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Vous avez sélectionné:
Jeff Lipscomb
Partitions à imprimer
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Dream On
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Aerosmith
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Jeff Lipscomb
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Dream On
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Jeff Lipscomb
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1420244 By Aerosmith. By Steven Tyler. Arranged by Jeff Lipscomb. 20th Century,Classical,Contemporary,Contest,Fest...
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Chamber Orchestra - Level 4 - SKU: A0.1420244 By Aerosmith. By Steven Tyler. Arranged by Jeff Lipscomb. 20th Century,Classical,Contemporary,Contest,Festival,Rock. 45 pages. Jeff Lipscomb #1001734. Published by Jeff Lipscomb (A0.1420244). This arrangement began as one for violin trio, but was later expanded into that for brass and full strings.  In writing this, the arranger aimed to be respectful of the original recording, while not necessarily being true to it.  The aim was to provide a fusion of rock and symphonic styles, while also including some of the arranger’s own stylistic sensibilities.  This arrangement was written for the 2023-2024 West Virginia Youth Symphony, based in Charleston, WV, and was completed on April 17, 2024.Difficulty: Intermediate-AdvancedApproximate duration:  4’50â€.
$60.00
Wie Melodien sieht es mir
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Jeff Lipscomb
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Wie Melodien sieht es mir
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Jeff Lipscomb
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1321180 Composed by Johannes Brahms. Arranged by Jeff Lipscomb. 19th Century,Classical,Romantic Period. 10 pages. J...
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String Orchestra - Level 3 - SKU: A0.1321180 Composed by Johannes Brahms. Arranged by Jeff Lipscomb. 19th Century,Classical,Romantic Period. 10 pages. Jeff Lipscomb #909633. Published by Jeff Lipscomb (A0.1321180). This beautiful song comes from a short collection of songs that Brahms wrote relatively late in his career.  He was working on his Violin Sonata No.2 at about the same time, and so it’s natural that piece also quotes from this work.  The song itself is a wonderful example of late Romantic harmonic and Brahms’s own lyrical melodic writing.This piece would be good for developing and refining tonal production and vibrato.  While none of the parts goes up very high, it’s not recommended for performers to stay in first position throughout the piece.  There are also opportunities to refine ensemble skills of phrasing and rubato.  Cross-curricular instruction (with English and/or German) is possible with the original song via discussion on its meaning and how Brahms tried to represent that meaning within the musical form of the work.
$11.00
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Jeff Lipscomb
