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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Johann-Summer
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The Last Rose of Summer
Guitare
Guitar - easy to intermediate - Digital Download From: J.K. Mertz, Kukuk, Musikalisch…
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Guitar - easy to intermediate - Digital Download From: J.K. Mertz, Kukuk, Musikalische Rundschau (No. 2). Edited by Martin Hegel. Arranged by Johann Kaspar Mertz. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 3 pages. Schott Music - Digital #Q49746. Published by Schott Music - Digital
$2.99
2.71 €
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Guitare
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Johann Kaspar Mertz
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Co
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The Last Rose of Summer
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Schott Music - Digital
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SheetMusicPlus
Midsummer Night's Dream
Guitare
From: J. K. Mertz, Kukuk, Musikalische Rundschau (No. 72). Composed by Johann Kaspar …
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From: J. K. Mertz, Kukuk, Musikalische Rundschau (No. 72). Composed by Johann Kaspar Mertz (1806-1856). Edited by Martin Hegel. Arranged by Johann Kaspar Mertz. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 2 pages. Schott Music - Digital #Q49732. Published by Schott Music - Digital
$2.99
2.71 €
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Guitare
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Johann Kaspar Mertz
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Johann Kaspar Mertz
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Co
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Midsummer Night's Dream
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Schott Music - Digital
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SheetMusicPlus
Selected Operatic Fantasies of Mertz
Guitare
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.57 €
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Guitare
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.11 €
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Orchestre d'harmonie
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Kupelwieser Waltz (for Violoncello and Piano) from Waltz in G-flat major, D.Anh.I/14 - EASY VERSION
Violoncelle, Piano
Cello,Piano - Level 2 - Digital Download SKU: A0.597487 Composed by Franz Schubert.…
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Cello,Piano - Level 2 - Digital Download SKU: A0.597487 Composed by Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period,Wedding. Score and part. 8 pages. Flavio Regis Cunha #6208653. Published by Flavio Regis Cunha (A0.597487). Here we offer a beautiful easy arrangement written for cello and piano duet transposed to G Major from the original piece written in G flat Major. You, your student and your audience will love playing and hearing this waltz.Leopold Kupelweiser was the son of Johann Baptist Georg Kilian Kupelwieser (1760–1813), co-owner of a factory that produced tableware.[1] His talents were recognized at an early age by the sculptor Franz Anton von Zauner and by the time he was twelve, he was already attending the Academy of Fine Arts, Vienna.His brother was the theatrical director Joseph Kupelwieser, who wrote the libretto for Schubert's opera Fierrabras. With his brother, Joseph, he was a member of the Schubertianern (friends of Franz Schubert), a group that often got together for summers at the Schloss Atzenbrugg, west of Vienna. In 1826, Leopold married Maria Johanna Evangelista Augustina Stephania Theodora Lutz, an occasion which was marked by Schubert's composition, the Kupelwieser Waltz (never written down, but passed along by the family and later transcribed by Richard Strauss).
$7.99
7.24 €
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Violoncelle, Piano
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Franz Schubert
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Flavio Regis Cunha
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Kupelwieser Waltz
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Flavio Regis Cunha
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
9.95 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.61 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.61 €
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Orchestre de chambre
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Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.61 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.61 €
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Orchestre à Cordes
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Johann Strauss Jr
#
Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.61 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.61 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
BEST OF BAROQUE MUSIC (50 TUNES) - Collection [EASY PIANO]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1327635 By Antonio Vivaldi, Francoi…
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Easy Piano - Level 2 - Digital Download SKU: A0.1327635 By Antonio Vivaldi, Francois Couperin, Georg Philipp Telemann, George Frideric Handel, Giuseppe Tartini, Henry Purcell, Jean-Baptiste Lully, Jean-Philippe Rameau, Jeremiah Clarke, Johann Pachelbel, Johann Sebastian Bach, Louis-Claude Daquin, and etc. By Antonio Vivaldi, Francois Couperin, Georg Philipp Telemann, George Frideric Handel, Giuseppe Tartini, Henry Purcell, Jean-Baptiste Lully, Jean-Philippe Rameau, Jeremiah Clarke, Johann Pachelbel, Johann Sebastian Bach, Louis-Claude Daquin, and etc. Arranged by Darek. Baroque,Christmas,Classical,Early Music,Religious. Score. 124 pages. Darek #915679. Published by Darek (A0.1327635). BEST OF BAROQUE MUSIC (50 TUNES) - Sheet Music Collection [EASY PIANO]Sheet Music for Piano or Keyboard in Easy Arrangements for beginner pianists. 50 Most Famous Pieces of Baroque Era for Beginner Pianists. Compositions by such composers as Johann Sebastian Bach, George Frideric Handel, Antonio Vivaldi, Johann Pachelbel, Jean-Philippe Rameau, Georg Philipp Telemann, Louis-Claude Daquin, Francois Couperin, Jean-Baptiste Lully, Henry Purcell, Pietro Domenico Paradisi, Jeremiah Clarke and Giuseppe Tartini. Easy sheet music | Baroque | Classical Music | Easy Sheet Music Collection | Piano | Keyboard | Grand Piano | Easy version for pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for BeginnersIncluded: Articulation, Dynamics, Fingering and a simplified Youtube tutorial. Song List:1. Air on the G String [Bach]2. Arrival of the Queen Sheba [Handel]3. Autumn from The Four Seasons [Vivaldi]4. Ave Maria [Bach, Gounod]5. Badinerie [Bach]6. Bourrée in E Minor [Bach]7. Brandenburg Concerto [Bach]8. Canon in D [Pachelbel]9. Cantata [Bach]10.  Cello Suite [Bach]11.  Chaconne in F Minor [Pachelbel]12.  Concerto for 2 Mandolins [Vivaldi]13.  Concerto for 4 Violins [Vivaldi]14.  Concerto for Lute [Vivaldi]15.  Concerto for Strings [Vivaldi]16.  Da tempeste il legno infranto [Handel]17.  Dance of the Savages [Rameau]18.  Fantasia in G Minor [Telemann]19.  Gloria in D [Vivaldi]20.  Goldberg Variations [Bach]21.  Hallelujah Chorus [Handel]22.  Invention No. 1 [Bach]23.  Italian Concerto [Bach]24.  Joy to the World [Handel]25.  La Stravaganza [Vivaldi]26.  Largo from Xerxes [Handel]27.  Lascia Ch'io Pianga [Handel]28.  Le Coucou [Daquin]29.  Les Barricades Mystérieuses [Couperin]30.  Let the Bright Seraphim [Handel]31.  Marche pour la Cérémonie des Turcs [Lully]32.  Minuet in G Major [Bach]33.  Minuet in G Minor [Handel]34.  Musette in D [Bach]35.  Music for the Royal Fireworks [Handel]36.  Passacaglia [Handel, Halvorsen]37.  Prelude in C [Bach]38.  Rondo [Purcell]39.  Sarabande [Handel]40.  Spring from The Four Seasons [Vivaldi]41.  Summer from The Four Seasons [Vivaldi]42.  The Harmonious Blacksmith [Handel]43.  Thine Be the Glory [Handel]44.  Toccata [Paradisi]45.  Toccata and Fugue [Bach]46.  Trumpet Voluntary [Clarke]47.  Violin Sonata in G Minor [Tartini]48.  Water Music Suite [Handel]49.  Winter from The Four Seasons [Vivaldi]50.  Zadok the Priest [Handel]Johann Sebastian Bach: https://www.youtube.com/watch?v=QyjC4CS_CeUGeorge Frideric Handel: https://www.youtube.com/watch?v=pPeWOKHwjn8Antonio Vivaldi: https://www.youtube.com/watch?v=CKui4BWKG2MOther Composers: https://www.youtube.com/watch?v=4A0E6YpoV80.
$30.00
27.17 €
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Piano Facile
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Antonio Vivaldi, Francois Couperin, Georg Philipp Telemann, George Frideric Handel, Giuseppe Tartini, Henry Purcell, Jean-Baptiste Lully, Jean-Philippe Rameau, Jeremiah Clarke, Johann Pachelbel, Johann Sebastian Bach, Louis-Claude Daquin, and etc
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Darek
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BEST OF BAROQUE MUSIC
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Darek
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SheetMusicPlus
O sommartid
SSAAB chorus - Digital Download SKU: BJ.1275 Composed by Trad. Sweden. Arranged by …
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SSAAB chorus - Digital Download SKU: BJ.1275 Composed by Trad. Sweden. Arranged by Johanna Thür. Folk, Christian. Octavo. 1 pages. Bo Ejeby Forlag - Digital #1275. Published by Bo Ejeby Forlag - Digital (BJ.1275). 8.27 x 11.7 inches.Oh, summer time. Traditional Swedish summer hymn, arranged for mixed choir.
$2.00
1.81 €
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Trad
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Johanna Thür
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O sommartid
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Tritsch-Tratsch Polka for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527656…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527656 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 20 pages. Diego Marani #3066917. Published by Diego Marani (A0.527656). Tritsch-Tratsch-Polka, Op. 214, is a polka written by Johann Strauss II in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. The title may be interpreted as Chit-chat and may refer to the Viennese passion for gossip. Strauss may also have been referencing the single act burlesque Der Tritsch-tratsch (with music by Adolf Müller, Sr.) by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. Many point out that the title may also have meant his first wife's (Henrietta Treffz) poodle, also named Tritsch-tratsch, but this etymology remains unsubstantiated as well. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$14.90
13.49 €
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Quatuor de Clarinettes: 4 clarinettes
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Johann Strauss Jr
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Diego Marani
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Tritsch-Tratsch Polka for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
Sommernacht
Quatuor de cuivres: 4 cors
French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1278303 Composed by J…
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French Horn Quartet Horn - Level 3 - Digital Download SKU: A0.1278303 Composed by Johann Hoven. Arranged by Edition Maulwurf. 19th Century,Romantic Period. 12 pages. Edition Maulwurf #870008. Published by Edition Maulwurf (A0.1278303). Johann Hovenalias Johann Vesque von Püttlingen (1803-1883)Sommernacht(Summer Night)arrangement for horn quartetduration: ca 3m 45sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$10.99
9.95 €
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Quatuor de cuivres: 4 cors
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Johann Hoven
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Edition Maulwurf
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Sommernacht
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Edition Maulwurf
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SheetMusicPlus
The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.62 €
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Chorale SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Pizzicato Polka
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.723151 Composed by Johann Str…
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String Orchestra - Level 3 - Digital Download SKU: A0.723151 Composed by Johann Strauss Jr. and Josef Strauss. Arranged by Joel Jacklich (ASCAP). Romantic Period. Score and parts. 20 pages. Joel Jacklich #5316203. Published by Joel Jacklich (A0.723151). Brothers Josef Strauss and Johann Strauss, Jr collaborated on the Pizzicato Polka during a summer of conducting their music in Russia with the hopes of securing Josef a position there. This arrangement by Joel Jacklich (ASCAP) is scored for string orchestra (with optional glockenspiel), but can also be played by string quartet alone.
$25.00
22.64 €
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Orchestre à Cordes
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Johann Strauss Jr
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Joel Jacklich (ASCAP)
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Pizzicato Polka
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Joel Jacklich
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SheetMusicPlus
Brahms: 8 Klavierstücke Op.76 No. 2 Capriccio in B minor - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1488141 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 14 pages. RayThompsonMusic #1065023. Published by RayThompsonMusic (A0.1488141). Arranged wind quintetClarinet in A (alternative Bb part provided)Brahms mainly composed the 8 Klavierstücke Op.76 (8 Piano Pieces) in summer 1878 in the summer resort of Pörtschach at Lake Wörth.Theodor Billroth, a close friend, was enthusiastic about the new works: “These are magnificent pieces, beautiful and interesting to play. They lie so well under the hand for those who are a little used to Schumann’s and Chopin’s technique that it is a pleasure to practise them.”This is No.2 Capriccio in B minor, it arranges well for an advanced wind quintet.Check out my other Brahms arrangements, including other piano works Various Intermezzos, Ballades and a Romanze), and orchestral arrangements - Variations on a theme by Haydn, Lullaby and Hungarian Dance No.5.
$19.95
18.07 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johannes Brahms
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Ray Thompson
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Brahms: 8 Klavierstücke Op.76 No. 2 Capriccio in B minor - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Ohne Sorgen (Without Cares), Polka schnell (Quick Polka) op. 271
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1489659 Composed by Josef Strauss…
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Concert Band - Level 4 - Digital Download SKU: A0.1489659 Composed by Josef Strauss. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 70 pages. Edition Schwalbe #1066531. Published by Edition Schwalbe (A0.1489659). Ohne Sorgen (Without Cares), a Polka schnell (Quick Polka) by Josef Strauss, younger brother of the famous king of waltz Johann jr., was composed in 1869,while passing the summer with the Strauss orchestra in Pavlovsk near St. Petersburg, Russia. It was premiered there on 10 September 1869. As a special feature of this piece, laughing by the musicians is demanded at certain points in the Trio. This is more difficult to execute with a wind band, as wind players can't laugh and play simultaneously like string players. The arrangement is kept in the original key of the composition for symphony orchestra. Is was first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2015 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria, repeated on 6 January 2023 by Salzburg Wind Philharmonic and broadcasted both times live by Austrian television. Live recordings of both concerts are available at https://www.salzburg-windphilharmonic.at/de/wien-trifft-london/ and https://www.salzburg-windphilharmonic.at/de/freunde-das-leben-ist-lebenswert/ or https://www.jpc.de/jpcng/classic/detail/-/art/freunde-das-leben-ist-lebenswert/hnum/11521748 and https://www.jpc.de/jpcng/classic/detail/-/art/wien-trifft-london/hnum/10428729?iampartner=303&subid=umr3&ref=partner.jpc.de.
$80.00
72.44 €
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Orchestre d'harmonie
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Josef Strauss
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Albert Schwarzmann
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Ohne Sorgen
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Edition Schwalbe
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SheetMusicPlus
By Strauss
Small Ensemble Voice - Level 4 - Digital Download SKU: A0.870849 Composed by George…
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Small Ensemble Voice - Level 4 - Digital Download SKU: A0.870849 Composed by George Gershwin and Ira Gershwin. Arranged by Lawrence Killian. Contemporary. Score and parts. 19 pages. Linden Brass Press Inc. #6682879. Published by Linden Brass Press Inc. (A0.870849). Do you have a good singer nearby? Here's a great arrangement of an extremely tongue-in-cheek song by Ira and George Gershwin. Perfect for summer concerts.By Strauss pays tribute to the music of the waltz kings: Johann Strauss Jr. and Sr. The singer describes their dislike of Broadway composers (including George Gershwin), and that they would rather dance to Strauss waltzes, referencing the blue Danube and Die Fledermaus. It was featured in the 1951 movie An American in Paris, performed by Gene Kelly, Georges Guétary, and Oscar Levant.
$14.95
13.54 €
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Strauss pays tribute to the music of the waltz kings: Johann Strauss Jr
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George Gershwin and Ira Gershwin
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Lawrence Killian
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By Strauss
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Linden Brass Press Inc.
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SheetMusicPlus
Artist’s Life, Op. 316 - Lever Harp Score & Parts
2 Harpes (duo)
Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803920 Arranged b…
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Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803920 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. 62 pages. O'Meara Music #5721361. Published by O'Meara Music (A0.803920). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.  This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.
$20.00
18.11 €
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2 Harpes (duo)
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Serena O’Meara
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Artist’s Life, Op. 316 - Lever Harp Score & Parts
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O'Meara Music
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SheetMusicPlus
Artist’s Life, Op. 316 - Lever Harp I
2 Harpes (duo)
Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803921 Arranged b…
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Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803921 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. 18 pages. O'Meara Music #5721365. Published by O'Meara Music (A0.803921). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.  This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.
$12.00
10.87 €
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2 Harpes (duo)
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Serena O’Meara
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Artist’s Life, Op. 316 - Lever Harp I
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O'Meara Music
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SheetMusicPlus
Artist’s Life, Op. 316 - Lever Harp II
2 Harpes (duo)
Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803922 Arranged b…
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Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803922 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. 19 pages. O'Meara Music #5721373. Published by O'Meara Music (A0.803922). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.  This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.
$12.00
10.87 €
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2 Harpes (duo)
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Serena O’Meara
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Artist’s Life, Op. 316 - Lever Harp II
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O'Meara Music
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SheetMusicPlus
Artist’s Life, Op. 316 - Pedal Harp II
2 Harpes (duo)
Instrumental Duet Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803925
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Instrumental Duet Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803925 Arranged by Serena O’Meara. Classical,Multicultural,Romantic Period,Standards,Traditional,World. Score and parts. 19 pages. O'Meara Music #5721391. Published by O'Meara Music (A0.803925). The Ball season of 1867 was particularly challenging to the Strauss brothers and their orchestras due to the defeat the previous summer by the Prussian army and cancellation of that Ball season. Johann met the challenge with first presenting The Blue Danube and then three weeks later giving the Ball attendees its twin, Artist’s Life. This autobiographical piece starts slow, as if just waking up, but once the Waltzes start, it’s all fun.  This arrangement has four out of five of the original Waltzes with all the Waltzes and sections marked to make creating a shorter version easier. It has both a pedal harp and lever harp version that is intended to be performed together. They only differ in the pedal/lever markings and an occasional harmony note. The dynamics are clearly marked.
$12.00
10.87 €
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2 Harpes (duo)
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Serena O’Meara
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Artist’s Life, Op. 316 - Pedal Harp II
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O'Meara Music
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SheetMusicPlus
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