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--INSTRUMENTS--
ACCORDEON
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Joerg Widmann
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
Joerg Widmann
Partitions à imprimer
68 partitions trouvées
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Diabelli-Variation
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Piano seul
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AVANCÉ
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Classique
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Joerg Widmann
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Diabelli-Variation
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q589537 For pano. Composed by Joerg Widmann. Downloadable, Separate edition. Duration 3 minutes. Schott Music - Digit...
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Piano - difficult - SKU: S9.Q589537 For pano. Composed by Joerg Widmann. Downloadable, Separate edition. Duration 3 minutes. Schott Music - Digital #Q589537. Published by Schott Music - Digital (S9.Q589537). Jörg Widmanns Diabelli-Variation entstand im Rahmen von Rudolf Buchbinders Diabelli 2020-Projekt, bei dem zahlreiche zeitgenössische Komponisten neue Variationen zu dem Zyklus Beethovens komponierten. Seine mehrteilige Variation weist charakteristische Merkmale Beethovens auf und verliert dabei nie den Widmanntypischen Charakter.Jörg Widmanns Diabelli-Variation entstand im Rahmen von Rudolf Buchbinders Diabelli 2020-Projekt, bei dem zahlreiche zeitgenössische Komponisten neue Variationen zu dem Zyklus Beethovens komponierten. Seine mehrteilige Variation weist charakteristische Merkmale Beethovens auf und verliert dabei nie den Widmann-typischen Charakter.
$15.99
Fantasie
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Saxophone Alto
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AVANCÉ
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Classique
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Joerg Widmann
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
Altosaxophone - difficult - SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloa...
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Altosaxophone - difficult - SKU: S9.Q564397 Version for alto saxophone. Composed by Joerg Widmann. Saxophone - solo - contemporary music. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564397. Published by Schott Music - Digital (S9.Q564397). Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. 'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte. - Jörg Widmann ...on the interpretation: It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'! - Jörg WidmannDie Bearbeitung durch Lois Alén González von Widmanns Fantasie ermöglicht es nun auch Saxophonisten, die für Klarinette komponierte Fantasie, die durch ihre starke Kontrastierung der Charakterveränderungen zu einem ausdrucksstarken Bravourstück geworden ist, spielen zu können.
$12.99
Fantasie
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Clarinette
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AVANCÉ
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Contemporain
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Fantasie
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Schott Music - Digital
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SheetMusicPlus
Clarinet in Bb - difficult - For Clarinet solo. Composed by Joerg Widmann. This edition: Sheet music. Contemporary music, Clarinet, Solo. Clarinet L...
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Clarinet in Bb - difficult - For Clarinet solo. Composed by Joerg Widmann. This edition: Sheet music. Contemporary music, Clarinet, Solo. Clarinet Library. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6195. Published by Schott Music - Digital
Jorg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Funf Bruchstucke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Funf Bruchstucke', 'Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music.
'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in a new way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte.
- Jorg Widmann
$11.99
Con brio
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Joerg Widmann
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Con brio
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Schott Music - Digital
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SheetMusicPlus
2 (2. auch Picc.) · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. - Str. (14 · 12 · 10 · 8 · 6) orchestra - SKU: S9.Q18766 Konzertouve...
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2 (2. auch Picc.) · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. - Str. (14 · 12 · 10 · 8 · 6) orchestra - SKU: S9.Q18766 Konzertouvertüre für Orchester. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. ...a wonderful 12 minutes of magic and humour, brilliantly scored... (Ivan Hewett / The Telegraph, 2009). Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q18766. Published by Schott Music - Digital (S9.Q18766). It was at the suggestion of the conductor of the World Première, Mariss Jansons, that Jörg Widmann refers to musical characteristics of Beethoven’s 7th and 8th Symphony. His starting points primarily are specific fast types of movement in the Beethoven works which he translates into his tonal language. Widmann has chosen the same instrumentation as the Beethoven symphonies and takes on the task of causing a similar ‘stir and rhythmic pressure’ (Widmann) with these economical means.
$45.99
Paraphrase
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Violon
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AVANCÉ
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Joerg Widmann
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Paraphrase
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Schott Music - Digital
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SheetMusicPlus
Violin solo - difficult - SKU: S9.Q50465 On Mendelssohn's Wedding March. Composed by Joerg Widmann. This edition: single sheet. Violin Library. E...
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Violin solo - difficult - SKU: S9.Q50465 On Mendelssohn's Wedding March. Composed by Joerg Widmann. This edition: single sheet. Violin Library. Ein Stück über Mendelssohns Hochzeitsmarsch. Downloadable, Separate edition. Duration 5 minutes. Schott Music - Digital #Q50465. Published by Schott Music - Digital (S9.Q50465). Jörg Widmann paraphrases Mendelssohn's famous wedding march from the Midsummer Night's Dream solo in this piece for violin solo. The paraphrase was actually written for a wedding that took place in Rome in 2016 and for which Jörg Widmann's sister, Carolin Widmann, performed the work for the first time.
$12.99
7 Capricci
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Quatuor de Saxophones: 4 saxophones
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Joerg Widmann
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7 Capricci
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Schott Music - Digital
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SheetMusicPlus
Saxophone quartet - difficult - SKU: S9.Q569464 For saxophone quartet. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 12'. Sc...
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Saxophone quartet - difficult - SKU: S9.Q569464 For saxophone quartet. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 12'. Schott Music - Digital #Q569464. Published by Schott Music - Digital (S9.Q569464). Über die Jahre war mir das Genre Saxophonquartett eher fremd gewesen – bis ich das Kebyart Ensemble hörte. Die Homogenität und Virtuosität des Klangs dieser vier jungen katalanischen Saxophonisten machte mir Laune, für diese Besetzung zu schreiben. Das Resultat sind nun 7 Launen, also Capricci; kurze, höchst unterschiedliche Stücke, die die Möglichkeiten der vier Saxophone ausloten: vom eröffnenden chromatisch-vierteltönigen Ascensió über zwei Geräuschstücke, einen Walzer, 2 Choräle hin zur abschließenden Zirkusparade, vom heiligen Ernst bis zur überbordenden Komik. - Jörg WidmannIn seinen 7 Capricci versucht Widmann, die Möglichkeiten des Saxophonquartetts auszuloten: vom eröffnenden chromatisch-vierteltönigen Ascensió über zwei Geräuschstücke, einen Walzer, 2 Choräle hin zur abschließenden Zirkusparade, vom heiligen Ernst bis zur überbordenden Komik.
$82.99
Study on Beethoven
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Methodes Etudes
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes....
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String quartet - difficult - SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
Intermezzi
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Piano seul
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AVANCÉ
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Joerg Widmann
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Intermezzi
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q11727 For piano. Composed by Joerg Widmann. This edition: Sheet music. Downloadable. Duration 19 minutes. Schott Mus...
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Piano - difficult - SKU: S9.Q11727 For piano. Composed by Joerg Widmann. This edition: Sheet music. Downloadable. Duration 19 minutes. Schott Music - Digital #Q11727. Published by Schott Music - Digital (S9.Q11727). Widmann's Intermezzi are influenced by the famous cycles of Johannes Brahms (Op. 116 - Op. 119) which are cited quite frequently. In the preface of the edition, Widmann hints at its 'unsettling reduction and succinct brevity': 'Latently menacing structures of melancholy beauty emerge from almost nothing here. I wish to listen to this tone of the later Brahms in my own Intermezzi which are naturally (and with regard to their age) totally different. And thus pay tribute to Brahms, the love of my youth, who was then overshadowed by Schumann for a long time but is now flaring up anew. The secret after the sound, even the anticipating pre-sound, the space of the in-between is what, to me, constitutes the essence of music. Therefore: Intermezzi.'.
$23.99
Free Pieces
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Joerg Widmann
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II: Chin
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Free Pieces
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Schott Music - Digital
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SheetMusicPlus
Ensemble (or chamber orchestra) - SKU: S9.Q19866 For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music...
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Ensemble (or chamber orchestra) - SKU: S9.Q19866 For ensemble (or chamber orchestra). Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 25 minutes. Schott Music - Digital #Q19866. Published by Schott Music - Digital (S9.Q19866). Jörg Widmann dedicated 'Freie Stücke' to his teacher Wolfgang Rihm on his fiftieth birthday in 2002. The ten pieces for mixed ensemble or orchestra are 'inspired by the wish for concentration and reduction. Each piece focusses on one sound phenomenon (pulse, shaking ground, noise, monophony, overtone structures, etc.). All parts are locked together, however. The ending of each piece is the beginning of the next one. Thus, something disparate becomes something continuously narrated.' (Jörg Widmann)2 (2. auch Picc.) · 1 (auch Engl. Hr.) · 2 (1. auch Bassklar., 2. auch Kb-Klar., beide auch Pedalp.) · 1 (auch Kfg. und Lotosfl.) - 1 · 1 (auch Lotosfl.) · 1 · 0 – S. (I: Crot. · Lotosfl. · Wassergong [kl. Tamt.] · Wassergong [c']· Tamt. · Xylorimba · gr. Tr. · Beck. · Glsp. · 5 Woodbl. · 2 Peking-Oper-Gongs · Trillerpf. · hohes Tomt. · 2 hohe Tamb. · Steel Drum · Rototoms [chrom.] · Buckelgongs; II: Chin. Beck. · 5 Woodbl. · Lotosfl. · Pedalpauke [auch m. schwerem 20-Zoll-Ride-Beck. m. Kuppe aufgelegt] · 5 Beck. · Xylorimba · Peitsche · gr. Tr. · Crot. · Trgl. · Glsp · Flex. · Guiro · Peking-Oper-Gong · Trillerpf. · Röhrengl.) (2 Spieler) - Str. (1 · 1 · 1 · 1 · 1 [Kb. mit 5. Saite H], oder chorisch).
$47.99
Flûte en suite
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Flûte traversière et Piano
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AVANCÉ
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with s...
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Flute and orchestra - difficult - SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99
Teiresias
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Joerg Widmann
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Teiresias
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Schott Music - Digital
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SheetMusicPlus
6 double basses - difficult - SKU: S9.Q11701 Composed by Joerg Widmann. This edition: score and parts. Double-Bass Library. Downloadable, score and part...
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6 double basses - difficult - SKU: S9.Q11701 Composed by Joerg Widmann. This edition: score and parts. Double-Bass Library. Downloadable, score and parts. Duration 14 minutes. Schott Music - Digital #Q11701. Published by Schott Music - Digital (S9.Q11701). 'Ein Orakelspruch für sechs Kontrabässe' (An oracle for six double-basses) – this is how Widmann calls his composition which he wrote upon commission of the Berlin Philharmonic Orchestra on the occasion of the 75th birthday of the conductor Claudio Abbado. The subtle theme seems to be the saga of Teiresias, the blind prophet, from Greek mythology. According to Widmann himself, he imagined a sound for the unusual instrumentation of six double-basses that 'is both blind and seeing' in its enigmatic whispering.
$35.99
Quintet
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Joerg Widmann
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Quintet
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Schott Music - Digital
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SheetMusicPlus
Oboe, clarinet in A, bassoon, horn and piano - difficult - SKU: S9.Q6559 For oboe, clarinet in A, horn, bassoon and piano. Composed by Joerg Widm...
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Oboe, clarinet in A, bassoon, horn and piano - difficult - SKU: S9.Q6559 For oboe, clarinet in A, horn, bassoon and piano. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 22 minutes. Schott Music - Digital #Q6559. Published by Schott Music - Digital (S9.Q6559). Widmann's Quintet is a deliberate tribute to Mozart's work for the same instrumentation (KV 452), both of which can be easily combined. In contrast to Mozart's classical forms of movements, Widmann composed 18 short miniatures some of which bear evocative titles while others bear musical-theoretical titles (e.g. 'Verwunschener Garten' (Enchanted Garden) or 'Kontrapunktische Studie' (Contrapuntal Study]). Traditional and contemporary playing techniques alternate in the musical texture. Therefore, in conjunction with the pointed style, this piece is also suitable for demanding educational purposes.
$57.99
Clarinet quintet
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Joerg Widmann
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Clarinet quintet
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Schott Music - Digital
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SheetMusicPlus
Clarinet, zwei violins, viola and cello - difficult - SKU: S9.Q50447 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and p...
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Clarinet, zwei violins, viola and cello - difficult - SKU: S9.Q50447 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 40 minutes. Schott Music - Digital #Q50447. Published by Schott Music - Digital (S9.Q50447). As a clarinetist frequently performing with string quartets, the clarinet quintet is a strange omission from Jörg Widmann’s catalogue of works. Up until now, his quintet programmes have included works primarily by Mozart, Brahms, Weber, and – in slightly altered or extended instrumentation – Messiaen’s Quatuor pour la fin du temps, alongside Widmann’s own sextet Fieberfantasie. This gap in his oeuvre is now finally filled with his first Clarinet Quintet which is sure to become a regular part of chamber music repertoire in the future.
$83.99
Violin Concerto
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Violon et Piano
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AVANCÉ
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Joerg Widmann
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - difficult - SKU: S9.Q20006 Composed by Joerg Widmann. This edition: piano reduction with solo part. Downloadable, piano reduction...
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Violin and orchestra - difficult - SKU: S9.Q20006 Composed by Joerg Widmann. This edition: piano reduction with solo part. Downloadable, piano reduction with solo part. Duration 27 minutes. Schott Music - Digital #Q20006. Published by Schott Music - Digital (S9.Q20006). Jörg Widmann treats the violon at first as a vocal instrument, just in the tradition of the great violin concertos of the 19th century through to Alban Berg. But from the cantabile lines, often written 'sul tasto' and 'flautando', emerges again and again a virtuosity which is just as important to the genre and which, based on contemporary playing techniques, causes enticing problems for every player. As the orchestra is reduced to a demanding, yet rather accompanying function during the almost 30 minutes' duration, the piano reduction, already tried in Hamburg by the world premiere performer Christian Tetzlaff with Jörg Widmann on the piano, offers more than ever an opportunity for concert performances off the major stages.2 (2. auch Picc.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 4 · 0 · 0 · 0 - P. S. (Glsp. · Crot. [2 zwei-oktavige Sets] · 3 Beck. [h./m./t.] · Tamt. [m.] · gr. Tr. · Vibraslap) (2 Spieler) - Hfe. · Cel. (auch 2. gr. Tr.) - Str. (14 · 12 · 10 · 8 · 6 [alle mit 5. Saite H]).
$47.99
Cavatina
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Joerg Widmann
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Cavatina
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778702 String Quartet No. 10 (Beethoven-Study V). Composed by Joerg Widmann. Downloadable, Score and parts....
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String quartet - difficult - SKU: S9.Q778702 String Quartet No. 10 (Beethoven-Study V). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 16 minutes. Schott Music - Digital #Q778702. Published by Schott Music - Digital (S9.Q778702). I consider Beethoven’s String Quartet op. 130 with its Grosse Fuge as the pinnacle of all quartets. In each of the four movements, Beethoven succeeds in re-inventing the archetypal movement forms with equal intensity, meaning that they are consequently nothing like what they once were. My Beethoven Studies (String Quartets 6-10) explore the cosmos of this so very unique quartet to a greater or lesser degree, and in explicit form in this concluding quartet of the cycle. The Cavatina from op. 130 is one of the most emotional movements ever written by Beethoven. Although some of the original material can be recognised in my own Cavatina, I consider it as one of the most personal and freest movements of my entire quartet cycle. This is a free form of ardent singing and flowing, marking the conclusion of the cycle which grappled so vehemently and sensuously with the cosmos of Beethoven’s quartets. Everything hovers … into the open … into free space. Jörg Widmann.
$65.99
String Quartet No. 7
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Quatuor à cordes: 2 violons, alto, violoncelle
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Joerg Widmann
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String Quartet No. 7
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q779677 (Beethoven-Study II). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 26 minutes....
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String quartet - difficult - SKU: S9.Q779677 (Beethoven-Study II). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 26 minutes. Schott Music - Digital #Q779677. Published by Schott Music - Digital (S9.Q779677). My String Quartet No. 7 – the second of my ‘Beethoven studies’ – is the first of my quartets to possess a two-movement structure. The density of texture is additionally enhanced, meaning that the opening Grave is internally so jaggedly animated that it is never quite clear whether it is perhaps an Allegro movement after all. The second movement is a mirror image of the first: it begins with a playful pizzicato Allegro – initially tentative attempts towards a calm, chorale-like cantabile are repeatedly rebuffed by new fast elements. Ultimately, a melodious hymn exalting in the greatest heights succeeds in establishing itself. Jörg Widmann.
$124.99
String Quartet No. 9
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Classique
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Joerg Widmann
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String Quartet No. 9
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Schott Music - Digital
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SheetMusicPlus
String quartet - difficult - SKU: S9.Q778629 (Beethoven-Study IV). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 35 minutes....
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String quartet - difficult - SKU: S9.Q778629 (Beethoven-Study IV). Composed by Joerg Widmann. Downloadable, Score and parts. Duration 35 minutes. Schott Music - Digital #Q778629. Published by Schott Music - Digital (S9.Q778629). The 9th String Quartet forms the penultimate work in my Beethoven Study quartet cycle. Chronologically, however, it was composed after the 10th Quartet Cavatina. And indeed, when composing it, it felt like the conclusion of the cycle. While the 6th Quartet Studie über Beethoven, which opened the cycle, was still in one movement, the 7th in two and the 8th in three, this 9th Quartet is a four-movement work. The sacred musical number 9 inspired me to create an especially substantial and intense composition. The second movement, a Scherzo, and the fourth movement Allegro alla marcia have become simply gigantic in their dimensions and in the density of information and impulses in comparison to their historical models. This 9th quartet has a particular focus on Beethoven’s still unattainable Quartet in C# minor op. 131. The radical nature and modernity of this work are still burning issues for us today. As in the other quartets in the cycle, I have been amazed at the new forms which have evolved during my preoccupation with their historical models and the extent of previously unknown spiritual depths in my own music during the process of composition. While my study of Beethoven's symphonies in the orchestral piece Con brio led to the discovery of new tonal possibilities for the orchestra (the timpani treatment!) and the juxtaposition of Beethoven's choral fantasy with the Latin Dies irae in my ARCHE oratorio made it possible to develop new theological and thematic points of focus, in the string quartet cycle it is above all the development and discovery of new forms that could only emerge through the study of Beethoven's quartets. Jörg Widmann.
$132.99
Bunte Blätter
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2 Pianos, 4 mains
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Contemporain
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Joerg Widmann
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Bunte Blätter
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Schott Music - Digital
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SheetMusicPlus
2 pianos - SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771...
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2 pianos - SKU: S9.Q771527 For two pianos. Composed by Joerg Widmann. Downloadable, Performance score. Duration 17'. Schott Music - Digital #Q771527. Published by Schott Music - Digital (S9.Q771527). After an early mini piece for this instrumentation, Bunte Blätter (Coloured Leaves) is my first real piece for two pianos. It has become a collection of highly diverse and multifaceted pieces and forms, ranging from Walzer (Waltz) to Danse macabre, from Fanfare to Zirkusparade (Circus Parade). The fact that the interpreters of the world premiere, Arthur and Lucas Jussen, are siblings, may and should be felt in the teasingly affectionate Fangspiel (Game of Tag) in which the two pianists sometimes deliberately play past each other. The collection is completed by Rätsel (Riddle) for Peter Sloterdijk's 75th birthday, a small, sphinx-like piece for the librettist of my Babylon opera. - Jörg Widmann.
$31.99
Petite Suite
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Joerg Widmann
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Petite Suite
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Schott Music - Digital
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SheetMusicPlus
Flute (with obligatoryer bassflute and gong) - advanced - SKU: S9.Q46991 For flute (with bass flute obbligato and gong). Composed by Joerg Widman...
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Flute (with obligatoryer bassflute and gong) - advanced - SKU: S9.Q46991 For flute (with bass flute obbligato and gong). Composed by Joerg Widmann. This edition: single sheet. Il Flauto traverso. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q46991. Published by Schott Music - Digital (S9.Q46991). Jörg Widmann composed the three-movement work in 2016 in memory of the Swiss flautist Aurèle Nicolet. The world premiere took place as part of a concert in Freiburg which was dedicated to Nicolet who had died shortly before; the interpreter was Emmanuel Pahud, one of his pupils. The versatility of the work shows, for example, in its obbligato instrumentation of bass flute and bossed gong – both instruments require only one additional player.
$7.99
Cadenzas
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Joerg Widmann
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Cadenzas
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Schott Music - Digital
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SheetMusicPlus
Violin - difficult - SKU: S9.Q46796 Concerto for violin and orchestra no. 3 in G major KV 216 by W. A. Mozart. Composed by Joerg Widmann. This ed...
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Violin - difficult - SKU: S9.Q46796 Concerto for violin and orchestra no. 3 in G major KV 216 by W. A. Mozart. Composed by Joerg Widmann. This edition: single sheet. Cadenza. Downloadable, Separate edition. Op. 12. Duration 2 minutes. Schott Music - Digital #Q46796. Published by Schott Music - Digital (S9.Q46796). In 2006, Jörg Widmann composed these noble, deliberately simple cadenzas for Mozart's Violin Concerto as a commission from the Schleswig-Holstein Music Festival and violinist Isabelle van Keulen. In this series, unique in classical music literature, cadenzas are presented of well-known classical and romantic instrumental concertos, written by important composers and soloists of our time.
$11.99
Signals
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Joerg Widmann
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Signals
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Schott Music - Digital
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SheetMusicPlus
6 voices (Soprano, Mezzo-soprano, Countertenor, Tenor, Baritone, Bass) - difficult - SKU: S9.Q47177 For 6 voices (SMezCtTBarB). Composed by Joerg...
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6 voices (Soprano, Mezzo-soprano, Countertenor, Tenor, Baritone, Bass) - difficult - SKU: S9.Q47177 For 6 voices (SMezCtTBarB). Composed by Joerg Widmann. This edition: Sheet music. Schott Chamber Choir. Downloadable. Duration 18 minutes. Schott Music - Digital #Q47177. Published by Schott Music - Digital (S9.Q47177). Vocalises.Jörg Widmann komponierte die Signale für sechs Stimmen anlässlich der Wittener Tage für neue Kammermusik 2003 ohne die Verwendung eines konkreten Textes. Die einzelnen Stimmen behandeln rein phonetisches Material. Allerdings tritt das quasi theatrale Moment einer fast rituellen Zusammenkunft der sechs Vokalisten hinzu: Zunächst objektive Zeichen, Signale wie Amplituden-, Linienverläufe, Frequenzen, weißes Rauschen werden zu Alarm-, und Sirenensignalen, zu Morsezeichen, Störgeräuschen sowie existenziellen Schreien.
$12.99
Three Shadow Dances
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Clarinette
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AVANCÉ
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Joerg Widmann
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Three Shadow Dances
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Schott Music - Digital
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SheetMusicPlus
Clarinet - difficult - SKU: S9.Q19083 For clarinet. Composed by Joerg Widmann. This edition: Sheet music. Clarinet Library. Downloadable. Duratio...
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Clarinet - difficult - SKU: S9.Q19083 For clarinet. Composed by Joerg Widmann. This edition: Sheet music. Clarinet Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q19083. Published by Schott Music - Digital (S9.Q19083). Widmann views in his “Three Shadow Dances†again the clarinet from a completely different perspective and thereby encourages young clarinetists to develop an enthusiastic and playful approach to microtones, multiphonics, key click sounds, shadowy notes and other new playing techniques.
$15.99
Five Fragments
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Clarinette
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AVANCÉ
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Joerg Widmann
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Five Fragments
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Schott Music - Digital
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SheetMusicPlus
Clarinet (in A and B) and piano - difficult - SKU: S9.Q6109 Composed by Joerg Widmann. This edition: Sheet music. Clarinet Library. Downloadable. Durati...
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Clarinet (in A and B) and piano - difficult - SKU: S9.Q6109 Composed by Joerg Widmann. This edition: Sheet music. Clarinet Library. Downloadable. Duration 8 minutes. Schott Music - Digital #Q6109. Published by Schott Music - Digital (S9.Q6109). Nach mehreren Stücken, in denen es um Fluss und Bewältigung einer Großform ging, faszinierte mich 1997 die Idee von Bruch-Stücken: Reduktion, Verknappung, Konzentration. Die mir liebgewordenen Instrumente Klarinette und Klavier mussten mir dazu wieder fremd werden; es ist eine andere Vertrautheit geworden. - Jörg Widmann.
$22.99
Tears of the Muses
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Joerg Widmann
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Tears of the Muses
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Schott Music - Digital
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SheetMusicPlus
Clarinet in Bb, violin and piano - advanced - SKU: S9.Q42483 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Du...
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Clarinet in Bb, violin and piano - advanced - SKU: S9.Q42483 Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 12 minutes. Schott Music - Digital #Q42483. Published by Schott Music - Digital (S9.Q42483). 'Should muses be silent while the guns speak?' asks Jörg Widmann, who was only 20 years old when composing this piece, with his Trio for Clarinet in B flat, violin and piano, a musical essay on three tones.
$29.99
Armonica
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Orchestre
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Joerg Widmann
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II: Glsp
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Armonica
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q23760 For Orchestra. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Dur...
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Orchestra - SKU: S9.Q23760 For Orchestra. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q23760. Published by Schott Music - Digital (S9.Q23760). Mit seinem Orchesterwerk Armonica begibt sich Jörg Widmann auf die Suche nach der Harmonie. Klänge wie von einer Glasharmonika bestimmen Anfang und Ende des Stücks. In seinem Verlauf weitet sich das Werk Hinsichtlich der rhythmische, melodischen und dynamischen Differenzierung, als stelle es eine einzige, riesige Atembewegung dar oder: das Ein- und Ausatmen einer Ziehharmonika.1 · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. S. (I: Crot. · Beck. · Watergong · 2 Tamt.; II: Glsp. · Beck. · Watergong · 2 Tamt.; III: Vibr. · Beck. · chin. Beck. · Watergong · 2 Tamt. · Trgl.) - Glasharm. · Hfe. · Cel. · Akk. · Klav. - Str. (12 · 10 · 8 · 6 · 6).
$29.99
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