musik Fabrik Music Publishing (A0.534438). One of the first original compositions written for the saxophone, by one of Sax's closest associates. Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a long lyrical episode punctuated with more florid passages which serve as counterpoint to the main melody.. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone.
$11.95
Jules Demersseman - Introduction et Variations sur Le Carnaval de Venise for alto saxophone and pia
#
2 Saxophones, Piano
#
INTERMÉDIAIRE/AVANCÉ
#
Jules Demersseman
#
Paul Wehage
#
Jules Demersseman - Introducti
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.532815 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Stan...
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.532815 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Standards. Score and parts. 25 pages. Musik Fabrik Music Publishing #37187. Published by Musik Fabrik Music Publishing (A0.532815). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The thème of this set of variations was probably originally written by the 19th century Flute Virtuosos Paul-Agricole Génin (although it may also be of traditional original) and was used as a subject for variations by such composers as Bosch, Liszt and Arban, among others. Demersseman wrote a number of versions of this work, including an orchestration for wind band.
$11.55
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Jules Demersseman
#
Paul Wehage
#
Jules Demersseman : Deuxi&egra
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standa...
(+)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
Jules DEMERSSEMAN Ave Maria for SATB Saxophone Quartet (or Voice and ATB Saxophone Trio)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Jules Demersseman
#
Paul Wehage
#
Jules DEMERSSEMAN Ave Maria fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.532821 Composed by Jules Deme...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.532821 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred. 24 pages. Musik Fabrik Music Publishing #38027. Published by Musik Fabrik Music Publishing (A0.532821). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for SATB Saxophone Quartet, as a work with Voice and ATB Trio, or as a work with Voice and SATB saxophone quartet, with the Soprano saxophone doubling the voice. A voical part (in C) is included with the set.
$12.95
Duo G major
#
2 Flûtes traversières (duo)
#
INTERMÉDIAIRE
#
Jean-Louis Tulou
#
Duo G major
#
Schott Music - Digital
#
SheetMusicPlus
2 flutes - intermediate - SKU: S9.Q583220 Composed by Jean-Louis Tulou. Downloadable, Performance score. Op. 11/1. Schott Music - Digital #Q583220. Publ...
(+)
2 flutes - intermediate - SKU: S9.Q583220 Composed by Jean-Louis Tulou. Downloadable, Performance score. Op. 11/1. Schott Music - Digital #Q583220. Published by Schott Music - Digital (S9.Q583220).
$4.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Jean-Louis Tulou
